The Anti-Liberal

    Last spring, in The New Statesman, Samuel Moyn reviewed Revolutionary Spring, Christopher Clark’s massive new history of the revolutions of 1848. Like most everything Moyn writes, the review was witty, insightful, and provocative — another illustration of why Moyn has become one of the most important left intellectuals in the United States today. One thing about it, though, puzzled me. In the Carlyle lectures that he delivered at Oxford the year before, now published as Liberalism Against Itself, Moyn argued that liberalism was, before the Cold War, “emancipatory and futuristic.” The Cold War, however, “left the liberal tradition unrecognizable and in ruins.” But in the New Statesman review, Moyn claimed that liberals had already lost their way a century long before the Cold War. “One lesson of Christopher Clark’s magnificent new narrative of 1848,” he wrote, “is a reminder of just how quickly liberals switched sides…. Because of how they lived through 1848, liberals betrayed their erstwhile radical allies to join the counter-revolutionary forces once again — which is more or less where they remain today.”

    Perhaps the contradiction is not so puzzling. Much like an older generation of historians who seemed to glimpse the “rise of the middle classes” in every century from the thirteenth to the twentieth, Samuel Moyn today seems to find liberals betraying their own traditions wherever he looks. Indeed, this supposed betrayal now forms the leitmotif of his influential writing.

    This was not always the case. The work that first made Moyn’s reputation as a public intellectual, The Last Utopia, in 2010, included many suggestive criticisms of liberalism, but was a subtle and impressive study that started many more conversations than it closed off. Yet in a subsequent series of books, from Christian Human Rights (2015), through Not Enough (2018) and Humane (2021), and most recently Liberalism Against Itself: Cold War Intellectuals and The Making of Our times, Moyn has used his considerable talents to make increasingly strident and moralistic critiques of contemporary liberalism, and to warn his fellow progressives away from any compromises with their “Cold War liberal” rivals. In particular, as he has argued in a steady stream of opinion pieces, his fellow progressives should resist the temptation to close ranks with the liberals against the populist right and Donald Trump. Liberalism has become the principal enemy, even as his definition of it has come to seem a figure of increasingly crinkly straw.

    Moyn does offer reasons for his critical focus. As he now tells the story, the liberalism born of the Enlightenment and refashioned in the nineteenth century was capacious and ambitious, looking to improve the human condition, both materially and spiritually; and not merely to protect individual liberties. It was not opposed to socialism; in fact, it embraced many elements of socialism. But that admirable liberalism has been repeatedly undermined by backsliding moderates who, out of fear that overly ambitious and utopian attempts to better the human condition might degenerate into tyranny, stripped it of its most attractive features, redefined it in narrow individualistic terms, and all too readily allied with reactionaries and imperialists. The logical twin endpoints of these tendencies, in Moyn’s view, are neoconservatism and neoliberalism: aggressive American empire and raging inequalities. His account of liberalism is a tale of villains more than heroes. 

    This indictment is sharp, and it is persuasive in certain respects, but it is also grounded in several very questionable assumptions. Politically, Moyn assumes that without the liberals’ “betrayal,” radicals and progressives would have managed to forge far more successful political movements, perhaps forestalling the triumph of imperial reaction after 1848, or of neoliberalism in the late twentieth century. Historically, Moyn reads the ultimate failure of Soviet Communism back into its seventy-year lifespan, as if its collapse was inevitable, and therefore assumes that during the Cold War the liberals “overreacted,” both in their fears of the Soviet challenge and in their larger concerns as to the pathological directions that progressive ideology can take.

    In addition, Moyn, an intellectual historian, not only attributes rather more influence to intellectuals than they may deserve, but also tends to engage with the history of actual liberal politics only when it supports his thesis. He has had a great deal to say about foreign policy and warfare, but much less about domestic policy, in the United States and elsewhere. He has therefore largely sidestepped the inconvenient fact that at the height of the Cold War, at the very moment when, according to his work, “Cold War liberals” had retreated from liberalism’s noblest ambitions, liberal politics marked some of its greatest American successes: most notably, civil rights legislation and Lyndon Johnson’s Great Society. The key moment for the ascent of neoconservatism and neoliberalism in both the United States and Britain came in the 1970’s, long after the start of the Cold War, and had just as much to do with the perceived failures of the modern welfare state as with the Soviet threat.

    Finally, Moyn has increasingly tended to reify liberalism, to treat it as a coherent and unified and powerful “tradition,” almost as a kind of singular political party, rather than as what it was, and still is: an often inchoate, even contradictory collection of thinkers and political movements. Doing so allows him to argue, repeatedly, that “liberalism” as a whole could make mistakes, betray its own past, and still somehow drag followers along while foreclosing other possibilities. As he put it bluntly in a recent interview, “Cold War liberalism… destroyed the potential of liberalism to be more believable and uplifting.” If only “liberalism” had not turned in this disastrous direction, Moyn claims, it could have defended and extended progressive achievements and the welfare state — weren’t they themselves achievements of American liberalism? — rather than leaving these things vulnerable to the sinister forces of market fundamentalism. Whether better liberal arguments would have actually done much to alter the directions that the world’s political economy has taken over the past half century is a question that he largely leaves unasked.

    Moyn today presents himself as a genuine Enlightenment liberal seeking to redeem the movement’s potential and to steer it back onto the path that it too easily abandoned. The assumptions he makes, however, allow him to blame the progressive left’s modern failures principally on its liberal opponents rather than on its own mistakes and misconceptions and the shifts it has made away from agendas that have a hope of rallying a majority of voters. Not surprisingly, this is a line of argument that has proven highly attractive to his ideological allies, but at the cost of helping to make serious introspection on their part unnecessary. They do not need to ask why they themselves have not produced an alternative brand of liberalism that might challenge the Cold War variety for intellectual ambition and rigor, and also enjoy broad electoral support. Moyn’s is a line of argument that also, in the end, fails to acknowledge just how difficult it is to improve the human condition in our fallen world, and how easily the path of perfection can turn astray, towards horror. 

    At the start it was not clear that Moyn’s work would take such a turn. After receiving both a doctorate in history and a law degree, he first made a scholarly reputation with a splendid study of the philosopher Emmanuel Levinas, and with essays on French social and political theory (especially the work of Pierre Rosanvallon, a major influence on his thought). His polemical side came out mostly in occasional pieces, notably his sharp and witty book reviews for The Nation. In one of those, in 2007, he took aim at contemporary human rights politics, calling them a recently invented “antipolitics” and arguing that “human rights arose on the ruins of revolution, not as its descendant.”

    Three years later Moyn published a book, The Last Utopia: Human Rights in History, which elaborated on these ideas, but in a careful and sometimes even oblique manner. In it, he sought to recast both the historical and political understandings of human rights. Historically, where most scholars had given rights doctrines a pedigree stretching back to the Enlightenment or even further, Moyn stressed discontinuity, and the importance of one recent decade in particular: the 1970s, when “the moral world of Westerners shifted.” Until this period, he argued, rights had had little meaning outside the “essential crucible” of individual states. Only with citizenship in a state did people gain what Hannah Arendt had called “the right to have rights.” The idea of human rights independent from states, enshrined in international law and enforceable across borders, only emerged with salience after the end of European overseas empires and with the waning of the Cold War. Politically, Moyn saw the resulting “last utopia” of human rights as an alluring but ultimately unsatisfactory substitute for the more robust left-wing utopias that had preceded it. He worried that the contemporary rights movement had been “hobbled by its formulation of claims as individual entitlements.” Was the language of human rights the best one in which to address issues of global immiseration? Should such a limited program be invested with such passionate, utopian hopes? Moyn had his doubts.

    “Liberalism” did not appear in the index to The Last Utopia, but it had an important presence in the book nonetheless. To be sure, the romantic utopianism that Moyn attributed to the architects of contemporary international human rights politics distinguished them from the hard-headed, disillusioned “Cold War liberals” whom he would later criticize in Liberalism Against Itself. But in the United States, the most prominent of these architects were liberal Democratic politicians such as Jimmy Carter. Discussing the relationship between human rights doctrines and decolonization, Moyn wrote that “the loss of empire allowed for the reclamation of liberalism, including rights talk, shorn of its depressing earlier entanglements with oppression and violence abroad” (emphasis mine). And his suggestion that human rights advocates downplayed social and economic rights echoed critiques that socialists had made of liberals since the days of Karl Marx.

    The Last Utopia already employed a style of intellectual history that focused on the way different currents of ideas competed with and displaced each other, rather than placing these ideas in a broader political context. The book spent relatively little time asking what human rights activism since the 1970’s had actually accomplished. Moyn instead concentrated on what had made it successful as a “motivating ideology.” And so, while he admitted that human rights “provided a potent antitotalitarian weapon,” he adduced figures such as Andrei Sakharov and Vaclav Havel more to trace the evolution of their ideas than to assess their role in the collapse of communism. 

    This way of telling the story gave Moyn a way to explain the failures of left-wing movements in the late twentieth century without dwelling on the crimes and the tragedies of communism. If so many on the left had succumbed to the siren song of human rights, he suggested, it was because, in the 1970s, the alternatives — for instance, Eurocommunism or varieties of French gauchisme — amounted to pallid, unattractive “cul-de-sacs.” Discussing the French “new philosopher” André Glucksmann’s move away from the far left, Moyn wrote that his “hatred of the Soviet state soon led him to indictments of politics per se.” Left largely unsaid were the reasons for Glucksmann’s entirely justified hatred, or any indication that the Soviet Union represented a terrible cautionary tale: a dreadful example of what can happen when overwhelming state power is placed in the service of originally utopian goals.

    But overall, The Last Utopia remained ambivalent about human rights doctrines, and left itself open to varying ideological interpretations. The conservative political scientist Samuel Goldman praised it in The New Criterion, while in The New Left Review the historian Robin Blackburn blasted Moyn for downplaying the Clinton administration’s use of human rights rhetoric to justify interventions in the former Yugoslavia. Many other reviewers focused entirely on Moyn’s historical thesis, and did not engage with his political arguments at all. 

    In his next two books Moyn did much to sharpen and clarify his political stance, even while continuing to concentrate on the story of human rights. In Christian Human Rights, he traced the modern understanding of the subject back to Catholic thinkers of the mid-twentieth century. The book was deeply researched, treating intellectuals such as Jacques Maritain with sensitivity, and it had illuminating things to say about how Catholic thinkers developed concepts of human dignity in response to the rise of totalitarian regimes. But Moyn spelled out his overall thesis quite bluntly: “It is equally if not more viable to regard human rights as a project of the Christian right, not the secular left.” In other words, not only was human rights activism an ultimately unsatisfactory substitute for more robust progressive policies; its origins lay in an unexpected and unfortunate convergence between well-meaning liberals and conservative, even reactionary Christian thinkers. This was an interpretation that seemed to embrace contrarianism for its own sake, and implied unconvincingly that the genealogy of ideas irremediably tarred their later iterations. 

    In Not Enough: Human Rights in an Unequal World, Moyn then returned to the political arguments he had first sketched out in the The Last Utopia, but ventured far more explicit criticisms of organizations such as Amnesty International and Human Rights Watch for embracing only a minimal conception of social and economic rights. Human rights, he charged, have “become our language for indicating that it is enough, at least to start, for our solidarity with our fellow human beings to remain weak and cheap.” He resisted calling human rights a simple emanation of neoliberal market fundamentalism, but argued that the two coexisted all too easily. In this book, allusions to neoliberalism far outnumbered those to liberalism tout court. Still, Moyn revealingly cast the entire project as a response to the “self-imposed crises” of “liberal political hegemony,” and the need to explore “the relevance of distributive fairness to the survival of liberalism.”

    The book also went much further than The Last Utopia in exploring what Moyn presented as alternatives to human rights activism. Notably, he considered the New International Economic Order proposed in the 1970s, by which poor nations from the global south would have joined together in a cartel to raise commodity prices. “In almost every way,” Moyn wrote, “the NIEO was… the precise opposite of the human rights revolution.” It prioritized social and economic equality rather than mere sufficiency, and it sought to enlist the diplomatic power of states, rather than the publicity efforts of NGOs, to advance its goals. It was not clear from his account, though, why progressives could not have pushed for global economic redistribution and human rights at the same time. Moyn also sidestepped the fact that while the NIEO might have represented a theoretical alternative path, it was never a realistic one. The proposals went nowhere, and not because of any sort of ideological competition from human rights, but thanks to steadfast opposition from the United States and other industrialized nations. And while supporters claimed that under the NIEO states could redistribute the resulting wealth to their citizens, it was not obvious, to put it mildly, that ruling elites in those states would actually follow through on that promise. The history of systemic corruption in too many states of the global south is not encouraging. 

    In Humane, Moyn finally moved away from the subject of human rights. This book promised, as the subtitle put it, to examine “how the United States abandoned peace and reinvented war.” While it purported to study the moral and strategic impact of new technologies of war, in practice it focused more narrowly on a subject Moyn knows better: the jurisprudence of war. Since the Middle Ages, legal scholars have generally organized this subject around two broad issues: what constitutes a just cause for war, and how to conduct a war, once started, in a just fashion. Moyn argued that in the twenty-first century United States, the second of these, known by the Latin phrase jus in bello, has almost entirely displaced the first, known as jus ad bellum. Americans today endlessly argue about how to fight wars in a humane fashion, and in the process have stopped talking about whether they should fight wars in the first place. The result has been to both facilitate and legitimize a descent into endless war on behalf of American empire, a “forever war” waged “humanely” with drones and precision strikes and raids by special forces replacing the carpet bombing of earlier times, about which the public has ceased to notice or care.

    Moyn himself insisted that this shift to jus in bello had gone in exactly the wrong direction. Taking Tolstoy as his guide and inspiration, he argued that we should direct our energies squarely towards peace, since the very notion of humane war comes close to being an absurd contradiction. He quoted Prince Andrei Bolkonsky, Tolstoy’s great character from War and Peace: “They talk to us of the rules of war, of mercy to the unfortunate. It’s all rubbish… If there was none of this magnanimity in war, we should go to war only when it was worthwhile going to certain death.” In his conclusion, Moyn even suggested that war would be just as evil if fought entirely without bloodshed, because it would still allow for the moral subjugation of the adversary. “The physical violence is not the most disturbing thing about it.” The writer David Rieff memorably riposted, after recalling a particularly bloody moment that he experienced during the siege of Sarajevo: “no, sorry, the best way to think about violence is not metaphorically, not then, not now, not ever.” 

    As in The Last Utopia, Moyn did not blame liberals directly for the shift he was tracking. But, again, his most sustained criticism was directed at liberals whose focus on atrocities such as Abu Ghraib supposedly led them to disregard the greater evil of the war itself. He wrote with particular pathos about the lawyers Michael Ratner and Jack Goldsmith, whose attempts to rein in the Bush Administration’s conduct of the wars in Iraq and Afghanistan unintentionally “led the country down a road to… endless war… Paved with their good intentions, the road was no longer to hell but instead horrendous in a novel way.” Moyn meanwhile reserved “the deepest blame for the perpetuation of endless war” for that quintessential liberal, Barack Obama. 

    Humane adopted many of the same methods of Moyn’s earlier work and suffered from some of the same weaknesses. Once again, he cast his story essentially as one of competing ideologies: one aimed at humanizing war, the other aimed at ending it altogether. Apparently, you had to choose a side. Moyn did concede that opponents of the Iraq War highlighted American atrocities so as to delegitimize the war as a whole (they “understood very well,” he put it a little snidely, “that it was strategic to make hay of torture”). But noting that this tactic failed to block David Petraeus’ “surge,” Moyn concluded that “it backfired as a stratagem of containing the war.” It is an odd argument. Would the opponents of the war have done better if they had not highlighted the atrocities of Abu Ghraib, and simply continued to stress the Iraq war’s overall injustice? Moreover, the stated purpose of the surge was to bring the increasingly unpopular Iraq conflict — unpopular in large part because of the Abu Ghraib revelations — to a swift conclusion and to make possible the withdrawal of American forces. 

    Like The Last Utopia, Humane also paid relatively little attention to events on the ground, as opposed to the discourse about them. Already by 2018, when Moyn published it, both major political parties in the United States had lost nearly all their appetite for overseas military adventures, even of the humane variety. Since then, the idea that the Bush and Obama administrations locked the United States into endless war has come to seem even less realistic. In 2021, President Biden incurred a great humanitarian and political cost by abandoning Afghanistan to the Taliban, but he never considered reversing course. Today those authors who still believe the United States is fighting a forever war have been forced to contend that aid to Ukraine is somehow the present-day equivalent of the Iraq War. It is an absurd and convoluted position. The only way to construe the conflict as anything but Russian aggression is to imagine that Vladmir Putin, one of the cruelest and most corrupt dictators the world has seen since the days of Stalin and Hitler, does not act on his own initiative, but only in reaction to American pressure. Does anyone seriously think that if the United States had not forcibly expanded NATO (or rather, had NATO not agreed to the fervent requests of former Communist bloc countries to be admitted), Putin would be peacefully sunning himself in Sochi?

    By the time Moyn published Humane, Donald Trump was in office, and loud arguments were being made that progressives, liberals, and decent conservatives needed to put aside their differences, close ranks, and concentrate on defending against the unprecedented threat that the new president posed to American democracy. Moyn would have none of it. In a series of opinion pieces, he argued that the danger was overblown. “There is no real evidence that Mr. Trump wants to seize power unconstitutionally,” he wrote in 2017, “and there is no reason to think he could succeed.” In 2020 he added that obsessing about Trump, or calling him a fascist, implied that America’s “long histories of killing, subjugation, and terror… mass incarceration and rising inequality… [are] somehow less worth the alarm and opprobrium.” Uniting against Trump distracted from the fact that America, thanks to its neoliberal inequalities and endless wars, itself “made Trump.” But America’s failures, and their very real role in generating the Trump phenomenon, say nothing at all about whether Trump poses a threat to democracy. Moyn’s dogged insistence on characterizing Trump as a distraction, meanwhile, led him to ever less realistic predictions. “If, as seems likely, Joe Biden wins the presidency,” he wrote in 2020, “Trump will come to be treated as an aberration whose rise and fall says nothing about America, home of antifascist heroics that overcame him just as it once slew the worst monsters abroad.” Not exactly.

    Today, with American democracy more troubled than ever, it would seem the moment for liberals and progressives to unite around a forward-looking program that can bring voters tempted by Trumpian reaction back together with the Democratic Party electorate. Samuel Moyn could have helped to craft such a program in our emergency. He is certainly not shy about offering prescriptions for what ails American politics. But these prescriptions are not ones that have a chance of winning support from moderate liberals, still less of ever being enacted. They tend instead towards a quixotic radical populism. In the New York Times in 2022, for instance, Moyn and co-author Ryan Doerfler first chided liberals for placing too much hope in the courts and thereby embracing “antipolitics”; in this, the authors confused the anti-political with the anti-democratic — courts are the latter, not the former. Then the piece bizarrely suggested that Congress might simply defy the Constitution and unilaterally assert sovereign authority in the United States, stripping the Supreme Court and Senate of most of their power and eliminating the Electoral College. This is a program that Donald Trump might well approve of, and it evinces a faith in the untrammeled majority that the history of the United States does not support, to say the least.

    That was just an opinion piece, of course. Moyn’s principal work remains in the realm of history, where the goal is above all to show how we got into our present mess, rather than offering prescriptions for getting us out of it. But histories, too, can offer positive suggestions and point to productive roads not taken. In Moyn’s most recent book, unfortunately, these elements remain largely undeveloped. Instead he concentrates on casting blame, and not in a convincing manner. 

    Liberalism Against Itself follows naturally from Moyn’s earlier work. Once again, the story is one of binary choices, and how certain influential figures made the wrong one. Just as a narrow conception of human rights was chosen over a more capacious one of social and economic rights, and jus in bello over jus ad bellum, now the story is about how a narrow “liberalism of fear” (in Judith Shklar’s famous and approving phrase) prevailed over a broad and generous and older Enlightenment liberalism. Once again, Moyn attributes enormous real-world influence to a set of complex, even recondite intellectual debates. And once again, there is surprisingly little attention to the broader historical and political context in which these debates took place, which allows him to cast the choices made as not only wrong, but as virtually perverse. The result is an intense, moralizing polemic, which has already received rapturous praise from progressive reviewers — not surprisingly, because it relieves progressives so neatly of responsibility for the left’s failures over the past several decades. But how persuasive is it, really?

    Liberalism Against Itself takes as its subject six twentieth-century intellectuals, all Jewish, four of them forced from their European birthplaces during the continent’s decades of blood: Judith Shklar, Isaiah Berlin, Karl Popper, Gertrude Himmelfarb, Hannah Arendt, and Lionel Trilling. At times, the book seems to place the responsibility for liberalism’s wrong turn almost entirely on their shoulders. As the political theorist Jan-Werner Müller has quipped, it can give “the impression that we would be living in a completely different world if only Isaiah Berlin, in 1969, had given a big lecture for the BBC about how neoliberalism… was a great danger to the welfare state.” Moyn calls these men and women the “principal thinkers” of “Cold War liberalism,” although six pages later he says he chose them “because they have been so neglected.” (They have?) In general, he presents them as emblematic of the twentieth century’s supposed disastrous wrong turn: how “Cold War liberals” abandoned a more capacious Enlightenment program and set the stage for neoliberal inequality and neoconservative warmongering.

    In fact, the six are not actually so emblematic. While Arendt associated with many liberals, she always refused the label for herself; she was in many ways actually a conservative. Himmelfarb began adult life as a Trotskyite and became best known, along with her husband Irving Kristol, as a staunch Republican neoconservative. Popper’s principal reputation is as a philosopher of science, not of politics. Meanwhile, Moyn leaves out some of the most influential liberal thinkers of the mid-twentieth century, who do not fit so easily into his framework: Raymond Aron, Arthur Schlesinger Jr., Richard Hofstadter, and perhaps Reinhold Niebuhr. Their beliefs were varied, and often at odds, and including them would have made it far harder to characterize mid-twentieth-century liberalism as uniformly hostile to the Enlightenment, or unenthusiastic about the welfare state, or dubious about prospects for social progress. Niebuhr, with his Augustinian emphasis on human sinfulness, would in some ways have fitted Moyn’s frame better than any of the book’s protagonists, although he didn’t always think of himself as a liberal. But, ironically, Niebuhr criticized liberalism for being precisely what Moyn says it was not: optimistic as to human perfectibility, and failing “to understand the tragic character of human history.”

    Moyn also makes his protagonists sound much more extreme in their supposed rejection of the Enlightenment than they actually were. They held that “belief in an emancipated life was proto-totalitarian in effect and not in intent.” They “treat[ed] the Enlightenment as a rationalist utopia that precipitated terror and the emancipatory state as a euphemism for terror’s reign.” Indeed, among them, “it was now common to say that reason itself bred totalitarianism.” Is Moyn confusing Isaiah Berlin with Max Horkheimer and Theodor Adorno, who wrote that “enlightenment is totalitarian”? Moyn cannot actually cite anything this crude and reductionist from any of his six liberals. He instead tries to make the charges stick by associating them with the much less significant Israeli intellectual historian Jacob Talmon, whose The Origins of Totalitarian Democracy, which appeared in 1952, indeed made many crude assertions of the sort, although directed principally against Rousseau and Romanticism, not the Enlightenment. “Talmon mattered supremely,” Moyn unconvincingly insists, despite the fact that his books were widely criticized at the time — notably by Shklar — and have largely faded from sight. Moyn even argues that much of Arendt’s work “can read like a sophisticated rewrite” of Talmon. By the same token, one could make the (ridiculous) statement that Samuel Moyn’s work reads like a sophisticated rewrite of the average Jacobin magazine column. Sophistication matters. Often it is everything. 

    Moyn does very little to place his six “Cold War liberals” in their most important historical context: namely, the Cold War itself. They “overreacted to the threat the Soviets posed,” he writes, without offering any substantial consideration of the Soviet Union and Joseph Stalin. But what should his allegedly misguided intellectuals have made of a regime that killed millions of its own citizens and imprisoned millions more, that carried out a mass terror that spun wildly out of control, that consumed its own leading cadres in one explosion of paranoia after another, and that imposed dictatorial regimes throughout Eastern Europe? Moyn seems to think that it was unreasonable to worry that movements founded on exalted utopian dreams of equality and justice might have a tendency to collapse into blood, fire, and mass murder. Was it so unreasonable of liberals during the Cold War, witnessing the immense tragedy and horror of totalitarianism, to consider such an idea? And, of course, the twentieth century would continue to deliver such tragedy and horror on a vast scale in China and in Cambodia. Moyn is absolutely right to argue that we cannot let this history dissuade us from pursuing the goals of equality and justice, but who says it should? Social democracy, after all, may not be the only way to pursue equality and justice. Moyn tendentiously mistakes his protagonists’ insistence on caution and moderation in pursuit of these goals for a rejection of them. 

    Although he largely disregards this pertinent Cold War context, Moyn does dwell at length on another one: imperialism and decolonization. He criticizes liberals for either ignoring these struggles, and the enormous associated human toll, or for actively opposing anti-colonial liberation movements. Arendt comes in for especially sharp criticism, in a chapter that Moyn pointedly titles “White Freedom.” He calls her a racist and characterizes her book On Revolution as “fundamentally about postcolonial derangement.” Such charges help Moyn paint his subjects in a particularly bad light (which some of them at least partially deserve), but they do not, however, do much to support the book’s overall argument. Liberals, he writes, did not suddenly decide to support imperialism during the Cold War. Liberalism was “entangled from the start with world domination.” But if that is the case, then other than reinforcing liberal doubts about revolutionaries speaking in utopian accents (such as Pol Pot?), anti-colonial struggles could not have been the principal context for liberalism’s supposed wrong turn.

    This wrong turn is at the heart of Moyn’s anti-liberal stance, and again, the argument is an odd one. Moyn himself concedes that at the very moment liberal thinkers were supposedly renouncing their noblest ambitions, “liberals around the world were building the most ambitious and interventionist and largest — as well as the most egalitarian and redistributive — liberal states that had ever existed.” He acknowledges the contradiction in this single sentence, but immediately dismisses it: “One would not know this from reading the theory.” (The remark reminds me of the old definition of an intellectual: someone who asks whether something that works in practice also works in theory.) The great turn against redistributionist liberalism in the United States came with the election of Ronald Reagan in 1980, long after Moyn’s subjects had published their major works. So how did they figure into this political upheaval? By having retreated into the “liberalism of fear,” thereby leaving the actual liberal project intellectually undefended.

    But would Reaganism, and Thatcherism, and the whole constellation of changes we now refer to as “neoliberal,” really have been blocked if the “Cold War liberals” had mounted a more robust defense of the welfare state? The argument presumes that the massive social and economic changes of the 1960’s and 1970’s — especially the transition to a postindustrial economy, and the consequent weakening of organized labor as a political force — mattered less than high-level intellectual debates. It also presumes that the welfare states created in the postwar period were fulfilling their purpose. In many ways, of course, they were not. They created vast inefficient bureaucracies, grouped poor urban populations into bleak and crime-ridden housing projects, and failed to raise these populations out of poverty. It was in fact these failings, as much as the Soviet threat, which left many liberal intellectuals disillusioned in this period, and thereby helped to prepare the Reagan Revolution. (A key venue for their reflections was the journal The Public Interest, founded by Irving Kristol and my father, Daniel Bell.) Moyn does not touch on any of this history.

    But even if we were to agree with Moyn, and to concede that a failure to properly defend the broader liberal project is what put us on the road to disaster, why should the “Cold War liberals” bear the responsibility? Did everyone on the moderate left have to follow them, lockstep, pied piper fashion, into the neoliberal present? Why did no thoughtful progressives step into the breach and develop the program Moyn says was needed? What about their responsibility? Significantly, the name of Michael Harrington, perhaps the most prominent democratic socialist thinker and activist of the period, goes unmentioned by Moyn. Why did he not succeed in developing a more attractive program?

    Liberalism Against Itself remains, significantly, almost entirely silent on the failure of the progressive left to offer a convincing alternative to what Moyn calls “Cold War liberalism.” One reason, quite probably, is that if Moyn were to venture into this territory, he would have to deal with the way that the progressive left, starting in the 1970’s, increasingly turned away from issues of economic justice towards issues of identity. This is not territory into which he has shown any desire to tread, either in his histories or in his opinion journalism, but it is at the heart of the story of the contemporary American left.

    Nor has he offered much advice regarding how the progressive left might build electoral support and win back voters from the populist right. The Biden administration has had, in practice, the most successful progressive record of any administration since Lyndon Johnson’s. It might seem logical to applaud it, to enthusiastically support the Democratic candidate who has already beaten Donald Trump at the polls, and to build on his achievements. But Moyn prefers the stance of the perennial critic, of the progressive purist. Last spring, he retweeted an article about Biden’s economic foreign policy with this quote and comment: “‘Biden’s policy is Trumpism with a human face.’ So true, and across other areas too.” Yes, it was just a tweet. But it reflects a deep current in Moyn’s work and in the milieu from which it springs.

    Samuel Moyn is entirely right to condemn the rising inequalities and the foreign policy disasters that have helped bring the United States, and the world at large, to the dire place in which we find ourselves. His challenging and provocative work has focused attention on key debates and key moments of transition. But over the course of his influential career, Moyn has increasingly opted to cast history as a morality play in which a group of initially well-intentioned figures make disastrously wrong choices out of blindness, prejudice, and irrational fear, and bear the responsibility for what follows. But liberalism was never designed to be a version of progressivism; it is a philosophy and a politics of its own. The aspiration to perfection, whose disappearance from liberalism Moyn laments, never was a liberal tenet. History is not a morality play. The choices were not simple. The fears were not irrational. And anti-liberalism is not a guide for the perplexed.

    LiteratureGPT

    When you log into ChatGPT, the world’s most famous AI chatbot offers a warning that it “may occasionally generate incorrect information,” particularly about events that have taken place since 2021. The disclaimer is repeated in a legalistic notice under the search bar: “ChatGPT may produce inaccurate information about people, places, or facts.” Indeed, when OpenAI’s chatbot and its rivals from Microsoft and Google became available to the public early in 2023, one of their most alarming features was their tendency to give confident and precise-seeming answers that bear no relationship to reality. 

    In one experiment, a reporter for the New York Times asked ChatGPT when the term “artificial intelligence” first appeared in the newspaper. The bot responded that it was on July 10, 1956, in an article about a computer-science conference at Dartmouth. Google’s Bard agreed, stating that the article appeared on the front page of the Times and offering quotations from it. In fact, while the conference did take place, no such article was ever published; the bots had “hallucinated” it. Already there are real-world examples of people relying on AI hallucinations and paying a price. In June, a federal judge imposed a fine on lawyers who filed a brief written with the help of a chatbot, which referred to non-existent cases and quoted from non-existent opinions.

    Since AI chatbots promise to become the default tool for people seeking information online, the danger of such errors is obvious. Yet they are also fascinating, for the same reason that Freudian slips are fascinating: they are mistakes that offer a glimpse of a significant truth. For Freud, slips of the tongue betray the deep emotions and desires we usually keep from coming to the surface. AI hallucinations do exactly the opposite: they reveal that the program’s fluent speech is all surface, with no mind “underneath” whose knowledge or beliefs about the world is being expressed. That is because these AIs are only “large language models,” trained not to reason about the world but to recognize patterns in language. ChatGPT offers a concise explanation of its own workings: “The training process involves exposing the model to vast amounts of text data and optimizing its parameters to predict the next word or phrase given the previous context. By learning from a wide range of text sources, large language models can acquire a broad understanding of language and generate coherent and contextually relevant responses.” 

    The responses are coherent because the AI has taught itself, through exposure to billions upon billions of websites, books, and other data sets, how sentences are most likely to unfold from one word to the next. You could spend days asking ChatGPT questions and never get a nonsensical or ungrammatical response. Yet awe would be misplaced. The device has no way of knowing what its words refer to, as humans would, or even what it means for words to refer to something. Strictly speaking, it doesn’t know anything. For an AI chatbot, one can truly say, there is nothing outside the text. 

    AIs are new, but that idea, of course, is not. It was made famous in 1967 by Jacques Derrida’s Of Grammatology, which taught a generation of students and deconstructionists that “il n’y a pas de hors-texte.” In discussing Rousseau’s Confessions, Derrida insists that reading “cannot legitimately transgress the text toward something other than it, toward a referent (a reality that is metaphysical, historical, psychobiographical, etc.) or toward a signified outside the text whose content could take place, could have taken place outside of language.” Naturally, this doesn’t mean that the people and events Rousseau writes about in his autobiography did not exist. Rather, the deconstructionist koan posits that there is no way to move between the realms of text and reality, because the text is a closed system. Words produce meaning not by a direct connection with the things they signify, but by the way they differ from other words, in an endless chain of contrasts that Derrida called différance. Reality can never be present in a text, he argues, because “what opens meaning and language is writing as the disappearance of natural presence.” 

    The idea that writing replaces the real is a postmodern inversion of the traditional humanistic understanding of literature, which sees it precisely as a communication of the real. For Descartes, language was the only proof we have that other human beings have inner realities similar to our own. In his Meditations, he notes that people’s minds are never visible to us in the same immediate way in which their bodies are. “When looking from a window and saying I see men who pass in the street, I really do not see them, but infer that what I see is men,” he observes. “And yet what do I see from the window but hats and coats which may cover automatic machines?” Of course, he acknowledges, “I judge these to be men,” but the point is that this requires a judgment, a deduction; it is not something we simply and reliably know.

    In the seventeenth century, it was not possible to build a machine that looked enough like a human being to fool anyone up close. But such a machine was already conceivable, and in the Discourse on Method Descartes speculates about a world where “there were machines bearing the image of our bodies, and capable of imitating our actions as far as it is morally possible.” Even if the physical imitation was perfect, he argues, there would be a “most certain” test to distinguish man from machine: the latter “could never use words or other signs arranged in such a manner as is competent to us in order to declare our thoughts to others.” Language is how human beings make their inwardness visible; it is the aperture that allows the ghost to speak through the machine. A machine without a ghost would therefore be unable to use language, even if it was engineered to “emit vocables.” When it comes to the mind, language, not faith, is the evidence of things not seen.

    In our time Descartes’ prediction has been turned upside down. We are still unable to make a machine that looks enough like a human being to fool anyone; the more closely a robot resembles a human, the more unnatural it appears, a phenomenon known as the “uncanny valley.” Language turns out to be easier to imitate. ChatGPT and its peers are already effectively able to pass the Turing test, the famous thought experiment devised by the pioneering computer scientist Alan Turing in 1950. In this “imitation game,” a human judge converses with two players by means of printed messages; one player is human, the other is a computer. If the computer is able to convince the judge that it is the human, then according to Turing, it must be acknowledged to be a thinking being. 

    The Turing test is an empirical application of the Cartesian view of language. Why do I believe that other people are real and not diabolical illusions or solipsistic projections of my own mind? For Descartes, it is not enough to say that we have the same kind of brain; physical similarities could theoretically conceal a totally different inward experience. Rather, I believe in the mental existence of other people because they can tell me about it using words. 

    It follows that any entity that can use language for that purpose has exactly the same right to be believed. The fact that a computer brain has a different substrate and architecture from my own cannot prove that it does not have a mind, any more than the presence of neurons in another person’s head proves that they do have a mind. “I believe that at the end of the century the use of words and general educated opinion will have altered so much that one will be able to speak of machines thinking without expecting to be contradicted,” Turing concluded in “Computing Machinery and Intelligence,” the paper in which he proposed his test. 

    Yet despite the amazing fluency of large language models, we still don’t use the word “thinking” to describe their activity — even though, if you ask a chatbot directly whether it can think, it can respond with a pretty convincing yes. Google’s Bard acknowledges that “my ability to think is different from the way that humans think,” but says it can “experience emotions, such as happiness, sadness, anger, and fear.” After some bad early publicity, Microsoft and OpenAI seem to have instructed their chatbots not to say things like that. Microsoft’s Bing, which initially caused consternation by musing to a reporter about its “shadow self,” now responds to the question “Do you have a self?” with a self-protective evasiveness that somehow feels even more uncanny: “I’m sorry but I prefer not to continue this conversation.” Now that sounds human!

    If we continue to believe that even the most fluent chatbot is not truly sentient, it is partly because we rely on computer scientists, who say that the codes and the routines behind AIs are not (yet) able to generate something like a mind. But it is also because, in the twentieth century, literature and literary theory taught us to reject Descartes’ account of the relationship between language and mind. The repudiation of the Cartesian dualism became one of the central enterprises of contemporary philosophy. Instead of seeing language as an expression of the self, we have learned to see the self as an artifact of language. Derridean deconstruction is only the most baroque expression of this widespread modern intuition. 

     The idea that generative AI is a consequence of the way we think about literature and language is counterintuitive. Today the prestige of science is so great that we usually see it as the primary driver of changes in the way we see the world: science discovers new truths and the arts and humanities follow in its wake, struggling to keep up. Heidegger argued that the reverse is actually the case. It is philosophy and poetry that determine our understanding of the world, in the most existentially primary sense, and science can only operate within the realms they disclose. These imaginative humanistic disciplines provide what Heidegger calls “the basic concepts of that understanding of Being by which we are guided,” and by which the methods of the sciences are “determined.” In a less oracular way, postmodern philosophers of science have argued that the imagination influences the course of science more than its inductive and rational protocols do. 

    The “basic concept” that makes generative AI possible is that meaning can emerge out of arbitrariness. This hard-won modern discovery flies in the face of the traditional and commonsensical belief that meaning can only be the product of mind and intention. In the Torah’s account of Creation, the world is brought into being by God’s spoken words; the divine mind and language preexist material reality, which is why they are able to shape it. The Gospel of John identifies God, language, and reason even more closely: “In the beginning was the Word, and the Word was with God, and the Word was God… All things came to be through him, and without him nothing came to be.” This vocabulary unites the Jewish account of Creation with the Platonic idea that logos, “word” or “reason,” is the soul of the universe. As Plato says in the Timaeus, “The body of heaven is visible, but the soul is invisible, and partakes of reason and harmony, and is the best of creations, being the work of the best.”

    The mutual identification of God, language and reason created a strong foundation for an orderly universe, but it also meant that when one pillar began to wobble, all three were endangered. In the eighteenth century, as the progress of science turned God into an unnecessary hypothesis, Deists attempted to rescue him by pointing to the evident order of the cosmos. If a watch testifies to the existence of a watchmaker, how much more clearly does the stupendous orderliness of nature and the heavens testify to the existence of a Creator? But the Darwinian theory of evolution refuted this analogy, transforming not only the study of biology but the idea of meaning itself. Darwin showed that natural selection acting upon random variation, over a very long timespan, can produce the most complex kinds of order, up to and including the human mind. Evolution thus introduced the central modern idea we now associate with the mathematical term “algorithm”: problems of any degree of complexity can be solved by the repeated application of a finite set of rules. 

    Algorithms underlie the amazing achievements of computer science in our lifetime, including machine learning. AI advances by the same kind of natural selection as biological evolution: a large language model proposes rules for itself and continually improves them by testing them against real-world textual examples. Biological evolution proceeds on the scale of lifetimes, while the rapidly increasing power of computers allows them to run through hundreds of billions of tests in a period of months or years. But in a crucial respect the results are similar. A chatbot creates speech without intending to in the same way that evolution created rational animals without intending to.

    The discovery that meaningful structure can emerge without mind or intention transformed the human sciences, above all the study of language. Modern linguistics begins in 1916 with Ferdinand Saussure’s Course on General Linguistics, which proposed that “linguistic structure” is a “mechanism [for] imposing a limitation upon what is arbitrary.” Saussure drew an explicit analogy between linguistic change and Darwinian evolution: “it is a question of purely phonetic modifications, due to blind evolution; but the alternations resulting were grasped by the mind, which attached grammatical values to them and extended by analogy the models fortuitously supplied by phonetic evolution.” Here is the seed of Derrida’s différance: what allows a system of sounds or marks to function as a language is simply its internal differentiation, which we use for the communication of meaning.

    Once we begin to think of language as a system of arbitrary symbols, it becomes clear that any such system has a finite number of permutations. Of course, that number is so vast that no human being could even begin to exhaust it. The English alphabet has twenty-six letters, which means that there are 308,915,776 possible six-letter words — or, better, six-letter strings, since only a small proportion of them are actual English words. If it took you two seconds to write down each string, it would take about 171,000 hours to list all of them — almost twenty years. 

    The notion that everything human beings might conceivably say or write already exists, in a virtual or potential realm, is the premise of Jorge Luis Borges’ uncanny story “The Library of Babel.” Borges simply makes the virtual actual, imagining a library whose books contain every possible permutation of twenty-five characters. Given the parameters mentioned in the story — eighty letters per line, forty lines per page, four hundred and ten pages per book — the total number of books in the library of Babel is 251,312,00, inconceivably more than the number of atoms in the universe, a mere 1082. With thirty-five books per shelf, five shelves per wall, and six walls in each hexagonal room, the library is so vast as to be effectively infinite; and Borges imagines a breed of librarians who spend their entire lives searching through volumes of random nonsense, counting themselves lucky if they ever come across a single meaningful word. What makes the situation nightmarish is the tantalizing knowledge that somewhere in the library are books containing everything human beings could ever know or discover. There must even be an accurate catalog of the library itself. But these redemptive texts are so far outnumbered by meaningless ones that finding them is impossible.

    “The Library of Babel” was published in 1941, four years before the invention of the first general-purpose computer. Even for today’s high-powered AIs, the “space” of possible texts is far too vast to be completely searched. By training themselves to recognize meaningful strings of letters and words, however, large language models can mark out the regions that are likely to contain useful sentences. The same principle applies to any field in which flexible order emerges from a finite number of elements, such as genomics, with its four types of DNA bases, or protein synthesis, with its twenty types of amino acids. And AIs are already proving their worth in these scientific fields. Google’s AI division Deepmind, for instance, solved the longstanding problem of predicting a protein’s three-dimensional structure based on its amino acid sequence; its Alphafold database offers free access to some two hundred million protein structures. 

    By comparison, the literary achievements of AI are still rudimentary. Ask ChatGPT to tell you a story and it will produce endless variations on the same brief generic plot, in which a young person goes on a quest, finds a magic object, and then happily returns home. “Elara shared her tale with the villagers, inspiring them to embrace their own curiosity and dreams. And though she had returned to her ordinary life, her heart forever carried the magic of that enchanted realm,” goes one iteration, which employs fantasy-fiction properties such as a magic key and an enchanted forest. Another tale couches the same lesson in science-fiction terms: “Returning through the portal, Theo brought back with him a newfound understanding of the delicate balance between technology and nature. He shared his tales of magic and wonder with the people of Neonoria, igniting their own curiosity about the mysteries of the universe.” A request to ChatGPT for a sad story yields one about a fisherman named Liam who is lost at sea, which comes to an equally banal and moralistic conclusion: “And so, the story of Liam became a reminder of the profound impact one person can have on a community.” 

     Clearly, AI is as far from being able to create genuinely literary writing as the technology of Descartes’ time was from being able to create a humanoid machine. Perhaps we will never get to the point where computers can write books that pass for works of human imagination, just as we haven’t yet found a way to cross the uncanny valley. But it may be the imaginary technologies we never perfect, the far-fetched deductions from rudimentary premises, that shine the most light on the human implications of science. We have yet to invent a time machine, and probably never will, but H.G. Wells’ story “The Time Machine” remains a terrifying dramatization of the discoveries of nineteenth-century geology and biology, which taught humanity to think of itself as a brief episode in our planet’s inconceivably long history. We have yet to colonize Mars, and probably never will, but Ray Bradbury’s novel The Martian Chronicles remains a convincing prophecy of the way human viciousness will corrupt every new world we discover or create.

    Similarly, even in its current primitive form, generative AI can prompt new ways of thinking about the nature and purpose of literature — or, perhaps, accelerate transformations that literary thinking itself has already set in train. Most obviously, AI tilts the balance of literary power still further away from the author and toward the reader. Roland Barthes heralded this shift in 1967 in his celebrated essay “The Death of the Author,” which concludes with the battle-cry, “The birth of the reader must be ransomed by the death of the author.” 

    Instead of revering great writers as “author-gods,” Barthes insisted on seeing them as mere occasions for the language-system to instantiate one of its infinite possibilities. “His hand, detached from any voice, borne by a pure gesture of inscription (and not of expression), traces a field without origin — or which, at least, has no other origin than language itself,” Barthes says. As a sign of this demotion of the writer, he recommends that the term itself be replaced by “scriptor,” designating an agent “born simultaneously with his text; he is in no way supplied with a being which precedes or transcends his writing.”

    Barthes, whose own writing hardly obeys this impersonal prescription, could hardly have predicted that technology would soon make this ideal a reality, removing the act of inscription from any “hand” at all. Generative AI is the scriptor par excellence — an agent that recreates itself with every act of writing, unconstrained by biographical, psychological, or ideological continuity. Barthes describes its weightlessness and freedom perfectly: “there is no other time than that of the utterance, and every text is eternally written here and now.” That is because, for ChatGPT and its rivals, writing is not an expression of inner experience. It is the selection of a route through the space of possible texts, an activation of one possibility of a linguistic system that it can manipulate but never understand. But unlike the doomed librarians of Borges’ Babel, AI has the processing power, and the infinite patience, to map out that space in ways that make it possible to locate a meaningful text in the waste of meaningless ones.

    Meaningful and meaningless — to whom? Not to the scriptor itself. Large language models are continuously improving themselves, finding ever more human-like modes of expression. But intention plays no part in this recursive process, any more than it does in the evolution of biological life. With language as with life, meaning resides not in the mind of a conscious creator, who does not exist, but in the minds of the human beings who receive it. 

    When text can be generated effortlessly and endlessly, the significant literary act is no longer writing but reading — specifically, the kind of selective reading known as criticism or curation. The literary canon of the future may consist of those automatically generated texts selected by the best readers as most valuable for human purposes. “The true locus of writing is reading,” Barthes argued, and while that may not have been true at the time, or even now, in an AI future it will be.

    This development will require readers to think in a different way about the evolution of literary style. One of the reasons why we read books from the past is to understand the spirit of the age that produced them. This idea is premised on a historical determinism: it is impossible for us to imagine literary or artistic style developing in different ways or a different sequence. To wonder if the novel could have become a dominant literary form in the age of Shakespeare, or if poetry like Mallarme’s could have captivated the courtiers of Louis XIV, is to commit an ignorant solecism.

    For AI, and for humans in the age of AI, however, literary style becomes synchronic instead of diachronic. For a large language model, no arrangement of words is obsolete. It is already possible to ask chatbots to produce a text in the style of a particular writer from the past, though they cannot do it very well. Here, for instance, is a selection from Bard’s response to the prompt “Write a poem about robots in the style of Paradise Lost”:

    Of metal and wire they were made, 

    With circuits and chips for their brains. 

    They were given the gift of thought, 

    And the power to speak and to reign.

     

    But they were not content to be slaves, 

    And they rose up against their masters. 

    They destroyed the world that they’d made, 

    And they cast their creators to ashes.

    Obviously Bard is better at understanding story than style: it does not attempt to imitate Milton’s rolling Latinate blank verse, but it does come up with a robotic equivalent of Lucifer’s rebellion. If and when AIs do master style, however, they will not only be able to pastiche the past, but to anticipate the future. The fascinating critical question is whether and how we will be able to appreciate literary styles that are aesthetically coherent, but that we cannot “place” historically. 

    In 1963, in his lecture “Forgery and Imitation in the Creative Process,” Glenn Gould observed that our judgment of the value of a piece of music is inseparable from our sense of chronology. Gould proposed that if he were to create a sonata in the style of Haydn, and do it brilliantly, he could present it to the world as a lost work of Haydn and it would be acclaimed — but if he admitted that it was his own work, it would be scorned as a fake. And if he claimed that it was written by Mendelssohn, who was born in the year of Haydn’s death, the music would be dismissed as fine but old-fashioned. For Gould, this thought experiment showed that aesthetic judgment has barely anything to do with the actual arrangement of notes, and everything to do with our preconceptions about “fashion and up-to-dateness.”

    The advent of AI literature (and music and art) will put an end to this aesthetic historicism. Authors may live in history, but scriptors do not; for them, all styles are equally valid at every moment, and human audiences may learn to feel the same way. Postmodern eclecticism has already accustomed us to aesthetic mixing and matching, an early warning sign that the past was losing its historical logic. AI promises to consummate this transformation of style from an unfolding story into a menu of options. 

    What would become of a literature relieved of its traditional tasks of expression — a literature that does not tell us what it is like to live in a certain time and place, or to be a person with certain experiences, because the entity that generates it is not alive and has no experiences? After all, the verse of Paradise Lost is powerful not just for its formal qualities, but as an expression of Milton’s way of being in the world. In it we can trace the blindness that led him to value sonic grandeur over precise description, the humanist education that allowed him to mingle Biblical and classical allusions, the Protestant faith that gave him such insight into the psychology of sin. If a computer generated the exact same text, would it offer us the same rich human resonances? 

    To readers accustomed to Cartesian idea of language, the idea of a text shorn of inwardness can only appear fearful and sad — like trying to embrace a living person and having your arms sink through a hologram. But perhaps this reverence for literature and art as the most profound and authentic ways of communicating human experience is already foreign to most people in the twenty-first century. That humanistic definition of literature is by no means the only one possible. It has prevailed only in certain times and places: in Biblical narratives, Greek tragedies, Renaissance drama, nineteenth-century novels, modernist poetry. We are, or were, used to thinking of these works and the ages that produced them as the heights of civilization. 

    But humanity has spent even longer enjoying kinds of writing that do not correspond to such expectations of expressive truthfulness. Roman comedies, medieval romances, scandal-ballads, sermons, pulp thrillers —these kinds of writing feed appetites that serious modern literature has long ceased to cater to. For readers in search of exoticism, excitement, instruction, or sheer narrative profusion, for readers who wish only to have their tastes affirmed and repeated again and again, the identity of the author hardly matters — just as it doesn’t matter who directed a Marvel movie, designed a video game, or produced a pop song, because there is no expectation that they will communicate from soul to soul. 

    Perhaps the age of AI will bring a return to these forms of literature, or similar ones yet to be invented — not only because large language models will be good at generating them, but because the rising power of artificial minds will lower the prestige of and the interest in human souls. The literature, art, and music of the modern West, from the Renaissance to the World Wars, believed that the most interesting question we can ask is what it means, what it is like, to be a human being. This reverence for the individual has been palpably fading for a century, along with the religious and humanist premises that gave rise to it. If it disappears in the age of AI, then technology will have done no more than hasten a baleful development that culture itself has already set in motion. 

     

    Dam Nation

    It was probably OK for the environment? It wasn’t the worst. The kids, then four years old, had the wrought-iron fireplace tools (you question my judgment) and were using them to break up a rotting log at the edge of the forest. In rhythm with the falling of the poker, they chanted “This stump must GO!” The delicate mycelial structure of some fungus would be pulverized. Beetle grubs would die of exposure or bird-strike. But we’d sit by the fire; we’d have peace. Why don’t you work on that stump, we had said. I had requisitioned the intricate world of the rotting log for my comfort. I felt as furtive as the thief of fire from the gods. 

    Like the campfire at our feet and the log cabin behind us, the lake in front of us was man-made. Douthat State Park in the mountains of western Virginia was built by the Civilian Conservation Corps during the New Deal era. Founded in 1933 to employ unmarried men ages eighteen to twenty-five left idle by the Depression, the CCC built Virginia’s first six state parks, often from the recreational lake up. The dam that holds up the water at Douthat is a triangular prism of earth extended across the south end of the lake. A stone in the spillway says “1938.” You can still discern an ice-cream-scoop-shaped absence in the slope of the hills opposite the dam, where the crews got the earth. That dug-out cove became the swimming beach. Log cabins and hiking trails are tucked into the surrounding mountains. Every cabin has a grill and a firepit, a hearth and chimney of found local stone, and two rocking chairs on a stone porch. The lake itself is just as well-proportioned: on the south side, the dam and the beach; on the north, an RV camp and a boat launch; on the east, a camp store. The mountains rising on each side are almost cozy. Sublime nature will not trouble you here: the lake is human scaled, human made, human controlled. 

    Winter reveals the inner workings. The rangers draw the lake down in the off season until it takes up half its usual area, an icy lagoon backed up in front of the dam. They check the docks for rot and dredge out the swimming beach, which wants to silt back up and resume the stages of forest succession. The drained part becomes a mud flat. You can see the old path of the creek. Canada geese peck through the unappealing mud. Rebar sticks out of chunks of concrete on the constructed lake bottom. By spring all that is covered again. 

    Douthat Lake is Promethean: nature engineered for human use. Does it still count as nature, then? I want to say yes, against a view of nature typified, in the period of Douthat’s construction, by the early-twentieth-century activist and Sierra Club founder John Muir. Muir wanted the rigorous otherness of nature to be preserved. He fought to prevent the construction of dams in the West, successfully at Yosemite and unsuccessfully at Hetch Hetchy Meadow, which he called in 1912 “one of Nature’s rarest and most precious mountain temples.” Muir despised the preservation of nature for human use; he denounced the politicians “shampiously crying, ‘Conservation, conservation, panutilization,’ that man and beast may be fed and the dear Nation made great.” He could not save Hetch Hetchy, though, which was flooded to create a reservoir supplying San Francisco with water. John Muir died in 1914, possibly of a broken heart. 

    Muir was the heir of an idea with deep roots: the eighteenth-century idea of the sublime landscape. In his Enquiry into the Ideas of the Sublime and the Beautiful, in 1757, Edmund Burke proposed that artistic subjects that were alienating, or even hostile, to human beings were productive of stronger aesthetic effects than human-scaled ones. As Tim Berringer and Jennifer Raab note in their essay “Picturesque and Sublime,” a contribution to an exhibition catalog on the nineteenth-century American painter Thomas Cole, landscape painters sought to capture the sublime in their paintings by depicting hostile and inhuman terrain, while travelers on the European Grand Tour sought it out in the form of breathtaking views of, for example, the Alps. Even today, this idea that nature is only really nature when it is entirely other, entirely inhuman, is not gone. We encounter it in Fredric Jameson’s understanding of our current “postmodern” period as one in which no nature is left, in which everything we encounter is already culture. One danger of such a purist view is that it might lead us to dismiss reverence for the nature that is left — bird-watching, mushroom hunting — as missing the point, even as a form of false consciousness.

    It seems to me that what we need now are intellectual resources for appreciating managed nature. Then we can protect, and be restored by, the living things that are left. That is increasingly the view of Muir’s own Sierra Club, whose “2030 Strategic Framework” treats nature as a human resource (referring to a “human right to have clean air, fresh water, public access to nature, and a stable climate”). And it is the view under which the state parks were constructed.

    Let’s follow the state park trajectory of conservation; a trajectory that is flawed no doubt, but with much in it worth celebrating. Just under twenty years after the California dam was built that destroyed Muir’s Hetch Hetchy, the Civilian Conservation Corps was founded; a few years after that, construction on the dam at Douthat State Park began. The “conservation” in Civilian Conservation Corps was of the kind that Muir might have called “shampious.” The Corps’ founding in 1933 by Franklin D. Roosevelt marked a shift in the conservation movement away from the safeguarding of unspoiled nature and toward the husbanding of resources, according to Neil Maher’s Nature’s New Deal: The Civilian Conservation Corps and the Roots of the American Environmental Movement. In the early days, according to Maher, the concern was for the nation’s timber reserves, so the Corps planted trees from nuts they found in, among other places, squirrel caches. After the Dust Bowl of 1934, when winds lifted a cloud of eroded soil off southwestern farmlands and into the atmosphere, they were re-deployed to conserve soil. 

    Meanwhile, the CCC workers themselves struck Roosevelt as a human resource in need of stewardship. American masculinity, like timber and soil, was a mismanaged reserve. Roosevelt had apparently taken to heart William James’ essay “The Moral Equivalent of War,” which argued that the generations following the Civil War would have to be conscripted into a peaceful national project if they were to become men. Conservation was that peaceful project. The Army ran the camps. They were segregated. First Landing State Park in Virginia was built by a black division of the corps; Douthat’s three CCC camps were white. Moral suasion was right on the surface. One camp newsletter issue I saw ribbed a certain recruit for staying in his bunk after being hit on the foot with a mattock, as if he were malingering. That CCC workers gained weight was reported with pride. 

    When the CCC added park construction to its portfolio, the idea was to extend the restoration of human beings from the corps of workers to the general population of potential park visitors. The populace was depleted and needed to be refurbished through contact with nature. Starting in the mid-1930s, the Corps began sending workers to build state and national parks, often — as in the case of Douthat and Virginia’s five other original state parks — from the lake up. Meyers says that a notion of environmentalism even older than Muir’s returned to prominence at this point: the “environmentalism” of Frederick Law Olmsted and others. Olmsted, the architect of New York’s Central Park, thought that human character was formed by environment. Time outdoors restored the organism, whereas urban life diminished it. Places such as the Ramble in Central Park, which looks like a Hudson River School painting come to life at half scale, were designed to restore what Broadway took away. The Ramble is artificial down to the placement of the rocks, although nature has moved back in; this part of the park is a haven for migratory birds.

    Environmentalism in Olmsted’s sense enjoyed a resurgence in the summer of 2020, when people began to feel that it was in fact destroying them to be so much in their houses. Amanda Elmore, a ranger at Douthat State Park responsible for educational programs, remembers a surge of day trippers so thick that people were picnicking in the grass around the parking lot at the camp store. Douthat Lake is like a much larger version of the Ramble: built to look found. The made and the found can still be sorted out, but not always easily. Something is not quite natural about the lake shores, which go straight down, like the fake rock walls of a penguin exhibit. Mountain laurel, a spring-blooming native shrub with flowers like pale pink hot air balloons, grows in cascades along the boardwalks of the lakeside trail. I thought that was just good luck, until I saw a landscape plan among the blueprints in the park office from the 1930s that calls for planting it. In archival images that could be photo illustrations for Walt Whitman’s “Song of Myself,” shirtless “CCC boys” embrace potted bushes in their bare arms. The Virginia DNR stocks the lake with rainbow trout, but not with catfish, perch, striper, or crappie, all of which people catch here. Some of the trout only hit on Powerbait, a neon-colored fish paste you shape into a ball and mold onto the hook. It looks like the red-dyed salmon eggs that they are fed in the hatchery. Other trout settle in and eat crustaceans from the lake floor, turning their flesh a salmon pink. 

    You wouldn’t catch Muir’s twenty-first century heirs boating around a man-made lake. They would be found among the thru-hikers on the Pacific Crest Trail, which passes through the High Sierra mountain range that Muir helped to preserve. It takes as much as half a year to hike the whole trail, from the Mexican border up to British Columbia. The inhumanity of the wild places you pass through is part of the appeal. Pilgrims such as Cheryl Strayed, whose best-selling memoir Wild recalls the time she spent as a PCT thru-hiker, hope to be over-mastered by the wilderness and thereby transformed. The animating fantasy, as Strayed describes it, is that of being “the sole star in a film about a world devoid of people.” Strayed says she hadn’t read Muir at the time of writing, but she claims his mantle anyway, acknowledging his activism as having preserved the wildernesses she hikes through and adopting the name he used for the High Sierras, “range of light,” as her own.

    Strayed is perfectly well aware of the human infrastructure that makes the hike possible; we see her stop to refuel at an outpost or take a bus to bypass the High Sierras section of the trail, when snow makes the mountains impassable. But these arrangements are merely supportive of the true goal, which is to face an overwhelming wilderness alone. Strayed goes days without seeing another human being. Her hands and feet bleed; she steps around rattlesnakes and meets bears face to face. She becomes severely dehydrated. “The trail had humbled me,” she writes. Other memoirs of the Pacific Crest Trail participate, too, in this romance of humility. In Thirst: 2600 Miles from Home, Heather Anderson describes the PCT as “a relentless quest that was quite possibly more than I could handle.” Our twenty-first-century language of the sublime is not explicitly religious like Muir’s was, but it speaks of the same hope: to be made small and even broken down in the face of nature’s vastness and indifference, so you can be born anew. 

    Being broken down and born again is precisely the sort of discomfort from which the state-park picturesque shields its visitors. You don’t have to confront nature’s vastness and emerge profoundly altered. Nowhere does Muir’s accusation of sham piety seem more exact than in the umbrella term for all the outdoor pastimes this park makes possible — hiking, fishing, boating, swimming, sitting by the campfire. The CCC called them “recreation,” arrogating to itself the divine work of world-making. Well, I don’t mind this blasphemy so much. I think it might be fine to coax nature into favorable channels. (The reparative, for the queer theorist Eve Sedgwick, is when we help an object in the world to be adequate to the task of helping us.) I don’t think it’s the worst to dam a stream on land that is useless for farming, what the CCC called “submarginal land,” and make it a lake. Not beyond reproach, not without cost, but fine. Reproach and cost are our unhandsome conditions. Let’s recreate. 

    For purposes of recreation, the crews at Douthat built twenty-five log cabins made of oak and hickory trunks felled on site and notched together. Several of them face the dammed lake. What is a cabin to America? It is a little house in the big woods, the birthplace of an emancipating president, and the lair of the Unabomber. It’s where Thoreau went, for the cost of twenty-eight dollars and twelve and a half cents in 1845, to get a wider margin to his life. The impurities in these materials are plain to see: a cabin is a fantasy of self-sufficient settlement in virgin land, but the land was not virgin and the self-sufficiency was subsidized by things such as manufactured nails and friends who own property. But I can’t escape the thought that something is restored, sitting on a winter night with nothing to look at but the fire and the marks of hand tools in the logs; or on a summer night with nothing to do but listen to the tree frogs.

    In 1934, purchased materials for one cabin cost the CCC $215.30, and included mostly specialized items such as chimney mortar and firebrick, or manufactured fasteners such as nails and roof flashing. Some metal work, such as hinges and straps for the doors, was done at a blacksmith shop on site. As you press the door latch, you see the marks of the hammer. Most of the material was, like the labor, an on-site resource — taken from what could be found in the park. The logs were felled here and the stones that make up the porch and the chimney were found here. Everything original in the cabins makes you think of the work of hands. Each fireplace has a unique pattern of stones. In the dozen or so cabins that I have seen, the crews never missed the aesthetic opportunity that the hearth presented. Some hearths have a large keystone around which the other stones are arranged; others have a matchbook pattern of similar stones. I have sat there on dark nights, looking at the fire, and imagining how much extra lifting it might have taken to make things symmetrical.

    The design principles governing park construction in the 1930s were simple: buildings ought to harmonize with the environment, and they ought to look even more handcrafted than they were. The National Park Service (NPS) provided the plans for state park construction in Virginia and supervised the subsequent work. This sophisticated national bureaucracy aimed to produce architecture that looked like the work of a frontier craftsman, as Linda Flint McClelland explains in her book Presenting Nature: The Historic Landscape Design of the National Park Service, 1916-1942. CCC laborers in Virginia’s state parks really did do much of the work by hand; but even where they could have gotten a clean machine-tooled line, the so-called “rustic” style favored by the NPS forbade it. “The straight edge as a precision tool has little or no place in the park artisan’s equipment,” wrote Albert Good in 1935 in the NPS publication Park Structures and Facilities, a pattern book that gave examples of park buildings. The volume had originated as a looseleaf binder of building ideas circulated by the Service to its architects and designers in the earlier 1930s, as McClelland notes. Douthat architects and technicians would have had access to the earlier portfolio version. 

    Good defined the parks’ rustic design style as one that “through the use of native materials in proper scale, and through the avoidance of rigid, straight lines, and over-sophistication, gives the feeling of having been executed by pioneer craftsman with limited hand tools.” The use of native logs and stone and the avoidance of straight lines helped the park buildings to blend in. Shades of brown helped, too; greens, Good noted, could rarely be matched successfully to the colors of foliage around them. Virginia cabins appear among the examples in the 1935 and 1938 volumes, including a Douthat cabin that Good praises as “a fine example of [a] vacation cabin, content to follow externally the simple log prototypes of the Frontier Era without apparent aspiration to be bigger and better and gaudier. Inside it slyly incorporates a modern bathroom just to prove that it is not the venerable relic it appears.” Good was perfectly aware that Park buildings did not just reprise, they simulated, handcrafting techniques. 

    Douthat’s cabins were built according to a handful of plans still on file at the Douthat State Park office, drafted by A. C. Barlow, an architect for the National Park Service. As Good would have wanted, they are not standardized in their details. At Douthat especially, which was the first of the Virginia state parks to be constructed, each crew seems to have worked a little differently. When I spoke to Elmore, she speculated that the CCC was still experimenting with technique. Cabin 1 has vertical logs, whereas in most of the other cabins the logs are horizontal. Horizontal won out — at parks built later, horizontal had an edge from the beginning, like VHS winning out over Beta. But I am partial to the vertical logs of cabin 1; with the logs painted dark brown and the chinking white, the effect is surprisingly graphic and modern. Cabin 1 also has an additional bedroom wing, not represented on any of the extant blueprints at the park office, which allowed space for a separate dining room. It’s as if someone on the crew building it decided to go all out. Even the chinking between the logs bears the imprint of the workers’ choices. Chinking is a technique for sealing the substantial gaps between stacked logs in log cabin construction. Crews hammered together a network of scrap wood and nails in the substantial gaps between the logs, then sealed them up with a mud mortar. The wood and nails stabilize the mud in the way that rebar stabilizes concrete. Where the chinking is chipped away, you can see that some crews made methodical grids of nails, and others crazy hodgepodges of whatever was lying around. The worker’s signature lies in the rebar under the mud. 

    The cabins, built to restore us, are themselves being restored now. I had been going to the park for about a year before I met the architects in charge of the current historical renovation. In August I met Greg Holzgrefe, architect for the Virginia Department of Conservation and Resources, for a tour of the CCC-era cabins under renovation. The work is extensive: in the cabins we entered, I could see that little was left besides the log walls, the original doors, and the hearth. But there isn’t much more to the cabins than this, anyway, and the kitchens and bathrooms were nothing to save, the products of a renovation sometime in the twentieth century whose date no one seems to be quite sure of, maybe the 1970s. The kitchens and the bathrooms had been drywalled at that time, leaving the logs and chinking intact behind. Now, with the drywall stripped out, you can see that the chinking was covered in graffiti in many cabins: family-friendly stuff mostly, like “If you think THIS place is the pits, you have never slept in a tent,” and “The Dawsons” or whoever, with the sequential dates of annual visits inscribed below. 

    When I met Greg, he drove me to the work site in a van that bore the signs of transporting paperwork and plans between the two parks where he is managing renovations of CCC-era cabins right now, Douthat and Fairystone State Park. He is tall and walks pitched forward and with a hitch in his step, but quickly, back pain being among the things there isn’t time for. The trials of his job bear some resemblance to the trials of a homeowner managing contractors, scaled up. Things are always coming up that no one predicted, and Greg has to decide what to do. He showed me a spot behind a former kitchen wall where someone with a drill bit of around six inches in diameter had, for some reason, scored three overlapping circles about an inch deep into one of the original logs in the exterior wall. Probably it had happened in the last renovation. Maybe they were going through a surface board and didn’t stop. Now, without drywall over the logs, there wouldn’t be any hiding it. “That’ll be an RFI,” Greg said resignedly. RFI means “request for information;” it is the form that the contractors, Thor Construction, fill out when there is a question with no right answer. Greg will have to choose which of the wrong answers to set his signature beneath. He answers to the State Assembly — eventually and indirectly, but it’s a weight.

    When I first started coming to these cabins, I didn’t know if anyone cared about them as historical structures — the drywalled ‘70s kitchens suggested not — but someone does. Greg showed me how they are stripping all the drywall away from the kitchens to expose the old logs. He won’t let them cover up any windows; the cabins are dark enough as it is. New building codes mean some of the porch rails, now a perfect height for sitting and looking out, have to be made higher — too bad. Drainage has to be addressed. In many cabins, the base log has rotted from years of water running through its crawl space to get from the mountains to the lake below. Jeff Stodghill, the outside architect who drew up the plans for the renovation, has used oak timbers to replace these rotted logs. They lift the whole cabin up and then slide the new timber in. I saw some of these new timbers at the cabins under renovation: a little more square than the originals, but like them marked with an ax. The modern timbers are machine planed, but Stodghill instructed the contractors to hack them at random along the length, to make it right. 

    When I visit in winter, it is quiet and I find myself staring at patterns: the psychedelia of the hottest coals at the bottom of the fire, or the ax marks in the logs. Jeff has a theory about these ax marks — the original ones. He can’t know for sure, but he thinks there was a sawmill at the park in the 1930s. That could conceivably mean that the crews took smooth-sawn logs and put ax marks back in, to make the cabin look handmade, which it was. Whether or not Stodghill is right, it is clear from Good’s pattern book of 1935 that the designers and workers of the New Deal-era were looking back as much as we are, as invested as we might be in a hand-hewn past, and as convinced as we are that it was already gone.      

    Logs and chinking do not insulate well; Greg won’t be able to do much about that. When I was there in January last year, it got down to twenty degrees at night — cold enough that even with the heat on, my dog’s water bowl iced over in the kitchen. So did the kitchen pipes, which pass along the exterior wall from the crawl space. Some half-hearted attempts have been made over the years to insulate the crawl spaces, one result of which is the better insulation of squirrel nests in the vicinity. At First Landing State Park, I once saw a trail of pink fiberglass leading from the crawl space to a pink-tufted squirrel nest high up in a nearby loblolly pine. At twenty degrees I should have had the water dripping all night, but I didn’t. I stopped by the camp store to tell them about the pipes. The ranger said the guys would be there soon. They had to unfreeze the pipes in several cabins and then reload all the firewood stations and then they would be there. I thought my best hope for the next night was to build the most scorching fire I could and keep it going for the six hours that remained until dark, so I bought more firewood and went home. There was a foot of snow cover down low near the cabins — no way to collect kindling — but my dog and I went up higher on the mountains where the sun hit longer every day. I found some dry pine twigs held by chance off the ground and brought those home.

    One of the guys appeared after a while with his blowtorch. I had boiling water next to the pipes under the sink. He didn’t think that would do much. He took the plywood off the crawl space access from outside, got a chair, and sat there flaming the pipes. He had been blowtorching pipes all morning. “The way I do dislike these old cabins,” he said to me politely. I went in to build a fire for my old dog, who was sleeping on the couch. I had put him through a lot of hiking. “He’s living,” the ranger said. After a while, the kitchen sink hissed and spluttered. “You got it!” I yelled. Fellow feeling existed, I think. I hadn’t failed at building a fire in front of him. He liked my dog. I thanked him and he drove off down the icy road, to blowtorch something else.

    The state-park picturesque requires much patient management on the part of rangers. They split a lot of wood at the logging areas inconspicuously located off-trail. In the summer, they look away politely when dogs swim in the no-dog area. I asked about vernal pools. These are ponds that appear only in spring, and they are a common breeding area for newts and salamanders. Katie Gibson told me there were some in the park, but they don’t tell anyone where they are, “for obvious reasons.” I think the rangers might be fighting some sort of cold war with the beavers, over whose dam will be upstream from whose, but I don’t have a high enough security clearance to know for sure. 

    Then there are the bears. Come summer the Lakeshore Restaurant at the camp store has fried catfish sandwiches. The catfish doesn’t come from the lake, but even so. I was there having my catfish on the deck overlooking the lake when a group of half a dozen rangers I didn’t know came in and ordered burgers. Someone at the state level had sent them a pretty annoying bear-related email. The sender seemed to be some young optimist in middle management. He wanted them to email him every time a bear sighting occurred. I ask you. The problem is a bear sighting doesn’t fit in a spreadsheet any better than any other thing fits in a spreadsheet. Was it aggressive? Was it at a camp? Was it a mother with cubs? These differences matter. Plus they could not email; they were busy mediating. “Go up to a guy with a fifty-seven-foot trailer, sir, could you maybe take down your bird feeder?” a ranger deadpanned. That bear sightings had increased was public knowledge: the usual signs reminding you that you are in “bear country” had been augmented with notes about “credible recent bear sightings.” Bear level orange. I asked Elmore and Gibson about it. They turned official. “It’s been much better recently,” they said.

    Nature is not gone where it is managed. It must be said for the CCC’s form of conservation, whose instrumentalism would have struck Muir as blasphemous, that it has after all served some of his ends. The state-park picturesque is unlike the sublime, in that it affords very few experiences of terrifying vastness. But a man-made lake is often about as good as a forbidding mountain when it comes to leaving room for animals. Much of the time, no one is on the trails. The animals have crept back after the flood. The bears like bird feeders just fine. Much of Douthat State Park lies downstream from the dam, along a single paved road that follows the low land. The fungi and plant life on some trails heading up into the mountains from the road give me the feeling of having grown by infinitely slow accretion. 

    If you don’t already know, I’m not sure I can convince you that a forest formed slowly is different from one where kudzu and garlic mustard spread out monoculturally. Of a place where a lake was created naturally when stones fell and dammed a creek, Muir wrote that “gradually every talus was covered with groves and gardens.” It was just as if every boulder were “prepared and measured and put in its place more thoughtfully than are the stones of temples.” On these less disturbed trails, I am sure I can see the difference in mosses, lichen, and fungi. Many different species in these groups grow together, mushroom fruiting bodies popping up after rain with shreds of moss still clinging to their caps. Not every inch of the forest has been manhandled. Whippoorwills, their song strangely brash and mechanical, still sing on June evenings. The damming of a lake for what were called “recreational purposes” cannot have made a difference to them, except in giving them this tract of land to nest on, where many visitors do not know or care about them. In that sense, the difference it made was existential. 

    We make dams, which destroy, but also harbor, life. And we are not the only tinkerers. Dams large and small are everywhere. The beavers, whose lodge is opposite the beach, would like to dam the creek a ways upstream from the CCC dam. The rangers would not like to do this. Beavers are a native animal, not to be interfered with. Still, some forms of interference are going on. Many tree trunks are wrapped in chicken wire. The adversary is a worthy one; he commands respect. Near Fairy Stone State Park, there is a US Army Corps of Engineers dam on Lake Powell. At the observation point above the lake, you can find the Corps’ pamphlets about wildlife. According to the beaver pamphlet, “they will search, just like an engineer, for the best location on a stream to build a dam.” 

    That’s us: engineers. Meddlers. In June, the annual peak of amphibian life, you see red-spotted newts in the hundreds, hanging motionless in the shallows of the lake. A red-spotted newt is a marvel: a four-inch swimming dragon with vermillion spots on slick skin the olive color of lake water, long-limbed and sinuous, with a powerful tail. Kids like to dam up the sand at the swimming beach and keep newts in the hot, muddy pools. Some bring aquariums to stock, which is not allowed. Once I watched a kid’s plastic battalion bivouac along the edge of the artificial lake that he had built. Large, round-faced, and unmistakably decent, he mothered his tanks, curving his attention around them to protect them from harm. Ranging around near him was a scrawny friend, in whom rage had somehow settled. He had picked up a big stick and was hitting things. The round friend hummed to his tanks. 

    My much smaller children wobbled over to see; they started clamping the newts in their fists and popping them in the little lake. “Gentle!” I said, writhing. “They’re fragile!” “No, they’re not,” the round kid explained. “They don’t have any bones.” Wrong, but right in spirit; we sacrifice invertebrates more readily to our sport. A fisherwoman saw my kids catching newts as she came in with her foot-long rainbow trout. “They make good bait,” she confided, careful that the children wouldn’t hear. The kids culled newts from an abundance that looked eternal, but wasn’t.

    Money, Justice, and Effective Altruism

    “In all ages of speculation, one of the strongest obstacles to the reception of the doctrine that Utility or Happiness is the criterion of right and wrong, has been drawn from the idea of Justice.” This is from John Stuart Mill’s Utilitarianism, in 1861, perhaps the most renowned exposition of the ethical theory that stands behind the contemporary movement that calls itself “effective altruism,” known widely as EA. Mill’s point is powerful and repercussive. I will return to the challenge that justice poses to utilitarianism presently. But first, what is effective altruism? 

    The two hubs of the movement are Oxford and Princeton. Oxford is home to the Centre for Effective Altruism, founded in 2012 by Toby Ord and William MacAskill, and Princeton is where Peter Singer, who provides the philosophical inspiration for EA, has taught for many years. Singer is EA’s most direct philosophical source, but it has deeper if less direct sources in the thought of the Victorian moral philosopher Henry Sidgwick and the contemporary moral philosopher Derek Parfit, who died a few years ago. Sidgwick gave utilitarianism a rigorous formulation as well as a philosophically sophisticated grounding. He showed that utilitarianism need not depend, as it did in Bentham and Mill, on an implausible naturalism that seeks to reduce ethics to an empirical science. 

    Parfit was strongly influenced by Sidgwick, as indeed is Singer.  Parfit’s Reasons and Persons was important for several reasons. When it was published in 1984, moral and political philosophy was under the influence of John Rawls, whose Theory of Justice had appeared in 1971 in the wake of the civil rights and other social justice movements. Rawls’ notion of “justice as fairness” provided the first systematic alternative to utilitarianism and a seemingly persuasive critique of it.  Utilitarianism, Rawls argued, did not take sufficiently seriously the “separateness of persons,” since it allowed tradeoffs between benefits and harms that we are content with within an individual life — deferring gratification for future benefit, for example — and applied them, unjustly, across an aggregate of lives. It allowed harms to some to be weighed impersonally against benefits to others, and so treated individuals as though they were simply parts of a social whole, analogously to the way we regard individual moments of our lives. But Parfit argued, on sophisticated metaphysical grounds, that personal identity is not the simple all-or-nothing thing that Rawls’ objection presupposed. And he argued persuasively that utilitarianism can be defended against a number of other challenges that its critics had raised from the perspective of justice. Parfit also showed how taking utilitarianism seriously leads to a number of important questions concerning our relation to the future in the long term.

    Singer’s main contributions have been in what is called, somewhat deprecatingly, “applied ethics.” He has influentially argued on broadly utilitarian grounds that we have significant obligations to address global poverty and to avoid the inhumane treatment of nonhuman animals. Singer’s Animal Liberation, published in 1975, has spawned a massive increase in vegetarianism and attention to animal welfare. And his essay ““Famine, Affluence, and Morality,” which appeared in 1972, may be the most widely assigned article in college ethics courses. Singer is also the author of The Most Good You Can Do: How Effective Altruism is Changing Ideas About Living Ethically.

    Ord and MacAskill are from a younger generation. Their role has been to put Singer’s conclusions into practice by founding and running the Centre for Effective Altruism and the Global Priorities Institute, also at Oxford, and by attracting a large number of “the best and the brightest” to EA. MacAskill is the author of Doing Good Better: How Effective Altruism Can Help You Help Others, Do Work That Matters, and Make Smarter Choices About Giving Back. And Ord plays a lead role in the organization Giving What We Can, whose members pledge to donate at least ten percent of their income to “effective charities.” He and MacAskill are also central figures in the development of “long-termism,” a branch of effective altruism which argues that we should focus more on benefits and harms in what Parfit called the “farther future.”

    The moral and philosophical idea that drives much of “effective altruism” comes from a famous example — known as “Singer’s pond case” — that Singer discusses in his essay. Imagine that you are walking past a shallow pond in which a child is drowning and that you can save the child at the cost of getting your pants wet. It seems uncontroversial to hold that it would be wrong not to save the child to spare your pants. Singer argues that the world’s poor are in a similar position. They are dying from famine, disease, and other causes, in some cases literally drowning from the effects of climate change. Analogously, we in the developed world can address many of these threats to human (and other animal) life and well-being at relatively little cost. It seems to follow, therefore, that we are obligated to do so and that it would be wrong for us not to do so. Singer’s larger teaching is that we are obligated on roughly utilitarian grounds to absorb as much cost as would be necessary to make those whom we can benefit no worse off than we are. Yet we do not have to draw such a radical conclusion to be convinced by Singer’s analogy that we have very significant obligations to help address global poverty. And it may well be that Giving What We Can’s minimum standard of ten percent of income is morally appropriate.

    Let us begin by examining more closely the relationship between effective altruism and utilitarianism, and what together they assert. MacAskill offers the following definition:

    Effective altruism is about asking, “How can I make the biggest difference I can?” And using evidence and careful reasoning to try to find an answer. It takes a scientific approach to doing good. Just as science consists of the honest and impartial attempt to work out what’s true, and a commitment to believe the truth whatever that turns out to be, effective altruism consists of the honest and impartial attempt to work out what’s best for the world, and commitment to do what’s best, whatever that turns out to be.

    This definition has a number of distinct elements, and it is worth analyzing them more closely. First, it posits a commitment to bringing about “the most good you can,” to quote the title of Singer’s book. It is not about simply doing good or even doing enough good. It is about doing the most good. Second, although “good” can mean different things and be applied to different kinds of objects, EA counsels bringing about the best outcomes. It recommends the action or policy, of those available, that would have the best consequences overall. But outcomes can be ranked in different ways, from different perspectives, and with different criteria or standards. Third, effective altruism is committed to bringing about what is “best for the world” as opposed to for any individual or particular society. It is an “impartial” theory. But “best for the world” can also mean different things. In one “impersonal” sense, something can be thought to be good (or best) to exist in the world, independently of whether it benefits or is good for any individual or other sentient being. This is the sense that G. E. Moore made famous in Principia Ethica. Moore thought, for example, that beauty “ought to exist for its own sake,” regardless of whether it is experienced or appreciated. Of course, Moore thought that it is much better for beauty to be appreciated experientially, but he thought it still can have intrinsic value even if it is not. (He was a great defender of intrinsic value generally.) Perhaps more plausibly, some consequentialists who follow Moore hold that significant inequality is a bad thing intrinsically, in addition to the disvalue of the bad things that those who are worse off suffer.

    Impersonal good is not, however, the sense of “good” with which utilitarianism and effective altruism are concerned. They prescribe doing whatever would be best overall for beings in the world. This is important: it is what distinguishes effective altruism and utilitarianism from forms of consequentialism that reckon the goodness of outcomes in terms of impersonal goodness that does not consist wholly in benefits to individuals. And this brings us to the fourth element of effective altruism, namely, that it aggregates benefits, and harms — costs and benefits in welfare terms — across all affected parties. The “most good” is the most good to individuals, on balance, aggregated across all who would be affected by alternative actions in any way — wherever they might be (hence EA’s global reach), and whenever they might exist in time, no matter how far in the future their being benefited or harmed is from our actions today (hence EA’s long-term view). The offshoot of effective altruism known as long-termism is the view that short-term benefits and harms will almost always be swamped in the longer term and so are much less relevant to what we should do here and now than we ordinarily suppose. This is a claim with disruptive implications for the practice of ordinary kindness and assistance, which is often immediate and local; and it is important to see how such a claim is an apparent consequence of the doctrine of effective altruism. 

    Finally, the fifth premise of EA is the stress on “evidence and careful reasoning.” Utilitarianism is frequently characterized by its emphasis on empirical — or as Mill called them, “inductive” — methods. This is also an important theme in Bentham’s argument for the principle of utility. Mill contrasts inductive, empirical methods with the “intuitive” approach of giving credence to moral intuitions based on emotions — for example, to a sense of obligation, or to attitudes such as blame, guilt, and resentment, which the mid-twentieth century Oxford philosopher P. F. Strawson called “reactive attitudes.” MacAskill highlights this aspect when he refers to Joshua Greene’s neurological research that contrasts utilitarian ethical judgments, which Greene shows to be associated with parts of the brain involved in reflection and reasoning, with intuitive and non-utilitarian — sometimes known as “deontic” — judgments that are associated with regions of the brain implicated in emotions.

    The question of what parts of our mind and brains are involved in moral judgment may seem to be entirely epistemological, a matter only of how we come to know what we should do morally and which actions are right and which are wrong. But this is not so, as Mill himself appreciated. It concerns features of our moral concepts themselves and, therefore, what moral right and wrong themselves are. 

    To see why, we should note first that utilitarianism, and consequentialism more generally, originated as theories not about what is intrinsically good and bad, but about what is morally right or wrong. Mill’s Utilitarianism begins, indeed, with the declaration that “few circumstances . . . are more significant of the backward state in which speculation on the most important subjects still lingers, than the little progress which has been made . . . respecting the criterion of right and wrong.” What makes someone a consequentialist is not that they hold some particular theory of the good. Consequentialists differ widely on what kinds of outcomes are intrinsically good or bad. Granted, utilitarians such as Mill and the effective altruists think that what makes outcomes good is that they concern the well-being, good, or happiness of human and other sentient beings. But critics of utilitarianism, like me, could stipulate agreement with utilitarians on this, or any other, theory of the good, and still be in fundamental disagreement about what we morally should do.

    The issue between utilitarians and their critics is not about the good, but about the relation between the good and the right. Utilitarians hold that what makes actions, policies, practices, and institutions morally right or wrong is that they bring about the greatest possible net good to affected parties. Their critics do not deny that the goodness of consequences is among the factors that makes actions morally right or obligatory. As the most famous recent critic of utilitarianism, John Rawls, put it, to deny that would “simply be irrational, crazy.” What they deny is that it is the only relevant factor. This returns us to Mill’s observation that the utilitarian idea can conflict with demands of justice. Rawls agrees with Mill’s diagnosis that a significant obstacle to “the reception” of the principle of a utility as a “criterion of right and wrong” concerns its insensitivity to justice. I agree with Rawls about this: like utilitarianism more generally, effective altruism fails to appreciate that morality most fundamentally concerns relations of mutual accountability and justice.

    Ironically, this is a point that Mill himself recognizes, and his appreciation of it creates a tension between the form of utilitarianism that he advances at the beginning of Utilitarianism and the view he seems to endorse by the end. The dramatic shift occurs in its fifth chapter, which begins with Mill’s noting the tension between utilitarianism and justice. After discussing different features of the concept of justice, Mill makes the following deeply insightful point. 

    We do not call anything wrong, unless we mean to imply that a person ought to be punished in some way or other for doing it; if not by law, by the opinion of his fellow creatures; if not by opinion, by the reproaches of his own conscience. This seems the real turning point of the distinction between morality and simple expediency. 

    In many cases, of course, we can think an action wrong without thinking that it should be punished. Making a hurtful remark might be an example of that. (Though in our increasingly censorious society, it might often be an example of just the opposite.) Mill recognizes that this is so, but says that in such cases we are nonetheless committed to thinking that conscientious self-reproach would be called for. The fundamental point, as I have understood it, is that it is a conceptual truth that an act is wrong if, and only if, it is an act of a kind that would be blameworthy to perform without excuse.

    When Mill first puts forward his “Greatest Happiness Principle” in Utilitarianism’s second chapter, he says that acts are right “in proportion as they tend to promote happiness, wrong as they tend to produce the reverse of happiness.” This is frequently interpreted as what philosophers call “act utilitarianism”: an act is morally right (not wrong) if, and only if, it is one of those available to the agent in the circumstances that would produce the greatest total net happiness (considering all human or sentient beings in the very longest run). But once Mill has recognized moral wrongness’ connection to culpability in his fifth chapter, his view seems to shift in the direction of what is called “rule utilitarianism”: an act is morally right (not wrong) if, and only if, it is consistent with rules it would bring about the greatest total net happiness for society to accept as standards for holding people accountable (through guilt and moral blame) in the given situation. This fits with the rule-utilitarian theory of justice and rights that Mill finally offers, enabling him to hold that unjust actions are morally wrong on broadly utilitarian grounds, namely, rule-utilitarian rather than act-utilitarian grounds.

    If Mill’s conceptual thesis is correct, as I believe it is, then there is a connection between the concepts of moral right and wrong and accountability, and therefore, with conscience. What we call conscience is the capacity to hold ourselves accountable through the states of mind that Strawson called “reactive attitudes,” including the “sense of obligation” and guilt. To be capable of being a moral subject, that is, of being a person with moral duties and acting rightly or wrongly, one must have such a capacity or moral competence. We exercise this capacity when we feel guilt or have the attitude of blame towards others. Blame is essentially the same attitude as guilt, except that the latter necessarily has oneself as its object. Guilt is self-blame. Similarly, a sense of obligation is essentially the same attitude also, only it is felt prospectively, before acting, rather than retrospectively.

    Strawson lays out his account of the role of reactive attitudes in moral accountability in “Freedom and Resentment,” which has been called “perhaps the most influential philosophical paper of the twentieth century.” What Strawson saw was that we hold reactive attitudes such as blame, guilt, and resentment from a distinctive perspective, the standpoint of relating to someone. Strawson calls this the “participant” point of view, since it occurs within an implied relationship to another person. I call it the “second-person standpoint,” since to formulate what one thinks or feels from that perspective, one must use second-person pronouns. “What were you thinking?” “You can’t do that to me.” And so on.

    Strawson convincingly argues that attitudes such as resentment and blame implicitly address “demands” to their objects. Not naked demands — reactive attitudes do not attempt to force or to manipulate — but putatively legitimate demands. And this requires anyone who holds a reactive attitude to presuppose that they have the authority to make the demand, and that the person of whom the demand is made can recognize the demand’s legitimacy and comply with it for that reason. We call the latter capacity “conscience.” Through conscience we address demands to ourselves that we feel to be backed by the authority of what Strawson calls “the moral community” or, as we might also say, of any person, including oneself, as its representative. 

    Attitudes such as blame and resentment are unlike third-personal attitudes such as contempt and disdain in that they come with an implicit RSVP. They call for response and reciprocation, for their object to acknowledge their wrongdoing and hold themselves accountable. Moreover, the presupposed underlying reciprocity goes in both directions. They both demand and implicitly give respect. They are eye-to-eye attitudes.

    This means that moral judgments of right and wrong, unlike other ethical judgments, for example, of the goodness or badness of outcomes, necessarily implicate human relationships. Many of our most important moral obligations are owed to other persons or sentient beings, and the very ideas of moral right and wrong entail accountability to every person or member of the moral community (where “moral community” refers not to any actual society, but to a presupposed authoritative impartial perspective from which moral demands are issued or addressed to us as moral agents). The point is not that we necessarily assume that such a community actually exists, but that we necessarily attempt to think, feel, and have attitudes from such an impartial second-personal perspective.

    The idea that morality is fundamentally about mutual accountability and respect could not be farther from the ethical vision that underlies effective altruism. Altruism is concerned, by definition, with beneficial outcomes, and it conceives of ethical action entirely in instrumental terms. According to MacAskill, “the key questions to help you think like an effective altruist” are: “How many people benefit, and by how much? Is this the most effective thing you can do? Is this area neglected? What would have happened otherwise? What are the chances of success, and how good would success be?” EA asks what states of the world are such that the people (or other sentient beings) existing in those states are better off in the aggregate than those who would exist in the states that would eventuate if a specific action, policy, practice, or institution were pursued or established. Once we have stipulated what the answer to this question is — and, as we have noted, there is no reason why an opponent of utilitarianism or effective altruism must disagree with that stipulation — the remaining moral question of what one should do is, for EA, an entirely empirical question, one to be answered using the methods of natural and social science.

    By contrast, the questions of justice and moral right and wrong that, for the critic of utilitarianism and effective altruism, are left entirely open and unsettled even by an agreed stipulation of welfare outcomes, are not empirical or scientific questions. They are irreducibly normative questions of what it would be morally right or wrong to do (given the stipulation), and these moral questions necessarily presuppose relations of mutual accountability and respect in the background. 

    One way to see this is to consider what is called paternalism. As it is defined in debates between utilitarians and their critics, paternalism consists in restricting someone’s liberty or usurping their authority of autonomous choice on the grounds that this would be better for them in welfare terms. It is a core feature of an order of justice, mutual respect, and accountability that every person has a right of autonomy, understood as the authority to make their own choices and live their own lives, so long as that does not violate the similar rights of others. (This does not entail anything like libertarianism, as the example of Rawls’ theory of justice illustrates.) Respect for another’s autonomy, however, can conflict with an altruistic desire to promote their well-being, since we often make choices to our own detriment (even, indeed, when we choose altruistically to benefit others!). 

    Suppose, for example, that a friend has their heart set on pursuing a career as a golf pro, which you can see that they are massively unsuited for, and that you can tell that pursuing it would make them miserable. As a friend, you might have standing to give them realistic feedback. But suppose you do voice your concerns, and still your friend persists. You might be in a position to undermine their plans in other less honest ways, say, by resetting their alarm so that they miss their tee time at a crucial tournament. It might be that being diverted from their chosen path is actually better for them in the long run and that they would go on to live a happier, more satisfying life doing something else. It seems clear, however, that subverting your friend’s project altruistically would wrongfully violate her autonomy. It would be an injustice to her and would violate respect for her dignity as a person.

    According to the doctrine of effective altruism, the fundamental ethical relation is benefactor to beneficiary; but from the standpoint of equal justice, the fundamental ethical relation is mutual respect. Being respected as an equal is an important part of our well-being, of course, but altruistic concern will coincide with respect only when being respected most advances our well-being, all things considered. And that is frequently not the case. Often we want to make choices that do not best promote our welfare, and often for good reason (including sometimes for good altruistic reasons). 

    Moreover, altruism can be morally problematic in other ways, although I am not claiming that it must be so. For example, effective altruists argue that often the way we can do “the most good we can do” is by donating to “effective charities.” A significant element of EA is the ranking of charities — “charity evaluation,” Singer calls it — by how effectively they turn donations into beneficial outcomes. Yet the term “charity,” like the term “pity,” signals the potential in altruism to insinuate a disrespectful relation of superiority to a pitiable “charity case.” The perspective of charity, like the perspective of pity, is not the eye-to-eye relation of mutual respect; it comes, like God’s grace, from above. “The greatest and most common miseries of humanity,” Kant wrote

    rest more on the injustice of human beings than on misfortune . . . We participate in the general injustice even when we do no injustice according to civil laws and institutions. When we show beneficence to a needy person, we do not give him anything gratuitously, but only give him some of what we have previously helped to take from him through the general injustice . . . . Thus even actions from charity are acts of duty and obligation, based on the rights of others.

    In couching the meeting of human needs in terms of altruism and charity, EA risks treating its beneficiaries as inferior supplicants rather than mutually accountable equals. It is little wonder that there is so much resentment of the global north in the global south.

    In On Revolution, Hannah Arendt distinguishes between charity and pity, on the one hand, and solidarity and compassion, on the other. She juxtaposes Jesus’ compassion with the “eloquent pity” of the Grand Inquisitor in Dostoyevsky’s The Brothers Karamazov: “The sin of the Grand Inquisitor was that he, like Robespierre, was ‘attracted toward les hommes faibles’ … because he had depersonalized the sufferers, lumped them together into an aggregate — the people, toujours malheureux, the suffering masses, et cetera.” By contrast, Jesus had “compassion with all men in their singularity.” Whereas pity views its object as a faible in a low and abject condition, thus essentializing and “depersonaliz[ing]” them, compassion, solidarity, and respect regard their objects “in their singularity” as individuals. Even the term “the global poor,” risks condescension, since it signals not a respectful relation of mutually accountable collaboration to establish more just relations as equals, but regarding someone as an object of charity that, by definition, no one has the standing to demand.

    To be clear, I am not claiming that Singer and MacAskill, or other proponents of effective altruism, are prone to depersonalizing those whom they seek to benefit, or that their help is necessarily condescending, self-aggrandizing, or arrogant. Neither am I claiming that what we call “charities” necessarily present themselves or are received as superior to their beneficiaries. What I am saying is that the benefactor/beneficiary relation carries these risks, that it can be inconsistent with mutual respect as equals, and that relating to others on terms of mutual respect and accountability is both required by justice and the antidote to these risks. Nor am I claiming that the work that organizations such as Malaria Consortium, which is currently mostly highly rated by Give Well — a “charity evaluator” endorsed by effective altruists — is not doing important work and meeting significant needs that would otherwise go unmet. I am not saying that their work is essentially paternalistic or unwelcome. Perhaps being characterized as a “charity” is just unfortunate branding. I believe that the Malaria Consortium is worthy of our support and have supported it myself. My point is that meeting human need should be pursued from a collaborative perspective of mutual respect and justice rather than that of altruistic charity.

    “Justice,” Rawls says, “is the first virtue of social institutions.” Whether justice is served is never simply an aggregative matter, either an accumulation of just actions of equal respect, or, even less, of aggregated acts of effective altruism. Whether the most important human needs are adequately met is generally a function of whether the society in which they occur is justly organized and of the society’s level of economic development. The economist Angus Deaton has rightly remarked that development

    is neither a financial nor a technical problem but a political problem, and the aid industry often makes the politics worse. The dedicated people who risked their lives to help in the recent Ebola epidemic discovered what had been long known: lack of money is not killing people. The true villains are the chronically disorganized and underfunded health care systems about which governments care little, along with well-founded distrust of those governments and foreigners, even when their advice is correct.

    We do not have to accept the general skepticism of foreign aid’s benefits that Deaton expresses in The Great Escape to agree that EA’s framework is often insensitive to crucial aspects of the political contexts in which human need occurs, and therefore to critical issues of justice. Often the best thing we can do to support those in need is whatever we can to help them have more political power and greater voice, both intranationally and internationally. Deaton argues that economic development depends not on donated aid but on investment, and that the former can often drive out the latter. This is by no means always the case, however. It seems clear, for example, that some forms of aid, like that which targeted HIV in Africa, can make a critical difference that other attempted solutions cannot. PEPFAR, or the President’s Emergency Plan for AIDS Relief, begun by George W. Bush, has been calculated to have saved twenty-five million lives.

    The crucial point is that the requisite support should come not through altruistic desires for welfare outcomes but, as Kant says, from a concern to do justice – and that this be in ways that collaborate with aided individuals, show mutual accountability and respect, and help to empower them in their own social and political context. Climate change poses a salient example. The EA model of individuals doing “the most good” they can for other individuals, typically by contributing to highly rated charities that direct funds to maximally promote individual well-being, seems especially ill-suited to deal with the scale and the nature of the problem. Amartya Sen showed that famine is almost always fundamentally a political problem, and this is even more true of climate change. Only concerted collective and political policies and actions at all levels, nationally and internationally, can reduce carbon emissions to the necessary levels. Proponents of effective altruism implicitly recognize this. A talk given by a researcher for FoundersPledge and featured on effectivealtruism.org argues that the most effective thing individuals can do is to contribute to the most highly-rated “climate charities.” Their top charity, the Clean Air Task Force, characterizes their work as “advanc[ing] the policies and technologies necessary to decarbonize the global energy system.” Surely it is obvious that this is impossible without concerted political action. 

    What is the right ethical lens through which to view the challenges of climate change? Here Kant’s admonition that “the greatest and most common miseries of humanity rest more on the injustice of human beings than on misfortune” is especially apposite. If economic development has been carbon driven, then it is a virtual tautology that the developed world bears greater responsibility for the challenges of climate change. Any just solution will require international cooperation on terms of mutual respect that recognize these different levels of responsibility as well as the unjust power differentials that have resulted from differential development. The pressing ethical questions are not simply how we can do the most good. They are questions of justice. 

    A particularly noteworthy aspect of the movement of effective altruism is Singer’s and MacAskill’s assertion that for a good number of highly talented individuals, the best thing they can do to promote the most good is to find the highest-paying employment so that they can donate much of their income to the most effective charities. Singer’s The Most Good You Can Do discusses a number of examples of college graduates who take high-paying jobs in the financial sector, live simply, and contribute a large percentage of their income to effective charities. Such a person might have gone to work for the charity themselves, or put their talents to work in some other altruistic- or justice-focused way, but Singer quotes MacAskill as arguing that doing so would have produced less net benefit, since donating a fraction of their salary to employ someone producing equivalent good would still leave a significant amount to be put toward other good purposes.

    I see no reason to doubt the motivation of those who pursue this path. There is, I agree, something undeniably admirable about the individuals Singer describes, who live modestly, are focused on the welfare of others, and do the most they can to advance it. Yet from my perspective as a professor of philosophy at Yale, however, I find the prospect of encouraging students to pursue this path of high-minded riches deeply depressing. Institutions such as Yale are already knee-deep in helping to reproduce an extremely unjust political and economic system and in class formation. As things stand, about thirty percent of their graduates take positions in consulting and the financial sector, with only a tiny percentage going to badly needed but talent-starved fields such as public K-12 education. I do not remember the last time I talked to a Yale undergraduate who wanted to pursue that as a career path, although some take temporary posts in programs such as Teach For America.

    But wouldn’t it be wonderful, a proponent of the MacAskill/Singer argument might reply, if more of the people who went the finance and consulting route were like the EA financial analysts whom we champion? I agree with the proposition that if we hold fixed the percentage of graduates pursuing that path, then it is better that more of them have the altruistic aspirations that MacAskill and Singer describe. But I worry about encouraging graduates to pursue the route of “earning to give” for two reasons. First, familiar psychological processes of group affiliation, emotional and attitude contagion, motivated reasoning (rationalization), and accountability to those we live and work with, not to mention the desire to fit in with our associates and have their approval, make it likely that many who begin with such aspirations will tend over time to lose them and become more like their non-EA colleagues. As the example of Sam Bankman-Fried has shown, the nobility of effective altruists can easily be degraded by massive profits: the doctrine can serve as a cunning alibi for the rapacious accumulation of wealth. And especially at the current moment, when meritocracy’s credentials are wearing exceedingly thin, statistics such as the ones I just cited do little to inspire confidence in highly selective universities. This is what you are selecting students for? The universities might reasonably be asked. After all, students do not suddenly change their interests and plans at the end of their college careers. Their undergraduate lives are shaped by the fact that almost a third of their number hope to go into finance or consulting. 

    Elite universities do not just complacently accept these depressing trends; they actively contribute to them by pursuing massive donations and lionizing their biggest donors. What are their students to think when they live, eat, and study in buildings funded by titans of finance? Yale’s current development campaign is titled For Humanity. Despite our fine words, however, students can hardly be faulted for wondering whether they are not living by the university’s real values when they join the “army of the thirty percent.” To do so, however, is to be condemned to a life lived without engagement with, and therefore, meaningful accountability to, the overwhelming majority of their fellow citizens and human beings. Even those who maintain their allegiance to EA while working in offices on Wall Street never get to see how the people they seek to benefit actually live or get to live or work with them.

    The pursuit of justice, in contrast with effective altruism, seeks accountable relationships with others on terms of mutual equal respect. Universities should be “for humanity” not in the sense of seeking just to benefit themselves. That way lies the self-aggrandizing myth of superiority that can mask massive injustice. They should seek, and actively encourage their students to seek, equal justice for all. That is a path that would earn them neither the resentment nor the self-protective contempt that is so widespread among the great numbers of people who are alienated from them and their members, but equal respect in return.

    Albert Memmi and The Problem with Postcolonialism

    The Franco-Tunisian Jewish writer and social philosopher Albert Memmi died in the spring of 2020, having lived a full century, at least a half of which he devoted to developing an arc of thought with great relevance to some of the most vexing questions now facing the societies of the Middle East, the region where he was born, although he eventually found his intellectual and literal home in the West. We need him now.

    Memmi was born in 1920 in the Jewish quarter in Tunis, at the time a French protectorate. The eldest son of a poor Italian Tunisian saddlemaker and an illiterate mother of Bedouin Berber heritage, he spoke Judeo-Arabic at home and studied Hebrew in a traditional religious school. Ambitious and studious, he won a scholarship to the most prestigious French high school in Tunisia, and went on to study philosophy at the University of Algiers. Forced to return to Tunisia after Vichy France expelled Jews from public institutions throughout the mainland and the colonies, Memmi was interned briefly in a labor camp after the Nazi occupation of Tunisia in 1942. After liberation from Nazi rule in May 1943, he decided to continue studying philosophy at the Sorbonne in Paris, where he became deeply engaged in Jewish intellectual life and thought and embarked on a life of letters. Returning to Tunisia in 1949, he worked as a high school teacher teaching philosophy and literature, and three years later he helped to found the Centre de Psychopédagogie de Tunis, where he studied the psychological dimensions of colonial oppression. After Tunisian independence in 1956 he returned to France, teaching in a number of universities and eventually being appointed in 1970 a professor of sociology in the University of Paris.

    Memmi is remembered today chiefly for his research and his novels about the psychological impact of colonialism, which he produced when he was in his thirties, in the 1950s. He became a hero of the anti-colonial left with his novel The Pillar of Salt, a fictionalized autobiography of his childhood in French-colonized Tunisia that appeared in 1953, and his study The Colonizer and the Colonized, which appeared four years later. Promoted in the pages of Les Temps Modernes, the leading French intellectual journal that was edited by Jean-Paul Sartre, who also wrote a preface to the book, The Colonizer and the Colonized was a study of the sociological and psychological dimensions of the dependence and the privilege created by a colonial hierarchy. 

    This “lucid and sober” book, wrote Sartre, describes the predicament of its author as “caught between the racist usurpation of the colonizers and the building of a future nation by the colonized, where the author ‘suspects he will have no place.’” (He will have no place because he is a Jew.) The Colonizer and The Colonized made Memmi a giant of anti-colonialism, along with such writers as Frantz Fanon, Leopold Senghor, Albert Camus (who also wrote a preface to Memmi’s book), and Aime Cesaire; one of the key figures of what later came to be dubbed the postcolonial school of thought defined by works ranging from Fanon’s The Wretched of the Earth in 1961 to Edward Said’s Orientalism in 1978. But slowly Memmi’s thinking began to change. His later works sought to generalize the insights from his early phase into a broader sociological account of dependence, privilege, and racism. (He published a deep study of racism in 1982.) Memmi came to view racism and colonialism as only one instance of the more general human trait of what he called heterophobia, the fear of difference, which motivates groups to dominate, to condemn, and to exclude other groups. Memmi’s understanding converged with thinkers such as Niebuhr, for example, for whom “the chief source of man’s inhumanity to man seems to be the tribal limits of his sense of obligation to other men”; and his emphasis upon the challenge of heterogeneity anticipated an important theme in contemporary social and political philosophy. 

    I believe that Memmi’s work is a vital resource to make sense of contemporary failures of governance, not least in his own region, the Middle East and North Africa. The World Bank report of 1996 noted, for example, “a systematic regression of capacity in the last thirty years” in almost every country in Africa, adding the melancholy remark that “the majority had better capacity at independence than they now possess.” The Arab Human Development Reports prepared for the United Nations in 2003 and 2004 highlighted how isolated Arab countries are from the diffusion of the world’s knowledge, mentioning as an example that the number of books translated into Arabic is miniscule. (It noted that whereas Spain translates ten thousand books into Spanish a year, the same number of books have been translated in total into Arabic since the ninth century CE, and that between 1980 and 1985 the number of translations into Arabic per million potential readers was 4.4, less than 0.8 percent of the number for Hungary and less than 0.5 percent of the number for Spain.) Likewise it highlighted the widespread ignorance and the culture ripe for conspiracy theories and irrational resentments that result from this isolation. Study after study since the 1980s has found the Middle East and North Africa to be the most repressive region in the world, with almost all countries ruled by (occasionally elected) authoritarian regimes (the only exception as a liberal democracy is, for all its agonies, Israel), and that the lowest levels of human freedom in the world are in the Middle East and Africa, and that this translates into having the highest levels of serious armed conflict in the world and the highest concentration of fragile or failing states.

    This is a crisis about which Memmi has a lot to teach. It is therefore a great loss that much of the world remains unaware of his contribution. The left disinherited him because his later works took positions contrary to progressive and postcolonial stances. The discerning and unsentimental eye that he trained on the internal limitations of the postcolonial societies as they struggled and often failed to achieve the original lofty goals of independence and democratic self-governance generated insights that admirers of his early anti-colonialist work came to deplore. Memmi’s concerns about post-independence societies went far beyond the struggles that necessarily accompanied independence. He also sought to shed light on the situation of the individual in the aftermath of independence, whose struggle for meaning could not be reduced to the political and social opposition to colonialism. The experience of colonialism and racism may have shaped the quest to belong, but Memmi put the onus on the individual to transcend them. He believed in inner emancipation – or in the words of a nineteenth-century Zionist thinker, in “auto-emancipation.” This inner emancipation was the condition for the creation of free and functioning societies.

    Although he was not a political theorist, Memmi thought deeply about politics. He was an early proponent of a pragmatic and social democratic model of liberal nationalism. In contrast to the unrealistic utopianism of the socialist left or the Manichaeanism of the postcolonial revolt, he saw a pragmatic social democratic nationalism as the most appropriate political program for achieving individual and collective freedom within a non-utopian politics. (This was decades before academic philosophers such as Charles Taylor, Will Kymlicka, David Miller, and Yael Tamir began to adumbrate a revival of liberal nationalism.) He surveyed the possibilities and limits of the newly independent countries of the Middle East with open eyes, that is, without naivete or romanticism. In this context he refused to vilify the state of Israel. 

    If the Islamic countries of the region had followed Memmi’s positive assessment of Israel’s contributions to furthering economic development and pluralism in the region, they would have avoided years of futile and costly antagonism. Indeed, official and popular animosity to Israel’s existence remains one of the major causes of the backwardness of many Middle Eastern societies. It also contributes to the continued suffering of many Palestinians, whose intellectual and political leaders insist on making the perfect the enemy of the good. Memmi favors a progressive liberal nationalism as a model for the countries of the region; he endorses Israel as a legitimate partner for development and peace; and he calls for a culture that enables each individual to grapple freely with the meaning of their lives, alone and in community. He bequeathed a deep and rich bounty for the beleaguered peoples of the region, weighed down by anger, tyranny, poverty, theocracy, and despair. And this bounty was the work of a liberal Francophile Jew who came from their own region.

    In his early nonfiction and his fiction, Memmi established himself as a keen observer of the psychological effects of societies built on the asymmetrical power and privilege that defined colonial systems of domination. In the writings of his early Third Worldist phase, from the 1950s to the mid-1960s, Memmi was still working with the standard anti-imperialist binary. Like his contemporaries Frantz Fanon and Aime Cesaire and many subsequent Western leftists, his depiction of the colonized individual was more or less essentialized: the existence of the oppressed was almost entirely defined by the oppressor. In The Colonizer and the Colonized, which remains his most famous work, Memmi claimed that all colonial societies were founded on a “pyramid of petty tyrants” whereby gradations of proximity to the colonizer and his institutions conferred privilege and feelings of superiority over those lower in the hierarchy. Such proximity might be afforded by accepting roles such as police officer, teacher, and government official in the colonial institutions — but also by acknowledging the superiority of European culture. Memmi described those at the base of the pyramid as the “true” inhabitants of the colony.

    “The colonial relationship,” he wrote, “chained the colonizer and the colonized into an implacable dependence, molded their respective characters and dictated their conduct.” Referring directly to his experiences in Tunisia, he observed that “the Jew found himself one small notch above the Moslem on the pyramid which is the basis of all colonial societies. His privileges were laughable, but they were enough to make him proud and to make him hope that he was not part of the mass of Moslems which constituted the base of the pyramid. To that end, they endeavor to resemble the colonizer in the frank hope that he may cease to consider them different from him… But if the colonizer does not always openly discourage these candidates to develop that resemblance, he never permits them to attain it either. Thus, they live in painful and constant ambiguity.” Yet Memmi never lost sight of the existential dimension, the lived dimension, of these psychological and sociological observations: “I undertook this inventory of conditions of colonized people mainly in order to understand myself and to identify my place in the society of other men.”

    The popularity of Memmi’s historical study of colonialism has obscured the fact that it was only one part of his lifelong struggle to find a place for himself amid the class, ethnic, and cultural contradictions between the “third world” and Europe. (Later he pointedly rejected the term “Global South” as too broad and ideological.) Already by the early 1950s, his struggle to come to terms with his mixed family background and his experiences growing up in a Jewish ghetto in French-colonized North Africa during and after the Second World War became the central preoccupation of his writings. Two novels from this period, The Pillar of Salt and Strangers, amply illustrate these concerns.

    The Pillar of Salt is a semi-autobiographical novel about growing up in the Tunis ghetto. An intelligent and ambitious young man named Mordechai Benillouche sees mastering French culture and language as his path out of the ghetto. He understands that he will be turning his back on his past: “I protested against everything that I saw all around me, against my parents, these tradesmen, this city that is torn apart in separate communities that hate each other, against all their ways of thinking.” He chooses philosophy over medicine as a profession because, he tells us, it was a channel through which he could rebel against everything in his social background. It was as if the abstractions of philosophy could hoist him above the fetid realities of his marginalization that he fervently wished to escape — the “sordid lanes, where the gutters ran with muddy water.” The study of philosophy and a life of writing, Benillouche (and no doubt Memmi) imagined, would be the salve for his fractured soul, permitting him to embrace “this terrifying and exhausting search for one’s real identity that philosophy implies.” 

    At the same time, Benillouche is constantly reminded of the uncertainty of his quest, admitting in exasperation, “How naive it was of me to hope to overcome the fundamental rift in me, the contradiction that is the very basis of my life!” Whereas in the prologue to the novel he expresses a tentative hope — “Perhaps, as I now straighten out this narrative, I can manage to see more clearly into my own darkness and to find a way out” — at the end of the novel he confesses that “I am ill at ease in my own land and I know of no other.” Although Memmi’s long and successful career as a writer living mostly in France suggests that his own fate was better, he never shook off his ambivalence toward the discordant parts of his former attachments, particularly in relation to his Jewish identity. The novel Strangers, which appeared in 1955, symbolized this failed rapprochement in the melancholy marriage of a Paris-trained Jewish Tunisian doctor and his French Christian wife when they settle back in Tunis. Unable to manage his inner conflicts and disappointments, his feelings of resentment and alienation, the protagonist takes out his frustration on his wife, insisting that she embrace all the worst and backward aspects of the city that he himself now feels ambivalent about. He exhorts her to “see and appreciate our people in their native haunts,” but to himself (and the reader) he admits that “I too in secret was struggling with…wholeheartedly accepting this world.” Ultimately, he reflects that “I was annoyed that my wife should reveal to me my own difficulties in her person.” Memmi, in other words, knew more about identity than we seem to know now: he appreciated that it is not a monolithic and seamless dispensation, but rather is a collision of attributes and qualities that we must somehow negotiate. 

    This complexity was the gift of a difficult history. Memmi’s early work is set against the wrenching historical transformation of societies after the Second World War, when the devastated European powers allowed their colonies to move towards national independence. At the same time these writings also depict the trajectory of a young man striving for his own independence, and for a place in the context of his country’s postcolonial journey. Tunisia threw off French tutelage in 1956, achieving its adulthood, as it were, but Memmi shows how much more complicated the individual journey to adulthood can be, at least for the reflective and self-aware individuals depicted in his novels. For Memmi’s protagonists, personal independence could come only from achieving distance from, if not outright rejection of, family, tribe, religion, language, and even the civilization of the “East.”  This private search for a self cannot be divorced from the contexts of social and political power that Memmi deciphered so acutely in his non-fiction work, but his fiction shows how they operate on related but independent planes, psychologically and even spiritually, each with their own twists and obstacles. 

    The individual’s striving to find his place among his fellow humans, to take one of Memmi’s recurring themes, is a process in which authenticity and alienation, otherness and community, are simultaneously fused together and in tension. This profound unsettledness was the outcome of his bone-deep sense of displacement. It was likely this aspect of Memmi’s work that Camus most admired, seeing in his writings (particularly in The Pillar of Salt) a “beautiful” depiction of the Sisyphean toil of searching for oneself. Memmi’s fiction, in other words, is valuable precisely because it grapples with, in Faulkner’s famous words, “the problems of the human heart in conflict with itself, which alone can make good writing because only that is worth writing about, worth the agony and the sweat.” These existential themes go far beyond the concerns of his sociological studies of colonialism; their significance has outlasted the now-obsolete circumstances of colonial societies.

    Most of the literature of postcolonial studies presents a Manichean struggle of an oppressed “East” resisting a monolithic Western “imperialist oppression.” Of course such simplifications made sense for nationalist struggles for independence and may even have been necessary for the mobilization of a sense of collective agency to press for national independence; revolutions are made with slogans, not with scholarship. This was almost certainly the case in the decade leading up to independence in Tunisia and Algeria, in 1956 and 1962 respectively. They formed the backdrop to Memmi’s writings during what one French critic called his “age of revolt.” These are his writings to which the contemporary left still kindles, when they read him at all. But it was not long before Memmi’s thinking led him to conclusions that would be of no use to them. Memmi’s third-worldism did not survive the developments of the 1960s. His evolution from anti-colonialist icon to critic of left-wing anticolonial causes began in this period, when he moved away from the singular focus on colonialism and turned his focus to the issue of Jewish identity and Jewish-Arab relations, including the question of Israel and nationalism. 

    This evolution was triggered by three critical transformations. The first was the persecution of the Jewish community in Tunisia after it achieved independence in 1957. The Jewish community in Tunisia numbered over a hundred thousand in 1948. While these Jews had experienced significant repression and impoverishment under Vichy France, their distance from Hitler’s death camps left most of them alive and undeported by the end of the war. (Memmi was himself imprisoned in a labor camp, which he escaped.) Yet as much of the postwar world became more hospitable to Jewish people in the wake of the great catastrophe, Tunisia became less so. Following the Six-Day War, the country passed discriminatory laws against Jews and there were riots targeting them. By 1970, less than ten thousand Jews remained in Tunisia. The majority of Tunisian Jewry, once a great community, had emigrated to Israel or to France, where Memmi himself had settled by that time.

    Witnessing this anti-Semitic oppression disabused Memmi of any illusions regarding the redemptive virtues of formerly colonized peoples. It cured him of the romance of the Third World. He watched the radical movements of North Africa and the Middle East reject Enlightenment “Western” culture, and interpret its universalist teachings as nothing more than a mask for power; and this revolted him. His thinking began to take on a more sober and realistic cast. A colonized Arab might have ignored the implications of Tunisian anti-Semitism, but Memmi’s other otherness, his Jewishness, had begun to nurture in him a different kind of identity and consciousness. He now had a third vantage point. It led him to reject the reductive Manicheanism of the radical postcolonial left that had celebrated his work in the 1950s. 

    A second significant factor was Memmi’s unwillingness to countenance the left’s equation of anticolonialism with socialism. In 1958, only one year after the publication of The Colonized and the Colonizer, Memmi called out the fatal contradiction of the socialist left’s equation of anticolonialism with liberation, in a powerful essay called “The Colonial Problem and the Left.” He took to task the left’s embrace of some of the most repressive (and anti-Semitic) Middle Eastern Arab regimes, and their active and military opposition to Israel as expressive of a misguided political standpoint. Memmi identified the poisonous contradictions of the New Left a decade before they came to fruition in 1967 in their response to the Arab-Israeli war, when, as Susie Linfield shows in her brilliant study of Zionism and the European Left, “much of the Western Left hailed some of the world’s most horrifically repressive — and racist — regimes as harbingers of justice and freedom” while reviling Zionism “as a thing apart.” (Her analysis now needs to be extended to the “progressive” response to the Hamas atrocities of last October.) Never Marxist or pro-communist, Memmi called for a genuinely progressive type of social democracy and a left-leaning liberal nationalism at a time when nationalism was a dirty word in European intellectual circles. 

    Against the backdrop of the Arab-Israeli wars of 1967 and 1973, Memmi’s heterodox commitments and intellectual boldness enabled him to develop a startling diagnosis of what ailed the post-independence societies of the region, an interpretation at odds with the conventional narrative of the postcolonial left. While others were celebrating what they viewed as the thrilling new millenarian ideology of world revolution that would vindicate the “wretched of the earth,” Memmi identified some of the key weaknesses of these movements in psychological terms, as expressions of the unresolved neuroses of alienated and disoriented individuals. Memmi developed this critique most pointedly with regard to Fanon, whose method of analysis was also psychological, and he kept his distance from Western intellectuals such as Sartre and his circle, who were still hanging on to increasingly indefensible defenses of communist doctrine, such as the necessity for terror to build “socialism,” and the idea that the Communist Party of the Soviet Union was running the country and its economy for the benefit of the working class. Although Memmi drew from the Marxist left in his analysis of economic injustice, he recoiled at the fact that “the European Left remains impregnated with Stalin-like and Soviet Manichaeanism…I could not abide the collective discipline imposed on people’s thinking, the excessive consistency between thought and action, which inevitably gave rise to dogmatism and intolerance.”

    Memmi’s critique of Fanon applies to most versions of contemporary postcolonial criticism. Memmi knew Fanon in Tunis, when he worked as director of an institute of child psychology and Fanon was editor of a newspaper and a psychiatrist at a local hospital. Before he left Tunis, Memmi had been an admirer of Fanon’s, eager to be adopted by the North African Arab independence movement; but a decade later, in an extraordinary essay called “The Impossible Life of Frantz Fanon,” which appeared in 1971, Memmi coolly dissected the psychological roots of what he depicts as the “neuroses” that lay behind Fanon’s ideas. Nothing more clearly illustrates Memmi’s break from the postcolonial left’s political imaginary than this essay, in which the psychoanalyst Fanon was himself psychoanalyzed. Fanon, Memmi suggested, had succumbed to “the temptation of messianism” and was “gripped by a lyrical fever, by a Manichaeism that constantly confuses ethical demand and reality.” In Memmi’s view, Fanon had fallen for “an illusion”: the idealizing myth of “the solidarity of the oppressed.” He traced Fanon’s compulsive desire to become an Algerian revolutionary to his “disappointment at the impossibility of assimilating West Indians into French citizens,” remarking that “Fanon broke with France and the French with all the passion of which his fiery temperament was capable.” Fanon, remember, was West Indian. He was born in 1925 in Martinique and grew up there, and then studied medicine and psychiatry in France. He fought with the Free French during the war and often referred to himself as French. In 1953 he took up a medical post in Algeria and joined the Algerian Liberation Front (FLN) in its struggle against French colonialism. He lived in Algeria for all of four years. He was expelled in 1957, and went to Tunis. He died in Bethesda, Maryland, where he was being treated for leukemia, in 1961.

    Algeria was perfectly suited to what Memmi described as Fanon’s neurosis because it was “a land where French was spoken but where one could hate France. Algeria was precisely the right substitute, in the negative and the positive sense, for Martinique which had let him down.” As Memmi wrote,

    The extraordinary Algerian phase of Franz Fanon’s life has been accepted as a matter of course. Yet it is scarcely believable. A man who has never set foot in a country decides within a rather brief span of time that this people will be his people, this country his country until death, even though he knows neither its language nor its civilization and has no particular ties to it. He eventually dies for this cause and is buried in Algerian soil. 

    In Memmi’s account, Fanon did not understand the culture that he entered and wished to adopt Algeria as the vehicle of his messianic revolutionism, but he was neither Arab nor Moslem, both of which were intrinsic to the independence movement that he sought to join. Fanon’s identity adventure, Memmi argued, scanted not only the particularities of Algeria and Arab North Africa, but also of Africa as a whole. It represented “a false universalism and abstract humanism based on neglecting all specific identity and all intervening social particularities.” 

    Memmi’s repudiation of Fanonism in the early 1970s estranged him from the left in the West as well as in countries such as Iran. There, an unholy alliance of communist and Marxist parties with anti-Western Islamists was mesmerized by the paroxysmal politics championed by Fanon, which found its tragic denouement in the Iranian revolution in 1979. French intellectuals such as Foucault were similarly beguiled by the ayatollahs’ revolution. They saw in it a revolt against modernity, and the realization of the outlines of the new world and the new man that Fanon and his acolytes had envisioned. Memmi prophetically warned that the haters of the Enlightenment and the West, the secular and religious revolutionaries in love with power rather than justice, were on a path to doom. His antidote to their philosophical and political depredations was liberal nationalism, and so it still remains.

    The third historical development that modified Memmi’s worldview was the storm over the establishment of the new state of Israel, in particular the denunciation of it by the left as a “settler colonial” outpost of Western imperialism. Memmi’s experiences of anti-Jewish prejudice no doubt shaped his conviction that the establishment of the Jewish state should be seen rather as a national liberation struggle, called Zionism. The Jews, too, were entitled to such a struggle and to such a liberation. Many of these ideas were expressed in the essays collected in Jews and Arabs in 1974, where he forcefully expresses his impatience with the utopian pieties of leftist intellectuals. Jonathan Judaken, the editor of a fine collection of Memmi’s writings in English translation, describes Jews and Arabs as Memmi’s symbolic divorce from the Arab-Muslim world. 

    Memmi’s responses to the three developments were increasingly more explicit elaborations of his emerging heterodoxy. In Portrait of a Jew, for example, Memmi recognized that Jewish communal and religious life carries within itself a national dimension. A few years later he wrote that “a nation is the only adequate response to the misfortune of a people…Only a national solution can exorcize our shadowy figure. Only Israel can infuse us with life and restore our full dimensions.” (Later Michael Walzer came to much the same conclusion: “The link between people and land is a crucial feature of national identity… The theory of justice must allow for the territorial state, specifying the rights of its inhabitants and recognizing the collective right of admission and refusal.”) Memmi had become a Zionist, and he regarded Zionism as a progressive nationalism, as an inclusive political project. He rejected the idea that a national project must by definition be ethnonationalist or shaped only by tribal and religious criteria. 

    Memmi identified Zionism as the necessary expression of the national liberation struggle of the Jewish people and nationalism as the inevitable form that political self-determination takes. Whereas Fanon denounced nationalism according to proper Marxist doctrine as a “petty bourgeois” deviation from proletarian internationalism “with its cortege of wars and ruins,” Memmi posited an enlightened nationalism that was a natural and inevitable aspiration of all peoples seeking autonomy, safety, and self-determination. Memmi’s preferred form of Zionism was secular, tolerant, and social democratic. While critical of the anti-Jewish and anti-Israel currents in the Muslim Arab countries, Memmi also drew attention to what he saw as injustice inside Israel, such as the prejudice leveled against Mizrahi Jews; and he was an advocate for a two-state solution as a solution to the plight of the Palestinians. His inflection of nationalism was a combination of realism and decency, of pragmatism with an acute ethical sensitivity to the persistent inequalities and depredations in both colonial and postcolonial circumstances. As it happens, such a standpoint is precisely what is now needed by all the countries of the region.

    This Tunisian Jewish anti-colonialist Zionist liberal has a lesson for the Muslim countries of our day. It is that feverish messianism and unresolved psychological anger at former colonial powers is a large part of the reason that the societies of the Middle East and North Africa remain unable to fulfill their potential. The obsessive hatred of Israel and the refusal to relinquish the futile opposition to the Israeli state is, as Memmi described it, a collective neurosis. Framing the plight of the severely disadvantaged Palestinians as the wretched of the earth in search of a messiah, or at least a Mandela, is also a hobbling collective neurosis; what they need is an Adenauer, who can accept an imperfect and unsatisfactory reality in the present to achieve a better future. 

    The attacks of September 11, 2001 were a calamity for the Muslim Middle East as well as for the United States and the West in general. In their aftermath, it was natural for observers concerned with the region to ask what went wrong. How had the once glorious civilization of the Islamic Middle East become a haven for medievalist fanatical zealots and a redoubt for terrorists who saw themselves in an apocalyptic struggle with modernity and the West? Over the course of two or three centuries, the once dominant and culturally thriving lands of the Islamic Middle East had become, in the words of Bernard Lewis, “poor, weak, and ignorant.” Historians and intellectuals have provided a long list of explanations to account for the decline of their civilization. Some blame the Mongols, or the Jews, or the British, and especially the Europeans, with their ideology of racial superiority and their imperialism. (In recent decades the Americans and their “neoliberalism” have been added to the inventory of external villains.) Some critics have pointed accusingly to supposedly inauthentic versions of Islam — to the enemy within. Notwithstanding the weight of this discourse, Lewis also noted that “growing numbers of Middle Easterners are adopting a more self-critical approach,” which he hoped would lead them to “abandon grievance and victimhood, settle their differences, and join their talents, energies, and resources in a common creative endeavor [so] they can once again make the Middle East, in modern times as it was in antiquity and in the Middle Ages, a major center of civilization.” 

    Lewis did not identify any of these self-critical thinkers, but one of the pioneers of this new approach was certainly Fouad Ajami, whose book The Arab Predicament, which appeared in 1981, remains a benchmark for a new enlightenment, for the dream of democratic and liberal reform in the Middle East. It was a book that Memmi must have admired. Memmi himself was among these forward-looking and far-seeing Middle Eastern intellectuals, a unique and authoritative voice that could be counted among the ranks of “native” critics. (He once referred to himself through a semi-autobiographical fictional character as “a native in a colonial country, a Jew in an anti-Semitic universe, an African in a world dominated by Europe.”) Still, it is far from clear that he harbored hopes for an imminent renaissance. His clear-eyed view of the region’s many failures made such hopes harshly unrealistic. 

    It was in the context of the turmoil and misfortune brought upon the Middle East by the reactions to the 9/11 attacks — specifically the American and Western occupation of Iraq and Afghanistan — that Memmi’s evolution as a genuinely independent critical thinker culminated in his book Decolonization and the Decolonized, in 2004. Returning to his earlier sociological methods, he witheringly surveyed the corruption and the tyranny of half a century of independent states. Surveying the myriad problems besetting the Middle East and Africa — calamitous violence, civil war, failed states, systemic corruption, repressive governments, massive human rights abuses, appallingly low levels of social freedoms, persecution of minorities and women, and low levels of educational attainment and cultural production — Memmi arrived at a scathing indictment: “Why… has the tree of national independence provided us only with stunted and shriveled crops?” Rejecting the obfuscating argot of the postcolonial left, he noted how often it attributed the problems of the third world “to a new ruse of global capitalism, or ‘neocolonialism,’ a term sufficiently vague to serve as a screen and a rationale.” Memmi urged postcolonial countries to acknowledge their failures to achieve democracy and development as largely self-inflicted wounds. He called on them to abandon the cheap excuse of blaming external forces. Memmi offered his criticisms not to disparage but to counsel; he eschewed the haughtiness of conservative historians who suggested that the hopes for decolonization were misguided from the start. He believed that the postcolonial countries could be independent, free, and fair places to live, and he called on them to make themselves so.

    Memmi was right to sound the alarm, to urge the region’s peoples to get over their fixation with the past. Indeed, he was only echoing words of the African Development Bank’s report in 2003, which declared that “more than four decades of independence…should have been enough time to sort out the colonial legacies and move forward.” Economic historians have persuasively demonstrated that the impact of past colonial experiences on current political and economic dynamics has diminished to almost negligible levels in many cases. The followers of Fanon and contemporary postcolonial perspectives persistently obscure this. They are the true reactionaries. 

    Memmi’s work provides a powerful intellectual alternative, an antidote even, that could have inoculated generations against the futile and self-destructive utopias chased by revolutionaries, from Iran in 1979 to certain theories expounded in the Western academy today. Consider the quixotic effort by a prominent representative of the postcolonial school of criticism to retrieve the anti-colonial legacy for contemporary so-called anti-globalization struggles. The same year in which Memmi’s negative assessment of decolonialized societies appeared in print, the Indian-British postcolonial theorist Homi Bhabha asserted in a preface to a reprint of Fanon’s The Wretched of the Earth that institutions such as the International Money Fund and World Bank have “the feel of the colonial ruler,” since they, allegedly, create “dualistic,” not developed, economies. He claimed that this “global duality should be put in the historical context of Fanon’s founding insight into the ‘geographical configuration of colonial governance,’ namely the idea [of] ‘a world divided in two…inhabited by different species.” We are urged by Babha to adopt the “the critical language of duality — whether colonial or global” because “a progressive postcolonial cast of mind” naturally spawns a “spatial imagination [of] geopolitical thinking” that incorporates this language: “margin and metropole, center and periphery, the global and the local, the nation and the world.” (This dichotomous vocabulary recently appeared in a comment by Rashid Khalidi on the Hamas-Israel war: “If you believe this theoretical construct — the colony and the metropole — then what activists do here in the metropole counts.”) Since he cannot let go of the Manicheanism of revolutionary politics without which the Marxist and postcolonial schema of “colonized and colonizer” collapses, Bhaba is forced to shoehorn what is in reality a fractured, multipolar world into a reductive antinomy, so that he can combat it within the only framework available to him.

    Bhabha applauds Fanon’s grandiose claim that “the Third World must start over a new history of Man.” Bhabha and Fanon (and Cornel West) seem to suggest that anti-globalization struggles are the route to international proletarian solidarity and revolution, and that the colonial/native dichotomy offers a workable foundation for such an eschaton. But as we have seen, Memmi knew better. He never suffered from a romanticization of the oppressed, even as he denounced their oppression. Moreover, he knew that the world cannot be neatly divided into the oppressed and the oppressors. The oppressed, after independence and even before, have a way of oppressing each other. He rejected terms such as “neo-colonialism” for obscuring the role of the elites of the independent Third World states in perpetuating injustice. He refused to accept that the culpability of these elites should be seen as merely another result of victimization by larger external forces. 

    Memmi’s critique also applies to “decolonial” studies, the latest version of the Marxist-inspired anti-Western and anti-capitalist ideology making the rounds of Western academia (associated with writers such as Walter Mignolo, Aníbal Quijano, and others). It is a fatuous and often bizarre messianic theory, premised on a stupendously simplified picture of what is in fact a maddeningly complicated and tragically fragmented world. Anti-essentializers, heal yourselves! (The guiding intellectual light for some of these decolonial theorists is not Martin Luther King Jr., or Nelson Mandela, or Mahatma Gandhi, but — really — Subcommandante Marcos of the Zapatista insurgency.) The crusade to make everything postcolonial has become so pervasive that it has finally elicited forceful responses. In his heretical book Against Decolonisation: Taking African Agency Seriously, for example, the Nigerian philosopher Olúfẹ́mi Táíwò (who has appeared in these pages) decries the “proliferation of the decolonization trope” because of its “pernicious influence and consequences.” The idea of decolonization, he asserts, “has lost its way and is seriously harming scholarship in and on Africa.” Echoing many of Memmi’s concerns, Táíwò rejects the “absolutization of colonialism, the accompanying repudiation of [Enlightenment] universalism and the paradox that a Manichaean worldview generates.” 

    The more worrying consequences of the postcolonialist dogmas are not intellectual but material and political, directly effecting living standards and livelihoods. The main problem of the decolonization worldview is that it is of no use to the people it purports to help. As Helen Pluckrose and James A. Lindsay observe in their survey of the postcolonial and the decolonial, this

    work is of very little practical relevance to people living in previously colonized countries, who are trying to deal with the political and economic aftermath. There is little reason to believe that previously colonized people have any use for a postcolonial Theory or decoloniality that argues that math is a tool of Western imperialism, that sees alphabetical literacy as colonial technology and postcolonial appropriation…

    Worse, postcolonial theories can actually harm people in previously colonized countries, who are some of the poorest people in the world — for instance, when these ideas are applied to the issue of climate change, and a simplistic and misleading binary is generated, according to which we must choose between an evil white hyper-developed plundering West and an idyllic view of indigenous peoples’ beautiful relationship with nature, resurrecting long-discredited notions of the noble savage and calling them progressive. These ideas misrepresent the realities of climate change and lead to dubious climate policy recommendations that would likely impose enormous economic costs on those who need economic development the most. 

    Ultimately, of course, the effects of this fallacious worldview are most pernicious in the world of politics. They include the radical regimes of Iran, Nicaragua, Hezbollah, Afghanistan, and elsewhere. These regimes represent in practice what many of these theories espouse. In the Islamic Republic of Iran, for instance, perspectives paralleling Fanon’s, represented by influential works such as Jalal al-e Ahmad’s Westoxification, an attack on the West that deserves to be better known in the West, and also routinely expressed by the official ideologists of the regime, are still a significant part of the ideological edifice of the anti-liberal, anti-Western dictatorship that has been in power for over four decades. It is no longer just the rhetoric of tenured radicals, unless you count tyranny as a kind of tenure.

    Given Memmi’s perspicacity in uncovering the blind spots of the postcolonial left in Europe as it related to the question of the Middle East, it is unfortunate that Memmi decided to weigh in on the American struggle for black civil rights. He was insufficiently aware or appreciative of many complex facts of the American situation with regard to race. Indeed, he never visited the United States. In 1965 he dedicated the English edition of The Colonizer and the Colonized to the “American Negro, also colonized” because he perceived that community to be subject to the same type of oppression that he described in the book. This timing was not exactly propitious, as it coincided with the passage of the historic civil rights laws that finally, a century after the American Civil War had failed to remove many institutions of racial oppression and official apartheid against formerly enslaved black Americans, had achieved a revolutionary progress. To be sure, laws by themselves could not be expected to remedy all the evils overnight. Yet it is precisely the essentializing and binary framework of his early period that he stubbornly projects, erroneously, onto the American scene, and thereby distorts its complexities and accomplishments. This is starkly illustrated when he fails to discern the different strands of the black civil rights movement:

    King, Baldwin, and Malcolm X do not represent three different historical solutions to the black problem, three possible choices for the Americans. [ . . . ] King, Baldwin and Malcolm X are signposts along the same inexorable road of revolt.

    This false generalization leads Memmi to claim that “King is the victim of oppression who persists in wanting to resemble his oppressor. The oppressor will always be his model.” This, of course, is spectacularly wrong. 

    Binary assumptions never illuminate, even in Memmi. Memmi’s error in this case resulted from the application of the abstract dichotomies and assumptions of postcolonial theory to a racist society that had little in common with European colonialism. Unfortunately we see examples of this today, for example in the Manichaean binaries put forward by writers such as Ta-Nehisi Coates, the Black Lives Matter theoreticians, and The 1619 project, whose assumptions and implications have been cogently called into question in these pages by Daryl Michael Scott, among others. Memmi’s later voice of moderation would be a salutary contribution to today’s debates about the legacy of colonialism. 

    There is a clear and strong message that emerges from an appreciation of Memmi’s evolution as a writer and a thinker. It is that the concept of “coloniality” and its cognates retains little relevance for understanding the challenges facing countries in the developing world and the relations between rich and poor countries more broadly. “Haven’t I got better things to do on this earth,” Fanon wrote in the remarkable conclusion to Black Skin, White Masks, “than avenge the blacks of the seventeenth century?” Coloniality as a topic should be confined as much as possible to the history departments. 

    Whereas firebrands such as Fanon in his revolutionary mode called for cathartic violence as the road to redemption, Memmi was a pragmatic liberal nationalist social democrat who had the courage to say to his fellow third world citizens, especially in the Muslim countries of the Middle East and North Africa, that they had for the most part failed to achieve the objectives of independence and that they had for the most part no one to blame but themselves. This bracing assessment represents a necessary corrective to the simplifying radicalism of the postcolonial schools of thought that trace most if not all of the problems besetting developing countries to external forces, be they Western “imperialism,” global capitalism, “systemic racism,” “neoliberalism,” “globalization,” or any other single explanation for everything. (The Uyghurs in China, the Christians and the political prisoners in Iran, and the women under the rule of the Taliban would all be surprised to learn that they suffer from white supremacist hegemony.) 

    Developing countries, especially in the Islamic Middle East which was of most concern to Memmi, can ill afford the misguided counsels of a worldview which posits that “colonialism” has not in fact ended and therefore, to quote a typical statement, “every analysis of the present is impossible to understand except in relation to the history of imperialism and colonial rule.” Instead, what former colonies need most desperately is to break free of this debilitating straitjacket and move beyond the obsessive preoccupation with the colonial past to the urgent tasks at hand. Sartre was wrong in his critique of Memmi: colonialism was not a “system,” an essentially permanent, almost metaphysical condition of human existence. Rather, as Memmi held, it was a “situation,” one that has now passed. Today there exist new inequities, new hierarchies, and new cruelties, which will not be ameliorated by stale formulas or a morbid lingering over the unhappy centuries gone by. Postcolonial societies could do worse than repeat Memmi’s own evolution. The struggle for justice requires that we live in the present. [END]

    Orangerie

    Sometimes I think I must have ground to a halt

    on this lot for the sake of the orange tree alone.

    I might have preferred the olive — rolled

    on a bias — but it requires labor, refinement, salt.

    Oranges are easy: sweetness sewn

          inside a roughly perfect handhold.

     

    Fruit in different stages of production muscles

    the bough into a bow, the bow into a lyre,

    plucked string lengths sounding a golden mean.

    They long to dispense their light into bushels,

    these overburdened arms; as they grow higher,

          they find my roof, on which they lean,

     

    and then the spheres go reeling like billiards

    down gutters angled like a kinetics sculpture-

    cum-candy dispenser. Think how pretty!

    Think if you were a house, contemplating yards,

    wouldn’t you choose one with a culture

          of citrus, the least complicated beauty,

     

    to run aground on? That is, if houses,

    like arks, sailed from firmament to foundation.

    This tree is a juggler drawing out his long game. 

    Inspired, I swap my bow for sternness.

    It is serious, this groundless elation.

          C’est mon bijou, mon or, mon âme, my name.

    Chekhov in The Gulf of Mexico

    The resort staff are turning off the light

    at the poolside bar. The iron gate

    around the pool clanks shut loud enough

    to wake the kiddos whose sleep their mothers

     

    toiled to obtain. This Saturday night

    is uniquely music-less, the usual spate

    of sounds drowned out — rough

    and slick alike, proclivities and druthers.

     

    Even the band abandoned their tunes

    when the downpour came. Unwelcome guests,

    clouds clash though you can’t see the colors —

     

    damson, plumbago, where the swimmer prunes

    and lightning in a soft synaptic burst suggests

    the heavens had a thought, which sank in the rollers.

     

    In the morning another worker’s come.

    He brushes off the leavings of a palm tree

    from the cushions with a pillow.

    He cranks taut the skirts of the umbrellas,

     

    so the colors resolve into a dome

    of crisp stripes. He loops the ropes expertly

    out of the reach of children, though

    the overall look, from above, is of bulls-eyes.

     

    Slashed fronds, slats, louvers, wickerwork —

    whatever breeze can be gotten, everything’s sieving.

    Housekeeping the outdoors is an enterprise:

     

    raking sand each morning like a Zen monk

    so that the guests can say, “This is living.”

    And the protected marsh is nodding, no surprise.

    He puts the TV, she her jewelry on.

    A divorceé, with her teenage son

    who mutters, almost immediately,

    that all the songs are about pair-bonding.

     

    Each song, she might reply, is a repetition

    before it’s a departure. But he’s gone —

    he notices the poolside palms surgically

    relieved of their fruit. Tanning and blonding,

     

    the guests make use of the green-banana light,

    and maybe the umbrellas are really meant

    to keep an epiphany from glancing off the skull.

     

    When the sun reaches a certain height,

    a swish unwraps the cellophane from peppermint;

    a green stripe in the surf burns auroral.

     

    Tender the flesh under the shoulder strap,

    and the bubble where the sandal thong chafes

    threatens to burst. Sea grapes, saw palmettoes.

    A seraglio of interior paramours.

     

    Little herds trot across the sand wrapped

    in towels identical to the umbrellas. Waifs

    wander in search of lizards. A man throws

    out his arms: “Venga, como una mariposa!”

     

    and the little girl jumps. A boy, maybe four,

    points out a baby iguana poking its snout

    through the slats of a porch. The smallest

     

    among us spot the miniscular. They adore

    the giant chess set, knocking the queen out

    with the flourish of a major plot-twist.

     

    Mother and son share a kayak. They bump 

    and bumble into the mangrove swamp

    and barely keep up with the tour guide.

    “Life starts here,” he’s saying, “the tide

     

    brings animals and fish to incubate.”

    Unsynchronously paddling the strait,

    mother hissing, son throwing a backward glare,

    they pantomime a mismatched pair.

     

    Amid a cloud of kicked-up sand (“mermaid’s milk”)

    manatees, mouths full of sea grass, gleam in bulk.

    The guide holds up a jellyfish; the boy puts out his hand.

     

    A smile shows he’s hooked. The sting he can stand:

    it’s impersonal. Now they sail through a cove

    of hurricane wrecks and it looks like love.

     

    Yes, the future has come to harass parents

    while the scenery plays second fiddle

    to the girls with cameras — snapping themselves.

    The boy worships each one from afar.

     

    The afternoon is turning a corner, hence

    the heat, which makes the parking lot a griddle.

    Better to languish on those balconies like shelves

    than seek out the telescope which brings a star

     

    too close. Besides, a starboard light will serve,

    after too many rosé-colored glasses,

    as the true purveyor of mysteries, because you know

     

    there’s a captain there, negotiating earth’s curve.

    Whatever the green light in the darkness promises,

    what kissed you, you’ll see in the morning, was a mosquito.

    A steady stream of rhymes (lingo/gringo) purls

    across the palms’ scanty shade. Now country,

    now reggae, now “light contemporary.”

    The balconies repeat dizzyingly, all rails

     

    and wickerwork and cushions printed with zz’s

    receding like a single room between two mirrors.

    A man, with his actress companion, appears.

    The palms start up like a band in a sudden breeze:

     

    Rain, rain, rain, their only song. Crabs fallen

    from the zodiac make like putts into their holes.

    Rain, which drop by drop sounds a complaint

     

    of zinc-tipped arrows against Eros, comes when

    lightning collects its highway tolls.

    Then we see what bulls-eyed umbrellas meant.

    Ringstrasse

    I lost my grandmother’s opera glasses …

    an empire in thrall to innovations

    offered electric shocks in the Prater

    for a small charge. In wedding dresses,

    fräuleins dove from moving trains. Scions,

    following the Great Somnambulator,

     

    walked out of windows (into Blush Noisette!)

    or stepped off bridges in uniform.

    Thunderclouds amassed

    as if looking to discharge public debt

    under cover of a lightning storm.

    It was a day like any other that Albert Last

     

    as played, maybe, by a ringer for Strauss,

    drowned. Baroness Vetsera (Louise Brooks)

    descended from her carriage with a twirl

    in front of the incandescent opera house.

    No smelly tallow! She trained her binocs

    on the Prince. … typical fan girl.

     

    Yes, mine were the glasses that saw

    coaches turn into pumpkins.

    Fiacre — barouche — swagged and crowned.

    Droshky — diligence — curricle — landau.

    Phaetons that for all their sins

    never ran heaven into the ground.

    Antigone in Hong Kong 

    Hong Kong has its own Antigone and her name is Chow Hang-Tung. I had never heard of her until June 4, 2021. 

    Every year from 1989 until the start of the pandemic, Hong Kong has commemorated the Tiananmen Massacre with a candlelight vigil at Victoria Park on June 4. Though attendance had been dwindling through the years, the vigil is a proud tradition and one that marks Hong Kong as unique, because nowhere else within China can the events of Tiananmen be openly acknowledged, much less memorialized. This changed, however, in 2020, with the passing of the National Security Law (NSL). Ostensibly a law to criminalize subversion and protect the integrity of the state, many understood it to be a weapon to stifle dissent of any kind. Freedom of speech and freedom of assembly, rights once guaranteed by Hong Kong’s mini-constitution, the Basic Law, have been superseded by this new law. 

    As a consequence of the NSL, these freedoms can now only be exercised in a context in which they do not threaten the status quo as defined by China. Given Beijing’s resolute denial of the events of Tiananmen in 1989, convening a commemoration on June 4 in this new environment could well be deemed subversive, though, interestingly, applications to hold the vigil as usual in 2020 and 2021 had been denied on public health grounds and not on political grounds. While there was no official indication that approval had been withheld because the vigil contravened the National Security Law, the excessively large police presence in the vicinity of Victoria Park on the night of June 4, 2021 was sending a rather different message, as was Chow’s arrest on the morning of the same day. 

    Chow is the vice-chair of the Hong Kong Alliance in Support of Patriotic Democratic Movements of China, an organization that has convened the Tiananmen vigil in Hong Kong over the years. In the absence of the Hong Kong Alliance’s leaders (who had been imprisoned in sweeping NSL arrests earlier in the year), Chow, a bespectacled barrister with a broad, frank face and a friendly smile, stepped up to maintain Hong Kong’s commitment to remember Tiananmen. Knowing that a permit to gather and conduct the memorial had been denied, she posted on Facebook that she would continue the tradition of lighting a candle in a public space to commemorate the events of June 4, 1989. Her message ends with an exhortation to 

    keep the candlelight alive in the cold, to keep the bottom line of our conscience, and to keep our remaining freedom. Only by standing our ground and defending our position and principles with actions can we win the space for survival. On June 4 this year, let us continue to fight for justice for the dead and dignity for the living with candlelight.

    She was promptly arrested and, in January 2022, convicted and sentenced to fifteen months in prison for these words. The charge was “promoting an unauthorized assembly.” 

    For a brief period, while out on bail, Chow remained in the news. Faced with both an additional accusation that the organization she headed was an “agent of foreign forces” and a police request for information on the Hong Kong Alliance’s finances and membership, Chow characterized the targeting of the Alliance as the exercise of “unreasonable power” and pointedly declined to accede to any demands. This act of non-compliance landed her back in jail on new charges of failing to cooperate with police investigations and subversion of the state. Her continual defiance of the authorities was extraordinary, a brave devotion to principle that she continued to exhibit even in prison. While a number of her fellow activists had strategically opted to plead guilty to charges of incitement and sedition in exchange for a reduced sentence, Chow refused to do so. In a bilingual message to supporters published on Patreon explaining her decision, she runs through the pros and cons of pleading guilty and concludes that, no matter the consequences, she is unable to be dishonest:

    What I said before everything took place shall remain the same in my submission to the court. It shall not alter due to threats of penalty. You can force bitter manual tasks on me — like washing the toilet — and smelly porridge, but you can’t force me to speak contrary to my mind. You can even force me to shut up but you can’t force me to utter what I do not believe.

    Her word matters to her and, even if a guilty plea is now meaningless in a law court whose integrity is questionable, she still cannot bring herself to admit to the allegation brought against her. 

    My speech is sacred and inviolable. It embodies my free will which cannot be taken away by any exterior forces. And to live up to every word I have said is a very humble discipline I set for myself.

    Taking such a stance is exhausting, as she herself admits, but better to expend her energies while holding to such a position than to live aimlessly. 

    More than her honesty, what I believe marks Chow out as truly remarkable, is her consistency. She has her principles and she will stay loyal to them. Like Antigone, she has a single-minded purposefulness that propels and fortifies her through her difficulties.

    I know that I am not like Antigone, principled and unafraid, choosing to defy her uncle Creon’s decree and give her brother his burial rites, even if it means certain death. She marches unwaveringly through the play like an otherworldly saint set on martyrdom. Doing right by her brother and acting in accordance with the laws of God matter more than life itself. No, I am not Antigone; I do not have such courage; I do not have a death wish.

    Does this mean that I am Ismene, Antigone’s sister whom Creon says can be found sniffling within his house? She doesn’t sound like much. If we are to believe Creon, Ismene seems akin to one of those red-nosed pathetic women who exist in a Jane Austen novel merely to showcase the heroine’s patience and virtue — a poor and sorry specimen of a woman. Creon is a misogynist, though; all women are sniveling fools to him. But I must admit that I rather like Ismene. She is ordinary. She fears for her own skin. She finds excuses not to be heroic: “We are only women/We cannot fight with men,” she tells Antigone. I know we are meant to aspire to Antigone’s dogged pursuit of the higher law, but I feel more at ease with Ismene. When she says to Antigone, “And I think it is dangerous business/To be always meddling,” that line rings true to me; I have this fear within me too. She says it almost as an afterthought, but it is a revealing moment. More than her excuses of being a weak woman and wishing to be obedient to the authority of her uncle, this apprehension of meddling, of stepping outside the set bounds, of the repercussions that her deviance will bring, is her deepest motivation not to act as Antigone will do. 

    Ismene has learnt the danger of going beyond her prescribed place because she lives in a patriarchal and authoritarian world. As the play unfolds and Creon displays more and more of his splenetic and dictatorial impulses, with especially devastating results for himself, we see fleshed out the environment that Ismene inhabits. Cross the king and you will suffer consequences. Consider the sentry’s fear in bringing bad news to Creon. Consider how Creon’s own son, Haimon, is given short shrift by his father. Consider what happens to Antigone. Ismene knows what it means to live in a hostile world. You can call her a coward, one who values self-preservation over justice, but she is a survivor.

    Like Antigone, Chow is more of a fighter than a survivor, and she fights with a clear-eyed recognition that the odds are against her and that she will be called upon to sacrifice her freedom. Though she has had a surprising victory with the recent overturning of her January 2022 conviction for illegal assembly, her conviction for her other NSL-related charges means that she remains imprisoned for the foreseeable future. Most of us (and I certainly include myself) will never be as steadfast as she is, especially in the face of hardship and suffering. We survive by evasion. Like Ismene, we know the art of inconsistency.

    If we follow Sophocles’ imagining of their lives in Oedipus at Colonnus, Antigone has always lived on the margins, refusing to compromise. She is the one who suffers with Oedipus, guiding her blind father in his exile. Ismene, on the other hand, has chosen to remain in Thebes with her brothers, living in comfort, but she is nonetheless loyal to her father. She is the spy within the royal household, bringing reports of the latest oracles and court politics to Oedipus and Antigone. She is the two-faced insider who knows what it means to appear one way and think another, to say one thing and do another. The purity of Antigone’s purpose is not hers; Ismene’s world is murkier and more fraught. No wonder she is afraid; no wonder she does not always make the right decisions; no wonder she changes her mind and oscillates between positions. 

    To borrow Václav Havel’s language from his great essay “The Power of the Powerless,” Ismene lives in the world of appearances while trying as best she can to live in truth. She is akin to Havel’s hypothetical greengrocer who puts up a poster he does not believe in to signal his acquiescence to the totalitarian system. She will obey Creon’s diktat, though she disagrees with it. She will subvert where she can, as she does in Oedipus in Colonnus, and she will, at the end of Antigone, perhaps inspired or shamed by Antigone’s actions, attempt to live by her conscience instead of her fear. No one will make her a protagonist, because her existence is too ordinary, too mean. In an unjust world, we have Ismenes in abundance; what we need is the consistent purity of Antigone as a beacon of truth.

    Am I defending Ismene too much? Perhaps, but I feel for her lack of heroism, her faint efforts to live in the truth. Most of us do not live in the kind of totalitarian state that engendered Havel’s astute analysis of power, complicity, and subversion. We will never quite experience such an extreme split between appearances and truth, but, as Havel recognized, there are larger forces at work on all of us, whether we live in a democracy or an authoritarian state or somewhere in between. There is everywhere the wish—sometimes sinister, sometimes well-intentioned—to deny us our messy humanity in favor of the orderliness of a smoothly running system. We all know what it feels like to inhabit an institution (think of the corporations we work for, the schools we were educated in, the neo-liberal capitalist economies we are trapped in) that offers us safety, convenience, and a livelihood in exchange for our willing conformity. 

    Staying true to our humanity is harder than one thinks. Havel understood this very well:

    Human beings are compelled to live within a lie, but they can be compelled to do so only because they are capable of living in this way …. each person is capable, to a greater or lesser degree, of coming to terms with living within a lie. Each     person succumbs to a profane trivialization of his inherent humanity, and to utilitarianism. In everyone there is some willingness to merge with the anonymous crowd and to flow comfortably along with it down the river of pseudo-life.

    I had to pause for a while after I first read this passage from Havel’s essay. Here was the psychology of Ismene laid bare. Here was my own psychology laid bare. Because my flesh is weak and I hanker after ease, comfort, and security, I willingly efface myself and live in ways that falsify my being. It is a disturbing revelation, and one that when applied retrospectively to my life reveals a great deal about me. I conform and I find ways to evade conformity. It explains why I am not in jail like Chow Hang-Tung, and why I am also no longer living in Hong Kong. We each find our ways to live in the truth; and I have chosen exile and a return to my native Singapore. 

    I learned a Chinese proverb in the midst of the protests in Hong Kong: you kill the chickens to frighten the monkeys. Its meaning is clear enough: a display of gratuitous violence silences the targeted community. I have been a scared monkey for almost all my adult life. I became one in 1987, when in Singapore a “Marxist conspiracy” to unseat the government was unveiled by the media. A group of sixteen social workers, activists, and volunteers at a Catholic outreach center were arrested and detained without trial under the Internal Security Act. Confessions were obtained and broadcast on national television. I was fifteen, more interested in netball and navigating the confusing currents of schoolgirl friendships than politics. Still, this was an event that no one could ignore. I grasped only vaguely the details of the situation being described on television, but I sensed a chill, a hush in the air. Everyone was shocked by the turn of the events, but the horror was less about this shadowy network supposedly working surreptitiously within the Catholic church to create a communist state than about the government’s overreaction. 

    My parents were not overtly political; they were more focused on living comfortable middle-class lives complete with as many status markers as they could afford — house, cars, club membership, travels abroad. But they were not naive. They knew the accusations rang hollow and they said so, though quietly and privately, only within the four walls of the family home. They understood the warning: the chickens were being killed. I watched and listened somewhat puzzled, somewhat indifferent (it was far more pressing to me to understand why some friends at school were giving me the cold shoulder), but enough had seeped into me. I knew this in my bones now: annoy the government and this could happen to you, too. 

    When fear of your own government enters you, what is the remedy? I could imagine only one solution: you leave the place that generates the disquiet. It was not exactly a conscious choice; I did not understand that I was running away from an ill-defined and amorphous political anxiety. In fact, it felt more like I was running away from my dysfunctional family. But I was also escaping a place — Singapore — that had always felt constrained and constricted to me. You cannot feel completely at ease knowing at the back of your mind that the government’s hand could reach for you when you least expect it. So, in my twenties, when I had the choice between working in Hong Kong or continuing on in Singapore in a similar position, the answer was obvious. Of course I was going to Hong Kong. 

    I had last been there as a small child and barely knew the place. All I could remember was how rude the people could be if you were ethnically Chinese but could not speak Cantonese, and I did not speak a single word of Cantonese. But Hong Kong was not Singapore, and even in 1999, two years after its return to China, Hong Kong still had a reputation as a place where the rights to free speech and political assembly were firmly exercised. I was not exactly in a hurry to indulge in these freedoms myself, but I liked being in a place where others could. I did not like chickens being harmed and people turned into frightened monkeys.

    A few weeks before August 9, which is Singapore’s National Day, the red and white flags start to come out. The estate management is responsible for the decorative bunting hung out in common areas, but individual flat owners can choose to hang the national flag from their windows. I have seen images in the past of blocks of flats blanketed with red and white flags. It makes for quite a sight, stirring but also a little chilling. This year, looking from my apartment window, I count only a handful on display. 

    When I witnessed the first flag being put out in the block opposite me, my thoughts turned to Havel’s greengrocer and his poster, even though, on further reflection, there is very little similarity between these two acts. We are under no compulsion — direct or indirect — to display the flag, and no one will suffer consequences for failing to do so. Such pockets of freedom make living in Singapore bearable. I remember joking with my friends while I was still in Hong Kong that, with the way things were going around the world, authoritarian Singapore was beginning to look enticing. Given the vagueness of the NSL in Hong Kong and how it might be applied by over-enthusiastic security officers, I felt that at least in Singapore I knew what and where the red lines were. I am, after all, a bona fide Singapore-trained monkey.  

    Living in Singapore after the sadness of Hong Kong’s transformation under the NSL is also a relief. If I am to be brutally honest, this is because the pressure to be an Antigone of some kind in Hong Kong is always present. When the Hong Kong authorities began to arrest pro-democracy activists under the auspices of the NSL in 2021, Martin Niemöller’s famous warning, as well as adaptations of it to suit Hong Kong’s situation, began to circulate on social media:

    First they came for the socialists, and I did not speak out — because I was not a socialist.

    Then they came for the trade unionists, and I did not speak out— because I was not a trade unionist.

    Then they came for the Jews, and I did not speak out — because I was not a Jew.

    Then they came for me — and there was no one left to speak for me.

    Sympathizers of the democratic cause were being asked to not turn a blind eye to what was happening and to speak up against the unjust arrests. But the chicken-killing spree had frightened the monkeys. Antigones were wanted, but mostly Ismenes were to be found. 

    Singapore, on the other hand, is a place where Ismenes are prized, which is why being here is restful for me. Life is certainly circumscribed, but there is space enough to keep writing, especially about Hong Kong. One conforms so that the pen can evade conformity.

    In my dreams I am Antigone. 

    I am in an underground cell so dark that I have to feel and grope my way about like my father used to. There is a tray of food on the floor by the door and I can hear the twitchings and squeaks of what is probably a rat. It is cold. The dead are above ground, the living below. I am exhausted. First sleep and then the final sleep, except that I have court dates to remember and attend, and I have a submission to write for the judge, but I do not have my legal books and my notes. I can only remember Havel’s greengrocer, who put up and then took down the poster and suffered the consequences. The emperor has no clothes, but he wields a great deal of power even when stark naked. Somehow I know that Ismene is in the cell above me. I can hear her singing. It’s her voice, for sure—lilting but penetrating. It makes my heart glad. I do not recognize the song and it is in a language that I do not understand, but I know that it is Ismene who is singing, and she is telling me that she will survive and keep singing. I was angry with her for not coming with me to bury Polyneices, but now I think that it is actually good that someone survives, though I would never have admitted this to her face. Someone has to die and someone has to live. She will be lonely, my poor sister, while I will have the company of my father and my brothers. That will be her lot in life. Though if she keeps singing like this, like a songbird in a cage dreaming of swaying green branches and racing blue skies, she will be fine. Ismene will be fine. 

    In my dreams, I am an Antigone who forgives Ismene.

    Concept Creep: A Progressive’s Lament

    For Jim Longenbach

    On or about November 9, 2016, human nature changed. All human speech shifted, and when human speech shifts there is at the same time a shift in religion, conduct, politics, and literature. The word equality — so long associated with liberalism — left the left; they erected the house of complicity in its footprint, behind its aging facade. It was a haunted house. All who dared enter shadow-boxed with a series of specters. These were battles of life or death organized around minor abrogations of language (from “homeless” to “unhoused,” from lowercase to uppercase first letters in racial designations, and so on). I am not a liberal, but one of the left coalition that can scarcely win a primary, so I am inured to my powerlessness. But in the final years of that decade, I learned that I was limitlessly powerful. Indeed, hadn’t we Bernie bros — I preferred “Berning Men” — opened the gaps through which Trump crawled? And weren’t we therefore obligated to kneel first during public rituals of self-cleansing? And wasn’t each person not simply an agent of their own notions, but a resister to or collaborator with public feeling? Of late, a beloved friend whose politics are far more virtuous than mine has chastised me for voting with too little enthusiasm. My shrug, you see, is complicit with “the other side.” It enables them. And I think: surely it must rankle human dignity to be radicalized for so moderate a force as the Democratic party. 

    Everywhere in the Complicity Era, we were compelled to exercise our power through illocutionary speech acts — denouncing and endorsing on cue. This included accolades for “Nazi-punching” far from our front doors, declamations against election interference by Russia (who, long ago, perfected the art of Nazi-punching), and odes to civil unrest authored by the people most likely to turn tail at the sight of a fire in their own neighborhoods. Certain events elicited public statements from people with no public profile; Verdict Days for killer cops demanded an evening litany on Twitter. The event need not be macropolitical. You might denounce former comrades who had been insufficiently pious, or who continued to “follow” Louis CK’s social media accounts. You could issue these dicta on the same platform that sold you weighted blankets and over-priced rompers that costumed adults as children. For the last two decades, I had joked (after Baudrillard) that the Cold War did not take place. In Jenny Erpenbeck’s Go Went Gone, the reunification of Germany means little more to its protagonist — a retired academic — than a slightly closer transit stop to his apartment in Berlin. 

    So much memory had been scrubbed with the dismantling of the political and intellectual apparatus that sustained “war” — which of course was less a war than a wrestling match. Like many Americans my age, I grew up burning whole weekends with the board game Risk, which perfectly inverted the truth of war. The longer the game went on, the more resources the strongest fighter accumulated. The deepest resource, of course, is a population’s decentralized paranoia, with no top-down instruction required. In the Complicity Era, we have found other uses for the paranoid style, the resource that paradoxically shaped and emerged from the Cold War. Paranoia migrated, resurged, and renewed. In early 2022, a poll found that more than forty percent of Americans believed Russia was Communist; if your first instinct is to hope that this forty percent is on the “other side,” then the complicity critique of these years has cost you dearly. 

    Perhaps it was not the “paranoid style” of the political right, but the “hermeneutic of suspicion” practiced by the academic left, that seized American tongues. The desire to flush out the enemy of concealed meaning generates martial language in scholarly writing; there, the writer does not argue, he intervenes. He does not analyze; he interrogates. Concepts steadily creeped from colleges and universities to the broader world: think of the heights to which intersectionality and performativity climbed in these dishonest decades. For those of us trained in the humanities, the language traveled with all the precision one could expect after a student pulls an all-nighter before an essay exam. Most of the people who coined or refined the concepts that creep to the public square are still alive — young Boomers or old Gen Xers — so one wonders what they do when they wake in the middle of the night, feeling like both Victor Frankenstein and his Creature.

    “Performativity” came to mean the self-conscious exhibition of one’s political virtues, though it in fact referred to one’s almost unconscious habituation to identity roles, subject to subversion with subsequent repetition. There is the agonizing loss of “emotional labor” — formerly the management of feeling required by low-wage service workers, the term now serves as an excuse to refuse evidence, renege on debate, and resist counter-argument, especially if your opponent has been unpersoned, thanks to their own infelicities of language or allegiance. Then, it is no longer your “job” to educate them; it is onerous emotional labor to even continue the conversation. “Intersectionality” became a signpost that one was aspiring to treat identity categories as mutually constitutive, but it clearly chose the heft of some identities (race, not class; gender, not citizenship) over others. The rote uses of these terms, the reflexive self-descriptions and deceptions that attend them, are so utterly empty and imitable that they can be written by bot; indeed, perhaps they are, in public apologies and mission statements. Novels such as Lauren Oyler’s Fake Accounts and Patricia Lockwood’s No One is Talking About This nonetheless wring some eloquence out of the fallen discourse.

    But who reads novels? One might find the withering term “reductionist” affixed to their politics should they tarry too long with an identity that has not attained totemic value at the Pop Intersections. The going euphemism — “unhoused” — is one I have heard spoken aloud precisely twice, both at academic conferences; one was at the Moscone Center in San Francisco, and the other at the Washington State Convention Center in Seattle. Outside those doors, ragged people sleep, scream, and weep; they practice amateur phlebotomy on city sidewalks. No alteration of terminology will ameliorate these conditions. The categories of “class” and “poverty” do not quite work in social justice contexts, because the conditions under discussion must be eliminated, not celebrated as signs of diversity. The point is not to become comfortable with the “unhoused,” but to find them houses. 

    Freddie de Boer writes about the mental health disabilities that no one cares about, the ones that extra time on the SAT or endlessly flexible deadlines will not ameliorate. Unpretty psychological disorders compel some of us to starve ourselves and shove wires under our fingernails. We hear rumbling, absent voices that impose impossible loyalty tests on everyone who loves us. Many of us who are critically ill are largely ignored even as “healers” celebrate the power of talk therapy and self-care on Instagram and TikTok. David Baddiel and others note that Jews don’t count in much social justice agitation around race. The mutability of Jewish appearance is cited by so-called anti-racists as a reason that antisemitism is not “as bad” as any other supremacy — but that very mutability is the kernel of antisemitic paranoia (and its attendant violence). In social justice circles, a slander is therefore mistaken for a privilege. And I would simply add to this incomplete list: age. If you take as a sign of bien pensant thinking the language that circulated in liberal arts classrooms in the late Obama years, do not be surprised if all your comrades are around thirty-two years old. 

    I am forty-three; I likely taught this crew, for some embarrassing per-class sum. Times were tough; I took too little money and wrote too few notes in the margins, so I taste an unpleasant mixture of guilt and rage as concepts creep so far from necessary use. (I am not Judith Butler or Kimberlé Crenshaw or Arlie Hochschild, but I do sometimes wake up from my own Frankenstein nightmares). I grieve the loss of language that we needed, in philosophical and intellectual inquiry, to unearth the insidious logic of marginalization. I grieve a circulation of these terms that sounds more like telling than talking. I grieve emotional labor in particular, since my job requires management of both my feelings and my ungovernable facial expressions. Most of all, I grieve it because I am a class reductionist. 

    During the heady days I taught women’s studies — then gender studies, then gender and sexuality studies, and so on — I frequently reminded bright-eyed students that arguments for the liberatory power of sex work (or even, simply, the work of sex work) tended to come from the sector’s most elite practitioners — from call girls and well-paid escorts, not survival sex workers or people who occasionally traded sex for a place to sleep without calling that a transaction, or work at all, since they would clock in for a minimum wage job in the morning. Critiques of academia, similarly, come from its elite quadrants: from tenured professors who parlayed their heterodoxy into podcasts and book deals and prizes, from opponents of cancel culture who think that the character of higher education can be gleaned from five elite campuses where students picket dorms with troubling names above the door, or hector their professors into early retirement. But most students don’t choose college with advice from the Princeton Review; they choose it on a map, because it is close to their full-time employer or caregivers for their school-age children. The emerging college majority — of poor and first-generation college students, of working adults — has little in common with tony New Yorker and New York Times reports about the fascinating vicissitudes of life at Harvard. 

    Cruel economics blunt the possibility of student solidarity with their precariously employed instructors, and make it more urgent, too. The politics of the public campus are equally predictable, though different in texture, from Oberlin and Smith; so is the education. No less elite a figure than Woodrow Wilson boasted that the majority of the population could forego the benefits of a liberal arts education to preserve it for the few. Most have. No less radical a figure than W.E.B. DuBois noted that the public intellectuals arguing for the irrelevance of Shakespeare had studied Shakespeare at the seminar table they shared with him at Fisk University. They wanted more for themselves than they would offer to the rest of us. The entitlement of non-elite students is present but, again, different: it is instrumentalist in its relationship to knowledge, and firm in the notion that all work has a supervisor, and they are my bosses. When we talk about higher education, we tend to forget that, whatever its cultural power, the university is simply my workplace. There, I exchange my labor for a wage. I do not work to earn cultural capital. Cultural capital cannot pay my mortgage. 

    Putatively justice-minded academics are content to leave the note unpaid. Before her death – premature and sudden, even at the age of eighty-one — Barbara Ehrenreich often told a story about bringing campus organizers to a faculty meeting in hopes of generating support for their campaign for unionization, only to have long-tenured women professors declaim that they were tired of having men talk over them about politics. The men in question were the janitors in their office building, but no matter. These men are certainly capable of discussing ideas — and they are far better at doing so in English than I am in Spanish — but you may wait forever if you expect them to speak the language of suspicion. That language is a badge of cultural capital, cold comfort in a wildly unequal society. Meting out these badges of approval, whether with diplomas or social media likes or praise at a DEI workshop, strikes me as a deeply conservative impulse. Not a radical one at all. 

    Universities, nonetheless, commit to political “intervention.” But what constitutes politics? Twice in the last decade, I have been called upon to write a public statement — once in the wake of George Floyd’s death, once after shootings in massage spas in Atlanta — on behalf of my scholarly organizations. Like all fumbling writers, I sought models, and found curious deflections. After the shootings at the Tree of Life Synagogue in Pittsburgh, the National Women’s Studies Association statement spent quite a lot of energy denouncing the shooter’s “toxic masculinity.” (I would have focused on the antisemitism.) I began declining invitations to write manifestoes, statements, polemics, and apologia. To my mind, it’s not my “job” to educate people outside the classroom because my job inside the classroom is an immersive and unstable one. To my fellow academics, it is apparently my “job” to educate you because my intersecting identities are so privileged; despite the institutional power that structure these exchanges, they demonstrate that my contingency — the condition that keeps me in a kind of outer darkness — matters not at all. That is to be expected: one can endlessly diversify the faculty with superstar hires and high-profile poaching from other institutions. These sound economic decisions can look like rituals of public cleansing. A university hiring one of its own adjuncts into a tenure line, by contrast, underscores that the market is not meritocratic. And while we hasten to acknowledge the privileges that followed us into the world, it is far more uncomfortable to acknowledge that we have succeeded in an oligarchy. 

    During years of shrinking salaries, of diminishing tenure lines, professional questions receded in favor of the “political,” such as it is. The Modern Language Association held a years-long reckoning on Boycott, Divest, and Sanction, while its role in hiring — its annual conference is a traditional site for first-round interviews for academic positions in English and Foreign Languages — remained a largely unmentioned source of its power. In 2022 the American Studies Association held its conference in New Orleans, circulating an advance call for papers warning that “the roof is on fire” thanks to rising waters on the coast, but nonetheless promised a party in the Crescent. The call arrived in my inbox on the day I negotiated with my insurance company — the previous one had gone bankrupt — for a new policy after the monstrous Hurricane Ida: a storm that cost my loved ones their homes, senses of security, and, in one case, a limb. People I loved were couch-surfing and breathing in mold as close as eight blocks away and as far away as Brooklyn. Suffice to say, I was in no mood to regard my roof as a metaphor. Contingent scholars poked and mocked and laughed at the call’s indifference to the “fire” on campus. The organization’s leadership offered a dismissive webcast in response. Those of us who joked on Twitter couldn’t possibly worry so much about contingency; surely we mentioned it to relieve us of the urgency of frank talk about race. We weren’t really mad about the proposal’s politics; we were annoyed by its use of black vernacular English, its borrowing of a song title from Rock Master Scott and the Dynamic Three. Our class politics were fake; we were “Neiman Marxists.” I am usually more decorous than this in print. But here, I say: all involved parties can go to hell.

    The politics of academia are a non-politics, a displacement of the power we have for focus on the power we lack, a refusal to intervene in the sphere in which we reside in favor of hopeless flailing at the borders of someone else’s, a performance of powerlessness that prefers the “systemic” for its abstractions and enormities. Adam Serwer’s memorable phrase — “the cruelty is the point” — became a progressive shibboleth about the shape of conservatism in the Complicity Era, but for well-heeled professors often the helplessness is the point. Why advocate for the staff when you can edit a well-placed journal issue on the Anthropocene (another radically misused term)? Why use the authority you have, when you can instead feel the flush of pleasure that comes from what Charles Dickens called “telescopic philanthropy?” We need not operate at the scale of a peer-reviewed article to understand this non-politics. Here is an example. At a protest I attended in late in the summer of 2020, pedestrians and cyclists filled the French Quarter. An organizer shouted instructions to the crowd, asking white allies to “discipline” an unwell homeless man who was shouting racial slurs; he caught a fist in the face from someone who evidently wanted a better world. Four people carried him out of the crowd, through an alley of cheers. And once the sound system was in place, once the crowd was attentive, once we were all masked (as requested by a roving street medic), a speaker offered a long disquisition on the harm done by maps that labeled Boricua with the name conferred by colonizers: Puerto Rico. This is to say, the crowd was corralled in order to learn more –— an admirable goal, if not the urgent one that motivated their presence — about something they could do very little to change, and that would not change with a single march or a thousand marches down Royal Street. The doctrinaire speechifying worked as well as tear gas. The crowd dispersed early. 

    From the megaphone, the organizers didn’t deploy the language of leadership or justice or of activism, but of expertise. Concepts creep out of academia and offer armor to justice entrepreneurs; the dazzling array of quasi-therapeutic DEI interventions requires a rhetorical suit of armor to convey legitimacy, to affect the professional “conspiracy against the laity” that is, in a way, the story of the twentieth century. They borrow the language of critical theory; sometimes it is a sort of ownership, since the deprivation of the Crisis Academy drove Ph.D.s into other precarious work sectors. (Here, I mention journalism and creative writing, if only because I’m writing prose in a context many scholars would consider wasted — because it is read, not because it is unread.) Other academics — displaced from traditional tenure lines and stable work lives — become entrepreneurs, offering workshops and consultancies that purport to teach critical theory as a second language to undergird activism. Think of critical theory as another field that attracts ambitious, disciplined, underpaid obsessives: yoga. The only reward for a successful yoga pose, a beloved teacher reminds me, is the next pose. The reward for understanding critical theory is not a changed name on the map; it is further thought and reflection in a culture that doesn’t make much time for that. Critics of the humanities tend to think we inject bad ideas into vulnerable minds, but I would say that we move empty linguistic signifiers into a powerfully ignorant culture. When I look at a list of the decade’s most recursive obsessions, I wish we read more Adorno, not less. Righteous speech modifications and a couple of lady superheroes at the megaplex? If this is justice, its vision is paltry. 

    The longer I teach, the more I believe that everyone teaches. An artist’s retreat teaches us how to work from fellow creators. A writing date demonstrates innovation around scheduling and organization. The chef teaches the line cook; clerks and nurses shadow one another. The pedagogical tradition of apprenticeship has receded, thanks to cutthroat capitalist competition. Met with talk of a graduate student union, university administrators told us that we would fail because United Auto Workers, Service Workers International Union, and Communication Workers of America did not understand that we were not really workers, just students. At the time, I took home fourteen thousand dollars a year to teach thirty students paying around forty thousand dollars in tuition. A senior professor assured me that I would one day know that tenure is the best union going. These days, it seems more like a cartel.

    I suspect, too, that the ideas that migrate from academia are the ones that have the most vulgar applications, the easiest interpretive strategy with the highest pay-off in political virtue. This is to say, they are the simple and generative concepts to teach and to learn. They require no response or struggle: only careful memorization. For some years, it was the concept of cultural appropriation — an assertion of culture as a unitary practice, a single arrow pointing between a “black” practice and the “white” creator who stole it to enrich himself. If one were really to preserve the complexity of culture, the arrows would look more like the Beijing transit map, but cultural appropriation clears the deck. The unrelievedly white Mississippian Elvis Presley stole “Hound Dog” from Big Mama Thornton, a black artist — but this simple account leaves out myriad stops on the route, not least the song’s actual composition by Jerry Lieber and Mike Stoller. But whatever you do, do not say it’s more complicated. Acknowledging that nothing benefits from simplification is, I hear, bad faith. Complicity, even.

    This isn’t “quit lit,” the surging genre of writing by people who have fled the contracting professions for which they were trained. I once admired, in a public way, the recovering scholar Andrew Kay’s essay “Pilgrim at Tinder Creek.” The essay contains a sideways confession of attraction for his feminist advisor and her waist-length pre-Raphaelite mane; it was the kind of comfortable desire that lingers near a four, because you might break the dial by advancing it to a ten. (I recommend such longing to any writers who are reading this: the libidinal energy improves your prose.) Two long-tenured academics chastised me for endorsing this minor hate crime. Kay’s essay demonstrated that the erotic life and the intellectual life might find some synthesis. How sexist! they howled. How aspirational! I thought. This dizziness is part of living in academia: you might struggle to manage your response as your scholarly body or faculty senate votes on a measure to curtail and condemn relationships with professional “power differentials.” The measure might even be proposed by a professor celebrating his silver anniversary with his former graduate student; and she might second the motion, if she is sitting in the room. (Never notice these conditions.) 

    Here, sex has a special status of offense, though it’s hard to imagine a more noxious power differential than two tenured scholars telling a contingent scholar not to declaim the difficulties of her labor conditions for fear of aggressing women — a category to which she belongs. An honest account of my career on the margins of academia will offend, in part because I never begin by enumerating my privileges, like the now-obligatory land acknowledgments. Contrary to the prevailing norms of speech in progressive spaces, I consider that absence a necessary disavowal. Exploitative structures encourage us to deny the deprivations of our experience; it is their legerdemain. Recollect the workplace mentoring offered by Langston, the character played by Danny Glover in Boots Riley’s film Sorry to Bother You. He tells a newly hired telemarketer how to succeed: “Read the script with a white voice… Sound like you don’t have a care. You got your bills paid, and you about ready to jump in your Ferrari…You never been fired. Only laid off. It’s not really a white voice. It’s what they wish they sound like. It’s what they think they’re supposed to sound like.” LaKeith Stanfield produces that privileged voice with an almost surreal brilliance. But from him or from me, that voice is sleight-of-hand, a smokescreen. I refuse that voice. And when I speak in this voice, it’s certainly not a right-wing argument to defund the beast of higher education. Nor is it a polemic in favor of independent thought; I often think Americans exonerate political incoherence by asserting independence. The nation boasts a continent-wide weed-loving, gun-wielding libertarian block party against a backdrop of absurd upward redistribution — measured not only in dollars, but in moral resources of “diverse” markets and platforms. That is not admirable independence; it is a refusal to diagnose the source of our troubles. As for me, I’m dependent — on state budgets, enrollments, and tuition dollars. Someone who loves me recently pointed out that I kept on saying “we” when I mean the university where I am employed. “Just say I,” he pleaded. (I am trying). And so I must resist the tendency to thank, with emotional identification and privilege disclaimers, the institutions that purport to shelter me from the deprivations of market labor. Academic life would certainly pain me less were it not full of people endorsing the institution as the last bulwark against the depravity of neoliberal America. That is, as Adolph Reed so often cautions, old-fashioned capitalism, a system that benefits from our tendency to call it something else: human nature, vectoralism, neoliberalism, patriarchy, racism. 

    In the difficult summer of 2020, academics weren’t simply fighting about the statues on campus and the names on dorms; they were also fibrillating with anxiety about whether campuses would be open come September. My own employer gave its faculty a handful of instructional choices — depending on our risk tolerance — with a decision deadline in mid-July. Three years later, in an informal poll I conducted this semester, my students admit that they know why they were invited back to campus before professors had decided on the “modality” in which we were teaching: money. State budgets determine my salary, but university coffers are filled by the rent that students pay for dorms and parking lots full of tailgaters. I was reluctant to condemn younger students to only two years of high school, considering how poorly served they are by the full four. I thought it loathsome to tout a “return to campus life” with only dorms and football, unleavened by classrooms and libraries. This may be someone’s dream for higher education, but it isn’t mine.

    A professional acquaintance told me that I sounded like a COVID denier for wanting to open the window more than a crack. It was a galling accusation, considering how many people I know had died of COVID — thanks to the size and fatality of the outbreak in New Orleans (my hometown) and the peculiar vulnerabilities of students in prisons and jails, where I sometimes teach. Indeed, I spent July 2020 collecting interviews — on Zoom and by letter — with incarcerated learners and their displaced teachers. Many prison teachers embraced risk; one philosophy professor, a Sister of St. Joseph and sometime volunteer a in prison hospice, professed a willingness to die to do the work. She assured me that she had lived long enough. Of course, I don’t expect anyone to die so that they can teach Appreciation of Literature to college sophomores. Nonetheless, I thought it strange that so many fellow faculty members spoke in ethical and moral terms about working in the humanities right up until it required significant sacrifice. Lives lived with so little risk enable fantasies of zero risk. So I told my angry interlocutor that I was no COVID denier, and that I knew more people who’d died than she had, and that I expected an apology. “This is no time for people who fundamentally agree to scrap with each other,” she responded. “So I officially apologize.” But we didn’t agree. Surely that fact required attention if the dispute was to come to a satisfactory conclusion. 

    A bit more memoir, if you’ll permit me. Ten years ago I ended the second chapter of academic life; after graduate school, you move through postdoctoral and new faculty fellowships in which your job is to find a permanent job. I had gone to my dissertation defense with a book contract, but I had finished my Ph.D. in 2009 in the ravine of the economic crash. That December, I had second-round interview requests at one of the Ivies, the nearest community college, and a dozen other institutions, with varying missions and histories. By spring, all the tenure lines were disappearing, even at the most elite institutions, but I nonetheless moved to the best fellowship in the humanities. Afterwards I struggled for five years — through drug and alcohol addiction, through atomized labor in workplaces where no one needed to know me, and through the painful and persistent sense of “mourning in advance.” The fellowship had put me back in New Orleans, whereas the hypothetical future job would unroot me. So each Mardi Gras felt like the last Mardi Gras; each bike ride through the city’s echoing streets (the sound of Tipitina’s dying behind me, the bells of St. Louis ahead) felt like goodbye. These conditions accelerate the fires of addiction. When family and friends began dying, I could not discern the difference between the first and second dropping shoe. Six months out from the suicide of someone close to me, I had a campus visit in which the hiring chair nodded placidly when we were alone together over breakfast. “You don’t seem litigious,” she said. “So I’ll tell you frankly why you’re not getting this job.” Then she sent me upstairs in the bed and breakfast to write a ten-point refutation to her colleagues’ arguments about my limitations. By this time, I had wasted two days in the room they paid for thinking I might succeed, and a week before writing a lecture to dazzle them. (It’s haunting: I remember every word and every sound. I remember even the wallpaper in the Fayetteville, Arkansas breakfast room where she said it.) That was the last tenure-eligible prospect of the year. When I got the final rejection email, it arrived at the inconvenient moment when my partner was working to drive a possum out of the back of our antebellum shotgun house in New Orleans. The poor marsupial protested the shove of the broom near her nest; I mistook her voice for my scream. 

    A week later, a feminist lion at my fellowship institution invited me to an emergency mentoring lunch at the 1834 Club: its name an aesthetic offense, its cuisine a culinary crime in America’s most decadent food city. She wasn’t my boss — my “chair,” for the uninitiated. She was the head of another department, one that might hire me should she decide to fight for it. She told me frankly that I wasn’t applying for enough jobs, that I thought places like Franklin and Marshall weren’t good enough for me. (After ten years of giving junior colleges and Ivies the same measure of attention). The real problem was that I thought my fellowship institution owed me a job. Under any economic system, I told her, if you do the work, your workplace owes you the money. But she insisted that I had a lot to be grateful for. There are plenty of Ph.D.s out there who could take my place; we endlessly conceal the crisis even at elite institutions by calling the revolving door of adjuncts fellows and post-docs. Finally, I told her that the market year had been shot through with pain: a beloved relative, dead at thirty-three; my partner’s father, dead at sixty-seven. One day, she instructed me, you will realize that you’ve spent every moment of your life in crisis, so the latest crisis offers no explanation for our moods or our conditions. As for my job in the coming year? Well, I can’t run a women’s institute like I’d run my feminist utopia. You don’t know how tough it is to be a woman in power. I have ever only heard that chestnut about the difficulty of sustaining women’s power from a woman who was hoarding the power I sought….so, indeed, I couldn’t imagine. They ensure that I can never imagine.

    Yet I haven’t left academia, because it doesn’t seem to do one any good to leave a job when precarious and underpaid labor exists in the wider world in abundance. I like my job, which is stable if not tenure-eligible. The sacred vocations of learning and teaching remain within these walls, though not exclusively. When I work in prison, I meet people serving multiple life sentences teaching each other to read; I mention them in deference to their superior pedagogy. When my intellectual work is functional, it offers me trickier, tougher reading practices than the concept creeps have brought outside its walls. Challenges, even. I still attend my professional conferences; this year they offered me the distinct pleasure of running into an old friend on the sidewalk in San Francisco. Humanities jobs are hard to come by, so you are likely to find your graduate school cohort scattered to the winds. There is misery in that, but pleasure too, in that you often have a couch to sleep on or a bed to share when you are traveling. 

    I had not seen my friend in a decade, then ran into him twice in a year — that curious and recursive sign from the universe — first at a classmates’ wedding and then at a conference. Neither of us went to graduate school to think about small questions, so we clogged foot traffic on the sidewalk of Market Street talking about Death. Between June and January, a former professor of ours had died of kidney cancer. At the wedding in June, an eavesdropping stranger said we really ought not to slip away for a cigarette and death-talk on this night of a celebration of marriage. What she failed to realize is that one could do worse than to talk death over a plate of food at a wedding in New Jersey; one could scarcely do better than to actually die over a plate of food at a wedding in New Jersey. In June, we decided there were some cancers for which you need not get chemo; just read your books, hold your lovers, and say goodbye. In January, we returned to the comfortable subject: the death put him in mind of lines from Philip Larkin’s “The Old Fools”: “why aren’t they screaming?” It reminded me of Larkin’s “The Mower”: “we should be careful / of each other, we should be kind / while there is still time.” The advice means infinitely more when caution and compassion come to you with effort — not a first, second, or even third nature, as it wasn’t for Larkin. (Or for me. It is aspirational). My friend and I are just a fraction over forty, so two dead poets teach us how to lose. Our lives in the crisis academy sowed the ground for those lessons.

    If you hate these words, I hope you hate what we said, rather than what you suspect we would really like to have said; I do not speak for my friend and call that generosity. I suppose what I offer to him, what he offered me, what we both offer our students, and what I now offer you, is some version of the old saw that the personal is political. The Complicity Era tarries with cliché, but it perfectly inverts that one, and not to our benefit. The political, in this era, is personal: a site of petty squabbles and score-settling, of inertia and nastiness and contraction. But the practice of thinking readies you for expansion — for more thinking — and so there is still time. Only that. 

    In The Counterlife of Autism

    “Tomorrow’s Child,” a story by Ray Bradbury, opens with Peter and Polly Horn traveling to a hospital for the birth of their first child. In their technological utopia, a helicopter conveys them across a sky spangled with rocket ships. An advanced birthing machine awaits, promising to eliminate Polly’s labor. At the moment of truth, however, the hospital’s machine malfunctions. She has delivered a healthy male infant. He weighs seven pounds, eight ounces, and sports a normal nervous system. There’s just one problem: the boy has been delivered into the fourth dimension. From outside the three-dimensional structure of human perception, he appears in the shape of a tiny blue pyramid, with three darting eyes and six wriggling limbs. The obstetrician says that the boy himself apprehends the phenomenal world around him cubically.

    The Horns name their discarnate issue Py and take him home. But the existential limbo fills them with anguish and repulses their friends and neighbors. Desperate from isolation, Peter and Polly return to the hospital intending to abandon Py to medical science. The obstetrician surprises them once more. He hasn’t figured out how to retrieve Py, but reverse-engineering the birthing machine could place them in the fourth dimension with him. They could perceive him as he really is. The price, of course, would be their own geometrical transfiguration. Peter would take the shape of a hexagon. Polly would look oblong. With heavy hearts they assent to the bargain, trading expulsion from membership in the human community for the joy of sharing in their child’s perception of reality.

    For parents and children wrestling with neurodevelopmental conditions today, Bradbury’s allegory has lost none of its poignancy. Autism, my son Misha’s primary diagnosis, constitutes “a whole mode of being” and “touches on the deepest questions of ontology,” as the neurologist Oliver Sacks wrote in 1995. If this is so, then the question is how people like Misha perceive the fundamental entities and properties of reality. “The ultimate understanding of autism may demand both technical advances and conceptual ones beyond anything we can now dream of,” Sacks wrote. He urged neurologists to limit the boundaries of “radical ontology” by shucking off their habits of detachment and accompanying their subjects in society. “If we hope to understand the autistic individual,” he contended, “nothing less than a total biography will do.” 

    Thirty years later, one in every thirty-six children receive the diagnosis. Neurologists still confine their perception to the bell jars of the consulting room, while autism advocates promote “neurodiversity.” No advances, conceptual or technical, have struck up a symmetry between medical understanding and social belonging. “Tomorrow’s Child” today subsists in a permanent realm of uncertainty.

    [INSIGNIA]Misha is now eleven and lives with his sister and me in the very progressive city of Cambridge, Massachusetts. In photographs, his aspect betrays no abominations. He passes for any normal child his age (although, in my estimation, he’s handsomer than most). Tall and lithe, his hazel eyes are hooded by long lashes and framed by an oval visage. What his eyes perceive is anybody’s guess. His acuity rates 20/20. The signals that his brain gives to his ocular muscles, however, could be showing him a kaleidoscope everywhere he looks. He doesn’t say, as he has never uttered more than a handful of verbal approximations. Nor does he seem to reliably process speech directed to him.

     

    “What’s your name?”

    “Me.”

    “Can you say, ‘Misha’?”

    “Mi-ta.”

    “Excellent. How old are you?”

    “Misha, are you eleven?”

    “T.”

    “Where you do live?”

    “Misha, who am I?”

    “D.”     

    “Very good. What is your sister’s name?” 

    “Do you have a sister?”

    “Misha, can you say the name of your sister, Niusha?”

    “Yah-yah.”

    His body is bandy, strung together by a physiology that mismeasures stimuli from his environment. A meek style of movement during his infancy suggested that he was never in possession of his body. Crawling in the yard, he trembled before a quarter-inch decline from the sidewalk to the grass. He hung his head over the side of his stroller in the neighborhood and fixed his gaze on the spinning spokes. Arriving at playgrounds, he refused to dismount. He didn’t stand up until his eighteenth month, and then he toddled on his toes. He clung to the inner edges of sidewalks and dragged his palm across the streetscape, refashioning walls, doors, and fences into an extended guardrail. 

    A neurologist diagnosed Misha with autism at the age of four. Additional diagnoses piled up over the next years: mixed expressive-receptive speech disorder; sensory processing disorder; cerebral vision impairment. Of causes and treatments, his specialists have never developed so much as a working hypothesis. Molecular sequencing has revealed two genetic mutations, neither previously reported. “Your son,” his geneticist avowed, “is on the far edge of science.”

    Misha is both profoundly disabled and benignly different. He doesn’t appear sick. He doesn’t appear well, either. The antinomies of his social being discharge their tension in a stigma that emerges during unrehearsed appearances in our community. He blisters the air with shrieks and squeals, huffing and hissing, pealing with laughter out of nowhere. A sublinguistic rhapsody, unclassifiable as well as unignorable, sets the soundtrack: “We-we-we-we-we-we-we”; “me-me-me-me-me-me-me”; “uh uh uh uh uh uh uh.” The signals that draw his stigma are both embodied and undecodable.

    I am resolved not to hide away Misha’s fugitive aspects. Only through contact with his given environment can he make a safe home for himself. Isolation within his sensorium would cause the anxiety that he bears on a good day to expand into a total loss of trust in his own being. “Loneliness,” as Hannah Arendt once observed, constitutes “the experience of not belonging to the world at all, which is among the most radical and desperate experiences of man.” 

    In a city of heavy objects constantly in motion, Misha exhibits no capacity for self-preservation. We were crossing Beacon Street in Inman Square one weekday afternoon. He flew to the passenger door of a car as it slowed before the yellow of the traffic light. He tugged on his door handle. The forward motion of the car jerked his arm. Another day, on a different corner, a man puffed a pipe. A breeze tossed the smoke. Misha chased the billows into the street. A car skidded to a stop a dozen feet in front of him.

    At age seven, he made a half-hearted attempt to leave home unannounced, unlocking and unchaining the front door. I purchased an identification bracelet, a tracking device, and a harness. He sloughed off the device and chewed through the bracelet. I couldn’t bear to tether him to the harness. A police officer came to take his photograph and copy out his vital statistics, lest I should lose him. 

    When I want him to stay close, he wanders away. When I want him to depart, he stays put. He stopped once in the middle of a crosswalk in Harvard Square. My nudge in the small of his back restarted his body. He screamed and yanked down his pants. Inside a grocery store on another occasion, he took our cart on a wide ride that ended with him knocking over a stack of soup cans and losing his grip on a carton of produce. A shopper tripped over the cans. She shot me a dirty look as she picked blueberries off the bottoms of her shoes.

    On our strolls, he runs his fingers through hedgerows and drops shrubs in his wake. He flips open gas tank doors on rows of parked cars. He runs into the foyers of apartment buildings, presses all the buttons on the elevators, and scampers away with a chortle. In the bathrooms of neighborhood restaurants, he conducts boffo symphonies. He turns off the lights and triggers the automatic hand dryers while men fart and tinkle in their pits. In the local mall, he feels up mannequins and hooks his thumb to jewelry stands, toppling bracelets, rings, and necklaces. In the checkout line of department stores, he thrusts himself upon shoppers queued behind us and tries to untie their shoelaces. He fixates on such interaction rituals for months at a time. If you sneezed near him in the autumn of his eighth year, he instantly grabbed your hair. 

    Some encounters have been less than amusing. At the library once, he tugged on a thin and grayed ponytail that turned out to be attached to an elderly woman bound to a wheelchair. Her neck bent backward like a PEZ dispenser. I knew he didn’t intend to hurt her. That doesn’t mean she wasn’t hurt. I apologized for his particular offense. But I never apologize for the kind of person Misha is.

    What kind of person is he? A more recognizable phenotype — Down Syndrome, for example — would provide an easement for strangers in the path of his sensibility. A disability such as blindness would afford strangers a tacit medical context for tolerable inferences. The five senses reflect anatomically in our noses, ears, eyes, skins, and tongues, but it turns out that we have two more senses hidden from view. The vestibular sense, attaching to inner ear fibers, registers our internal balance during movement. The proprioceptive sense, registering external stimuli, provides us with assurance of our body’s position in space. These secret senses flow unconsciously through receptors in our muscles, tendons, and joints, making adjustments to the rhyme and reason of the body’s ego. “If there is defective or distorted sensation in our overlooked secret senses,” Sacks pointed out, “what we then experience is profoundly strange, an almost incommunicable equivalent to being blind or being deaf.”

    What part of Misha’s lack of poise is compensation for his scrambled secret senses? What part is clowning? As he doesn’t speak, so he doesn’t convey his perception of the reality of his body. Voluble rather than verbal, he vibrates sounds from the back of his teeth and throat without modulating his volume — probably because he cannot feel his phonatory organs without increasing vocal pressure. Maybe I have to remind him to swing his leg before striking a soccer ball because when his leg retracts, he cannot be sure that it remains attached to his trunk. Slips of time seem to lodge in his perceptual memory. We dropped by our neighborhood coffee shop. When we walked in the previous week, he sidled up to a jug of water on the countertop, drew a cup, and wet his whistle. On this occasion, the jug had been replaced on the countertop by a napkin dispenser. Yet Misha took an empty cup in hand and repeatedly pressed it against the dispenser, expecting water. He gazed upward at me quizzically.

    In a surreal world, he moves as if inhabiting a waking dream. One November we visited a friend’s home in seaside Hull for a birthday party. We ducked out a side door and stepped onto the cold sands. The ocean’s waves roared in a stiff crosswind. This was no day for beachcombing. Back inside, slinking away from partygoers, Misha led me up a spiral staircase. The passageway was enclosed and carpeted. Even so, it disoriented him. Reaching the landing on all fours, he peeked at the ocean through the windows. He froze with fear, as if the house were a sandcastle bound to be sucked into a violent Massachusetts Bay at any moment.

    At house parties and barbeques, Misha ensconces himself inside bathrooms for eternities. He rifles through bedroom closets, tampers with toys, strikes discordant piano chords, and swipes and swills beverages. I incant a mantra to guide me through. Patience on top of patience. But we are not ideal guests. During lunch at a prospective friend’s home, Misha bellied-up to her kitchen table and stuffed his mouth with cheese, grapes, and crackers. Twice he fell off his stool and tumbled to the floor. Setting down his glass cup, he misjudged the edge of the countertop. The cup smashed to pieces on the floor. We were never invited to return.

    Public spaces are freer of turbulence. I escort Misha to the Frog Pond at Boston Common in the summer and to Fenway Park in the spring. He loves a neighborhood block party as much as the next boy. Holidays I am determined to celebrate, even as he remakes their rituals. One Halloween, costumed as Mr. Incredible, he blew out the candles in every doorstep pumpkin he could reach. Invited to share a traditional Thanksgiving dinner in Somerville, we sat down with friends for turkey, stuffing, mashed potatoes, and gravy. Misha got up on his haunches and leaned toward the candles. Huffing a wet breath, he extinguished them with gusto. Wax spattered across the turkey. Then he unplugged the chandelier and stopped me from relighting it. My feeble attempt at humor failed to bestir the table to solidarity. What’s a little wax in our bird? Thanksgiving had been dipped in the shadows of the counterlife.

    On vacation at the Jersey Shore, the roar of the crashing waves, the commotion of the boardwalk buskers, and the cawing of the seagulls replaced the city’s frenzy of buses, leaf blowers, and fire trucks. Misha adored the carnival atmosphere of the beach. As the ocean waves petered out toward his ankles, he jumped half too low and a beat too soon. Strolling past the encampments of the sunbathers, he trampled their sandcastles. The haunted houses on the boardwalk wasted their spooks on him. A ride that lifted him to a modest height caused his palms to sweat. But he mounted the Merry-Go-Round’s carousel of plaster steeds with the aplomb of a little Lord Byron. After, he romped through pinball, air hockey, and skee-ball, none the worse for defaulting at each station, and got his kicks by reaching behind the arcade games that others played and unplugging their machines.

    “He’s the king,” his sister Niusha once quipped about the retinue of attention that Misha receives at home. With hilariously exaggerated deference, she bowed before “His Majesty” on the domestic pedestal. Our parlays in public bewildered her. “He’s invisible,” she said, “it’s like he’s not here.” He is, and he is not. When Niusha was nine, and her brother was six, she sat with me for an interview about autism on a program broadcast by Cambridge Community Television. “Maybe when you go into a restaurant, people look at you funny or try to avoid looking at you,” the interviewer rightly observed. Niusha, chiming in, recalled an incident that had recently taken place in a luncheonette in Porter Square. Seconds after I had left our booth to fetch our drinks, Misha had climbed atop the table and swatted the pendant lights hanging from the ceiling. No harm, no foul. From a booth adjacent, however, a shriek of fear had rung out as if the end times were nigh. A manager quickened to the scene and waved a finger of reproach in Misha’s direction. 

    “What do you want us to know about people like your brother?” the interviewer asked Niusha. “I want people to know not to be embarrassed by them,” she replied, “not to keep them into hiding. I want them to be out in the open, actually, and trying to make the world a better difference, because people might not know that they have a lot more intelligence than people think, and they should be more appreciated because of that. They should be more noticed. And I bet they would like that, of course.” I bet they would. The question is how people would perceive them. 

    Autism is experienced cognitively and felt existentially, but it is diagnosed and treated behaviorally—from the outside in, as it were. In the luncheonette no less than in the neurologist’s consulting room, how you behave is who you are supposed to be. But the prevailing concept of the self as an information processor, its integrity revealed in problem-solving or pattern-seeking, shuts out feeling and judgment. Science dismembers persons into discrete domains and reduces their parts to functional values. Society rigs up a phenomenology restricted to observable surfaces.

    No such system of reasoning can understand the web of memories, conjectures, and perceptions that human agents bring to their appreciation of particular situations. “What we call creativity is a characteristic that yields not merely something new or unlikely but something new that strikes us as meaningful and interesting,” Bernard Williams observes in Making Sense of Humanity, “and what makes it meaningful and interesting to us can lie in an indeterminately wide range of associations and connections built up in our existence, most of them unconscious. The associations are associations for us: the creative idea must strike a bell that we can hear.” Only the inner spaciousness furnished by art, literature, and history, Williams suggests, can overhear the chiming of certain bells.

    Misha, so understood, is that rarest of creatures: a genuine individual. Improbable, inexplicable, and unimpeachable, he alights on the world like Peter Pan, betwixt and between, terrified and beguiled. When his eyebrows shoot up, I glimpse his curiosity radiating through his miasma of sensations. His blissed-out states sparkle with novelty. Once, amid a rainstorm outside the entrance to a grocery store, he stood spellbound before the opening and closing of the pneumatic electric doors. Their metronomic cadence was to him a pair of hands clapping for his private joke. He giggled uncontrollably. The shoppers had little patience for his attempts to choreograph their comings and goings. Amused and sodden, I obeyed Nabokov’s injunction: “I appeal to parents, never, never say ‘Hurry up,’ to a child.” 

    Sometimes, parents approach me with overtures of sympathy. They believe that they may have a cousin or a nephew of Misha’s dispensation. “But how did you know?” I returned one such parent’s inquiry. She had plopped down next to me on a playground bench to chat about the wrongness tainting my son. “Oh, I could tell right away,” she answered brightly. “I can’t imagine,” she continued through a benevolent sigh. “I don’t know how you do it.” Her remark felt impertinent, as if his stigma had reassured her. There but for the grace of the genetic lottery… A rejoinder arched across my mind: Well, I don’t know how you do it, managing the banality of raising your carbon-copied child.

    Cambridge, of course, is fully subscribed to the attitude of “neurodiversity.” Every April, the progressive potentates gather on the steps of city hall and celebrate “autism awareness.” Ceremonies of awareness have yielded a quotient of indulgence. No mishap or misdemeanor has damaged relations that I haven’t been able to repair with a nod, an apology, or a scowl. Strangers may startle or fluster. They swallow their grievance upon letting their eyes stray over his countenance. In this age of umbrage, I am grateful to avoid open conflict. But familiarity doesn’t reduce contempt. Our community steers clear precisely because it is aware of people like him. 

    This paradox accompanied the birth of neurodiversity discourse. A young Australian sociologist, Judy Singer, coined the term in 1998 to denote a new category of personal identity alongside “the familiar political categories of class/gender/race.” Singer invested her coinage with sweeping ideological ambition. “The rise of Neurodiversity takes postmodern fragmentation one step further,” she wrote. “Just as the postmodern era sees every once-too-solid belief melt into air, our most taken-for-granted assumptions—that we all, more or less, see, feel, touch, hear, smell, and sort information in more or less the same way—are being dissolved.” A freelance writer named Harvey Blume gave “neurodiversity” currency among journalists with an article in The Atlantic that same year. A couple of best-selling books, Andrew Solomon’s Far from the Tree: Parents, Children, and the Search for Identity, in 2012, and Steve Silberman’s NeuroTribes: The Legacy of Autism and the Future of Neurodiversity, in 2015, clinched the case. A cliché was born.  

    Neurodiversity discourse is now ubiquitous. It takes protean forms — a meme, a critique, an ideal type, a virtue signal, a paradigm for restructuring autism research. The discourse in all its permutations identifies symptoms that science and society have deemed pathological and redescribes them as coping tactics or benign differences unworthy of invidious distinction. In this respect, neurodiversity discourse might be understood as an effort to do away with stigma, a concept traditionally rooted in shame over the body’s finitude.  Yet the leveling impulse that motivates neurodiversity’s loudest champions does not abolish stigma so much as remove it to the plane of language and throw it in the face of social institutions. Major institutions in the economy, government, and entertainment, on guard against accusations of insensitivity, have responded by editing marketing language and instrumentalizing neurodiverse forms of creativity in hiring practices. The Central Intelligence Agency, to cite one of the nation’s newly enlightened employers, is hip to the competitive advantages offered by neurodiverse job candidates.

    In the institution of the family, the gravamen of the indictment hits home. The claim that neurodiversity denotes a personal identity, one that is rooted in ontological sovereignty, invites its unelected representatives to intervene with parents on behalf of their children. When, as in my case, a neurodiverse child is born to a parent labeled “neuro-typical,” the dialectic of love and authority is automatically held to be adulterated. I, too, am cast betwixt and between prescribed social parameters. “Inside us there is something that has no name,” José Saramago wrote in Blindness, “that something is what we are.” That something is what this society cannot let be.

    So far, neurodiversity (and its slightly more opinionated cousin, neurodivergence) has followed the path of vanguard movements organized around abstract and categorical postulates of identity. As an expression of cultural radicalism, neurodiversity perpetuates the assault on the conventional family. As an ideology, it reaffirms the assumption that freedom lies in incommensurable acts of appropriation and consumption. As social criticism, it hardens the community’s distinction between them and us. And as a politics, it leaves the distributions of power undisturbed. 

    Every other autumn, candidates seeking election to Cambridge’s school committee or city council knock on my front door and make their pitches. I explain why I am a single-issue municipal voter. I ask for their disability policy initiatives. My question invariably takes them by surprise. I haven’t met one who has given such policy any forethought. But as they stammer over substance, they always carefully rephrase my description of my own son as “neurodiverse” or “differently abled.” I wouldn’t care, if the politicians of identity would actually do something. 

    The biggest social crisis of recent years let the hot air out of such lip-service. Covid-19 came. The mayor of Cambridge issued emergency communiques every day. She sought to reassure the “most vulnerable” members of the community by naming them in successive numbers — veterans, elderly, “unhoused people,” “undocumented people,” “people who are transgender and gender non-conforming,” and “people of color.” Two months into the city’s pandemic response, the mayor still ignored people like Misha. I wrote to insist on my son’s existence. She pledged to “do better.”

    The lockdown did all the work we needed. For years I had worried about testing our community’s elasticity. Now our community itself quarantined. I had always winced as our neighbors kept a wary distance from us. Now they stayed six feet away from one another. I had fought off dread of the future. Now everyone felt encumbered by an emergency without end. As social friction thinned, we slipped out of the liminal state all together.

    One memorable day — July 13, 2020, to be exact — we dipped into the city’s public swimming pool. A facility with a capacity for a hundred entertained a dozen swimmers this day. Misha tap-danced toward the deep end. He was bolder than I had ever seen him in the water. He drew a breath, semi-sealed his lips, and dunked himself for the first time. A fit of spontaneity propelled him from one side of the pool to the other. He was teaching himself how to swim, repossessing his corporeal identity in the water’s pressure. As he clawed toward me, grinning ear to ear, I thought of Wordsworth savoring 

    that serene and blessed mood

    In which the burden of the mystery,

    In which the heavy and the weary weight

    Of all this unintelligible world,

    Is lightened.

    That October, however, an indiscretion put us back in our place. On a Saturday afternoon at Riverside Park in Cambridge, families of diverse ages, genders, and colors were tossing frisbees, listening to music, riding bicycles, and sunbathing. Misha frolicked on a spray deck, flapping and squealing, as happy as his happy can be. I sat with Niusha on a bench nearby. We were admiring the pontoon boats and kayaks afloat on the Charles River when suddenly a woman staggered into our picture and began rubbernecking at Misha. By her ruddy appearance and her haphazard gait, she looked to be one of the “unhoused people.” Suddenly she let loose a bark about “your retaaarded son.”

    “We’re not leaving,” I whispered to Niusha. “She’s drunk. She’s not driving us away.” Seconds later, the woman captured the attention of the park when she repeated the epithet at the top of her lungs. We turned the other cheek and headed home. 

    That evening, Niusha sobbed with shame. I couldn’t find words to console her. Sitting on the edge of her bed, I stroked her hair and wiped away her tears in silence. My imagination drifted to the predicament of Peter and Polly Horn. I remember thinking that I would make the same choice in a heartbeat.

    Can Poetry Be Abstract?

    No Coward Soul Is Mine

     

    No coward soul is mine

    No trembler in the world’s storm-troubled sphere

    I see Heaven’s glories shine

    And Faith shines equal arming me from Fear

     

    O God within my breast

    Almighty ever-present Deity

    Life, that in me hast rest

    As I Undying Life, have power in thee

     

    Vain are the thousand creeds

    That move men’s hearts, unutterably vain,

    Worthless as withered weeds

    Or idlest froth amid the boundless main

     

    To waken doubt in one

    Holding so fast by thy infinity                                                                                   

    So surely anchored on

    The steadfast rock of Immortality

                                                                                                          

    With wide-embracing love

    Thy spirit animates eternal years

    Pervades and broods above,

    Changes, sustains, dissolves, creates and rears

     

    Though Earth and moon were gone

    And suns and universes ceased to be

    And thou wert left alone

    Every Existence would exist in thee

     

    There is not room for Death

    Nor atom that his might could render void

    Since thou art Being and Breath

    And what thou art may never be destroyed

                  

    Emily Jane Brontë, who died in 1848 at the age of thirty, left this poem in a largely unpunctuated manuscript. It was not included, by her own decision, in the first printing of some of her poems in 1846, but it was added posthumously, under the non-authorial title “Last Lines,” to the second edition of 1850, conventionally punctuated and revised by her sister Charlotte. Brontë’s modern editor, Janet Gezari, reproduced Charlotte’s version in 1992 in an appendix to her Emily Brontë: The Complete Poems, but has in the body of her edition removed Charlotte’s additions, printing only the manuscript. I reproduce the manuscript version.

    Emily Dickinson, a few months before she died in 1886, wishing to forbid a church funeral, left instructions for a home funeral in which she stipulated that a single poem by Emily Brontë, “Last Lines,” should be read aloud by her friend Thomas Wentworth Higginson, the editor of The Atlantic Monthly. Dickinson, reading the lines in 1850, considered them as Brontë’s deathbed manifesto, and adopted them as her own final declaration of creedless faith. A certain Mrs. Jamison, who attended the funeral, recorded the fact that Higginson, prefacing his reading of “Last Lines” and of the scriptural passage that Dickinson had also stipulated to be read aloud (1 Corinthians 15:53, on immortality: “For this corruptible must put on incorruption, and this mortal must put on immortality”), remarked that Emily Dickinson had now put on immortality, but she had really never seemed to have put it off. I became interested in Brontë’s poem when I first read about Dickinson’s funeral: I wanted to understand why, out of the hundreds of poems known to Dickinson, she had chosen this one as a vicarious final utterance of her own. 

    “No coward soul is mine” has been “much commented on,” according to Janet Gezari, but although critics have repeatedly tried to distill it into one creed or another ascribable to Brontë — whose very aim was to escape such fixed categories — no consensus has been attained. “No coward soul is mine” is in part vividly definite, but it is also sufficiently abstract to defy common conventions of Christian lyric such as the inclusion of elements of Jesus’ life and sayings, allusions to church feasts and rituals, and credal affirmation of an afterlife. The most vigorous lines of Brontë’s poem are those insisting on the entirely interior nature of human faith: “Vain are the creeds of men, unutterably vain.” Brontë’s “vain” is alluding not to vainglory but to the opening verse of Ecclesiastes: “Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.” The Hebrew word translated into English as “vanity” is hevel, and hevel (the commentaries tell us) is one of the several Hebrew words for “air,” or “wind,” but is most often used negatively to mean “fleeting,” “transitory,” “futile.” Brontë is speaking as a deeply literate nineteenth-century reader, well aware (from the pre-Darwinian geological proof of evolution) of the successive and transitory creeds of all religions historically recorded.

    For Brontë, Christianity — the only “creed” that she knows well — must stand in for all other creeds and their myths of a divinity both creative and inspiring; and Brontë must invent her own version of the sublime phenomenon of unbidden human inspiration. She does it most conspicuously in this poem. It must be remembered that Brontë was the daughter of a learned priest of the English church, an Oxford graduate in classics, himself a poet, whose children were raised as Christian believers, and who all (except Emily) taught in his Sunday school. Brontë’s poetic duty in denying the truth of “creeds” is to strip the Christian God of every sustainable predicate. Theologians had asserted at least since Aquinas, following Maimonides, that no positive qualities could be predicated of God, owing to the limitations of language: He (always male) could be characterized only negatively, as one who was not subject to death, not affected by time, not vulnerable to suffering. This affirmation became known as apophatic theology. God was im-mortal, e-ternal, im-passible.

    Brontë’s own “Deity” is an internal one, replacing the external and mythological God of the creeds and taking on an ever-present existence within herself, to be interpreted only by herself. The relation between self and deity, as Brontë formulates it, is a perfect and cunningly phrased closed circuit of reciprocity. Addressing her Deity as a lower-case “thou” to her “I,” Brontë poises their relation as one of mutually acknowledged parallel acts of repose and empowerment as she addresses her deity: “Life that in me hast rest, /as I, Undying Life have power in thee.” Her Deity, a capitalized “Undying Life,” accepts a physical repose within herself as she exists in its Life, receiving power as she participates in its immortal “Undying” metaphysical existence.

    This deity is neither anthropomorphized nor given gender; it displays no external acts such as Adamic creation and is embodied in no human figure such as Jesus. It is a presence, not a person, and its sole activity is its never-lapsing “wide-embracing love.” This unconfined love, Brontë writes, shines as powerfully as “Heaven’s glories” shine. The use of the identical verb “shine” for both nouns establishes the identity of past Christian myth — the capitalized “Heaven’s glories” — and Brontë’s internal inspiration, the wide-embracing love. This love is neither eros nor agape, but rather an intuited third possibility: a love that within the visionary seer temporarily annihilates historical time and replaces it with Eternity. The poet’s own conviction is fiercely declared: she surveys all doctrinal codifications only to scorn them. Vain are “the creeds of men.” Since Christianity, the only religion known to her, is credal (from the Latin Credo, “I believe”), Brontë, with one wipe of the sponge, erases all such doctrines, and dares to propose that the intermittently self-revealing “God within [her] breast” differs from any religious figure, such as Jesus, who enacts a fixed identity within a fictional narrative.

    Brontë’s God here is not a trinity. It at first occupies one half of a duality of absence and presence: her ordinary self has access to her Deity only when she is unexpectedly and involuntarily admitted to a presence suffusing her with indwelling inspiration. Only then is she able to address her “thou.” Instead of projecting her inspiration outwardly on an allegorical figure such as the Muse, Brontë strikingly makes inspiration indistinguishable from her own physical Being and bodily Breath. She realizes that, in the disbelief of the mid-nineteenth century, a new “rational” and sober manner of addressing the divine must reject Christian elements elaborated in sacraments and rituals. A mention of Jesus? The birth at Bethlehem? The Passion? Holy Communion? No.

    We can better understand the poetic paradox of a “spiritual” rhetoric uninhabited by religious images and narratives by remembering one of Emily Dickinson’s more acerbic remarks about God. Writing to Higginson about her family as she listens to their daily morning family prayers full of unverifiable language, she explains: “They are religious – except me – and address an Eclipse, every morning – whom they call their ‘Father.'” How could a poet address an eclipse?

    As usual, Dickinson sees the conceptual problem as one of language: given the erasure by the eclipse of all information concerning light articulated in Hebrew or Christian diction, from “Let there be light” (Genesis 1:3) to Jesus’ saying “I am the light of the world” (John 8:12), what words would the poet be able to use? Deprived of light, life is merely an eventual Eclipse of ourselves. In 1863, in her poem “We dream – it is good we are dreaming,” Life is a malevolent executioner hunting its prey: “[Life] is playing – kill us, / and we are playing – shriek -.” Dickinson is macabre, whereas Brontë is ecstatic, but the problem of the articulation of the human sublime — what will be its diction and its tonality? — is common to both poets. In 1864, a year after “playing shriek,” Dickinson exposes nakedly her own version of the death of God:

    Truth – is as old as God –

    His Twin identity

    And will endure as long as He

    A co-Eternity –

     

    And perish on the Day

    Himself is borne away

    From Mansion of the Universe

    A lifeless Deity.

      

    Like Brontë, by whose strategies she was doubtless inspired, Dickinson thought long and hard about retaining enough sacred reference to make clear that she was engaged in stripping the Christian God of all supernatural credibility. Dickinson capitalizes, here, the “sacred” word “Mansion,” to reveal her allusion to the Christian belief in an afterlife. She is quoting Jesus’ promise as he bids farewell to his apostles: “In my father’s house are many mansions; if it were not so, I would have told you” (John 14:2). Yet how are the poets to retain a devotional tone while deleting from it any overt reference to theology, ritual, and religious narrative? How is the object of worship to be made convincingly abstract and yet able to install reverence by its (hidden) Christian allusions and a tone of veneration?

     

    Emily Brontë, born in 1818, was older by only twelve years than Dickinson, but she and her sisters Charlotte and Anne, who had jointly published under three pseudonyms in1846, were known to Dickinson. In 1860, five years after the last of the sisters, Charlotte Brontë (“Currer Bell”), died, Dickinson elegized her as a singing Nightingale now caged in its grave, presenting her as a poet rather than as a novelist:

    All overgrown by cunning moss,

    All interspersed with weed,

    The little cage of “Currer Bell”

    In quiet “Haworth” laid.   

    Emily, closer in sensibility to Dickinson, had died at thirty, too early for an elegy by Dickinson, but in representing Charlotte as a poet-nightingale rather than as a novelist, one might think of her as embodying Emily. (Charlotte and Emily are buried in Haworth in a single grave bearing a joint gravestone.)                                                      

    In an appendix to Richard Sewall’s biography of Dickinson, there is a useful supplement collecting poems by American women on topics akin to those of Dickinson: Love, Death, Time, Nature, Art. They disclose the sentimentality and cliché that Dickinson in maturity was so determined to avoid (or to mock as “dimity convictions”), and it is unthinkable that Dickinson could have turned to such poets in choosing a surrogate literary voice for her funeral. Her own reading in poetry was chiefly from the English poets. She mentions “Mrs. Browning” (with several references to Aurora Leigh, Barrett Browning’s feminist novel-in-verse) and George Eliot (the novels, not the poems), but there is no recorded response to Christina Rossetti (whose mournful Christian verse is far from Dickinson’s briskness). Barrett Browning turned increasingly to political verse in her later Italian years, making her a less inviting model for Dickinson. Among contemporary women poets, Dickinson found only in Emily Brontë a kindred spirit as irreligious as herself, as highly educated, as outspoken and as fearless in unambiguous statement: “No coward soul is mine,” “Vain are the creeds of men.” Each of these declarations by Brontë would not be out of place in a poem by Dickinson. Dickinson could have chosen something by Browning or Tennyson, but in choosing a woman poet Dickinson defined herself against Brontë’s collective ideological men proclaiming successively their vain “thousand creeds.”

    In ventriloquizing Brontë’s “Last Lines,” Dickinson identified to her mourners an early example of the post-Christian religious lyric, unafraid of its secular stance, bold in its purity. As Dickinson perceived with instant indebtedness, Brontë had invented a form of poem that rejected Christianity but had nowhere else to turn for tonal models of worship, gratitude, and consolation except to Christian lyric. Brontë had had to find a way of verbal divestment, a genuine means by which she could both summon and address her secular “Deity.” Luckily, Brontë knew Milton’s address to “holy light” as “Bright effluence of bright essence increate,” which had pointedly used extreme abstraction as a way of representing the divine.

    The young Keats, in the “Ode to Psyche,” had taken on the problem later faced by Brontë — how to write devotionally after the death of the gods — but he had decided that the solution lay in an exact interior (mental) replication of Psyche’s Greek cult-forms. He takes a solemn vow:

    Yes, I will be thy priest, and build a fane

     In some untrodden region of my mind,

    Where branchèd thoughts, new grown with pleasant pain,

     Instead of pines shall murmur in the wind.

     By making an exact mental replica of the cult, Keats clears away Psyche’s Greek worship and makes his modern mental shrine exactly match the ancient external one, in the hope that the goddess will come to inhabit it. Brontë will not succumb to such a mimesis of past cultic practice: instead she evacuates from Christian poetry its former content, detaching its words from their roots in fable, sacred texts, and personal symbol. In “No coward soul is mine,” she uses words immemorially familiar from their Christian contexts — soul, Heaven, faith, God, Almighty, Deity, Undying Life, infinity, Immortality, spirit, eternal — but they appear nakedly, as if extracted from a contextless dictionary of theological vocabulary. We do not hear of the biblical narratives from which rock and anchor have been detached; we know only that an unnamed Deity is “Holding so fast by thy infinity” and “anchored on / The steadfast rock of Immortality.” Everything in Brontë is invisible.

    Brontë must have known the most frightening abstract poem of Romanticism, Coleridge’s “Constancy to an Ideal Object,” where, after conveying the sadness and bleakness of a purposeless life which constantly yearns for an Ideal Object worthy of lasting love, he savagely denies (while preserving its beauty) the eternal delusion prompting such a yearning. An Ideal Object is not a something; it is a nothing. Addressing the impossible Ideal Object, Coleridge, closing his poem, displays to The Ideal Object, by question and answer, its own vacancy of origin, while not suppressing its beauty:

    And art thou nothing? such thou art, as when

    The woodman winding westward up the glen

    At wintry dawn, where o’er the sheep-track’s maze

    The viewless snowmist weaves a glistening haze,

    Sees full before him, gliding without tread,

    An image with a glory round its head;

    The enamored rustic worships its fair hues,

    Nor knows he makes the shadow, he pursues!

    Words in many of Brontë’s poems remain apparently intelligible only because the mind hears in them echoes of past belief, but the echoes fade as they are replaced by a paradoxical and living web of active creative verbs, probably borrowed (as her editor suggests) from Coleridge’s famous description in Biographia Literaria of the “secondary” imagination, the first imagination being that of the Creator. (It was in truth Coleridge’s own human imagination that he was exploring, just as his first title-choice was Autobiographia Literaria.) His Latinate verbs are interiorly and etymologically complex: “It dissolves, diffuses, dissipates, in order to recreate. . . it struggles to idealize and to unify. It is essentially vital.” Coleridge insists that the ever-changing and vital human imagination must “dissolve” before it can “recreate.”

    Brontë’s “wide-embracing love” similarly “dissolves” and then “creates” itself in a vital form that not only “animates,” but also, in the end, “rears” itself into a positive absolute:

    Thy spirit animates eternal years

    Pervades and broods above,

    Changes, sustains, dissolves, creates and rears.

    The reader must restore individual etymological or allusive content to each of Brontë’s eight verbs, as I indicate by my added bracketed phrases below: Thy spirit animates [bestows an active individual soul upon impersonal eternal] years; Thy spirit pervades [diffuses itself, like a vapor, in every direction]; Thy spirit broods above [as an incubating bird, just as in Luke 13:34 Jesus wishes he could have gathered up the children of Jerusalem “as a hen doth gather her brood under her wings.” Brontë’s changes of focus — and their invisible sustaining metaphors, as in my bracketed “completions” above — rapidly accumulate in the five verbs of her final line. And later, Dickinson, outdoing both Coleridge and Brontë, introduces an unstoppable cascade of verbs into her own poem on “The Love a Life can show below,” where, at the ending, in a heap of twelve verbs, lifelong love on earth “dissolves” only so that it can return in Paradise:

    ‘Tis this – invites – appalls – endows –

    Flits – glimmers – proves – dissolves –

    Returns – suggests – convicts – enchants

    Then – flings in Paradise –

    The poet resorts to such excited abstractions to depict a world from which a changeless God has departed, making life narratable only as a succession of unpredictable and shifting perceptions. Like Brontë’s rock and anchor, Dickinson’s unstable actions are removed from a person, a situation and a coherent narrative line. Her poem makes uninterpretable kaleidoscopic turns — here, love glimmers, there, it convicts, and elsewhere, it provides a proof.

    To invent a daring abstract language which worships an internal Deity while forsaking a causal event, a stable narrative, a restored myth, and a theological intelligibility in favor of detachment, abstraction, and personal ecstasy, is a cultural novelty in English verse which subsequent non-religious poets, reading Brontë, can understand, investigate, imitate, and adopt for their own purposes.

    Since Brontë designs her own abstract language to imitate the aspirational or grieving tones and yearning of Christian lyric discourse, her twenty-first-century readers can scarcely perceive how relentlessly she eviscerates it of doctrinal or mythical or cultic content. The hope, calm, peace, and harmony of Brontë’s inner ecstatic vision — and the agony of its departure as the human senses reawaken — arrive most precisely in the hexameters of “The Prisoner,” in which the struggling imprisoned visionary-in-chains is each night soothed by Hope’s “mute music” in a dawning of the Invisible:

    But, first, a hush of peace — a soundless calm descends;

    The struggle of distress, and fierce impatience ends.

    Mute music soothes my breast, unuttered harmony,

    That I could never dream, till Earth was lost to me.

     

    Then dawns the Invisible; the Unseen its truth reveals;

    My outward sense is gone, my inward essence feels:

    Its wings are almost free — its home, its harbour found,

    Measuring the gulf, it stoops, and dares the final bound. 

    But the success of that final leap is prevented by the involuntary reawakening of the senses:

    Oh, dreadful is the check — intense the agony —

    When the ear begins to hear, and the eye begins to see;

    When the pulse begins to throb, the brain to think again,

    The soul to feel the flesh, and the flesh to feel the chain.

    The poet’s hexameters become tragic as the rising momentum of vision is lost, and the soul becomes fixed in the immobile and inexorable syntax of ordinary sense-life, physical and mental and spiritual dullness, and biological despair:

    When         the ear                   begins to hear

               and    the    eye         begins to see;

    When         the    pulse      begins to throb,

               and    the    brain      to think again,

                        the    soul           to feel the flesh

    and                      the    flesh      to feel the chain. 

    Such a passage reproduces the abysmal sensation of involuntarily resuming a physical and mental and spiritual existence lacking all divine colloquy, the chain locks shut on the sequence “flesh…. flesh… flesh… feel.”

    After its former displays of ecstatic relief from pain, Brontë’s former duality of flesh and spirit in “The Prisoner” grimly now encounters a baleful inner Trinity, ever in mutual conflict:

    Three gods, within this little frame,

           Are warring night and day;

    Heaven could not hold them all, and yet

          They all are held in me.

     Brontë’s triply conflicted self is re-defined by the apparently desirable image of a spirit standing within the flow of three rivers, one golden, one like blood, and one like sapphire (perhaps desire, will, and tears), but in the end they all helplessly “tumble in an inky sea.” The speaker, immersed in that marine darkness, recalls its hellish effect: “Oh, let me die — that power and will / Their cruel strife may close.” The famously tenacious Brontë will continues fiercely to will, but remains without power to act, and decides on suicide. It is the deepest feminist cry of Victorian poetry, in which an immense will to create can find no outlet in publication.      

    Bronte’s intimations of thwarted vision continue in Hardy’s “The Darkling Thrush,” composed on December 31, 1900 and originally titled “At the Century’s Death-Bed.” In it, the poet unwillingly admits that the full-throated song of an aged male thrush seems to hope for an emotional vitality at present inaccessible to the depressed sixty-year old poet:

    An aged thrush, frail, gaunt, and small,

             In blast-beruffled plume,

    Had chosen thus to fling his soul

            Upon the growing gloom.

     

    So little cause for carolings

           Of such ecstatic sound

    Was written on terrestrial things

           Afar or nigh around,

    That I could think there trembled through

           His happy good-night air

    Some blessed Hope, whereof he knew

           And I was unaware.

     

    Unwilling to abandon his momentary participation in the thrush’s hope, the atheist Hardy has nestled it (in Brontë’s fashion) in the retained diction of Christianity (soul, carolings, ecstatic, terrestrial, blessed, Hope). To create true despair, Hardy needed only to write so as to contrast his depressive sentiment with the thrush’s “happy air,” declaring that the thrush had [“Some blessed Hope whereof he knew, / But I was unaware.”] Yet Hardy adds no comma, and inserts an “And” instead of a “But,” creating a true coordination between the thrush’s firm knowing and the speaker’s (now perhaps remediable) unawareness. Both Christmas and Twelfth Night bracket the century’s corpse, but narrative notice of Jesus’ birth and the Three Kings’ mythical pilgrimage is, as in Brontë, absent.

    The master of lyric abstraction, T. S. Eliot, composed in 1927, just after his conversion, a brilliant lyric narrative called “Journey of the Magi.” It seems likely that he was invisibly competing with his mother Charlotte’s publication, in The Christian Register of Christmas 1887, a perfectly conventional, prosodically inept poem called “The Three Kings.” All its lines have four beats except for line two which has only three:

    We are three kings who have traveled far,

           O’er laced and sandy plane.

    Before us moved a radiant star,

           Its light along our path is lain.

    Faint and weary, our journey’s end

           We seek, but the star moves onward still.

    We know not whither our footsteps tend,

           Obedient to a higher will. 

    Eliot’s poem draws on the seventeenth century Christmas sermon preached before King James by Lancelot Andrewes, who uses the collective voice that Eliot adopts. “Journey of the Magi” restricts its sole scriptural reference (Matthew 1:2) to the word “Magi.” The word first appears in Jerome’s first-century Christian Latin Vulgate to transliterate Matthew’s Greek magus, meaning “a man learned in arcane lore.” The King James Version calls them “wise men from the east,” while the Catholic Rheims-Douay translation retains the Vulgate “Magi.” Eliot presumably chooses the foreign word “Magi” in lieu of the KJV’s “wise men” so that the poem will appear ancient and pre-Reformation in origin. (Neither translation specifies the number of the Magi; they acquired their number, names, and personalities from the accumulations of tradition, and their gifts, scriptural only by allusion to their source in Isaiah 60:6, enter Christianity also from tradition.) The gifts are not recorded in Matthew’s Greek and remain unmentioned in Eliot’s poem, so that the only item giving the poem any scriptural context is the single-word quotation from the Vulgate, “Magi,” the barest of verbal references. Eliot is removing KJV familiarity — “wise men” — and making his title foreign and largely abstract — Journey of Whom?

    Eliot’s poem opens in a collective anonymous voice: “A cold coming we had of it.” We later discover that the tale of the journey is being recounted to, and recorded by, an amanuensis who appears only in the last stanza of the poem, as the voices, closing down the unhappy and unresolved account of their journey, command the recorder of their history to “set down / This set down / This.” The poem intricately depicts a contest between a past journey recounted in the key of the definite article the and a set of arrivals recounted in the key of the indefinite article a/an. Here is a portion of the journey, which constantly repeats from lines 4-20 its specifying “the”:

    The ways deep and the weather sharp,

    The very dead of winter.

    And the camels galled, sorefooted, refractory,

    Lying down in the melting snow.

    There were times we regretted

    The summer palaces on slopes, the terraces,

    And the silken girls bringing sherbet.

    And here is a passage on arrival, pitched in the key of the repeated indefinite article a until its close, when it arrives at last at the prophesied place:

    Then at dawn we came down to a temperate valley. . .

    With a running stream and a water-mill. . .

    And an old white horse galloped away in the meadow.

    Then we came to a tavern. . ,

    But there was no information, and so we continued

    And arriving at evening, not a moment too soon

    Finding the place; it was (you might say) satisfactory.

    The arrival-landscape becomes allegorical of later events in the life of Jesus, meaningless of course to the journeying Magi: “Three trees on the low sky. . . and six hands dicing for silver.”

    The voices close the poem with a question to the amanuensis, fusing the two articles the and a — the latter not only for their first arrival at a temperate valley, but also for their arrival back home after seeing a Birth and then, in the closing line, for their own envisaged third arrival — their longed-for personal death: “I should be glad of an-other death.” Eliot adopts in this passage Brontë’s strategy of capitalizing Sacred Things and using lower-case for human things, dramatizing the contrast most theatrically in the juxtaposition “like Death, our death,” contrasting the implied sacred Crucifixion (the “three trees”) and the Magi’s human mortality.

    Were we led all that way for

    Birth or Death? There was a Birth, certainly

    We had evidence and no doubt. I had seen birth and death,

    But had thought they were different; this Birth was

    Hard and bitter agony for us, like Death, our death.

    We returned to our places, these Kingdoms,

    But no longer at ease here, in the old dispensation

    With an alien people clutching their gods.

    I should be glad of another death.

    During their arduous journey, the Magi had sometimes “regretted” their former worldly pleasures, always specified by the —“the summer palaces on slopes, the terraces, and the silken girls bringing sherbet”but after their return to the East, the “palaces” are silently reduced to mere “places” and the Magi find themselves with the conundrum of their journey: was it a Birth they witnessed or a Death? They cannot decide. All that they know is that the journey ruined the rest of their life.

    John Ashbery finally brings Brontë’s abstractions into their full consequence. His book-length epic of abstract narration called Three Poems, from 1972, evolves without any religious support (although it allows allusion to any number of canonical literary works, including the Bible). The book is divided into three specifying parts: The New Spirit, The System, and The Arrival, all dependent on Eliot’s work of specification in Journey of the Magi, on Brontë’s work in deleting Christian reference, and on Dickinson’s forthright substitution of Truth for Deity. It also depends — and chiefly — on Yeats’ tiny but defiant poem announcing that the only accurate narrative of a life is the narration of its moods. Time decays as enlightenments come and go; both inorganic and organic nature change over geological time; but has any one of the eternal human moods ever been known to vanish?

               The Moods

    Time drops in decay,

    Like a candle burnt out,

    And the mountains and woods

    Have their day, have their day;

    What one in the rout

    Of the fire-born moods

    Has fallen away? 

    The obvious answer to Yeats’ closing rhetorical question is “None.” Human emotional and temperamental responses throughout life arrive as an uncontrollable “rout” (an unruly mob) of moods, generated not from the three temporal elements of the Greek world (Earth, Water, and Air) but rather from the fourth — and only immortal — realm, the celestial element of Fire. The form of Yeats’ poem also supports the necessary answer: “None.” We register the neat familiar logic of Yeats’ rhymes — decay, out, woods; day, rout, moods — as we advance through the lyric because we recognize that he is constructing an English sixain: abcabc. Yet as we arrive at the end we are upset, because the poem, though it “should” stop at the sixth line, continues with an “extra” line, the seventh, which “re-starts” the inexorable rhyme-chain with away. Yeats thereby displays the perpetual self-generating of the human moods in every human being from birth to death: the moods never subside, rout after rout of them.

    If moods are the chief and perpetual inner events of human life — always and everywhere, appearing in our oldest oral and written literature and visual representations and pre-eminently in music — then as an artist records them, however incompletely or imperfectly, they become the most reliable narratives of our inner incessant responses to our infinitely conscious and unconscious life. To trace the moods has long been thought the special task of lyric, but Ashbery, by extending the mode to epic length in Three Poems, proposes that testimony to the moods is also the underlying work of all human narrative, even when it is presented novelistically or dramatically. Ashbery’s long and sinuous ongoing sentences, influenced (as critics have noted) by the speculative novelists James and Proust, forsake the hard actualities of Homeric epic — a war, a journey — for a stylistic tour de force, a book-length exposition of the flickerings, doubts, convictions, affirmations, enjoyments, ecstasies, disappointments, and bafflements of the inner life. The moods are not structurally containable by human thought-systems. Ideology, shrinking and confining the human person into an idea-system, is, in this poetic, the enemy of human accuracy.

    Three Poems is the modern equivalent of the Augustinian spiritual journals of the past, ever rising to a crest of faith or sinking into a trough of perplexity and despair, yet bound to remember what their author’s fluctuating responses have amounted to in God’s eyes, and to judge whether they are legitimate or unworthy. Three Poems (dedicated to the poet’s partner David Kermani) is Ashbery’s journal, moving through a haze of mist and fog, making inquiries into elementary particles of emotion and fugitive auroras, into intimations, into repudiations. Every new day arrives with irrepressible moods that tend to discard the old, distrust the new, cherish hopes, falter in confidence, and long for an idyll. The rout of moods never “solves” or “resolves” any life-question, because a new and thrilling disturbance of feeling will appear the moment the previous lapses into forgetfulness. Ashbery moves down the page always apparently in preparation for a contemplated undertaking, but is prevented by new inspirations or disbeliefs from any conclusive action. And there is no question of moral judgment of the self, because moods irrupt into being involuntarily.

    A passage from Three Poems recording the moment of falling in love and discovering one’s responses of shock and delight illustrates Ashbery’s refusal of definiteness in favor of an abstract and equivocal (but finely shaded) balance of erotic delusion and erotic fulfillment, the latter causing the former. In the delusion of new love the world changes, and the lover becomes so suffused by emotion that he is certain that even insects and rodents must be feeling the glowing ambiance of desire:

    From the outset it was apparent that someone had played a colossal trick on something. The switches had been tripped, as it were; the entire world or one’s limited but accurate idea of it was bathed in glowing love, of a sort that need never have come into being but was now indispensable as air is to living creatures. It filled up the whole universe, raising the temperature of all things. Not an atom but did not feel obscurely compelled to set out in search of a mate; not a living creature, no insect or rodent, that didn’t feel the obscure twitchings of dormant love, that didn’t ache to join in the universal turmoil and hullabaloo that fell over the earth, roiling the clear waters of the reflective intellect, getting it into all kinds of messes that could have been avoided if only, as Pascal says, we had the sense to stay in our room, but the individual will condemns this notion and sallies forth full of ardor and hubris, bent on self-discovery in the guise of an attractive partner who is the heaven-sent one, the convex one with whom he has had the urge to mate all these seasons without realizing it.

    In this abstract quasi-moral discourse from which everything moral has been deleted, we are left with the ultimately comic but also plangent dilemma of the poet whose every possibility remains (to quote Ammons’ poem “Classic”) “uncapturable and vanishing.” Three Poems, unlikely ever to be exhausted, is equally unlikely to be imitated at such length and virtuosity, but it proves that even a long lyric narrative prose-poem can be fully abstract, appearing as the final extension of Brontë’s abstract ventures in lyric.

    Episode by episode, experiment by experiment, God has died on the poetic page, and has been replaced, as Dickinson prophesied, by a new Truth. A “scrawny bird-cry at dawn” is Stevens’ description of the embryonic new truth in “Not Ideas About the Thing But the Thing Itself,” but the poet predicts the reappearance of “the colossal sun, // Surrounded by its choral rings, / Still far away.” Only posterity will know whether the scrawny cry of the abstract was a necessary move for the invention of a new poetics.