A Finer Place

    You may call my love Sophia
But I call my love Philosophy

    Van Morrison

    Philosophy always buries its undertakers.

    Etienne Gilson

    The only thing worse than spurious metaphysics is spurious warnings about metaphysics. It should be obvious that the farther one moves away from the physical, the greater the likelihood of fancy; but that is merely the occupational hazard of metaphysics, in the way that superstition is the occupational hazard of religion and dogmatism is the occupational hazard of reason. (And of unreason even more.) I say fancy but not falsehood, because falsehood is a possible fate for all opinions, and falsehood is different from nonsense and occurs also in the domain of serious thought. Yet the possibility of metaphysical error is hardly an excuse for sufficing with the physical. This is especially true in a society that has been smothered by physicalism. Contemporary physicalism — the church of matter — takes many forms: biological, economic, algorithmic, historical. The tyranny of historicity over popular understandings of human life is the most pervasive and stealthy materialism of all. The most triumphalist formulation of it that I have come across is the striking remark by Luc Brisson, the French historian of classical philosophy, that “even transcendence has a history,” which is factually incontrovertible but philosophically another anti-metaphysical ambush. The reputation of metaphysics in our time has been damaged also by its conflation with religion, or more precisely with the intellectual degradation of faith by folk religion and by politics. Except for vulgar atheists, however, metaphysics is as much a secular inquiry as a religious one. 

    Metaphysics is the deepest dissent of our time, and that is only the first of its attractions. I have always been helpless before it, and famished for it; and I have an absurd tolerance for its excesses, which seem to me to err in the right direction. Nobody ever promised that the truth will not be outlandish. I confess without shame that two of Swedenborg’s books sit on my shelves: Heaven and Its Wonders and Hell, From Things Seen and Heard, and the magically titled The Delights of Wisdom Pertaining to Conjugal Love, After Which Follow The Pleasures of Insanity Pertaining to Scortatory Love. (Scortatory means sexual.) These interminable volumes are crazy — the pleasures of insanity, indeed — but that is not all they are: they are also the productions of a huge intellectual ambition and they are riddled with penetrating intuitions about, well, everything. Czeslaw Milosz enlisted Swedenborg in his campaign to expand the range of intellectual respectability to include what he called “modes of eccentric vision.” 

    Kant himself, and there never lived a less crazy man, took an interest in Swedenborg’s flamboyant visions, purchasing many of his books and publishing, in 1766, a colorful (for Kant) denunciation of Swedenborg called Dreams of a Spirit-Seer — but admitting to Moses Mendelssohn in a letter that same year that his view of Swedenborg was in fact less hostile: “As regards the spirit reports, I cannot help but be charmed by stories of this kind, but as regards the rational basis of such reports I cannot rid myself of one or two suspicions of their correctness.” Only one or two? He went on to fulsomely defend metaphysics to the Jewish metaphysician as nothing less than a requirement for “the true and lasting welfare of the human race.” As I say, erring in the right direction. In his attack on Swedenborg, Kant made a distinction between “dreams of sensation,” which is what the spiritualist knows, and “dreams of reason,” which is what the metaphysician knows. This was years before his epic circumscription of metaphysics in the first Critique. But the notion of an oneiric rationalism certainly throws the door open to florid speculations. It would be only a few decades until Goya illustrated a less forgiving attitude to the “dreams of reason,” though Kant anticipated Goya’s alarm, his swarming monsters, when he remarked in the second Critique that “a fanatic is a person who dreams according to principle,” and warned unforgettably of “rational ravings.” 

    Not even I believe that metaphysics is a condition for the welfare of the human race. The long political career of metaphysics, the many centuries of its association with power, inclines one to the opposite view: that too many people were murdered in the name of the invisible, of arcane and unverifiable beliefs. Indeed, the hideous tale of the religious wars long supported an anti-metaphysical bias — until the twentieth century, with its genocides committed in the name of 
materialism and historicism, of godless ideological hatreds, made it no longer so easy for secularists to condescend to believers in the matter of the sanguinary consequences of the respective worldviews. The culpability for radical evil, and the complicity with it, turned out to be universal — which is to say, philosophically heterogeneous; the hands of the sacred and the profane, the visionaries and the technocrats, the materialists and the idealists, are all stained with blood. (The hands of democracies are also not clean.) No civilization has forever prevented the surrender of its highest impulses to its lowest impulses. The influence of the heart upon the mind is greater than the influence of the mind upon the heart, for better and for worse, and the evil within the human heart, our prior unexamined instincts, may be validated, and prodded, by any number of theories and doctrines. 

    Late one afternoon many decades ago I was sitting with Daniel Bell on his back porch in Cambridge. It was during the Polish crisis, when Solidarity and KOR rose up against the Communist regime, and Dan and I were discussing the strategic importance of the Catholic church in the struggle against Moscow’s satrapy in Warsaw. We noted especially the monumental force of John Paul II, formerly Karol Wotyla of Krakow, and his theology of human dignity. Here, I said, was a fine example of metaphysics in the service of political freedom. Dan concurred, but the point made him a little uneasy. Of all the “New York intellectuals,” he was the most avid student of philosophy and religion, but the 1930s and 1940s left him and his comrades intensely concerned about the historical costs of metaphysical beliefs. Both fascism and communism had justified their crimes with abstract ideas, with theories that claimed to see beyond the familiar world to a deeper reality that only their adepts — in the millions — could detect. After Auschwitz and the Gulag, metaphysics seemed too risky. The “existentialist” temper was in part a rejection of the metaphysical temptation. Indeed, the notion of metaphysics as a temptation, and not a natural activity of the questing mind, was a salient feature of the intellectual climate in those years, and we inherited it from our teachers. Strictly speaking, of course, neither fascism nor communism had metaphysical foundations, but the postwar suspicion extended to all extravagant and unempirical ideas, to all comprehensive and systematized ideas. 

    But I was no longer content to receive the wise instruction about tragic realism without objection. It seemed wrong, even unfair, that I should have to be so disabused, and so early. What was I to do with my spiritual stirrings? And so I told Dan — it was a kind of confession — that I could not live without metaphysical concepts and without the possibility of the metaphysical interpretation of experience, and that I feared that the postwar intellectuals had gone too far, that in their understandable caution they had spurned too much. No metaphysics after Auschwitz seemed just as silly as no poetry after Auschwitz. Dan knew better than to worry that I did not sufficiently appreciate the magnitude of the catastrophes from which the postwar intellectuals had drawn their straitening conclusion. I admitted to him that my metaphysical and religious interests did not at all embarrass me, and did not seem to me a betrayal of the memory of evil. About the distancing of absolute ideas and esoteric theories from politics, we certainly agreed, but one of Dan’s central teachings was that politics is never everything, that it is merely one of the many realms that we inhabit, and as I say, he himself kindled to the subject of the sacred. 

    And so sitting outside on that porch I posed some questions. Can a liberal not have metaphysics? Is the political abuse of metaphysics all that we need to know about metaphysics? Does a secular public sphere entail a secular private sphere, and if it does not, as liberalism properly rules, what about the danger of seepage? Dan’s face darkened and his eyes softened. He explained to me that, in his case at least, the renunciation of metaphysics was a personal sacrifice. It was as if the charnel house of modernity had imposed a spiritual obligation to constrain the spiritual. In a melancholy whisper Dan said, “We knew just how much we were giving up.” 

    If metaphysics is not essential for politics, is it perhaps essential for ethics? This is a furiously contested matter, with political implications. For a long time conservatives have been peddling the hugely erroneous idea that there can be no ethics without religion, that morality finds its basis only in God. Never mind that they, the believers, are surrounded by virtuous secularists, by atheists who give to the poor. The most penetrating work in the history of moral philosophy was written by a pagan Greek, whose ideas influenced thinkers in all the monotheisms; and the greatest modern work in moral philosophy, though in its way mystical about the good, is thoroughly secular. This is not to say that ethics must be a stranger to metaphysics, or that a religious cosmology cannot support ethical values. Quite the contrary. Many foundations for morality have been proposed over the centuries, and as a practical matter we would be fools to dispense with almost any of them. The more bases for goodness, the more goodness; or so I hope. The ethical education that is provided by religious traditions is very rich, and their variety of methods of attaching God to good deeds is very affecting. “Thou shalt love thy neighbor as thyself: I am the Lord.”

    But God is also attached to concepts and actions whose goodness is not at all apparent, and sometimes is obviously evil. I recall my stupefaction many years ago when I encountered the categorical declaration in a sermon of an influential fourteenth-century Catalonian rabbi that “nothing bad descends from heaven.” Nothing? To be sure, theodicy will rush in to save the day, but the pursuit of theodicy is already the sign of a deep disquiet. The presence of an ethical system within, or in conjunction with, a metaphysical system does not guarantee the practice of goodness. I have always marveled at the moral vanity of certain religious Christians who swoon over their faith’s ethical traditions without alluding to their faith’s unethical history. The alliance of Christianity with state power, I would have thought, forever rendered an untroubled Christian conscience impossible. Constantinism was a second expulsion from the garden. 

    Does power need God because it feels like God? What sort of God is flattered by human power? And who could assent to a deity or a final principle that can be adequately captured by a flag? A metaphysics that climaxes in a state is an insult to the metaphysical enterprise. For an experience of intellectual deflation, I can recommend nothing so highly as the discovery that the saga of “Objective Spirit” or “World Spirit” in Hegel’s philosophy finds its grand fulfillment in a tweaked version of Prussia. All that, for this? There are many reasons to support the nation-state, but the meaning of life is not one of them. In American history, the Christian tyranny of the Puritans of colonial Massachusetts broaches the same grim point about the politicization of the metaphysical and its awful consequences. The true father of American freedom was Roger Williams. And similar qualifications may be made about the ancient Jewish commonwealths and various Muslim polities. May the day never come, but if the State of Israel ever has a government that justifies its immoralities on strictly religious grounds, and drops two-thousand-pound bombs in God’s name, it too will be added to the annals of this infamy. Anyway, nonmetaphysical extenuations of cruelty are repugnant enough.

    And if metaphysics is not essential for ethics, what about aesthetics? Plainly not, you say. The most spiritual interpretation of art will never steal it from the physical world, from the primacy of the senses. “Conceptual art” since the 1960s attempted to perform such an amputation, by promoting the idea of the work into its substance and demoting the execution of the work into a mechanical follow-up of the idea, but for many people it had the unwitting consequence of proving how little aesthetic satisfaction is gained by the dematerialization of the work. It was just another iteration of the tiresome modern impatience for the end of art. It is true that many artists, from the religious painters to Jawlensky and Mondrian and Malevich and Kandinsky and Brancusi and Rothko, worked self-consciously in a metaphysical key, and sought to depict concepts sensually — for a while even Morandi associated himself with pittura metafisica; but beauty can certainly be achieved without philosophy and without theory and without the impulse to transcend the terrestrial world. Certain philosophers have introduced metaphysical considerations into the understanding of art by means of the word “form,” which is indeed one of the founding terms of Western metaphysics, but “form” can mean many things, from shape to essence, from the particular configuration of an object or an image that is empirically established to a prior and unseen principle of design, an ideational blueprint, real but not actual, to which the object must conform. A formalist analysis is not necessarily a metaphysical analysis. 

    There is a kind of aesthetic pleasure that can be gained from the contemplation of metaphysical systems, even when the systematizing impulse itself provokes philosophical opposition. They can be elegantly designed and amazingly imaginative, and the relations between the pieces may cast fresh light on the pieces themselves. But to admire a doctrine for its imaginativeness is to set aside the question of its truth, and to concede that even in philosophical systems that purport to be based in logic of one kind or another (the logic of Hegel is nothing like the logic of Wittgenstein) the imagination plays a role. The aesthetic admiration of metaphysics was supremely exemplified by Borges, who read metaphysical texts as literature and gladly sufficed with their enchantments. He was smitten by the filigrees of the philosophers — the more elaborate and esoteric, the better. He preferred a symbol to an argument; and he imagined the universe as a stupendous library, and the inclusion of nonsense in the library did not disqualify it from his enthusiasm. “I am lost in metaphysics,” he once remarked, but it was not a complaint. Borges was in search not so much of the truth as of the belief in the possibility of the truth, and the plethora of such beliefs that he discovered in the philosophical and religious traditions persuaded him that the possibility was real. He kindled to the style of truth, the glamor of truth, the mood of truth, the exoticism of truth, to the presumptions to wisdom that he encountered in the most diverse and even contradictory sources. He relished the metaphysical weather — “the mountain-atmosphere of lofty thought,” as Hawthorne called it. 

    When I was young and studied philosophy with an idealistic dream of truth in my head, I was not satisfied with Borgesian pleasures. I wanted the truth. Therefore I counted the multiplicity of metaphysical doctrines against metaphysics. The history of philosophy threatened my confidence in philosophy: the interminable parade of theories made it seem like the best that I could do would be to add another theory to the pile. Stop the parade! This naivete, this notion that philosophy should one day end because truth will have been fully attained, was owed in part to my religious schooling, which left me with a taste for orthodoxy and an expectation of certainty, and with warm memories of being certain. How could the truth not be a dogma? 

    Even in my own religion, some of whose most formidable thinkers failed (but not without trying) to establish a catechism of its beliefs, a measure of intellectual certainty seemed necessary, and as Maimonides counseled his student, “certainty should not come to you by accident.” Since God went silent, one would have to reason one’s way to truth, until the day would at last arrive when one would be philosophically done. But then the history of philosophy made me dizzy and a little hopeless. So many truths, so little time. So many falsehoods, so little time. Even when one has accepted an outlook and can defend it intellectually, the tumult never ends. Maybe dogmatic thinking — or mental habit, which in the realm of the mind is the same thing — is the only way to fight off this vertigo. I certainly prefer dogmatic thinking, of which one may be cured, to post-foundational thinking, for which there is no cure. Lurking somewhere inside the complacency of dogma is the receded tension of argument, and as long as there is tension all is not lost. (What an unAmerican maxim!)

    But how much certainty can one disavow without making belief impossible? I have learned that the years are not kind to certainty if one persists in thinking. There are holes in every picture. A few holes, if they are small and not at the center, may not completely ruin a picture, and anyway a picture can be restored. Conversely, a proof is a proof and can last a thousand years. Yet surely a proof must not have the effect of bringing reflection to an end. The late Saul Kripke called this the “paradox of dogmatism”: if I know a proposition to be true, then I will axiomatically regard evidence against it as misleading and terminate the critical consideration of it, so that what began as an exercise in reason will become an exercise in unreason, and an open mind will culminate in a closed mind. But why should knowledge mark the end of inquiry? Certainty should not come to you early, either. 

    Not long ago the publication of a new translation of Wittgenstein’s private notebooks of 1914–1918 sent me back to him, who was one of the gods of my youth, but this time I detested his imperiousness. He really believed that he ended philosophy. The funny thing is that he believed it twice. His later philosophy is a bacchanal of question marks compared to his early philosophy, which was in his view so definitive that he wrote it up in numbered propositions, decimal points included; but both times he was sure that as a consequence of his discoveries philosophy was no more. (Ending philosophy has long been one of the most peculiar ambitions of philosophers.) The irony about the supremely unironic Wittgenstein is that his change of mind, the antithetical philosophies that he produced, stands as a rebuttal of his own arrogance: the saga of his two philosophies is a teaching against the aspiration to finality, and a lesson in un-Wittgensteinian humility. 

    The point is not merely that one may change one’s mind. The point is that the work of the justification of opinion is never done. There are many varieties of open minds, not all of them admirable. To lower the level a bit: many years ago, at a magnificent magazine called The New Republic, I had a liberal colleague, a wonderful man, who became a Reaganite conservative, and one evening, at a party in a swanky hotel near Dupont Circle, President Reagan thanked him for having “one of the best open minds in the business.” Everybody laughed, though the president’s geniality did not disguise the ridicule in the joke. Of course that is not the kind of intellectual flexibility that one associates with mental seriousness. Even in this golden age of closed minds, we must have standards for intellectual development. Heresy can be a form of corruption, especially in a society that rewards it in ways that have nothing to do with its substance — with fame, and with the built-in blandishments of our silos. 

    Owing to my religious upbringing, I was for a long time unable to appreciate the provisional nature of metaphysical ideas. Eventually I learned that this is true of all ideas, that almost everything that I believe is no more than the best I can believe now, but metaphysical ideas were different for me, as a class. They tingled. (They still do.) They came with an aura, and an association with holiness; their intellectual and spiritual elevation attached a premature quality of definitiveness to them. It took time before I was able to calm down in their presence and acknowledge that the prosaic toil of critical analysis applied to them, too — it was, after all, the work of the metaphysicians themselves; and the analytical 
activity, always performed under threat of skepticism, 
was sometimes more thrilling than the grandeur of its theoretical occasions. 

    And lo and behold, it was in a remote corner of my religious tradition that I came upon a perfect formulation of the actually existing situation of the intellectual who seeks the highest and deepest explanations for the universe and our experience of it. Saadia Gaon, who lived in the tenth century in what was then called Lower Mesopotamia and is now called Iraq, was a monumental figure in Jewish intellectual and religious history who pioneered in virtually all the genres of Jewish creativity, not least philosophy, to which he contributed the first systematic union of Judaism and rationalism, called 
The Book of Opinions and Beliefs. In that work he painted a pen-portrait of the thinker 

    who preoccupies himself with a certain view for some time, but gives it up on account of a certain defect he notices in it. He then transfers himself to another view for some time, but parts from it on account of something of which he disapproves. He then transfers himself to still another view for some time, but after a while he rejects 
it on account of something which has rendered it faulty in his eyes. And thus he vacillates from one view to another throughout his lifetime.

    Saadia meant this portrait unflatteringly: he abhorred the vacillation, because the destination was for him finally more important than the journey. But I admire this seeker, this scrupulous waverer. There is nothing intellectually promiscuous about him. He checks and rechecks his convictions. His mind is alive. The inconstancy that Saadia deplores looks like integrity to me. Obedience may be a religious virtue, but it is not an intellectual one. Thought is not advanced by a revelation, 
even by a revelation from God, even by a revelation that promises the freedom of the human mind. The mental power that makes the critical examination of metaphysical propositions necessary is the same mental power that makes metaphysical propositions possible. Otherwise there are only rocks and fairy tales.

    2

    “Why in the name of God or Nature are you reading Malebranche?” That dumbfounded question was addressed to me last summer by a friend who is one of the supreme authorities on Malebranche and more generally on the philosophy of the seventeenth century. I replied: “You’ll chuckle, but I relax in the company of metaphysicians. I like the spiritual circumstances. They can’t all be right but I miss them all. The sharpness, the intoxication, the ambition. One day I will write about this.” By relaxation I did not mean any sort of mental slackening. (Metaphysics is never the easy way out.) I was referring instead to the feeling of being where I am most delighted to be, where I am ordained to be, in thinner but higher air, pondering ahistorical problems and savoring non-material perplexities. I have a hedonistic attraction to ultimate questions. I say questions and not answers because I cannot claim to have many answers, and time is running out. But the questions themselves have a spiritually refining effect, and those who wrestled with them — I mean in their books — are my favorite company. “If you have ghosts,” a Texan rock band once sang, “you have everything.” I sit in my library and am a kind of rapporteur in my own mind. I imagine myself modestly at the corner of a long wooden table around which the masters eternally argue with each other, and occasionally a crumb of clarity is won. (What a time they have trying to 
get around Hume!) The questions, moreover, themselves count as an accomplishment in a culture that no longer cares to ask them.

    There is certainly an escapist element to my inclination. When Wordsworth complained that the world is too much with us, he had not a clue. Now there is WiFi in Grasmere. The complexity of our ordinary days is overwhelming, and only a preternatural act of individual will can push it back. There is no peace. And there is also war. When my friend and I were corresponding about Malebranche, Gaza was being decimated in the name of Israeli safety (or a particular notion of Israeli safety) and the skies above Israel were regularly violated by hostile missiles from near and far and Jews were committing pogroms against Palestinians in the West Bank. Ukraine was being savaged by a tyrant because of its insistence on being free. A glowering moronic fascist was tied in the polls for the American presidency. There were concentration camps in western China. Sudan was an abatoir. I have my views about right and wrong in all these particular crises, but the world as a whole feels disgusting. My loyalties and my principles rule out any significant mental or emotional disengagement from the turbulence, but sometimes I need a hideaway. By a hideaway, I mean a place that cannot be affected by the news. Philosophy is such a cave, and so there were days this past year when the only way I could evade the epochal bleakness was to open Malebranche’s masterpiece and pick up where I left off. A temporary sojourn in a finer place. 

    Nicholas Malebranche was born in Paris in 1638. He enrolled in various institutions of higher learning that imparted a lot of Aristotle and scholasticism, which did not inspire him. In 1660 he joined the Oratory, a recently established institution for priestly renewal across from the Louvre (and the royal library), and found an intellectual home in its Augustinianism. He was ordained in 1664. (Hume, who admired him, always called him Father Malebranche.) In that same year he accidentally discovered in a bookstall in what is now the Latin Quarter a work by Descartes, who also had little use for Aristotle, and a great deal of Malebranche’s subsequent work — he was prolific — was in one way or another an intervention in the Cartesian revolution and its theological implications. His long and fierce controversies with his critics, notably the brilliant and quarrelsome Antoine Arnaud, a Catholic theologian and mathematician whom a contemporary described as “the most learned mortal who has ever written,” are still exciting to read, though they can get hopelessly abstruse. Steven Nadler, the scholar with whom I was corresponding, has observed that “the Malebranche–Arnauld debate is one of the great intellectual events of the seventeenth century” — a century not lacking in great intellectual events — “and it attracted the attention of many, including Leibniz, Locke, and Newton.” 

    Malebranche’s masterpiece is The Search After Truth, a vast and lively tome which Malebranche published in 1674–1675. It treats all the classical philosophical themes: the nature of truth, the origin of knowledge, the theory of causation, the relation of the soul to the body, the existence of God and His role in the world. It is in part an attempt, in a vivid philosophical prose, to bring Augustine and Descartes together, and it is sprinkled with stimulating asides and diversions. It is also devoid of a philosophy of history, which is another reason that I cherish it. Malebranche lived at the Oratory for fifty years and died in 1715.

    For a start, the idealism of Malebranche, his life in the empyrean, is affecting for a nonintellectual reason: his body. He was born with a terrible disfiguration of the spine. Its extreme curvature and the sunkenness of his chest — it required him to be home-schooled until he was sixteen — was noticeable, and a friend reported that he was so thin that his heartbeat could be seen under his clothes. He was tall and disturbingly gaunt, with a thin birdlike face that oddly resembled Bertrand Russell’s. He had trouble sitting; and there were stomach pains (he was one of the first coffee drinkers in Paris) and fevers and kidney stones that required surgery. In The Search for Truth he devotes some pages to “the generation of monstrous children,” which he attributes to the somatic impact upon the fetus of the mother’s sensations. 

    With his fragile constitution Malebrache devoted himself energetically to his disputations — and to the complication of the mind–body dualism, which of course long antedated Cartesianism. To the traditional view that the human being is a psychosomatic unity, a compound being made of body and soul — “briefly, man’s life consists only in the circulation of the blood and in another circulation of his thoughts and desires”: two circulations — Malebranche added another element, to make the duality into, if you will, a trinity. Just as the soul is entangled with the body so is it entangled with God, so that no definition of the human is possible without the inclusion of God as a kind of constituent part. In this way the malformed philosopher brought God closer to his body. I cannot think of another idealist thinker who was so respectfully cognizant of matter. “We should not reason in order to know whether an apple or a stone is good to eat; we must taste them.”

    Was his corporeal torment the source of Malebranche’s hostility to Stoicism, and in the age of “neo-Stoicism”? In the middle of The Search After Truth there is a delightful critical excursus on Seneca, specifically about his encomium to Cato the Younger as a gods-given “exemplar of the wise man,” who demonstrated in his conduct that “the wise person can receive neither injury or insult.” Seneca extolled Cato for his equanimity, for not responding with anger when he was physically attacked. Malebranche’s objection is summary: Seneca’s portrait of Cato is “too noble to be natural.” He continues: “Cato was a man subject to the misery of men, he was not at all invulnerable — this is but a myth; those who struck him hurt him.” Of course they did! In his aching body Malebranche rises to the defense of creatureliness. He insists that, contrary to the Stoic philosopher, “the wise man can become miserable.” To deny the reality of pain is absurd: “Can a reasonable man ever be persuaded that his pain does not affect him and hurt him?” Indeed, Christians should learn from the life and death of Jesus that “the impious are capable of hurting them, and that good men are sometimes subjected to these impious ones.” Pain will not be overcome by the pretense that it does not exist. There is no heroism in believing falsely that we can, or should, ever alienate the mind completely from the body.

    Thus the folly of Stoicism, its self-congratulatory lack of compassion for the actual wounds of actual people, is exposed. Malebranche concludes his Senecan digression with this poignant paragraph:

    To destroy the Stoic wisdom completely, one need know but one thing, which is sufficiently proved through experience — that we are tied to our body, to our parents, to our friends, to our prince, to our country, by bonds we cannot break, and would even be ashamed to try to break. Our soul is joined to our body, and through our body to all visible things, by a hand so powerful that it is impossible to loosen them by ourselves. It is impossible for our body to be pricked without our being pricked and hurt, because in our present state this correspondence between us and our bodies is absolutely necessary. Likewise, no one can despise us and say 
injurious things about us without our feeling being grieved by it, because God, having made us in order to live in a society with other men, gave us an inclination toward everything capable of binding us to them, which inclination we cannot overcome by ourselves. It is illusory to say that pain does not hurt us, or that words of contempt are incapable 
of offending us, because we are above all that.

    Malebranche’s adamance about the frailty of human existence, his acute consciousness of bodily tribulations, may have had something to do with another unusual feature of his thought: his impertinence about God. While his contemporary Leibniz was working out his notorious theory that this is “the best of all possible worlds,” Malebranche divested himself of all prettifying impulses: “I do not hesitate to repeat it: the universe is not the most perfect that could be, absolutely speaking.” The example of its imperfection that he gives is this: “It is an evident flaw that a child should come into the world with superfluous members that prevent it from living.” With such a sentence the philosopher-priest rescues metaphysics from a high-altitude inhumanity. The absence of cosmological apologetics in Malebranche is exhilarating. “The present world is a neglected work,” he preaches. And: “We are not afraid to criticize His work, to note the defects in it, and even to conclude thereby that it is corrupt.” The temerity is gorgeous. And: “God could make a world that is more perfect than the one that we inhabit. He could, for example, make it such that the rain, which makes the earth fertile, falls more regularly on prepared soil than in the sea, where it is not as needed.” 

    It is striking, too, that Malebranche did not avail himself in his theodicy of the old Augustinian escape hatch that God cannot be held responsible for creating evil because evil, strictly speaking, cannot be created, since evil is only the privation of good. A privation is nothing, it is only an effect, an implication, of what positively exists; it needs no cause. Of course such an alibi is an insult to our vulnerability, to what we see and what we feel when we suffer. What wracked Malebranche’s body was not the absence of health but the presence of illness. And if evil is not nothing, if it is a presence and not an absence, then it, too, is the handiwork of the Creator. 

    I do not mean to suggest that Père Malebranche was Ivan Karamazov, but compared to the casuistries of traditional theodicy it is impossible not to welcome his candor about the wounding flaws of the world. At least, as we would now say, we can agree on the facts. Voltaire would have had a harder time making Candide out of Malebranche than he did in making it out of Leibniz. The twist in Malebranche, who was after all a Catholic priest, is that his notion of the actuality of evil is owed to his notion of God. For Malebranche, the single most significant attribute of God, from which His unity and His incorporeality and all the other attributes of the monotheistic deity flow, is His simplicity. “God must act in a manner that bears the character of the divine attributes,” and so the most perfect way for him to create the world was by means that would “glorify him through their simplicity, their universality, their uniformity, through the characteristics that express the qualities that He is glorified in possessing.” Malebranche drew a distinction between “particular volitions” and “general volitions.” God governs the universe only by means of general volitions: “God must not upset the order and simplicity of his ways. He must not act by particular volitions.” 

    What Malebranche means by general volitions is what we mean by natural law. It is beneath God, in Malebranche’s conception of the deity, to bother with the particulars of the world; it would render Him petty and trivial. But the general laws that He created verify his sublimity, since they were the product of His omniscience, of an infinite wisdom. In this way God constrained Himself: he “cannot will to do what his wisdom forbids.” More, “God’s wisdom renders him, so to speak, impotent.” The moral integrity of God is secured by His ostracism from creation. He was nowhere at the scene!

    This is the rationalist’s deity, hospitable to science, and to a regular and legible universe, but not so hospitable to miracles, though creation itself is regarded in the category of miracle. A slightly crooked road leads from here to “natural religion” and Deism. A similar restraint upon God’s intervention in the world is to be found half a millennium earlier in Maimonides, who also held that the reward or punishment of individuals comes by means of natural law and that providence operates at the level of generality that is characteristic of law. He, too, sought to expel “particular volitions” from divine governance and to minimize the miraculous. But there is a problem. Though such a tidy metaphysical picture provides enormous philosophical and aesthetic satisfactions, it threatens the plausibility of commonplace belief: it seems to rule out the satisfactions of a personal God, and it damages some of the premises of petitionary prayer. Praying to an absconded God in an hour of distress is futile. 

    This is one of the aspects of Malebranche’s teaching that most offended Arnauld, who set out on a ferocious campaign to restore “particular volitions” to God. “God has set himself a law to create a soul and attach it to a human body as soon as this human body is formed in the womb of a woman,” Arnauld retorted. “Does it therefore follow that the birth of each and every one of us, and the creation of each person’s soul, is not the effect of a particular volition in God?” He illustrated his view also with a human example: “Although I am subject to a general law to pray to God every morning, this does not mean that I do not do it by a particular volition.” It is a weak example, for many reasons, but I suppose that anthropomorphism may be more acceptable to the defenders of a personal God. Concepts of God are often devised by need.

    There is much more in the bounty of Malebranche to carry one away from one’s troubles — in his treatment of self-love, for example, he makes a haunting and original distinction between the love of being and the love of well-being. Malebranche also proposes a strange theory of truth that sets both the knower and the known “in God” and thereby secures the possibility of objectivity by purely theological means — and quite literally opens us up to a “God’s-eye view.” This religious service to epistemology, however it works, is worthy of note in our day, when theology is regarded as the enemy of objectivity and objectivity is regarded as the enemy of us all. The Search for Truth includes also a shrewd chapter against Montaigne, who “seems to me even more proud and vain when he censures himself than when he praises himself.” His critique of Montaigne is in keeping with a view that he states in his later discussion of perception:  “the knowledge we have of other men is very liable to error if we judge them only by the sensations we have of ourselves.” Everything is not in me: a liberating idea if ever there was one. He praises the pleasure to be gained from reading the lively skepticism of Montaigne, but for Malebranche it is mainly a matter of style, and he offers a worldly assessment of it: “To pass for an intelligent gentleman it was necessary in his time to doubt everything.” (The good father himself frequented high society, where aristocrats quarrelled over his views in the salons.) Malebranche is also renowned for his denial of natural causation — the doctrine known as occasionalism, which flourished also in certain medieval Islamic philosophers, according to which every motion in the universe is caused directly by God, every flutter of the falling leaf and every movement of the striking billiard ball. This was the argument that earned him the admiration of Hume. 

    I do not yet grasp how such a view of ceaseless divine intervention in the details goes with the rejection of “particular volitions” and the advocacy of natural law — but that is for another time. There will be more bad news tomorrow, so why squander now another opportunity for flight? 

    3

    There, that’s better. 

    But if metaphysics is not necessary for politics and ethics and aesthetics, what it is necessary for? The plain answer, aside from its assurance of a mental sanctuary in times out of joint, is: for itself. It is the supreme expression of the human commitment to understanding the nature of reality, which begins with the dissociation of reality from the appearances of reality. When Thales declared that everything is water, it was not because everything looked like water. Americans like to say, about objects and situations, that “it is what it is” — at best a way of warning against the unwarranted reduction of one thing to another, so that the ontological integrity of individual things is preserved, and at worst a tautological expression of the national inclination to stay at the surface. It is what it is — fine, but what is it? There is not much enlightenment in the explanation that a table is a table, or even that this plane of wood atop four wooden posts is a table. What is a table? There are forms and functions to consider, which will take one’s analysis into abstract realms, away from the domain of matter and into the domain of ideas, until finally the farthest reaches of abstraction may be attained and one may be led all the way to first principles. (There are also historical and scientific analyses that can be done.) 

    To be sure, not everything needs to be analyzed all the way up or down. Daily life is marvelous not least because it does not require philosophy at every moment. Think of Vermeer’s milkmaid, who might have been Spinoza’s neighbor. Living unphilosophically is not the same as living meaninglessly. Yet there are moments that test us by demanding evidence of our ability to reflect seriously, and of our refusal to be deterred by the difficulty of the task — moments of meaning, or rather, moments of unclear meaning, which it is our duty to clarify. These moments pass, but their interpretation endures. Out of their interpretation we create or verify our beliefs. It would be ludicrous to manifest one’s highest beliefs in everything that one says and does, but it would be delinquent, if one wishes to live significantly, not to visit one’s highest beliefs regularly, not to renew one’s awareness of the encompassing framework in which mortal, compound, and self-interpreting beings exist. 

    OK, I am refreshed; fortified by my little sabbatical from breaking news and its emergencies. I will turn on CNN; I have courage again for the footage. (The patter is another matter.) The fiend won the election. Back to the abominations, in keeping with a citizen’s responsibility, and mindful that those who strike us hurt us and that we hurt those we strike.

    Dawn of the Diddy

    In the epochal summer of 2024, The New York Times decided to remind everybody who was boss. It had hesitated long enough; now was the time for action. It tensed its stringbean muscles, firmed its collective brow, and dedicated its full editorial resources to prying a sitting president from pursuing reelection, its columnists, political reporters, pundits, and pollsters leaning on the lever with a rare unanimity of purpose and tone. This wasn’t one of those feeding frenzies where everybody gleefully bares their teeth, enjoying the thrash and froth and surfacing subplots. This was a more somber and orderly eviction process, a journalistic duty to be done as only the Times could do it, for the good of the nation and to the sound of distant trumpets. On July 21, the Editorial Board (druids of eld, with voices sad and prophetic) got its wish. President Biden stepped aside as the Democratic Party nominee, justifying and sanctifying the paper’s decision to go all-in and all-out, without fear or favor, no matter how many column inches it took.

    While debate continues to bustle online over whether the political desk of The New York Times has devolved into a barrel of crabs, drunk with power and sanctimony, less remarked upon has been the paper’s prostration before the altar of celebrity. Politicians the Times can try to push around or nag nonstop in the opinion pages. Celebrities, however, they approach as courtiers, on little mouse slippers. Starstruck at the slightest glimmer, the paper has evolved into the foremost upper-middlebrow fanzine in the country, a cultural studies delicatessen staffed by nimble utility players with a flair for turning a slick phrase and finding Easter eggs in the most formulaic offering (“Spoiler Alert: Here’s a Guide to the Cameos in ‘Deadpool & Wolverine’,” July 27). 

    When it comes to show business, personal branding, and the entertainment-memetic complex, the paper of record has never been more soft, malleable, coddling, cuddling, and susceptible to hype, happy to add its own shot of giddyup. The insatiable Buzzfeedification for clicks that hollowed out so many once popular web agglomerations (including BuzzFeed itself) has found a happier home at the Times, which applies a fine nail gloss of sophistication to its trivial diversions that makes them a suitable companion to Wordle. But to what end? The case could be made that entertainment now means less than it ever did, that its importance has never been so disposable. There is too much scripted and unscripted content to matter, the turnover is too fast, and an endless rotation of remakes and reboots keeps the culture spinning its wheels, stuck in the glut. Many had hoped that the Pandemic Pause would produce a refreshing infusion of pent-up energy and ideas, but so far it’s been more like a fitful hangover, a fumbling around for the door knob in a dystopian haze. 

    If the overall significance of pop culture is in deflationary decline (apart from the super-phenomenon of Taylor Swift, a true hyperobject in the object-ontology-orientation sense), the claims made for the Latest Thing have never been more inflationary, whether it be “Brat Summer” (quickly consigned to the ledgers) or the latest auteurist kink in low-budget horror films. So much entertainment coverage in the Times and elsewhere reads as overcompensation, an effort to will something into more than fleeting relevance. The Times being the Times, eminently full of itself, raises puffery to imperial extremes. The paper that panned the Beatles’ Sgt. Pepper in 1967 greeted the release of Beyoncé’s Cowboy Carter album with a Matisse daisy-chain dance of reviewers, symposiasts (“Beyoncé’s ‘Cowboy Carter’ Is a Vivid Mission Statement. Let’s Discuss”), and semioticians (“Dissecting the ‘Cowboy Carter’ Cover: Beyoncé’s Yeehaw Agenda”), including a sidebar on Beyoncé’s opera dabbling that earned a predictable free pass: “The superstar doesn’t have the voice of an opera singer, but that doesn’t really matter.” Of course not. Superstars transcends such paltry considerations. 

    Beyoncé hardly needs all this heavy lifting on her behalf, but when the Times embraces something now, it squeezes the everloving life out of it, turning even a fun pop phenomenon into an ongoing tutorial. After Times writers had examined every variable of Greta Gerwig’s Barbie, from the pop sociology perspective (“Barbie Has Never Been a Great Symbol, but She’s an Excellent Mirror”) to Pamela Paul’s foot-stamping opinion piece (“‘Barbie’ Is Bad. There, I Said It”), the paper convened a special focus group for their input: “We invited teenagers to weigh in on all things Barbie — the doll, the movie, the cultural phenomenon. Here’s what they had to say.” It was like the Jukebox Jury of the old Dick Clark days given a postmodern makeover. 

    The starchy standoffishness of the old warhorse Times is mostly gone for good and few miss it (no one pines for the return of the film critic Bosley Crowther and his middlebrow harrumphs), but seriousness with a dash of moral indignation or grumpy impatience makes for a nice change now and then. Not everything has to be served up on a party platter as nibbles. Apart from the occasional movie review or popworld think-piece that goes long, usually bearing the byline of A. O. Scott, the reflective middlebrow who always sounds like he’s puffing on a pipe, or Wesley Morris, the avatar of pure accommodating fandom (“How I Learned to Tolerate Blake Lively”), or Manohla Dargis, reviews and critiques in the paper have been demoted in favor of previews, listicles, kibitzing sessions between Times byliners, television recaps (every Sunday for countless years the diligent Dave Itzkoff has been ready with a summary review, video included, of the previous night’s Saturday Night Live show, as if it is a public service, though it’s more like sweeping the hair from the barbershop floor), and chirpy recommendations. Meanwhile the photographs have gotten 
. . . huge — the head shots are large enough to be cut out and worn as Halloween masks. In part, this elevation of iconography 
over pesky words reflects a general trend across all publications, where criticism and impassioned critical dissents are considered divisive and undemocratic, downright judgy. It’s inimical to the reification of popularity, which social media has elevated to the highest good.

    As the boomers take leave of their fleshly pods (checks 
pulse — yup, still here), it is vital to the Times’ millennial mission — imperative to replenishing its subscriber pool — that it be perceived as being in the kaleidoscopic spin of things, not seated in the lifeguard chair. The infatuations come fast and furious, or at least fast. Any actor, artist, musician, standup comedian, influencer, downtown party diva, hip salon hostess, crypto buccaneer, future Silicon Valley felon, reality TV diva (Real Housewife of New York City’s Jenna Lyons: “There was also a fight over her disinclination to fly coach on a group trip to Anguilla, although even that charmed some viewers,” Ms. Lyons told The New York Times: “So many people stood up for me and were like, ‘I get it, I don’t want to fly coach either!’”), TikTok/Instagram sensation, and offspring of the celebrity gods — all of them qualify for a photogenic write-up, a baptismal splash in the birdbath. Consider: “His Parents Are Susan Sarandon and Tim Robbins. That’s the Joke. In a series of videos, Jack Robbins has been lampooning nepo baby culture — and embracing it — with help from his parents and Steven Spielberg’s daughter.” Or: “Born Into Fame, This Actress Could Soon Have More of Her Own. The daughter of a rock star, Eve Hewson is not yet a household name herself, but that could change in the coming months.” The rock star dad is Bono. The Times looks favorably upon dynasties, being a dynastic enterprise itself. 

    In some exalted cases, a rechristening is in order, such with Jessia Testa’s meditation on the evolution of Kylie Jenner. “Perhaps you’ve noticed this evolution,” Testa writes. “Perhaps you perform weariness at any mention of the Kardashian-Jenner family.” As if everyone is feigning Kardashian-Jenner fatigue, pretending to be above it all. (If only the Times would pretend!) Along with chronicling the banal familiars of Jenner’s personal journey, the article mentions her latest product drops. “On Tuesday, she announced Sprinter, a line of canned vodka soda.” Canned vodka soda — how has civilization persevered until now without it? While the Times still pays earnest respects to ideals of diversity, equity, and inclusion in its selection of subjects, its thermal radar sweeps the scene for any genetically blessed, physically sculpted, painstakingly groomed, and exhibitionistic packet of hotness posing poolside or romping in the urban wild, advertisements for themselves and their signature brand.

    The Times is obsessed with hotness because the paper is obsessed with Gen Z. Everything Gen Z gets up to is considered hot, sexy, crinkling money, and worthy of transcription. Such a relief after the persistent muling low moan of the Millennials, who still don’t know how to dress: “Millennials 
Don’t Know What to Wear. Gen Z Has Thoughts.” Pitting Millennials against Zillennials is a recurring gambit in the Times, its trail scouts poring over social media to record the latest skirmish: “A Sock War Is Afoot Between Millennials and Gen Z: Social Media is awash with another intergenerational fashion debate: Ankle socks or crew socks?” Awash and afoot, just another day on the field of mock conflict in the vape dens. Like Barbara Billingsley in Airplane! speaking fluent jive, the Times translates the latest Gen Z slang for the benefit of baffled elders, explaining how “rawdogging” was retrieved from porny usage and repurposed as a versatile catchword, and marking the rise of “demure” as a new purr word, along with the sister compliment “wholesome.” (“The word has come to embody everything pure and true” — didn’t it always? Did Sandra Dee die for nothing?) The latest personal grooming fads among the cadet corps also get an anthropological look-in. “Why Are Gen Z Boys Chewing on Rock-Hard Gum?” It’s all about the jawlines. “Teenage boys hoping to improve their attractiveness in ‘looksmaxxing’ communities online are encountering an explosion of gum brands that position their products as the facial equivalent of a Spartan workout routine.” 

    Gum isn’t the only thing rock-hard, if you’ll pardon the innuendo. Ever since the irresistible rise of Timothee Chalamet, on whose elfin eyelashes little dewdrops glisten, a bumper crop of hot young princes have been springing from the floorboards and releasing their lustrous locks. Many of them are British, with accents like nightingales to American ears, such as Nicholas Galitzen (Cinderella, Mary & George), whom the Times swooned over last April as “boyishly handsome, with lips like plumped throw pillows and a jawline that is frankly ridiculous.” Elsewhere, the Times enthused, “Barry Keoghan, Paul Mescal and Cillian Murphy are among a crop of Irish hunks who have infused popular culture with big Irish energy,” Celtic tigers each and every one.

    Given this influx of Romantic studliness, the action on screen has swolled (as the kids say) to full arousal. “This much can be said with surety: Hollywood is hornier than it has been in years,” the Times’ entertainment reporter Brooks Barnes announced, and when Hollywood gets horny, the Times fans itself like a Southern belle. After a long dry spell on screen, when superhero exploits ruled the box office and art films shuffled under the cloud of late-capitalist miserabilism, hedonism began trampolining again in streaming series and feature films such as Euphoria (a rabbit-hole dive into the polymorphous perverse), Challengers (a tennis threesome with Euphoria’s Zendaya in the sandwich middle), Saltburn (Barry Keoghan wagging his big Irish energy around), Poor Things (Emma Stone’s nymphomaniac creature pogo-ing on everything that moves), and Anyone but You, which, to quote Brooks Barnes, “found Sydney Sweeney and Glen Powell going at it.” Glen Powell would soon be going at it again, this time with sultress Adrida Arjona, in Richard Linklater’s comedic thriller Hit Man, which the Times reviewer Alissa Wilkinson hailed as “romantic, sexy, hilarious, satisfying”: “A great deal of the enjoyment of ‘Hit Man’ comes from simply witnessing Powell and Arjona’s white-hot chemistry.” 

    The Times pushed this not-much movie as if it were its own pride and joy. A profile of Glen Powell pictured lounging louchely on the grass came with the come-hither headline “Glen Powell Is Absolutely Willing to Play the Hollywood Game.” A separate interview with Adria Arjona was titled “Her Career Is Hot. She’s Cool with That.” And the two of them together in a video clip from Hit Man for an installment of “Anatomy of a Scene” (“a video series where directors comment on the art of the craft of movie-making”), wherein Linkater laid out how the flirting and deception meshed in a crucial moment. It was less instructional than promotional, like so many of these Times movie (and other) tie-ins are. 

    Although Nicole Kidman can always be relied upon to stoke the furnace (“Nicole Kidman Bares All in the Sexy Drama ‘Babygirl’ ”), most of the mature and established stars are spared the hyperventilation lavished on the younger acrobats. Such seasoned actors are past that phase, sometimes at a precarious juncture. To ensure their staying power in a business more fickle and callous than most, a narrative repolish may be in order: a status update inevitably charged with drama and mid-course corrections as they negotiate what Gail Sheehy diagnosed in Passages as the “predictable crises of adult life” —in these instances, phases of doubt, stale creative output, and a Peggy Lee lament of “Is that all there is?” One of the most predictable crises for actors is being typecast as a performer and personality, pigeon-holed. Ever since Madonna strenuously metamorphosed from downtown boho to Material Girl to various incarnations of singing-dancing-strutting cyborg dominatrix, the media have come to value “reinvention” as one of the hallmarks of a genuine artist. When cherished commodities in the movie community are ready to break out of their comfort zone, hang their halos on a hat rack, and strike a new attitude, the Times is there to assist the unveiling. 

    Behold the full-page photograph in The New York Times Magazine. A ghostly face peers from the darkness of the photography studio. It belongs to a scarcely recognizable Anne Hathaway, appraising the viewer with one eye while a loose strand of hair obscures the other — very Veronica Lake. While Hathaway normally radiates the sunny-side-up jouissance of an eternal ingénue, she is not smiling here. Celebrities seldom do now, not in photo shoots they don’t. Ever since the new editor of Vanity Fair put the scowling countenance of multi-
hyphenate Lena Waithe on her inaugural cover, ebullience has been passé. Go by any newsstand, if you can find one, and the magazines on display showcase a host of semi-recognizables conducting a staring contest with the reader, doing the bare minimum duty to promote their product, even if the product is themself. Some of the covers could pass for mugshots. Post-Waithe, smiling for a magazine portrait is read as frivolous, pandering, overly eager to please — something that Hathaway has been mocked and maligned for in the past by the prickly press and social media meanies. 

    The title of the Times magazine piece, pegged to the release of The Idea of You, served notice that those candy-cane days were over: “Anne Hathaway is Done Trying to Please Everyone.” Flip the page, however, and the headline turns out to be a tease, a dramatic pose composed at the copy desk. Instead of a declaration of determination from Hathaway to stop trying to appease the dum-dums out there with their bossy expectations and nasty digs, the article was a dinky Q&A in which the interviewer, David Marchese, tried to ingratiate himself with chummy remarks and personal anecdotes while Hathaway parried, deflected, hemmed and hawed, and espoused the usual parakeet actor-speak twaddle:

    I interpreted the inclusion of the line “a people pleaser from New Jersey” as pretty intentional. Can you talk to me about why that line is in there? Well, she had to be from somewhere, and yeah, it might have been me who suggested that line. Maybe. Possibly.

    Am I wrong in interpreting that line as self-referential? You are a people pleaser from New Jersey, right? I think I’m a former people pleaser from New Jersey. So much of the reason I was drawn to acting is that it was an outlet for expression that I could not find on my own. And in the space between feeling so connected when I was acting and so lost when I wasn’t, you try to make your way, and one of the ways that you make your way is, “Oh, if I do this, that will make someone else happy, and maybe that’s what I’m supposed to be doing.” It takes a long time to go, “That doesn’t really matter if you don’t know who you are.” Unless you just want an identity that’s all about pleasing people. Which I suppose is perfectly valid. But I’m not that nice.

    Whatever. 

    It isn’t the worst journalistic sin to gussy up a standard actor’s interview promoting his or her latest project into a larger to-do; most publications do it. But the savvy patter of the average Times portraitist belies a born-yesterday naiveté that grates on the nerves. In March, 2024 the paper profiled Rebecca Hall, the daughter of theatrical titan Peter Hall, and an acute, pedigreed actor who can tone up even the tawdriest outings. For this piece Hall was photographed gazing reflectively upwards, perhaps at a passing seraph. In the print edition, the profile bore the title “Artist First, Star Second,” sub-headed: “Rebecca Hall built a career on indie roles. So what’s she doing battling Godzilla?” Yes, tell us, Becky, what gives? 

    Online, the profile was retitled “Rebecca Hall Redefines Stardom” and the subhead diplomatically rephrased as, “How does an actor carve out a career they want? From indies like ‘Christine’ to blockbusters such as the ‘Godzilla vs. Kong’ movies, Ms. Hall may have cracked the code.” What code? There’s no code to crack. Out of career necessity, a need for novelty, or a simple desire to remain in the rotation, prominent actors such as Michael Caine (Batman), Judi Densch (James Bond), and Robert Redford (The Avengers) have lent their classy prestige to franchise blockbusters, not to mention the granddaddy of them all, Marlon Brando, enunciating for the ages as frosting-haired Jor-El in the first Superman movie. A prize example of an actor who has mastered the genre-straddle is Mark Ruffalo, a serious chap who went from indies such as You Can Count on Me and Margaret to busting his britches as the Incredible Hulk in the Marvel Cinematic Universe, where he and, yes, Rebecca Hall appeared in Iron Man 3. So Hall is no stranger to the costume ball and Godzilla was no radical departure. Yet time and again the Times insists on extolling stars for breaking norms that haven’t been in place since Variety’s Army Archerd was the official greeter at the Oscars.

    Ah, the Oscars . . . the crowning event in Times’ cultural calendar, the grand finale to the high holy days that have come to be known as Awards Season, which seems to stretch out longer every year, a marathon red carpet moving walkway. The constellation of true movie stars and great directors may have shrunk but the gaseous clouds keep expanding. While the television audience for the Academy Awards broadcast has sloped from its epic high in 1998, the year of Titanic and its momentous glub-glub, Times coverage of everything leading up to the gala night has become more extensive, intensive, and raked-over, with its own Awards Season captain — its “Projectionist” columnist Kyle Buchanan — and a crew of hearties paddling away. Cannes is the kick-off to Awards Season (“Which Cannes Films Might Become Oscar Contenders?” the Times asked), followed by the Venice Film Festival (“How the Venice Film Festival Became an ‘Oscar Launchpad’ ”), and on to Sundance, Toronto, Telluride, BAFTA, and the other landmark stops in the movable feast of photo ops and goodie bags, as each slate of awards nominees, prize winners, and studio campaign is fed into the Oscar prediction conversation and betting pools. What do the Golden Globes winners and losers tell us about the Oscar odds? Is X this year’s Cinderella story? Why was Y so unceremoniously snubbed? The Times’ film reviewers, eager or at least resigned to being good sports about all this folderol, chip in with their own picks as the blah-blah-blah builds to a mad crescendo.

    Then at long last, almost past the point of caring, the mothership of Oscar Night itself lands, a sexless orgy of self-congratulation and stilted patter that always runs too long, much like the Super Bowl and all its fixings. Fittingly, the Times gives the Oscar telecast the full Super Bowl treatment, replaying and analyzing every monologue joke that slays or falls flat, flubbed introduction, curdled expression, upset win, joyful surprise, trainwreck production number, and viral moment, from the problematic (for the Times) sexual politics of Jon Ceda’s beefcake walk-on (“What’s So Funny About a Naked Man?: John Cena’s skit at the Academy Awards underscores an intractable gender imbalance, even as it gets legitimate laughs”) to the proliferation of brooches on the male luminaries (“Celts in the pre-Christian era . . . lacked the technology to produce a brooch like the diamond-studded one Simu Liu used to clasp his Fendi jacket” — good to know!). The mop-up crew then swings into action as Team Oscar’s party correspondents fan out to report on the mad, schmoozy, sardine-packed post-awards bashes (the Vanity Fair and Governor’s Balls, replete with snapshots of the guests as flashbulb-garish as crime-scene photos). Once the postmortems are filed and everyone has finally had their fill, the Awards Season Mouseketeers can take a breather before starting up the calliope all over again. Entertainment journalism and life itself were so much healthier and freeing when we’d simply enjoy waiting to watch Johnny Carson or Billy Crystal host the Oscars and then call it a night, and not think about the damn thing for another ten months when the new slate of nominees was announced.

    The New York Times is a house of many mansions, and what runs in the arts, style, and Sunday magazine pages can be justified as complementing the longer reporting pieces and imaginative infographics that have brought a new dimension to big-picture storytelling, even if narrativity in the Times is increasingly fractured by the live blogging of big events and allegedly helpful Axios-like bullet points and tiny explainers. Yet the celebrification of the Times isn’t sealed off from the harder news departments, which have also succumbed to interpretive dances of analysis and heightened narrative embroidery where certain oversized characters are concerned. Bob Woodward’s approach, but more institutionalized. It seems indisputable that the Times has held Donald Trump to a flimsier standard of conduct and veracity than it has the average political figure because it still views Trump more through a sparkle lens of celebrity, no matter how primate his behavior.

    This special dispensation was more understandable at first when candidate Trump descended on the escalator in the atrium of Trump Tower in 2015 to announce his presidential bid, his fame and notoriety based upon his role on The Apprentice, the buildings in New York bearing his name, and years of publicity-hound party going and showboat stunts (such as taking out a full page ad calling for the death penalty against the accused “Central Park Five,” who were acquitted and exonerated); his high-profile reputation was part of the Manhattan skyline. But enough years have passed, Trump has a four-year record as the national chief executive that qualifies as opéra bouffe, and yet the Times still bent reality to his gravitational force of distortion field. Excuses, explanations, and rationalizations were lodged on his behalf, allowances made and sanitary euphemisms applied. Where President Biden’s every verbal stumble and error was tweezered into the evidence jar as signs of rapid onset dotage, Trump’s free-associative monologues divorced from logic, coherence, and factuality were winked away as a woven tapestry, a Scheherazade tale flowing from MAGA rally to MAGA rally. Once Trump scored a decisive victory over Kamala Harris and liberal hopes, the color commentary wing of the Times political desk fell into a symphonic swoon, banishing whatever doubts they had and embracing their daddy. “To watch him up close on this third run for president was to see him blend comedy, fury, optimism, darkness and cynicism like never before. He was an expert communicator, able to transmute legal and mortal peril to build upon his self mythology. He won new supporters and kept old ones in thrall.” Transmute, no less! Such writing isn’t so much words on a page as orotundity from a cathedral organ. 

    Some in the Trump orbit have also benefited from journalistic enhancement, especially if they have camera appeal, i.e., a trim silhouette and soft, rippling hair. When daughter-in-law Lara Trump, the nepotistic co-chair of the Republican National Committee, spoke at the Republican National Convention, the Times fashion columnist Vanessa Friedman waxed Victorian over her decision to wear somber, elegant black instead of Republican fire-engine red. “Specifically, she wore a sleeveless black top with a bit of satin detailing at the throat to suggest a tuxedo — as if to suggest to the watching world exactly how much could have been lost last weekend with the assassination attempt on Mr. Trump.” Not sure that that tracks, but in any case this cameo of mute eloquence was short-lived. Two weeks later Lara Trump was comparing Kamala Harris to a high-priced “trash bag,” sounding more like her father-in-law than a mourning dove with satin detailing. The fashion angle on politics and history is always in some way extenuating, and with a new crew of shiny-faced cast members set to join the Trump II administration, we can expect that many of them will receive the Styles section special runway treatment, pivoting at the point where “fash” meets fashion.

    One of the minor comedies of Times celebrity writing is how wardrobe choices are often incorporated into the reputational upgrades, even redemption arcs, of the dubious subjects who should be viewed with caution. Behold the king: “He was dressed casually in all black, down to an Apple Watch, Balenciaga socks and around-the-crib Crocs. At least two attendants were always within shouting distance, taking impromptu food requests and replacing sippy bottles of water before Combs emptied them.” The man in the Crocs, as 
you might have surmised, is Sean “P. Diddy” “Puff Daddy” “Diddy” Combs, rapper, music producer, record executive, entrepreneur, actor (Monster’s Ball, Get Him to the Greek), and sovereign persona. 

    Sean Combs Doesn’t Need to Ask Anyone for Anything” (September 12, 2023), written by the Times music critic and Saint-Simon of opulent signifiers Jon Caramanica, was less of a traditional feature profile than a philosopher-prince makeover with near imperceptible sprinkles of irony. Despite the wealth and splendor, the daily regimen of sauna treatments and dips in the cold plunge tank to open up every pore of being, all was not serene in Diddyland. Diddy had changed his middle name to “Love,” but even Love, capitalized or uncapitalized, was not enough. He had reached a plateau in his life and career, a higher plateau than most of us will ever experience, where every whim can be satisfied and every bottle of champagne is perfectly chilled, but it was not enough to sate the questing soul within. “Lately, Combs has been embracing the concept of ‘the second mountain,’ loosely derived from the book of that title by The New York Times Opinion columnist David Brooks, in which the challenges taken on during life’s back nine trade self-involved ambition for goals that are more moral and benevolent.” Drawing inspiration from David Brooks may be a tip-off of an intellectual larceny in progress, or the result of a contact high at an Aspen Ideas panel. 

    As it happened, awaiting Diddy on the other side of the second mountain was a steep ravine flapping with subpoenas and swarming with federal agents. In March, 2024, Combs’ quest to pursue goals more moral and benevolent was rudely interrupted by bicoastal raids on his properties in Los Angeles and Miami by a Homeland Security Investigation into alleged sex trafficking and racketeering charges. Combs was also the target of lawsuits for sexual assault. The subsequent indictment revealed that among the items seized in the raids were AR-15 semi-automatic rifles with scratched-off serial numbers and ample provisions for the multi-day “Freak Off” orgies including party drugs and over one thousand bottles of baby oil and other lubricants. (Perhaps Combs intended to Astroglide down the Second Mountain.) Caramanica and the Times can’t be faulted for not foreseeing the heavy metal stampede heading in Diddy’s direction, but by taking his self-realization rap at face value they left themselves open to looking like dupes. It isn’t as if the warning signs and incidents of warped imperiousness weren’t already there. As the Times itself recalled after the twin raids, Diddy had once been the host of an MTV precursor to The Apprentice called Making the Band: “The show is probably best remembered for Mr. Combs’ demand that the contestants walk the five miles on foot from Midtown Manhattan to Junior’s in Brooklyn to fetch him a slice of cheesecake. When his charges protested, he told them they would be dismissed if they failed the mission.” 

    Petty despotism thrives in the hothouse enclaves of Hollywood, Silicon Valley, the music industry, and high fashion, seldom addressed by journalism until a fall from grace reveals the mechanisms of intimidation and coercion. The famous line from The Man Who Shot Liberty Valance has it all wrong. “When the legend becomes fact, print the legend,” says the Old West newspaperman, a bit of sagebrush that has been adopted as the credo of celebrity writing, to the detriment of forthright candor. Legends have taken on stupid lives of their own, obscuring more than they reveal. How much more starry-eyed balloon-blowing can we take? The landscape is littered with false, fallen gods. Storytelling is no substitute for delivering the solid goods.

    The Real Road to Serfdom

    1

    The United States and its democratic allies face serious, and possibly existential, challenges that appear in three manifestations: external, internal, and technological. First, the democracies collectively face a rising group of authoritarian nations loosely centered around China, which seek economic and technological supremacy in the coming century. Internally, the United States and others face lasting economic dissatisfaction and inequality, which has grown since the 2000s, creating a dangerous and widespread sense of polarization, resentment, and distrust. Everywhere there is anger rooted in resentment, the rocket fuel of contemporary politics. And lastly, and the hardest challenge to understand, is the rise of major technology platforms rivaling the power of nation-states, which seems to aid and abet the other challenges. The platforms, coupled with artificial intelligence abilities, seem unstoppable in their acquisition of information, attention, and other intangible assets. They have stoked new fears of humanity losing control over its future.

    These three challenges have combined to create a serious ideological retort to democracy itself, centered in a variety of authoritarian populists who claim a truer and more direct connection with the people than the democracies enjoy. Not since communism has democracy been so disparaged and denied. And what are the responses? There is the apologist’s response. It merely reasserts the intellectual and moral superiority of democracy and laissez-faire capitalism. If there are doubts, it says, the proof is in the pudding: democracy is highly democratic and look how easy we have made it to buy stuff for cheap. This response reflects the lingering influence of Francis Fukuyama’s absurd proposition that the contest of ideologies ended in the 1990s. We won, history is over, and all that remains is some tinkering. But what the apologist lacks is any answer to those living in rich countries who have lived through a painful decline in their standard of living, who have fallen through the cracks, and are suffering the humiliation of feeling poorer than their parents. It also lacks any answer for those living in poor countries, embittered by failed promises. No one wants to feel like a loser, and we have spent a generation creating economic winners and losers on a scale unsurpassed since colonialism.

    Another response returns to the twentieth-century contest between capitalism and socialism, suggesting that the former’s declaration of victory was premature. The more orthodox suggest that Marx’s prophecies were merely delayed, and blame Stalin for tarnishing the brand. Others, less interested in defending the record of the Soviet Union, suggest that the time has come for democratic socialism: a more gradual transition to a fully public economy. Since it is not capitalism, socialism has a way of serving as a placeholder, a stand-in for the rejection of toxic capitalism.

    Another response comes under the banner of rising to the challenge: it would question democracy itself and turn to a “man strong enough to get things done,” as they once said of Mussolini. It calls for an autocrat who will tame the foreigners, the universities, the media, and the disloyal government officials in our midst. Orbánism, Trumpism, and the fringe “dark enlightenment” represent the embrace of these ideas. A higher-brow version subsumes domestic economics to international power politics. It implicitly accepts the Chinese view that there are a fixed number of known contests for the future. To win these contests is to win it all. We therefore need our own command economy and centralized economic response.

    Those are some of the louder voices. Most people, I believe, are stuck. They may angrily believe that we are not on a sustainable course but they are uninspired by communism’s track record or by the strongmen who came to power promising to fix everything. But there is still another possible response, lost to time, to what obviously ails us. It is a vision of a decentralized and productive economy that believes in private ownership but is much different from the form of capitalism that has taken too much from too many over the last forty years. It borrows from what has actually been best over the last two centuries in real as opposed to imagined nations that have built sustainable wealth and equality. Unlike communism, it accepts and believes in private ownership, and unlike Marx it respects the instincts of those privately run businesses and seeks economic autonomy. But it believes economic power needs to be balanced and that the economy needs to be connected with real humans. This forgotten alternative has gone by different names over time, including competitive capitalism, Brandeisian capitalism, and distributionism. A general term for what I have in mind, put simply, is decentralized capitalism. 

    The fundamental problems of our times arise from a serious imbalance of economic power. This imbalance, or these imbalances, lead to individual suffering, loss of control over one’s life, and the corruption of politics. It is economic equilibrium that we need to recover. We know what communism looks like and what laissez-faire capitalism looks like, but the long and noisy contest between those two ideologies has drowned out alternatives for too long. The political economy of thinkers such as Louis Brandeis, Jane Jacobs, and E.F. Schumacher has been nearly lost, not to mention the ordoliberals, the distributionists, and the physiocrats. We need a new generation that understands what Franklin Delano Roosevelt meant when he declared: “I am against private socialism of concentrated economic power as thoroughly as I am against government socialism.” 

    Unbalanced economic power is a recurrent problem. It has caused suffering and instability for centuries, going by a variety of names, among them feudalism, monopoly capitalism, Stalinism, and fascist command centralism. The problem is endemic for several reasons. First, most economic systems, capitalist or otherwise, will tend to aggregate economic power over time. The twentieth century’s exceptions to the trend, as Thomas Piketty showed, occurred in the aftermath of highly destructive wars. When economic power becomes too aggregated, it yields a variety of negative outcomes. The most basic are merely economic, such as the domination of individuals by employers or feudal lords who impose a loss of control and a deprivation of basic freedoms. But as matters get worse, the problems become more political, leading to the corruption of government and a dangerous volatility that can yield revolution or war.

    Even though we might know this, we have a way of forgetting it. On the way up, the centralization of economic power can yield a manic high, capable of convincing a nation that all its problems have been solved. It is the mass exercise of a will to power; if it were a drug, it would be a powerful stimulant, one that blinded its users to its dangers. Some in the 1920s believed that they had achieved endless prosperity through scientific management methods. Stalin was hailed as an economic genius after he reorganized the Soviet economy along the lines of a giant American corporation. In our times, we became caught up in our own sugar high, fueled by cheap money, financial deregulation, corporate consolidation, and a strange faith that we could avoid what had befallen previous generations. 

    But history tells us that the high is inevitably followed by a crash, and that extreme imbalances of economic power are risky. That is a major lesson to take from the 1930s, and also a lesson to take from the experience of the American and Caribbean slave states, from Tsarist Russia, and Weimar Germany. Our generation’s own run has already yielded the Great Recession and the rise of at least one populist strongman, and we risk becoming another lesson for future historians.

    There will always be those who worship size and centralized 
power. Ayn Rand and Herbert Spencer find new audiences in every generation. But as any systems theorist will tell you, overly centralized structures are inherently fragile. They can be aesthetically impressive and achieve results, but when they crash, they crash hard, and when they stagnate, it lasts a long time. This is not to say that we need to live in wooden shacks and tolerate no business larger than a storefront. But what we do need is to fear any ideology that worships economic power instead of viewing it with significant caution. For time and time again, in different ways, excessive centralization has brought down mighty nations who believed that they had conquered time and space. 

    Montesquieu and Madison recognized the equivalent dangers in the political sphere. Structures such as the United States Constitution or Germany’s postwar constitution are specifically designed to prevent an aggregated power leading to tyranny or military dictatorship. The balancing can be inefficient and frustrating, but it reduces political instability and that age-old curse known as the war of succession. Whether by correlation or cause, such structures have also anchored some of the wealthiest and most powerful states on earth. But unaccountable economic power? It is almost comical that in the United States there is more attention paid to achieving balance in professional sports leagues than in economic policy. Consider the National Football League, which aspires to an admirable equality among regions and has created an ingenious architecture of parity that ensures no one is fully left behind. Its interventions are structural, centered on the draft, salary caps, and schedule, as opposed to giving smaller cities an advantage on the field. The result is that smaller and poorer cities, such as Kansas City or Baltimore, compete with giants such as Los Angeles or New York. 

    Sports leagues have achieved the remarkable feat of intervening forcefully to rebalance power without being perceived as unfair. And such systems speak to an enlightened self-interest inherent in the systems of balancing that dovetails with an older American approach: as Tocqueville observed in the 1830s, Americans “are fond of explaining almost all the actions of their lives by the principle of interest rightly understood.” They explain “how an enlightened regard for themselves constantly prompts them to assist each other.” What economies need is what sports leagues and political systems have: structures that check and rebalance power. We have some such systems, including antitrust and corporate and banking laws, but they do not always march in the same direction, and sometimes they move against each other. 

    Above all, we must not fall for the dangerous mythology that the problems of aggregated economic power are inherently self-correcting. They are not. Any serious economic historian will tell you that monopoly and oligopoly can last a very long time; feudalism endured for centuries. While we do not believe in laissez-faire politics, or at least we are not willing to endure a tyranny based on a faith that all will be fine in the long run, in economic policy we are too often transfixed by the belief that market power dissipates naturally, or by the deluded faith that we can solve imbalances by allowing money to pile up in a few places and redistributing it sometime later. 

    The political scientist Robert Dahl once defined power as the ability to get someone to do something that they would not do otherwise. Economic power is the same thing, just using economic forces. Its evidence includes the ability to make others pay a higher price than they would like, as in the case of the under-insured cancer patient who feels no choice but to shell out her life savings for a drug. It can also refer to the ability of the only employer in town to get away with lower wages or force employees to sign non-compete agreements. In these examples the power is directly linked to an ability to profit. But economic power can be used for broader purposes, such as enticing a politician to vote in a certain way, or buying control over what ideas get heard and by whom.

    For the purpose of this discussion, there are two main sources of economic power. The first is property. For much of recorded history, economic power arose primarily from the ownership of a single productive asset: arable land. In the feudal and slave economies, this meant that power was concentrated if landowners owned or dominated large numbers of serfs or tenant-farmers. In that context, rebalancing meant distributing land to those farming the land, otherwise known as land reform. Over the last two centuries, however, a new major source of economic power has emerged: industrial power. Industrial power is aggregated in owners of large factories and manufacturing facilities over the twentieth century. It is a power that arises from selling at scale. Industries such as airplane and car manufacturing, steel, and many others became primarily the domain of giant companies such U.S. Steel, General Motors, Germany’s Krupp, and Japan’s Mitsubishi conglomerate. In that context, the balance of power was found in the labor unions and the logic of what John Kenneth Galbraith called “countervailing power.” As Edward Bellamy wrote in 1888, “The individual laborer, who had been relatively important to the small employer, was reduced to insignificance 
and powerlessness against the great corporation . . . Self-defense drove him to union with his fellows.” 

    In our day, the ascendant power, the second source of economic power, is platform power. Such power arises from the private control of “utility platforms,” the essential transactional platforms in the economy. Recent decades have witnessed the development of self-aware platforms, which are entities that want not just to support economic activity but to control it, and take as much of the proceeds as possible for themselves. Platform power is most familiar in the tech platforms, which most people interact with daily, such as Amazon, Google, Facebook, and the others. Yet the last twenty years has witnessed the expansion of platforms into previously decentralized service industries, from healthcare and medicine through the control of land. 

    If there is one thing that the experience of the last twenty years in technology has taught us, it is that economic power concentrates quickly and to great extremes. Platforms anchor a given economic activity, offering both buyers and sellers enormous convenience and opportunity. Great platforms become great because they are useful. The platform is a key part of a capitalism designed to facilitate widespread wealth. But once a private platform becomes essential and unavoidable, it gains a new power over buyers and sellers. Over time, it will predictably seek to maximize its returns, taking too much revenue and profit from the economy — the pattern of “eating the ecosystem.”

    The challenge of platform power has, as its only precedent, the industrial railroads and other essential industries of the early twentieth century. The creation of fortunes, the accumulation of data, and the rule of industries by such a limited number of companies is precisely what is meant by concentrated economic power, and it is of a nature that spills easily into the political sphere as well. Therefore, the single greatest challenge we face is this: how to rebalance economic power, distribute productive assets, and prevent platforms — which historically offer the greatest hope for widespread distribution of wealth — from forming into a system that extracts from business and offers a false autonomy. 

    If we cannot find a way to do this, history suggests that war tends to do it for us. The greatest question facing this generation may well be: can we rebalance aggregated economic power without another world war? A special word need be said about the international aspects of the challenge facing the United States and other democratic nations. Some readers may think that all talk of addressing domestic economic imbalance need stop at the border. When we speak of the international contest with powerful authoritarian nations such as China and Russia, the logic goes, it becomes time to get behind our biggest and most successful Western firms and support them in the same way we unite behind our Olympic athletes. The argument makes intuitive sense. Some believe that we are in a winner-take all contest for the future, one which China is clear-headed about while the West dithers, fights with itself, and wastes time debating ridiculous superficialities surrounding gender and race. To get serious is to support our own economic champions: after all, that is how we won the Cold War and won the race to the atomic bomb, among other achievements. 

    These arguments can sound good, and “going big” has won wars, but in economic policy it is a dangerous course with many failures too great to ignore. It is not how the West won the economic side of the Cold War. Instead of supporting monopolization, the United States always did better by holding the feet of its largest firms to the fire and forcing them to prove their mettle in domestic competition. The real lesson of the Cold War (and also of the postwar contest with Japan) is that monopolies are a bad bet, especially in tech industries. That is certainly the lesson learned from a study of the four major American tech industries of the post-War era: aerospace, automotive, computing, and telecommunications. In the first two, the United States undertook the more intuitive approach of nurturing its champions. General Motors was spared antitrust enforcement and given waves of government support from the 1960s onward — even as it faltered, outsourced, and stagnated. Boeing was allowed to buy its major competitors and also helped significantly, supposedly to meet the challenge of Europe. None of these policies worked particularly well — the industries became flabby, and only incrementally innovative. In computing and telecommunications, meanwhile, the federal government took nearly the opposite approach. IBM was forced to open the software industry subject to an antitrust attack that created room for personal computers. AT&T was broken up into eight pieces, spurring, in time, what we now call the Internet industry, today a multi-trillion dollar “industry 
of industries” that includes the major tech platforms. Coddling key technological industries has never worked well for this country.

    The urge to support national champions can be nearly irresistible, but we must learn the real lesson of the 1950s–1990s and force our own companies to face the heat domestically in order to temper their productivity. In a new age of industrial policy, we must avoid the trap that beset too many well-meaning nations that, hoping for dynamic vigor, subsidized their way into mediocrity and stagnation.

    2

    It was only a relatively short time ago that the “great dictator” was understood to be a species on its way to extinction. Over the 1990s, nations across the world were shedding their Pinochets and Mobutus. Seemingly every week, someone’s statue was being pulled down as a crowd cheered, awaiting their deliverance to an economic and political nirvana. It was good riddance to a collection of leaders who had become a cranky and cruel group of old men, who really did do things like feed their political opponents to crocodiles. By the 1990s, with the “great leader” brand tarnished, there arose a different kind of leader: soft-spoken high-minded types such as Vaclav Havel, Nelson Mandela, and Mary Robinson, who were, in the lingo of the 1990s, kinder and gentler. Unlike the older generation, this new breed of leader actually left office at term’s end. Even Boris Yeltsin, the president of Russia, voluntarily called it quits, marking one of the very few voluntarily abdications in Russian history. (True, he was suffering ill health, was under investigation, and had a two-percent approval rating.)

    Who would have guessed that the strongman would be marching back so soon? Who knew that more than twenty of the new democracies would flip back to some version of authoritarian rule, and that we would be again living in an age where nations are covered in posters of their dear leader? To better understand what happened, let us return to 1992. That was the year that the Czech Republic’s new playwright-president Vaclav Havel penned an elegant essay in The New York Times proclaiming “the end of communism,” and Francis Fukuyama published his book The End of History and the Last Man. Across the developing world, the widely adopted “Washington Consensus” prescribed a reduced state role in the economy and the opening of markets to trade and investment. Everyone seemed to agree that the free-market economy was the only path that made sense. But that same year, swimming against this consensus, a little-known lieutenant-colonel in Venezuela named Hugo Chavez attempted his first coup d’état. An unrepentant socialist, he attacked elites and foreigners and called for a strong governmental hand in the economy. A communist revolutionary during the fall of communism, Chavez could not have been more out of touch with the times. But decades later, something different seems obvious: Chavez was not the last gasp of something old, but the first peek at something new.

    The coup failed and landed Chavez in prison for two years, but it was just a rehearsal. In 1998, Chavez returned, primed by a major economic crisis that was prompted by a decline in oil prices and an ongoing Asian financial crisis. Per capita GDP in Venezuela was back to its 1960s levels, with unemployment high and inflation over thirty-five percent. Chavez ran for president, backed by what seemed a confusing mixture of communists and right-wing militarists. He raged to ever larger crowds against the rule of corrupt, elite, self-enriching ruling class, summoning the mandate of the people and the spirit of Simon Bolivar. His main opponent, Henrique Salas Romer, was a wealthy Yale-educated economist and businessman. He called for the further privatization of state industries, the encouragement of foreign investment, and stronger ties with the United States. To the surprise and shock of the outside world, Chavez won by a landslide.

    It is an attractive fantasy to believe that dictators and strongmen are always ugly and unpopular figures who rise through the seizure of coercive power. Yes, it is true that Attila the Hun came to power by killing his brother, and that terror is often how power, once achieved, is consolidated and maintained. And it was Jean-Bédel Bokassa, the ruler of the Central African Republic over the 1970s, who fed political opponents to crocodiles or lions, depending on his mood. But we should not mistake the means through which a late-stage dictator holds onto power with how he rises to power in the first place. Most often over the last century, the real road to the authoritarian state has been paved with the failure or inability of the democratic state to respond to widespread insecurity and grievance, whether economic precarity, challenges to self-identity, or fears about physical safety. (Survey evidence suggests that groups whose identities are threatened turn to strongman leaders who promise is to protect “us” against “them,” but there are just as surely causal interactions between economic grievance and identity questions. As Sheri Berman has written: “Political scientists consistently find that xenophobia, anti-immigrant sentiment, resentment of out-groups, and so on tend to rise during difficult economic times when low-income, low-education citizens in particular are worried about unemployment and future job prospects and concerned about competition for scarce public resources, such as housing or welfare benefits.”) The strongmen are usually those who give voice to those grievances and, like a patent medicine doctor, promise a cure where others have failed.

    In the case of Chavez, Venezuelans had good reason to be angry. By 1998, according to one calculation, Venezuela pumped and sold nearly three hundred billion dollars-worth of oil over the preceding decade — yet the poor and the middle class saw little to none of the proceeds. Over the 1980s and 1990s, this vital industry had instead become dominated by a narrow extractive elite. They also happened to be light-skinned and living in the capital, splitting most of the money between themselves, elected officials, and foreign investors. It always complicated the democratic case against Chavez that he kept winning elections. 

    Put another way, authoritarians rarely arise or hold power in countries enjoying a broad prosperity, a healthy middle class, and a sense of national unity, in the way that a clean kitchen rarely yields pests. The autocrats are like the maggots that grow out of neglected garbage that emerges after economic crashes or persistent and severe economic inequality. In other words, the clearest path from democracy to authoritarianism lies in the failure of a democracy to force capitalism to serve the broader public and enrich the middle classes.

    To note that strongmen arise out of unmet grievance is not to defend their track record. Hugo Chavez was true to type. After an initial redistribution of wealth, he and his successor Nicolás Maduro led Venezuela to ruin, to extrajudicial killings, and to an economic death-spiral, with inflation regularly topping a thousand percent. Figures such as Hugo Chavez, Robert Mugabe, or Benito Mussolini often start strong, redistributing wealth in a very public fashion. But as time goes on, and as matters like contested elections and a free press become a distant memory, Lord Acton’s dictum comes to have a good empirics behind it. The track record of dictatorship in the twentieth century is simply horrific, and on this little more need be said.

    It is with this vision of the populist dictator in mind that we can describe, in a more systemic way, how economic imbalance leads to serfdom. The notion of “the road to serfdom” comes from the twentieth-century economist and philosopher Friedrich Hayek, who believed that a well-meaning government, as it expanded and engaged in centralized economic planning, was certain to metastasize into a despotic totalitarian state. Yet Hayek missed something important and essential: that the failures of government, and particularly the failures to control the excesses of monopoly capitalism, and private industry, can contribute to the flip to authoritarianism that he feared.

    Here is the contemporary economic road to serfdom in five stages, each based on known and well-studied tendencies. 

    The first is monopolization — the takeover of the major industries in the economy by either actual monopolies or a small number of dominant firms, which can be domestic or foreign. That outcome is the predictable result of unrestrained markets, populated by profit-seeking corporations backed by unlimited finance. As William Magnuson puts it, “corporations, by their nature, are constantly seeking to concentrate market power.” Of course, monopoly is a theoretical abstraction; the more common reality is the rise of firms with market power, whether they be a small number of dominant firms (a “big three”) or geographical monopolies. For many countries, particularly those that banked on opening their markets in the 1990s, the market power is centered overseas as it acquires or runs local industry. Regardless of the exact form, the signature of the monopolized economy is its power and ability to undertake the next stage: extraction.

    The extraction stage is characterized by the division of the economy into winners and losers. Firms with market power enrich their owners, top managers, and those who are paid to facilitate the creation or use of market power in one way or another. By its nature, it creates a narrow class of winners, whether those rewarded with extraordinary incomes or the owners of capital who enjoy high rates of return and slow growth. The losers are a broader class: consumers who pay more, workers who are paid less, and local and regional smaller and medium-sized businesses that are acquired or driven out of business. The divide can be geographic, with entire regions or entire countries left behind, and left providing low-return inputs, such as labor and resources, with a minimum share of profit.

    The extraction stage can also take various forms. In some countries or regions, it may represent a foreign extraction, where the country becomes a source of inputs, whether raw materials or labor. In a globalized economy, the extraction can represent a tacit agreement among the world’s most powerful corporations to collectively take from their respective worker classes. But extraction can be more subtle, especially in developed countries — represented, for example, by the careful pinpointing of pockets of market power, such as those around a patented drug or nursing homes, or as found in the surprise pricing of medical services. 

    The third step, following and accompanying systemic extraction, is resentment and mass grievance. There is always some level of economic dissatisfaction in any country, but broad-based resentment and grievance is something different. As Robert Schneider details in his recent book The Return of Resentment, it arises from a de-enrichment of large groups that is systematic: based on location, class, tribe, or some other characteristic of identity. It is a sorting of society along lines having little to do with one’s individual abilities or work ethic, and in this sense it is inhumane. The monopolization and extraction of an economy creates a powerful economic grievance, and the grievance is often expressed in non-economic terms — such as the blaming of immigrants or religious, ethnic, or racial minorities, or greedy elites, and so on. 

    The fourth step, and a key turning point, is democratic failure. It is where an elected government is either unable or unwilling to respond to majority resentment or grievance in a meaningful way. The failure is compounded if the state is understood or credibly portrayed as supporting and perpetuating the extraction, perhaps to its own advantage — what is otherwise known as corruption. At this critical stage, the political economy of the country takes on a great importance. The extraction stage creates large profits, and the key question in step three is whether those profits can be used to buy government inaction in the face of public demands for action.

    And this leads, finally, to the rise of the strongman, who offers what sounds like a credible commitment to respond to grievances that remain unaddressed. The strongman’s rise lies in a promise to truly serve the people’s interests. With an already centralized economy, it is easier to seize economic as well as political power. And later in time, the strongman either makes a deal with the monopolists or subjugates them to his will.

    That is the sequence. The question is how to break it.

    The story of Saint-Domingue, once the wealthiest territory in the Western Hemisphere, provides a cautionary tale about economic structure. In the late 1700s, the French Caribbean colony was known as a land of fabled wealth — “the Pearl of the Antilles.” Saint-Domingue achieved its wealth with methods familiar to our age. The island implemented an export-oriented economy that was, at the time, a world leader in the use of technology and scale economies and in keeping labor costs to an absolute minimum. Its signature economic unit was the integrated sugar-cane plantation, carefully irrigated, dependent on waterpower, and staffed by large numbers of enslaved West Africans. As Richard Pares put it, “A sugar plantation was a factory set in a field.” By 1789, the colony’s efficient production methods put it at the forefront of the world’s sugar production and also captured some sixty percent of the European coffee market. 

    The structure generated large profits for plantation owners, yet it may not be surprising to hear that it was unstable. Saint Domingue had a two-class society: over half a million enslaved Africans were ruled over by a small number of plantation owners, their lieutenants, and their staff. What existed of a middle class was small and weak. At the La Rochefoucauld-Conflan plantation, a representative example, over four hundred enslaved Africans were overseen by seven white managers and one mulatto.

    Tropical heat, local disease, and a focus on cost-cutting yielded brutal working conditions even by the standards of eighteenth century. For the enslaved workforce, death rates were estimated by one scholar as fifty percent among the newly arrived (mostly due to yellow fever) and about five or six percent annually among the acclimatized. Managers also complained about high rates of worker suicide. The plantations provided some health care, but ultimately made the cold calculation that it was more cost-effective to import new slaves than improve the conditions of work. As the historian Robert Forster writes, the managers “believed that no amount of health care would lower the death rates appreciably, and the only way to make more sugar was to pour in more and more slaves from Africa.”

    The working conditions made rebellion a major risk. The owners’ deterrent was a system of high-profile punishment, horrific even by the standards of the era. Beyond the usual whippings, there are recorded instances of slaves being buried up to their necks and tortured with insects. To avoid “wasting labor,” however, actual executions were avoided, except in cases of attempting poisoning, for which records show culprits being burned alive.

    Economically, Saint-Domingue was quite literally on a sugar high — but the situation was brittle and the crash finally came. Late in the evening of August 22, 1791, a coordinated revolt began in the north, in the largest plantations, as thousands of enslaved Africans set fire to plantations and captured or killed the owners. We have the eyewitness account of the director of the Clément plantation, after being woken by noises: “I jumped out of my bed and shouted: ‘Who goes there?’ A voice like thunder answered me: ‘It is death!’” While the details are unreliable, the organizers had celebrated a secret religious ceremony the week before where lighting and the thunder were taken as good omens. The uprising spread to the rest of the colony and plunged it into a terrible civil war that lasted fourteen years.

    In 1804, after terrible violence and killing, the rebels won the war. They christened the new republic “Haiti,” the “land of high mountains,” and proceeded with a massacre of the Europeans who remained on the island. That organized massacre was justified by the new leadership as retribution for the treatment of workers on the plantations:

    Have they not hung up men with heads downward, drowned them in sacks, crucified them on planks, buried them alive, crushed them in mortars? Have they not forced them to consume feces? And, having flayed them with the lash, have they not cast them alive to be devoured by worms, or onto anthills, or lashed them to stakes in the swamp to be devoured by mosquitoes?

    Economically, the new nation was devastated by the war, slavery, and the legacy of the plantation system, and it has never really recovered. It would be further damaged by the reparations demanded by France — reparations that is, to the slave owners, which lasted until 1947 and at times represented as much as eighty percent of Haiti’s revenue. Today the island that was once so wealthy is the poorest nation in the Western hemisphere.

    The story of Saint-Domingue is obviously at an extreme. Yet Haiti teaches a lesson about the risks inherent in top-heavy economic structures, two-class societies, and extreme differences between wealthy and poor. Concentrated capitalism has the potential of extraordinary gains in output achieved through specialization, scale, and coercive reduction of costs, but its downsides lie in an inherent rigidity and fragility that predictably yields catastrophic crashes, both economic and political. This pattern of manic growth and terrifying cataclysm appears endemic to laissez-faire capitalism, and has proven difficult to tame. The patterns of concentration and crash — with the intervening sugar high — are a common feature of the last several centuries. It would take an entire book to chronicle them all, but the most severe episodes occurred in the late nineteenth century, our own late 2000s, and worst of all, the 1930s, during which global tolerance, or cartelization and monopolization, helped make a bad Depression worse and eventually plunged the world into war. 

    Despite these ghastly experiences, there has remained a faith in the ability of the economy to self-correct and solve its problems itself. The dream of a self-correcting economy never dies.

    It has long been an article of faith among some economists that markets will solve problems of economic power by themselves — that any dangerous level of power can be expected to dissipate 
naturally, according to the theory of self-correcting markets. When it comes to political power, by contrast, such a belief has never been held by students of politics. Nobody says that Putin will be overthrown one day, so everyone should just relax. But in economics the grip of such optimism is strong.

    It may be the scientific aspirations of economics that feed the faith. There are real systems in nature, especially biology, that have the property of homeostasis. The trick with a system in dynamic equilibrium is not that it never changes; it is, rather, that it is self-correcting. It has feedback systems that react to imbalances. Should our blood pH become acidic, the kidneys release buffering agents that make it more basic. Similarly, our bodies maintain an internal temperature of about 37°C / 98°F, even if we walk outside in a cold day. Economic systems — markets — have observable tendencies that work against imbalances as well. These tendencies yielded a doctrine, beginning in the 1870s with the pioneering work of the French economist Léon Walras, who became known as the father of general equilibrium theory. He argued, and purported to demonstrate mathematically, that markets, like biological homeostatic systems, are capable of detecting deviations from an ideal state and adjusting themselves to fix it. The hypothesis has both an intuitive and aesthetic appeal, and it has captivated thinkers for more than a century. 

    But the hypothesis can be tested, for one can observe whether economic systems return to equilibrium or not. Here are three versions of the theory and how they have fared.

    The first and most well-known is the theory of perfect competition, which was the work of the price economists of the late nineteenth century such as Alfred Marshall, who published his influential Principles of Economics in 1890. Those economists theorized that markets could generally be expected to “clear” and reach a partial equilibrium in which firms price at or near their cost of production. Anyone who starts earning a big profit, or a monopoly profit, will face competitors who see that profit as a lure and leap to seize it themselves. It follows that in a free market there is no way to gain a lasting form of economic power.

    To give the theory its due, there are situations in which something close to “perfect” competition can, and does, occur — agricultural commodities such as wheat, corn, and soy being the best example. Marshall and neo-classical economists took such markets as the rule and the deviations as the exception. Unfortunately for them, they made that assertion during the golden age of monopolization — the late nineteenth and early twentieth centuries. History was proving exactly the opposite of what they believed. In practice, the great profits of monopolies such as Standard Oil and the Tobacco Trust were not competed down to zero. No markets cleared. Instead, men such as John Rockefeller and Andrew Carnegie became the wealthiest individuals in human history at the expense of smaller business units and workers, and almost at the expense of the American Republic. 

    Yet somehow this did not, for a few decades at least, shake the theory’s influence, until finally the Great Depression hit. Aggregate demand remained stubbornly stuck at low levels, despite the prediction of classical economics that demand would rise to meet supply. The failure of the economy to return to equilibrium and the work of John Maynard Keynes together did great damage to any theory of a perfect market. Like the Catholic Church slowly adapting to Newtonian physics, a few brave souls began to question the time-honored theory of perfect competition. Economists such as Joan Robinson and Edward Chamberlin posited that imperfect competition, or the presence of market power, might be the norm. By the 1950s Joseph Schumpeter would write that for most markets “there seems to be no reason to expect to yield the results of perfect competition,” and that “in the general case of oligopoly there is in fact no determinate equilibrium at all.” 

    Yet with a persistence indicative of a strange compulsion or fervor, the urge to find market-power self-correcting came back in a different form — most notably in 1952, in John Kenneth Galbraith’s theory of countervailing power in American Capitalism. That book can be understood as an effort to save the theory that economic power is a self-correcting problem. Galbraith did not bother to defend the theory of perfect competition. He accepted that many industries would be dominated by a small number of large corporations, like General Motors and Ford. To his credit, Galbraith recognized that this would yield a serious danger: an extraordinary concentration of economic power in a small number of firms, effectively immune from competitive forces, that could, at least in theory, drive down wages and distort politics. But he was unalarmed by that prospect, because he devised a new theory of market self-correction. He predicted that the great economic power of corporations would be automatically matched by a growing “countervailing power” in adjacent parts of the economy, such as the sale of labor. As he put it, “private economic power is held in check by the countervailing power of those who are subject to it.” There was no need to be particularly concerned about growing corporate power, because union power would automatically rise to match it. “As a common rule,” he declared, “we can rely on countervailing power to appear as a curb on economic power.” 

    Galbraith, like a bad physicist, extrapolated too far from one set of data points — his own time. In 1952, he wrote that “as a general though not invariable rule one finds the strongest unions in the United States where markets are served by strong corporations.” That might have been true at the time, when 35.2% of the private workforce was unionized. But in today’s United States, despite even greater corporate concentration, unionization has not risen to match Galbraith’s optimistic prediction. Rather, private sector unionization plunged to about 5.1% by 2023. And things get worse for Galbraith’s predictive theory when you look at individual firms and industries. The tech industry, home to many of the strongest corporations in the United States, is almost entirely non-unionized (the Google union still comprises less than one percent of its workforce). The largest and most profitable firms, including Wal-Mart, Amazon, and Apple, have little or no checks on their power as employers. Meanwhile, there is little evidence that the power of sellers of other inputs systematically rise to match rising firm power. In fact, since the rise of Wal-Mart, the squeezing of suppliers has become a constant complaint. While American Capitalism may make clear why we need countervailing power, the theory that it automatically arises to balance market power is bunk. 

    The final installment in this sorry chronicle of the illusion of market self-correction is the contribution of Simon Kuznets in the 1950s and 1960s. Kuznets was an inequality theorist, and in 1955 he optimistically suggested that the wealthier societies became, the more equal they would eventually become. In other words, there was no reason to be concerned about growing aggregations of wealth or economic power, because eventually, through some unspecified mechanism, inequality would cure itself.

    The technical name for this leap of faith was the “inverted U-curve hypothesis” (also known as the “Kuznets Curve”). It suggested that very poor or primitive societies were equal (everyone in mud huts), and that as countries developed they would at first become more unequal (the industrial revolution), but that they could be expected to return to a state of equality once they became even wealthier still (hence the “U”) — through some mysterious mechanism. Kuznets suggested that there was data to support his U-shaped theory, though to his credit he admitted that his theory “is perhaps five per cent empirical information and ninety-five percent speculation, some of it possibly tainted by wishful thinking.” 

    Unfortunately, in less careful hands, Kuznets’ conjecture became an “iron law” of economic development that suggested putting growth first and worrying about inequality later. The premise was that wealth generation, even if aggregated in just a few hands, would eventually lead to equality through that unspecified mechanism. The market economy was like the Cat in the Hat: whatever mess it might make, it would automatically clean up later. Wouldn’t that be nice? Like the other theories surveyed here, the U-shaped curve was a bust. When tested, it failed, as was most clearly established by  Thomas Piketty, who used the same data as Kuznets but expanded the time horizon. In reality, after the 1960s and 1970s, inequality, suppressed by two world wars and the Great Depression, began to grow again. The wealthy continued to get wealthier and leave the poor farther and farther behind. The belief that increased wealth would naturally lead to greater equality is what Piketty aptly called it: a “fairy tale.” 

    In each of these three cases, we see the same phenomenon. While there are some forces that help dissipate dangerous levels of market power, it does not automatically disappear. The theories of self-correcting economic power are each guilty of the same omission: they ignore the actions of those who have economic power. The predictions rely on a few abstract forces and conjecture, in the manner of an ancient Greek scientist. The result is like a physics of motion that ignores Newton’s third law.

    The error is so common that it can be given a name: the passive monopolist fallacy. In reality, those with a strong market position seek to keep it, and can succeed. Firms, as anyone in business knows, do everything they can to prevent a loss of market power. That may include seeking protections from government, building “moats” and “walls,” or brand loyalty, or buying rivals outright. Why not? Market power is power and also money, and money is what firms want. 

    Why the economic prophets surveyed here decided to ignore such countervailing forces is a good question for a cultural historian. But the critique of the faith in market self-correction is not merely academic — it has important implications for economic policy. For a belief in long-run self-correction gives license for all to ignore any consequences of an unbridled capitalism, based always on the premise that eventually the problem will take care of itself. Unshakeable faith can sometimes get in the way of empirical science; and so some people are deeply convinced — are certain — that a return to an ideal equilibrium must always be around the corner, whatever the present circumstances, however long the run may be. As the nineteenth-century Swiss political economist Simonde de Sismondi remarked, “a certain kind of equilibrium, it is true, is reestablished in the long run, but it is after a frightful amount of suffering.” 

    3

    There were also some who never expected a return to healthy equilibrium, who held that the power of private capital needed to be met and absorbed by the greater power of the state. This was the answer to the problem of market power provided by the socialists and the Marxists beginning in the nineteenth century. And it proved to be its own disaster. 

    There was once a time when Josef Stalin was hailed as an economic genius. In 1932, Bruce Blivens, the editor of The New Republic, wrote that “private capitalism has never, in any country, done a job one-half so good” as Stalin’s Five Year Plan. He predicted that a similar undertaking in the West would be “grand and glorious, a shining success.” One reason that Stalin seemed so brilliant in 1932 was the comparative state of the main Western economies. Germany, the United States, and the United Kingdom were in ruins, mired in an economic depression that seemed never-ending. In the United States, production had fallen by some forty-six percent in three years, with unemployment at over twenty percent. German employment was worse, at thirty percent. By contrast, and by all official accounts, the Soviet Union was booming. It had just completed the first Five Year Plan, and “everything points to a great improvement in living standards,” reported the infamous Walter Duranty in The New York Times. Stalin had taken power in the late 1920s from his main rival, Leon Trotsky, and brought a firm hand — a very firm hand — to the economy. He abruptly put an end to an ongoing, more moderate experiment begun by Lenin that mixed socialist economy with private economy: the so-called “New Economic Program.” Stalin, no one’s idea of a moderate, wanted to run a planned economy from the center. 

    What many forget is that Stalin’s economic approach was in many ways borrowed from American managerial theory combined with Prussian military command structures. Lacking any intrinsically Marxist theory of management, Soviet thinkers became fascinated with the centralized production methods of giant American corporations such as Ford Motors and U.S. Steel, and also with the writings of the popular management scientist Fredrick Taylor. As Lenin had instructed in 1924, “the combination of Russian revolutionary sweep with American efficiency is the essence of Leninism.” He further explained that the idea “depends on Soviet organization of administration with the up-to-date achievements of capitalism.” This meant large factories, a highly centralized operation, and highly specific tasks for workers. Scientific management converted the artisan worker — say, a furniture builder, who might complete an entire product himself — into something more like a cog, or a piece of a much larger machine. The popular name for this industrial method was “Fordism,” after Henry Ford and his assembly-line process. Henry Ford even became an unlikely cult hero in the Soviet Union in the late 1920s and early 1930s. The New York Times said he represented a “streamlined, machine-made way of life that the dictatorship of the proletariat promised to give everybody in double quick time.” 

    The strange thing about the Soviet embrace of Taylor and Ford was that their doctrine was so clearly anti-worker. The assembly line was efficient, but (as Charlie Chaplin unforgettably illustrated) it converted the worker into little more than a robot with negligible control over his own actions. Among Marx’s earliest and most piercing critiques of capitalism had been his attack on the “alienation of labor,” the dehumanizing disjunction between workers and what they were producing. “Owing to the extensive use of machinery,” Marx wrote, “and to the division of labor, the work of the proletarians has lost all individual character, and, consequently, all charm for the workman.” Instead, “he becomes an appendage of the machine, and it is only the most simple, most monotonous, and most easily acquired knack that is required of him.”

    Marx disapproved of such inhumane alienation, but the Soviet leaders seemed happy to make their workers “an appendage of the machine,” as long as it was a state-owned machine. And for their part, Lenin and Trotsky were supremely confident that they could borrow the methods of American corporations without importing the exploitation. The use of capitalist management techniques would be fine, Lenin said, if used only to organize work, and if there were workers’ commissars “watching the manager’s every step.” The Soviet trade unions did oppose the imposition of American corporate practices, but Lenin labeled that tendency “Left-Wing Childishness,” and called for “the application of coercion, so that the slogan ‘dictatorship of the proletariat’ shall not be desecrated by the practice of a jellyfish proletarian government.”

    The fact that a worker’s paradise such as the Soviet Union became so enthusiastic about the methods employed by giant American corporations is revealing. But matters became even more extreme under Stalin. Stalin was less intellectually engaged with American management methods, but the centralized command structures seem to suit his temperament. When you get down to it, the Five Year Plan was really a program to organize the entire Soviet industrial economy along the lines of Ford Motors, with Stalin as a kind of super-CEO who retained the special right to imprison, exile, or execute anyone. 

    In the short term, moreover, Stalin’s economic program was seen as a great success. To the degree that Soviet statistics 
can be trusted, the economy grew dramatically under Stalin’s watch. From 1928 to 1932, the Soviet economy grew at an average of fourteen percent per year. Steel production grew from four million tonnes to nearly six million tonnes, iron production from 3.3 million tonnes to over six million tonnes, while coal production doubled. Oil production, the source of Russia’s current wealth, also doubled. The result was what remains the fastest mass industrialization in human history, surpassing the Japanese and German models. It greatly increased the power of the Soviet state, particularly its ability to build weapons of war, tanks, battleships, and large guns. As Stalin said at the outset, “We are fifty or a hundred years behind the advanced countries. We must make up this gap in ten years. Either we do it or they will crush us.” Viewed narrowly in terms of state power, Stalin’s Five Year Plan was a resounding success, and made the Soviet Union a feared military power for the rest of its history.

    By putting all economic control in the center, creating a single authority, and focusing all efforts of economies of scale, Stalin beat monopoly capitalism at its own game. It was Alfred Chandler’s “visible hand,” but with the state as the hand. He had eliminated all competition from the economy and seemed to have demonstrated the advantages of a planned economic model run by experts, as managerial capitalists might have suggested. The Soviet success story also influenced the first FDR Administration in the early New Deal to adopt state-supported planned cartels in the early 1930s. (The Columbia professor Rexford Tugwell, who visited the Soviet Union in 1927, was the member of Roosevelt’s “brain trust” most inclined to the adoption of Soviet-style planning methods in the United States.) Yet this was another sugar high. Not unlike the story of Haiti, or the monopoly capitalism in Germany or the United States, there were grave risks and significant trade-offs in what Stalin built and how he built it. In the 1930s he may have seemed like a genius, but it was not to last.

    Since the publication of The Communist Manifesto in 1848, Marx’s ideas have never entirely left the conversation. Diminished greatly by the abuses and the failures of the Communist states, overshadowed in much of the Western left by the victory of identity politics over class politics, Marx still remains hard to ignore. That is in part because the manifesto is exciting and easy to read: it anthropomorphizes capitalism, making it a character, a villain, one who does this and that and must be stopped. (It is also full of memorable one-liners — for example, that capitalism “has converted the physician, the lawyer, the priest, the poet, the man of science, into its paid wage laborers.”) Marx not only diagnoses the problem, but speaks with complete confidence, with prophetic confidence, about its solution: this villain will be stopped and a better day is coming.

    Yet the contest between Soviet communism and laissez-faire capitalism was ultimately a false contest of ideologies. The tell is the Soviet Union’s worship of Ford Motors. The communist economic program, as much as capitalist monopoly, depended on concentrated economic power. Socialism differed from monopoly capitalism in its means of discipline, but it did not fundamentally differ in structure. In the case of free market capitalism, the controls on economic power are, respectively, those competitive market mechanisms that may exist, countervailing power, and the regulatory oversight of the state. None of these guardrails are perfect, and they can be overwhelmed by a powerful monopolist — but they are not illusory. Yet communism’s mechanisms of self-control were even weaker. By its nature, the socialist state must own the means of production, and therefore immediately establish itself as the greatest monopolist of all. But as James Madison might have asked, who then oversees the state? In Marxist doctrine, the answer was that the dictatorship of the proletariat, as the representative of the proletariat, will behave itself, then render itself superfluous, and wither away.

    Marx and Engels suggested that the dictatorship of the proletariat would briefly exercise extreme levels of coercive force and then disappear. As Engels put it, the dictatorship “turns the means of production into state property to begin with. But it thereby abolishes itself as the proletariat and abolishes all class distinctions and class antagonisms. State interference in social relations becomes, in one domain after another, superfluous, and then dies down of itself.” Upon assuming control of the Soviet Union, Leninism relied on the idea that the Party, as the vanguard and the representative of the people, would be self-disciplining. When pressed, Lenin put forth the process of “democratic centralism,” an Orwellian coinage if ever there was one, which stipulated that debate and criticism would be tolerated, but once decisions were made all were required to follow the party line on pain of expulsion and punishment.

    Contrary to Engel’s prediction, the dictatorships of the proletariat did not wither away. Stalin’s comment on the matter, after centralizing the state economy in 1930, was this: “We stand for the withering away of the state. At the same time we stand for the strengthening of . . . the mightiest and strongest state power that has ever existed. . . . Is this ‘contradictory’? Yes, 
it is ‘contradictory.’ But this contradiction . . . fully reflects Marx’s dialectics.” Quasi-religious mystification, in other words. Few dictatorships over the course of human history have withered away, and the proletarian versions are no exception to that tendency. None of today’s populist authoritarians show any sign of being likely to leave easily. Dictators have died, suffered coups, been thrown out of office, and occasionally lost elections — but so far, no withering. That is a challenge for any supporter or believer in communism and other dirigiste dispensations in our time: to explain why state control of the economy will not yield a power that proves exploitative and uncontrolled.

    We have said that the communists borrowed heavily from American managerial capitalism and effectively allowed state monopoly to run the economy. But the true dividing line between socialism, even democratic socialism, and decentralized capitalism lies in the assessment of small producers. Hostility to the “petty bourgeois” has been deeply baked into socialism since the early days, at least as traditionally defined. Marx and his many heirs loathed the middle classes. 

    If you have ever been to a city built under communist rule, you will have noticed a gigantic public square. Not the medieval square, as in Siena or Bruges or Krakow, but something much larger and more concrete. Berlin has the Alexanderplatz. Tiananmen Square, in Beijing, is the size of many football fields. Red Square at the center of Moscow was enlarged by the communists. One explanation for these giant city squares was communism’s taste for the grandiose, coupled with a form of government powerful enough to raze large parts of a city to create a square. And, at least in official communist ideology, the idea was not unlike that of the ancient Greeks: to provide a large place for the people — or at least the proletariat — to gather, and for Soviet democracy to function. The idea, as Lenin had said in 1917, was to achieve the “complete democracy” that was never reached in capitalist countries.

    In practice, however, these squares were lonely, forlorn places. The people did not gather spontaneously in them for self-government or for commerce. They were not, like the ancient city squares in Europe or China, markets for farmers or artisans. Aside from the occasional government spectacle, such as the parade of military hardware, there was no life in the communist public squares. As for self-government, in China the one truly spontaneous public gathering of citizens for political purposes — the spring of 1989 in Tiananmen Square — led to a brutal massacre. And these empty squares also tell us where communist economics went wrong. For unlike the ancient square, they were never conceptualized as a way to build up a class of small producers as a counterweight to the capitalist class. It was always and only the state, the central government, the dictatorship of the proletariat, that was the counterweight. 

    This was no oversight, but rather a reflection of the intense dislike, indeed hatred, of the orthodox Marxist for the traditional middle classes. That is, the artisans, restaurant owners, storekeepers, merchants, and most of all, the small landholding farmers. This was a group which, while not necessarily rich, and often far from it, ran businesses, owned property, and employed workers — distinct, therefore, from the true proletariat, or those who had only their labor to sell. These were the groups that Marx called the “petty bourgeois.” 

    His attitude might seem a bit surprising. He himself came from a middle-class family, one that would be considered upper-middle class today. His father was a self-employed attorney, a convert from Judaism to Christianity, who also sold wine. And those small producers and middle-classes were often the most active in effort to fight the excesses of toxic capitalism, especially when their businesses were threatened. As the late James C. Scott, in his brilliant essay “Two Cheers for the Petty Bourgeois” observed:

    The historical fact is that in the West right up until the end of the nineteenth century, artisans-weavers, shoemakers, printers, masons, cart makers, and carpenters formed the core of most radical working-class movements. As an old class, they shared a communitarian tradition, a set of egalitarian practices, and a local cohesiveness that the newly assembled factory labor force was hard put to match. 

    In the United States, it was small farmers and small producers who were at the historic center of the anti-monopoly movement of the twentieth century. 

    But the Marxist progressives viewed this class as traitors who were inevitably inclined to side with the grand capitalists, or those capable of living on their wealth alone. Some of this seems to reflect Marx’s experience during the uprising in Paris in 1848. According to Marx’s account, the shopkeepers, restaurant owners, and other urban small businesses, while originally sympathetic to revolution, began to resist the barricading of the streets of Paris as it began to hurt their businesses and threaten their property. For Marx, this was an unforgivable treason. There is also a parallel between Marx’s dislike of small business and his denunciation of Jews. Marx described both groups as narrow-minded, obsessed with money and property, and consequently incapable of seeing broader interests. In some of his writing, where antisemitic slurs are not uncommon, the groups come in for similar treatment. The shopkeepers of Paris were obsessed with their “sacred” property. “Huckstering” was “the worldly religion of the Jew,” and “money is the jealous god of Israel, in face of which no other god may exist.” Ultimately, by his nature, Marx seemed to abhor ambiguity — a quality that has long attracted his followers. Class conflict is clearest when depicted in the Manichean manner, as a war between two sides, or as Marx put it, “two great hostile camps, . . . two great classes directly facing each other — the Bourgeoisie and the Proletariat.” The petty bourgeois and their mixture of ambitions just muddied things.

    I take socialism’s neglect of small- and medium-sized producers as its greatest defect, for it precluded any emergence of a stable and prosperous nation based on communist principles. The vision of decentralized economic power, of decentralized capitalism, for which I am arguing here depends on small producers — small farmers, artisans, skilled self-employed professionals, small traders, and the like, who are collectively the largest class in most societies. And as Scott related, despite the inherent difficulty in such work, the autonomy in these positions cannot be undervalued. An astonishing number of people dream not of joining the proletariat, but of opening their own small shop, cafe, or farm — dreams that all prominently feature control over one’s life and what one can produce.

    Let us return, for a moment, to 1933, when Stalin’s economic program seemed most successful. In just five years, the Soviet Union had transformed itself into an industrial power. But the cost was born by Russian and Ukrainian small producers, especially farmers; and despite the initial success, this was very damaging to the long-term economic prospects of the Soviet Union. Stalin’s Five Year Plan was a break from the 1920s experiment with a mixed economy called the “New Economic Policy.” For Lenin, while he talked in extremes, had a pragmatic side, at least as hardcore revolutionaries go. He had learned the hard way during the “War Communism” of the late 1910s that economic centralization could yield resistance. In fact, he had sparked a new revolution against the revolution in 1921: the Kronstadt Rebellion, whose demands were, among others, that the state “give the peasants full freedom of action in regard to their land, and also the right to keep cattle,” and “permit free individual small-scale production by one’s own efforts.” And so Lenin began to accept, at least temporarily, that parts of the economy would require money and individual enterprise to function well. He divided the economy in two. The “commanding heights” of the economy — heavy industry, transport, banking, and foreign trade — were reserved for the state and state enterprise. Light industry, retail, and most importantly, agriculture, were left for private operation. Most critically, farmers — the former serfs, and most of the population — were allowed, consistent with the demands of 1921, to own and farm their own property instead of being obliged to forcibly turn over all grain to the state.

    The New Economic Policy was largely a success. With the incentive of selling their own produce, the farmers greatly increased production, and in fact, some became quite wealthy. These new wealthy farmers were, in Soviet parlance, “kulaks,” or farmers who owned livestock or land and employed other peasants, putting them in the category of the petty bourgeois. They were joined by a class of urban entrepreneurs who bought and sold surplus produce and consumer goods. Lenin’s reforms made the Soviet Union of the 1920s a hybrid not so different from, say, the postwar French economy. He even reintroduced a gold-backed convertible ruble as currency — the chervontsy.

    But Stalin approached the economy with less theory and more maximization of state power, and of course his own personal control over Soviet society. In the kulaks, the newly wealthy peasant class, he saw not opportunity but a potential threat to Soviet power, given their rising economic strength and control over food. He sought to undo the imbalance — and in the most brutal way imaginable. In a speech in 1929, Stalin announced that it was time to move on from “restricting the exploiting tendencies of the kulaks to the policy of liquidating the kulaks as a class.” In just three years, some five million farmers were liquidated. They either had their property taken or were deported, with some 2.3 million people forcibly deported to distant regions. The human toll of the campaign was immense. Robert Conquest, the author of Harvest of Sorrow: Soviet Collectivization and the Terror Famine, estimates that some seven million peasants died or were killed during the liquidation campaign, the cruel man-made famine known as the Holodomor. Given the death toll, and the fact that the targets were identified through class, some argue that Stalin’s campaign needs to be counted as a form of genocide — a class genocide. And while any potential political threat was eliminated, the forcible collectivization of farming did not, as Stalin’s planners had predicted, lead to increased agricultural production: the disruption, the flaws in central planning, and bad weather led to a major grain shortage in 1932–1933, particularly in the Ukraine. Scholars have conservatively estimated that four to six million people died from food shortages. That leads to a total of over ten million deaths caused by, among less quantifiable causes, poor economic policy — a more brutal toll than any but the most horrendous wars and genocides.

    Stalin’s Five Year Plan did lead to the massive industrialization that he sought. The Soviet economy, which had been an agricultural economy with a smattering of industry, became one of the world’s leading industrial producers, albeit with production aimed almost entirely at its own population as opposed to export. Yet over the long term the rigidity of monopolistic command economy took its toll. In the United States, the over-centralization theories began to fail American companies such as Ford, General Motors, and U.S. Steel in the 1970s and after. Soviet enterprises, designed along similar lines, also began suffering increasing inefficiencies of scale. They began to suffer from the problems predicted by both Brandeis and Hayek — the growing problem of management based on what Brandeis described, in 1913, as “a diminishing knowledge of the facts, and a diminishing ability to exercising a careful judgment upon them.” 

    In the end, a monopolized economy and a state-controlled economy are similar. Both tend toward rigidity and both do not adapt well to changing conditions. Both rely on a form of centralized economic planning and both almost inevitably get things wrong. The difference is that the private monopoly faces the prospect of being challenged by some entity that it cannot overcome, whereas giant state-controlled industry is immune to ordinary challengers. Its downfall is necessarily political, and as such, can be very brutal. 

    As we have seen, communism as practiced has proven a false alternative to monopoly capitalism, for it does not abandon centralized structure nor the concentration of economic power in highly unbalanced forms. Yet socialism still remains something of a default alternative for those opposed to the toxic capitalism in our times. Some will argue that the Soviet experience of Marxist-Leninism is too unrepresentative of socialism’s ideas or full potential. The British Fabian Society, founded in 1884, believed in a more gradual and gentle transition to full socialism. America’s democratic socialists are less inclined to insist on single-party rule and they do accept elections. Their methods are often more reformist than revolutionary, and do not include calls to liquidate the kulaks.

    And yet democratic socialism, at least classically defined, still takes as its goal a transition to public control of the modes of production. At face value, that implies a transition to a public, centralized economy, where the democratic socialist would control it with political and democratic means. But depending on industry, this comes with its own dangers, such as a period of grand success followed by old-fashioned stagnation. Over time, it creates a gross inefficiency that is hard to fix. That said, democratic socialism, in a manner that would infuriate Marx, has become a big tent, and now includes those who are greatly concerned by the coercive power of the state, who have come to embrace a more decentralized economy — perhaps one controlled by smaller groups of workers over firms, and public control of the most essential utility-like functions of the economy. The Vermont version seems happy with private property when belonging to small and medium-size producers. At some point in these models, dividing the line between democratic socialism and decentralized capitalism becomes unclear. 

    If you consider yourself a democratic socialist, but you also fear coercive state power, and you believe in a mixed economy, small business, and a certain anarchy in production, you might consider whether what you believe in is not actually socialism. As James C. Scott points out, “A society dominated by smallholders and shopkeepers comes closer to equality and to popular ownership of the means of production than any economic system yet devised.”

    4

    If you woke up your average concerned liberal in the middle of the night at any time over the last thirty years and demanded to know what to do to make the economy fair, she would probably mumble something about “taxation and distribution.” Corporations and wealthy people have taken too much, and so the answer is to increase taxes and start dividing the pie more fairly. In other words, corporate profit itself is fine, but it needs to be better distributed to the poor, to build better schools and fund universal healthcare. Maybe we need to be more like Scandinavia!

    There are good and humane reasons to move money from the rich to the sick, the aged, and the very poor. The “tax and redistribute” approach may seem to many the blindingly obvious answer to the problem of excessive corporate power. The defects of the approach are more subtle. First, it is an approach that contains the seeds of its own failure. Encouraging aggregation of wealth now in the hope of taking it back later ignores the fact the more wealth aggregates and concentrates, the more it will prevent redistribution. In 2012, Elon Musk had a net worth of $2 billion; Jeff Bezos had $18 billion; and Mark Zuckerberg had $17.5 billion. In 2024, Musk had $277 billion, Bezos was at $211 billion and Zuckerberg at $203 billion. Getting that money back has become progressively harder.

    Moreover, too great a focus on distribution ignores an entire dimension of the problem: where the money goes first — what the political scientist Jacob Hacker calls “pre-distribution,” and is also known as economic structure. Too often, American and some European policy debates miss this dimension and are reduced to two-dimensional debates over more or less redistribution. In caricature form, the left believes in higher taxation and more money for the poor, while the right wants lower taxes and less distribution. But this is really a debate over tax policy, not a debate over the origins of wealth inequality. It neglects the question of who owns productive assets and where they are, how much bargaining power workers and employees have, and what it costs to access life’s essentials. To repeat, I am not opposed to better systems of redistribution, but it is not a fundamental solution, and certainly not if it crowds out attention to the distribution of economic power. But the mythology and the metaphors surrounding distribution have tended to do just that.

    Many American progressives believe that what they want is captured by the Scandinavian model, which they imagine to consist in raising taxes to pay for social support systems that create a welfare-state kind of paradise. This, unfortunately, is a misunderstanding of what makes the economy of a nation such as Denmark a model for an equal yet productive economy. The Danish economic system does indeed have generous benefits for citizens, in part based on the premise that human capital is valuable, and that health care, education, and support for the unemployed is essential to economic performance. But the Danish achievement goes deeper. Since the eighteenth century, the Danes have also been serious about balancing economic power — first through land reform, later through the cooperative farm, and still later through giving serious power to a pragmatic organized labor. Denmark has never leaned into the idea of having just a few giant firms who pay the bills. Its path to economic success was centered first on small landowning farmers, and later on its agricultural cooperatives, such as dairy cooperatives that provided high-quality export goods. It avoided any truly large-scale industrialization and any dangerously centralized economic structures. As the economist Ingrid Henriksen writes, Denmark has succeeded by being “small” and “open.”

    Denmark’s unions are powerful enough, and the culture agreeable enough, that wages and work conditions are almost entirely a byproduct of collective bargaining as opposed to legislation. In other words, the state is less active in some respects — there is, for example, no minimum wage. It is the countervailing power of labor that prevents the excessive domination or exploitation of workers. The state also maintains a “flexicurity” system for employment which is also centered in somewhat radical ideas for the American context: it combines an acceptance that firms may terminate workers at will with exceedingly generous unemployment insurance and retraining programs. The idea, obviously, is to maximize the ability of firms and the workforce to adapt to changing conditions without depreciating human capital — leaving people behind.

    In sum, it is a significant mistake to imagine that the Scandinavian model may be copied by just raising taxes and improving the welfare state. A large part of what makes places such as Denmark models of sustainable wealth is their structural commitment to a balanced economy. 

    To truly copy what is admirable about Scandinavia would also require rejecting some of the metaphors and rules of thumb that have dominated American thinking about the economy. For generations now, we have been cruelly misled by the metaphor of the pie. In the 1960s, journalists, economists, and politicians began regularly referring to national output as the “national pie,” or sometimes the “national economic pie.” The practice seems to have originated as an offshoot of labor-management negotiations, where management would seek to persuade labor to agree to terms, such as freezing pay in exchange for factory modernization, to create a “larger pie” for everyone to split. Three things favor the metaphor: pie has always been a symbol of American abundance (and even of America: “as American as apple pie”); a pie must be divided before eating; and economists love pie charts. 

    The problem with the pastry metaphor is that it implies that economic policymaking should be strictly understood as a two-step affair. In step one, one works on “growing the pie” — or making it as large as possible. In step two, one distributes the proceeds in a manner that seems right and just, depending on one’s political viewpoint. Those who lean left or right may disagree on the division of the pie. But everyone should set aside ideology or politics when it comes to step one. For surely everyone, regardless of ideology or their place in society, should agree that the first priority must be a larger pie. 

    More for everyone — who could be against that? In the labor context, this is how the industrialist Henry Kaiser put it in a speech in 1945: the “wrong way” for unions to achieve a higher standard of living would be “to demand a larger share of the existing national income. A pie that has been baked. The right way is to help make a bigger pie.” Similarly, the case for admitting China to the World Trade Organization in 2001 and normalizing trade relations was made in terms of “growing the pie” and similar metaphors. Yes, the argument went, there would be winners and losers created by opening American markets to Chinese imports, but the right thing to do was to grow the pie first, and then use the tax system, regional transfers, or worker training programs to address any arising disparity. 

    Economic policy is hard and messy, which is why metaphors or neat formulas often end up serving as our internal guideposts, and also why they mislead us. The “grow the pie” metaphor dovetailed with a few other bromides, such as “first do no harm” and “a rising tide floats all boats.” For the more intellectual among us, the two-step approach even had the implied blessing of John Rawls, who said that inequality is fine so long as it makes the least advantaged materially better off. But the two-step approach to economic policy has been more misleading than you would think. For as a model of economic policy, it skips over the question of who gets the rewards to begin with — or where the money starts, based 
on an aggressive assumption that money can always be redistributed later. The question of where the money starts makes all the difference.

    The nation’s wealth does not actually grow in some central place, ripe for distribution. Perhaps some in the Clinton White House envisioned a massive expanding pie right on the National Mall, in a kind of cross between James and the Giant Peach and In the Night Kitchen. But after reforms to the market beginning in the 1980s, wealth actually accumulated not in one public place, but in the private accounts of individuals and corporations. It might have been better to envision not one national pie, but private pies growing in backyards on the east and west coasts, and even larger ones in the parking lots of corporate headquarters, or on top of buildings in the financial districts. It would have then been a bit clearer that any cutting of the pies was going to require prying a slice out of some very strong hands.

    The metaphor of a single national pie also suggests that cutting the pie, or distribution, was a necessary step. After all, a real pie must be cut before being eaten. But of course there is nothing that necessarily compels adjusting the tax code or making transfer payments. Real money does not need to be divided to be enjoyed. Stated differently, the second step turns out to be optional. Apple could have decided to use the profits it gained from manufacturing in China to aid the regions of the United States that have been left behind. Unsurprisingly, it decided to hold onto that cash and pile it up in its proverbial backyard — a mountain of more than two hundred billion dollars in cash, which if stored in bills would have made up a private pie weighing more than four-hundred and forty-one million pounds. The act of “cutting the pie” required, and will continue to require, an act of political power, since it necessitates taking money away from individuals and corporations. To account for the redirection of wealth over the last forty years would have required increasingly large increases in corporate taxes, taxes on the wealthy just to keep pace, and probably also require that such increases be enacted early on, not later.

    That did not happen, which leads to the final problem with the “two-step” model: that step one makes step two even less likely. The more concentrated the wealth that is created (growing the pie), the better it defends itself, as public choice theory predicts. In short: a policy focused on only growing the pie was also likely, on a systemic basis, to prevent it from being cut. 

    So, what exactly did happen? Well, we already know. Step one happened. The pies grew very large on certain dining tables. But there was really no step two to speak of.

    Even taken on its own terms, assuming that a government is able to redistribute cash from monopolists at will despite political resistance, there are reasons to question the long-term appeal of the resulting arrangement, to question the social democratic project without something more. For without something more, it may remodel society in the model of the company town and create what amounts to a two-class society. Imagine the country that tolerates monopoly power and profit, so as to hand out money to the poor and other citizens. While appealing in some respects, the arrangement comes with defects that should not be overlooked. There are the owners and managers of the wealth creation engines, and there is everyone else. Everyone else, in an extreme example, becomes employees or dependent on transfer payments. Entire regions and entire countries become part of this dependent class, like an entire local society dependent on the company town. 

    There is an inherent brittleness to such an arrangement in more than one respect. For a start, it depends on the continued willingness of the ruling class to pay out. Yet given that economic power begets political power, redistribution is always endangered. Alternatively, once dependent on the monopolized economy, the priority may become the care and feeding of the behemoths, so as to generate enough profit to pay for the transfers. And finally, even if government overcomes the urgings of the wealthy to take no action, it might instead want to keep more of the money for itself. Indeed, this is precisely what one sees in many dictatorships that come to power promising to give more of the spoils to the people. After an initial phase of generous handouts, more and more of the money stays in official hands.

    At a more fundamental level, it is worth asking what kind of life and autonomy arises from a dependence on transfer payments. There is, to be sure, a kind of independence anchored in a freedom from want. Given some kind of trust fund in the sky, we would finally feel free not to worry about money and the monotony of work, free to do as we like. It is the autonomy and freedom that is enjoyed, say, by a retiree with adequate savings. But that is only one dimension of freedom. For there is also a keenly felt sense of autonomy — the old Emersonian virtue of self-reliance — that comes with some control or ownership over one’s own means of production, as petty bourgeois as that may sound.

    I return to the position that the two programs are not incompatible. One can believe in a system that provides safeguards and benefits to aid to the sick, the elderly, and the unemployed while still believing in an economy that distributes economic power widely. In fact, there is strong reason to believe the former aids the latter. The mistake is in allowing the first to be understood as a substitute for the second. It is a mistake that has infected the left, particularly the American left, which has too often devoted all its energies to fighting for wealth transfer programs while ignoring the deeper questions about the imbalance of economic power. The agenda needs to be broader and deeper. 

    5

    And what’s your system of belief, Olivia? Not capitalism; 
not socialism. So just cynicism?

    White Lotus

    The progressive reformers of our time need a better answer to that question. 

    I have set out my belief that the challenge of building a sustainable prosperity is, fundamentally, a Montesquieu–Madison challenge. That is to say, in the same way that 
Montesquieu prescribed and Madison designed a constitution 
designed to prevent a tyranny stemming from aggregated political power, the economic program needs to met the challenge of distributing and rebalancing economic power. 

    How can we build a structure, an economic architecture, designed to deliver lasting prosperity for a broad population, as opposed to enriching one class or one set of groups at the expense of others — a structure that is both dynamic and resilient enough to withstand crisis? And one that is cognizant of the challenges stemming from the pharaonic tech platforms. In 2011, Jacob Hacker presciently wrote that “progressive reformers need to focus on market reforms that encourage a more equal distribution of economic power and rewards even before the government collects taxes or pays out benefits.” It is certainly not easy, and some may think such a thing is impossible. 

    But it is not so. We have at times had something like it in this country. Indeed, across the course of human history there have existed economies that are not dominated by monopolies or a single extractive class, and that have enjoyed a relative level of economic equality. They remain plausible models, and they should be the models to which we aspire. Think of such places as the northern United States after our revolution, the modern Nordic countries, Taiwan, Japan, and Korea after World War II, and (according to a new wave of scholars) the ancient Greek city states. None are perfect: there has never been an ideal state and there may never be one. But we should move forward by gathering the best of what has worked, by collecting up the pieces that together comprise a just and practicable ideal. 

    In this view, the great societies are not those that have built the grandest palaces or opera houses. Rather, they are the societies that managed to deliver on a promise of opportunity 
and prosperity for long stretches of time. They delivered room for dignified work and opportunities to find meaning for much of their populations, and above all they provided enough economic security and leisure so that life might be enjoyed rather than merely endured. They are also the societies that have a fundamental fairness to their economy. As Louis Brandeis once said, “the ‘right to life’” should be understood as “the right to live, and not merely to exist.”

    The challenge can be named: it is to create an architecture of parity. That does not mean specific transfers or redistributions by the government. It denotes new economic structures that yield lasting prosperity and opportunity on a much larger and longer scale. More concretely, it broaches four particular roles for government. 

    The first, and the hardest to achieve, yet the most important over the long term, are systems that constantly rebalance productive assets. The objective is to curtail the excessive concentration and aggregation of private power, which might distort the entire system. Over time, nothing seems more important than this structural correction, however it is accomplished. In the history of modern civilization, land reform, or giving land to small farmers, has been the most significant and lastingly important means of creating a sustained middle class. Other tools are useful but reactive, such as strong merger rules that prevent firms from aggregating excessive power. The methods for ensuring a rebalancing of productive assets are many, and there is more than one way to skin (or thin) a cat. 

    The second obligation of government centers on the utility-style rules for platforms and other essential industries, old or new. Platform and utilities are the inputs into life and business — the public callings of our time — whether in bringing electricity to the household or the Amazon marketplace to the online seller. They have a particular power over those businesses that are dependent on them. “Platform” may be a new word in economic usage, but it refers to something very old: structures where economic interactions happen, which thereby set the preconditions for different types of societies — and for creating an architecture of parity. Ideally, platforms make it possible to make money as an independent business, but in a worst-case scenario they extract too much for the rest of the economy. That is why platform rules are so important for long-term prosperity. 

    The third federal obligation concerns the government’s investments, sometimes understood as “industrial policy,” though by that term I mean something very broad — more akin to infrastructure. As I see it, industrial policy means that the government creates the preconditions for the decentralization of economic power, including the building of its own platforms and the individual economic security that creates a resilient and dynamic labor force.

    And the final role of government in this structural reform involves setting rules of the game — laws and regulations — by which the private economy plays, including rules to protect a fair process of competition, such as to maintain the operation of a decentralized economy. 

    The state that accomplishes these goals is obviously not the night watchman state, which is never seen and manifests itself only in emergencies. But neither is it interventionist in the way of the communist or fascist states and their command economies. Instead, the state should be seen as a gardener state. The state is the caretaker of an immensely large and productive plot that grows by itself in a slightly uncontrolled fashion, but also has plants and weeds that will tend to overgrow and hurt the rest of the garden. The task of the gardener is not to interfere with natural equilibria where they do exist and are healthy. Rather, it is to be constantly aware of imbalances as they emerge, and to seek their remedy in the service of a productive, and even beautiful, outcome. 

    I have set out the balanced economy as an ideal. But there is a longstanding fear that trying to balance an economy will impoverish it. Over the twentieth century, the boldest redistribution projects in the communist nations did not end well. And yet there are cases where a more balanced distribution of assets might also yield a broad and wide prosperity. Can it be true that more equal societies can also be wealthier? Or is there inherently an unavoidable trade-off between growth and equality?

    If there is one economic falsehood that has done more damage over the last forty years than any other, it is the assertion that there is an unavoidable trade-off between economic equality and economic prosperity (the “equality/productivity 
trade-off”). That idea, popularized by a small group of American economists in the 1970s and 1980s, finally needs to be condemned to the dustbin of history. Like many bad ideas, it was a theoretical extrapolation from personal experience. During the early 1960s in the United States, many economists came to view the ninety-one percent marginal tax rate on income over two hundred thousand dollars a year (equivalent to about two million dollars today), enacted during the Eisenhower administration, as a damper on growth. One of them was Arthur Okun, an economist in the Kennedy White House who successfully advocated for a rate cut (in 1964 the highest rate was reduced to seventy percent). Based on this experience, Okun wrote a book in 1975 entitled Equality and Efficiency: The Big Trade-off.

    Okun’s idea was really a critique of extremely high taxes as a tool of wealth redistribution, a reasonable point. (Piketty argues that the high U.S. tax rates of the 1950s did not, in fact, hinder growth, an argument supported by the fact that the U.S. economy grew well during that period.) Yet whatever validity it may have held for taxes, it morphed into a much broader theory asserting that there existed a natural and unavoidable trade-off between equality and “efficiency” (the latter standing in for economic growth). When scientists propose what amounts to a natural law, they usually present evidence to support it, or at least they take account of contrary evidence — such as the fact that, in 1975, three of the fastest growing nations in the world, Japan, Korea and Taiwan, were all achieving growth without sacrificing equality. Okun did not go to any such pains. He reasoned, instead, from first principles and intuitions, like an ancient Greek physicist. “You can’t have your cake and eat it too,” he wrote, stressing that the maxim “is a good candidate for the fundamental theorem of economic analysis.” It follows, he asserted, that “we can’t have our cake of market efficiency and share it equally.” The closest thing to empirical support for that proposition was a prolonged discussion of the inefficiencies of Soviet bureaucracy. (I should add that Okun supported efforts to increase equality of opportunity, many of which, on closer inspection, were actually efforts to increase equality, such as subsidizing the training of the poor. For such efforts, he argued, there was no trade-off. But the point that stuck was his assertion of a trade-off.) 

    For several reasons, its defects did not prevent Okun’s trade-off law from catching on in policy circles. For one thing, it was simple and sounded rigorous. Economists, as Piketty once remarked, “prefer simple stories, even if they are incorrect.” Moreover, in its assertion of a trade-off between the two goals, it fit a psychological preference among economists for tough-love lessons, as evidenced by the cake metaphor. But Okun was actually mild-mannered compared to other economists, such as Robert Lucas of the University of Chicago, who tended to argue that any efforts to help the poor were inherently futile and counterproductive. As he once wrote, “Of the tendencies that are harmful to sound economics, the most seductive, and in my opinion the most poisonous, is to focus on questions of distribution.” In the period between the 1970 and 1990 there was a strand of economics that held that helping the poor would always backfire, and always yield less growth to everyone.

    The “equality/growth trade-off” is seductive precisely because it sounds plausible. It is true sometimes: anyone can think of efforts to increase equality that have dampened growth, as the ninety-one percent marginal tax rate may have done. But it is not true all the time, and it is not inevitable in that sense. It also gives a lazy intellectual license to a mean-spirited economic policy that is supposedly good for those it deprives of productivity. Looked at more carefully, the trade-off thesis downplayed the many ways in which tolerating excessive inequality hurts growth. For one thing, people too poor to buy anything or to invest represent a massive waste of potential. For another, there can be significant incentivizing effects in efforts to decrease inequality. For example, subsidizing ownership or education might motivate the poor to produce and thereby grow the economy. And of course it ignored the terrible political effects of self-justified concentrated wealth. 

    Eventually the economics profession got around to testing the trade-off theory, and it did not fare well. By 2011, economists had shown that there was certainly no “law” governing equality and efficiency, and if there was any general tendency, it was for balanced economies to grow more quickly. In the 2010s, the International Monetary Fund conducted a long-term study that found that “if the income share of the top twenty percent (the rich) increases, then GDP growth actually declines over the medium term, suggesting that the benefits do not trickle down. In contrast, an increase in the income share of the bottom twenty percent (the poor) is associated with higher GDP growth.” But it all depended on design — on what one does to rebalance the economy. 

    This episode speaks to the terrible danger of economic simplification. And while economists today are more careful, there is still something missing — something important. Economists are most at home when speaking of money and prices. Yet economic power tends to influence politics, yielding questions of political economy — namely, the question of what impact the concentration of wealth might have on political outcomes, which then return to the economic realm. 

    The strongest case suggesting the long-term benefits of a broad distribution of economic power is not a purely economic explanation, but rather a political-economic explanation. Again, there are two major political problems with allowing excessive concentrations of economic power. The first is that economic power can usually be converted into political power, and more specifically, to political resistance to changes that might broaden the distribution of assets, including education. That resistance weakens national productivity. The second is the popular anger and resentment engendered by lasting inequality, which yields mere political division in the best case and violent revolution and the rise of a destructive strongman like Chavez or Stalin in the worst case. 

    For most of recorded history, much of humanity has lived in economically deplorable conditions. Some were serfs or peasants bonded to the land; others, indentured servants and underpaid workers at firms; still others, enslaved people bought and sold and treated as commodities. During the same period, women and ethnic minorities have rarely been afforded basic economic rights. As Dickens showed, humans, even when at peace, can be extraordinarily cruel to one another. And this leads to a fairly depressing question: Has there ever been real economic justice or fairness anytime or anywhere? Has anything anywhere ever worked not only for a small number of rich and privileged people, but for everyone? 

    History may be a cause for despair, but it can also be a cause for hope. For one thing, even the most unfair societies usually had some recognizable version of a middle class: guild members, artisans, merchants, professionals, and small farmers, who were the origins of today’s middle and upper-middle classes. And there have been societies that have achieved, for lasting periods of time, a balance of economic power and even “growth with equality.” To name a few: the early American Republic outside of the slave states, northern Europe, and post-World War II East Asia outside of mainland China.

    Yet history also firmly suggests there is nothing natural or inevitable about the existence of a strong middle class. The invisible hand, whatever its designs may be, is regularly overwhelmed by more visible hands with their own plans. Unbalanced and feudal economies are the norm; balanced economies are the exception. And so we urgently need to understand the exceptional countries or regions that have managed, in one way or another, to provide their populations with widespread wealth over a long period of time, and how they did it. And the study of such places and their economies reveals that there is one recurrent feature of all polities that have managed growth while retaining equality: the broad distribution of productive assets — usually property rights — across the population. The most important examples involve arable land and, since the nineteenth century, knowledge or education. 

    After two centuries of failed efforts to design a perfect centralized system, the wiser answer is not to perfect power but to decentralize it. The goal of decentralized capitalism is much less utopian than the two major economic ideologies of the twentieth century. Both inherently relied on an optimistic vision of humanity, whether it be Herbert Spencer’s social evolution, Marx’s “new man,” or the rational maximizer imagined by microeconomics. I am inclined to think instead that we are stuck with what we actually are — flawed and shortsighted, but also capable, through trial and error, of designing systems that work well for everyone. Neither Madison nor Montesquieu are the kind of figures who could drive a crowd into a frenzy, but their spirit is what we need for today’s political economy, an approach that seeks to 
limit the worst abuses while assuming the worst, not the best, about humanity. 

    Significant private power is a new challenge, and platform power is even newer. They may seem daunting, even outlandish, but I insist that there is reason for hope. Providence has blessed us with a rich abundance that offers more than we could ever need, and we have developed the tools of efficiency that make us capable of producing more than enough for everyone. If building a sustainable prosperity for everyone may sound utopian to some, that is only a measure of how limited and manipulated our horizons have become. We have accumulated enough experience over the last century to understand the major flaws in what has been tried. It must be possible to do better. The saving truth is that, in the combination of the earth’s resources, human capacity, and technological capability, we have all that we need to provide a sustainable prosperity and a fair and decent life for every person on the planet. 

    The Clear and Present Danger

    The presidential election of 2024 is in fact the unfolding of the rolling coup d’état that began in earnest four years ago. To imagine otherwise is to normalize what is patently abnormal and thus to falsify the crisis. It is to comprehend our politics as much of the political media does, clinging to shattered institutional norms, willfully blind to what is obviously the real story, always caught unawares when worse comes to worst. The superficial quadrennial trappings are here, of course, the primaries, the conventions, and the attendant hoopla. These reassuring atmospherics affirm the conventional wisdom of our pundits and pollsters that, despite the high-intensity fervor, this is at bottom a good old contest between rival political parties with different policies, different visions for America, campaigning to win two hundred and seventy electoral votes. In fact, this is no more an ordinary election than the election of 1860 was. Like then, Americans are confronted with a continuing power grab by a boundlessly ambitious and relentless force that repudiates the essentials of democratic politics (even when it avails itself of democratic language) and the rule of law.

    Donald Trump and his MAGA supporters have made it clear that they will not accept defeat in November any more than they did when Trump lost four years ago. They believe that Trump is the one true legitimate president, that those who refuse to accept this fundamental fact are the true deniers, and that any result other than Trump’s restoration would be a thwarting of history’s purpose and a diabolical act of treason. The authoritarian imperative has moved beyond Trumpian narcissism and the cultish MAGA fringe to become an article of faith from top to bottom inside the utterly transformed Republican Party, which Trump totally commands. So has the corollary (not stated as much publicly) that should Kamala Harris be declared the next president, self-styled patriots would be duty-bound to rise and resist her by any means necessary. The place of violence in the MAGA universe has been well established. 

    Trump, who does not speak in metaphors, has made it plain: “If I don’t get elected, it’s going to be a bloodbath.” This is a time for imagining the worst. Not a single loyal Republican official has objected to that statement or to similar MAGA warnings about an impending civil war. Nor have any objected to Trump’s promise to a rally of Christian Nationalists on
    July 26 that, should he win this year, voting won’t be necessary in the future: “Four more years, you know what: it’ll be fixed, it’ll be fine. You won’t have to vote anymore, my beautiful Christians….”

    Yet many of even the most influential news sources hold to the fiction Trump and his party are waging a presidential campaign instead of a continuing coup. The broadcast news organizations barely, if ever, accurately and fully report on Trump’s repeated and explicit threats to end democracy. Instead, most journalists hide behind a false equivalence that has become a craven excuse for supposed balance. 

    That staggering failure of basic journalistic objectivity to recognize Trump’s stated agenda is helping to pave the way for the rolling coup. Winning the election, which of course Trump might well accomplish without fraud or overt violence, is but the first step in a grand seizure of power. And Trump is no longer merely a self-centered kleptocrat out of the Roy Cohn school of public service as he was in his New York real estate days. Surrounded now by disciplined right-wing figures and organizations with, in some cases, decades of political experience, he has become the most powerful enemy of the American rule of law and the established constitutional order in modern times. That is not partisan hyperbole. If conventional journalists would perform their duty, they would report it as objective fact.

    Indeed, a congeries of reaction envelops Trump. There is the MAGA-dominated House of Representatives, eager to do Trump’s bidding, whether by scuttling breakthrough bipartisan immigration legislation because Trump demands it, or undertaking asinine but incendiary political investigations (e.g., James Comer’s Oversight Committee, fabricating the ludicrous and failed impeachments of Joe Biden and the Secretary of Homeland Security Alejandro Mayorkas), or recycling wacky conspiracy theories as matters of grave public concern (notably by Rep. Jim Jordan’s scandal-mongering Select Subcommittee on the Weaponization of the Federal Government). Then there is the Supreme Court of the United States’s right-wing majority — tainted, in some instances, by evident conflicts of interest and serious corruption — which defines its mission as protecting Trump’s political as well as legal interests while rewriting the Constitution.

    Trump’s private benefactors include the so-called “broligarch” high-tech libertarian reactionaries led by the maniacal Elon Musk and Peter Thiel, an early Trump bankroller and J.D. Vance’s sugar daddy, famous for remarking that he had come to “no longer believe that freedom and democracy are compatible.” There are, as ever, the Russians, with Vladimir Putin counting on Trump to lift him to victory in crushing Ukraine and then to stand idly by as he, Putin, destroys the Western alliance. Particularly active and influential of late, though, has been a group of lesser-known activists and organizations headquartered in Washington, DC. This network includes the Heritage Foundation, with its now notorious Project 2025, overseen by a former academic and educator named Kevin Roberts, in combination with one of the foundation’s chief benefactors, Roberts’s fellow ultra-conservative Roman Catholic, Leonard Leo of the Federalist Society. 

    Around the time that Joe Biden abandoned his re-election bid, Democrats began pointing to Project 2025 as a detailed blueprint for a right-wing takeover of the federal government, which it is. Yet that document only begins to describe the intentions of the network from which it came, hedged and euphemized in accordance with what Roberts has called, in a fine Orwellian locution, a strategy of “radical incrementalism.” In fact, these reactionaries have in mind the destruction of the existing American legal and political order, which they demonize as the “deep state” or the “administrative state.” They hope to replace it with a second American republic, a Christian Nation, led by a president who, though elected, would rule like an unchecked overlord or caudillo. Come the coup’s completion, the nation will be secure within its own militarized borders, dedicated to traditional hierarchical values, patriarchal in its suppression of women’s rights, and hostile to secular liberalism, let alone to the American version of social democracy, inserting a highly sectarian and reactionary version of Christianity as the core of its national identity.

    Trump’s return to the White House is essential to the success of this upheaval. Toward that end, especially as the coup has picked up speed this past year, the reactionaries have achieved a great deal. 

    Trump’s major contribution to the coup since leaving office has been to continue to demonize the rule of law and rattle the criminal justice system while creating an atmosphere of surly intimidation that delights and incites his followers. Pinned down by the legal consequences of January 6, by a federal indictment over the theft and concealment of top secret government files, and by felony convictions in New York about falsifying business records to hide campaign-related hush money payments, not to mention allegations of rape and defamation, massive fraud in his real-estate dealings, and election interference in Georgia in 2020 — the man has quite a rap sheet — Trump has been unrelenting in his vicious personal attacks, singling out judges, witnesses, even court clerks, along with the Department of Justice and the FBI, which he regularly targeted while president. “The DOJ and FBI are destroying the lives of so many Great American Patriots, right before our very eyes,” Trump posted on his Truth Social platform when four members of the neo-fascist anti-Semitic Proud Boys were convicted of seditious conspiracy in connection with January 6. “GET SMART AMERICA, THEY ARE COMING AFTER YOU!!!” 

    But he has saved his nastiest outbursts for his own legal proceedings. Between March 1 and April 30 of this year, according to a Reuters report, Trump posted at least one hundred and twenty-nine attacks on Truth Social against judges handling his various cases, either in his own words or in repostings of supporters. He was especially voluble about New York County Supreme Court Justice Juan Merchan, who oversaw his hush money trial and whom he accused of running a “kangaroo court” as the “corrupt” and “highly conflicted” tool of the Biden administration. When not going after the justice, he attacked Merchan’s daughter. “It’s clearly strategic,” former White House lawyer turned Trump critic Ty Cobb remarked. “His attacks are designed around his traditional approach to delegitimizing the proceedings.”

    The strategy did nothing to spare Trump from conviction on thirty-four felony counts in Justice Merchan’s court, but it paid off in rousing his supporters. For them, Trump’s contempt for the law and its institutions is only a sign of his independence and courage and all-around badassness. “The judge must be arrested the minute Trump is inaugurated!” “Gallows!!! For Traitors!!!,” “Needs to be strangled with piano wire before he makes it to the hangman!”: in March and April, at least one hundred and fifty-two posts on three leading pro-Trump sites called for beating or killing Merchan and two of the other judges overseeing Trump cases, alongside hundreds more hostile or menacing messages that stopped short of direct appeals for violence. Bolder MAGAites, swept up in the atmosphere of violent intimidation, directly threatened Trump’s targets, including harassing calls and emailed death threats that required beefed-up security and official gag orders, the latter of which Trump, the perpetrator forever playing the victim, called violations of his rights to free speech.

    Meanwhile, a broader MAGA campaign against the rule of law has chilled the federal courts, where hundreds of accused January 6 insurrectionists — if that was not an insurrection, what is? — have stood trial over the last two years. According to the U.S Marshal’s Service, between 2021 and 2023 the number of threats directed specifically at federal judges and deemed serious enough to investigate more than doubled, from two hundred and twenty-four to four hundred and fifty-seven. “Donald Trump set the stage,” the retired Chief Justice of the Ohio Supreme Court Maureen O’Connor, a Republican, observed, saying that “by his actions and words,” Trump gave his followers permission to attack individual judges and the entire judiciary. “I could not believe how many death threats I got,” U.S. District Judge Royce Lamberth, appointed to the federal bench in 1987 by Ronald Reagan, recalled, once he began hearing January 6 cases. Attacked on MAGA websites as part of the “deep state” conspiracy to destroy Trump and his supporters, Lamberth and his colleagues had to take the threats seriously. “We had never even contemplated that one of us could get killed on this job,” he said. This was not paranoia. It was prudence.

    While Trump has incited his base, his devotees in Congress — now led by House Speaker Mike Johnson, a co-conspirator in the effort to overturn the 2020 election including the January 6th insurrection — have conducted their own attacks on the rule of law. A prime example has been the work of Jim Jordan’s weaponization subcommittee, its existence a concession that right-wing hardliners in the House extracted from the craven then-Speaker Kevin McCarthy in 2023 in order to secure his short-lived position. Stocked with such scorched-earth grandstanders as Matt Gaetz, Elise Stefanik, and Darrell Issa along with Chairman Jordan, it too has played its part to advance the coup by doing precisely what they accuse the federal government of doing. 

    The committee’s unstated purpose is an exercise in doublethink: to weaponize congressional authority and harass government agencies and officers of the court whom Jordan and his colleagues, without a shred of evidence, accuse of selectively tormenting right-wing Republicans while protecting their wicked globalist Democrat puppet masters. Jordan himself was a co-conspirator in Trump’s January 6 plot. Witnesses such as Senators Chuck Grassley and Ron Johnson, both of whom were complicit in the fake elector scheme to overturn the election, have rehashed in sworn testimony all the bogus allegations surrounding Hillary Clinton’s email server, Robert Mueller’s Trump-Russia investigation, and Hunter Biden’s Burisma ties. Sweeping promises by Jordan about “dozens and dozens” of FBI whistleblowers stepping forward to expose the evildoers consisted of three disgruntled witnesses with little to offer besides additional insubstantial conspiracy theories. One witness, Alexander Smirnov, was arrested and indicted for fabricating a false story he retailed to the FBI. According to David Weiss, the Department of Justice special counsel in the Hunter Biden case, Smirnov, the son of a Russian intelligence officer, is a Russian asset. 

    Unfazed at being exposed as the useful idiot of a Russian intelligence operation, Jordan has doubled down, casting about for malefactors and corroborators, accusing the FBI of unjustly pursuing known January 6 participants, and finally commanding prosecutors of Trump’s cases in Atlanta and New York to turn over all their records, because “your actions raise serious concerns about whether they are politically motivated.” Nothing more has come of his stunts, but his committee is still at it, calling experts like the bombastic lawyer Robert Costello — whose testimony as the star defense witness in Trump’s hush money trial backfired, helping to assure Trump’s conviction — to expound on what right-wingers dub “lawfare,” that is, the Deep State’s supposed tactics “to weaponize the rule of law” against Trump and his accomplices. “Lawfare” has emerged as one of the MAGA era’s contributions to American political language. 

    Foolishly revealing his own political motivation, Jordan let it slip early on that he thought his investigations and others would “help frame up the 2024 race, when I hope and I think President Trump is going to run again. And we need to make sure that he wins.” As with so much else in Trump world, meanwhile, the charges about the abuse of power are projections of how Trump and his co-conspirators attempted systematically to abuse his office. According to sworn testimony, Trump, while president, pressed for prosecutions of his political enemies while undercutting prosecutions of his allies. He fired inspectors general inside executive agencies whom he feared were threats. He even tried to shake down the Ukrainian president, Volodimyr Zelensky, to manufacture dirt against Joe Biden and his family in exchange for desperately needed Stinger missiles, a gambit which led to Trump’s first impeachment. Yet Jordan and his colleagues at the time either denied there was any wrongdoing or defended the outrages as legitimate exercises of presidential power. 

    In their shamelessness as well as empty shapelessness, Jordan and the weaponization committee have shown how far House Republicans are willing to go to substitute the rule of Trump for the rule of law. And though sloppy in execution, Jordan and his colleagues, if only by raising a stink, have done their bit to turn Trump’s followers virulently against their own government, the better to overthrow that government. Anyone who doubts that this is the ultimate goal has only to inquire not just into Project 2025 but also into the reactionary matrix from which it springs.

    Forty years ago, the Heritage Foundation was the chief think tank of the right-wing edge of Ronald Reagan conservatism, advocating hundreds of policy recommendations that included cutting personal income tax rates, massively increasing defense spending, and ending affirmative action. Heritage then became the home of Newt Gingrich’s more radical and nihilistic version of Reagan Republicanism. Today the Heritage Foundation has turbo-charged its radicalization, becoming the engine of the right-wing extremism that has made Donald Trump its instrument, advocating hundreds of recommendations that would dismantle the federal government as we know it, centralize power in the executive branch, and, in the name of “religious liberty,” impose Christian Nationalist doctrine as the supposed foundation of American politics and law. 

    “Americans in 2024 are in the process of carrying out the Second American Revolution,” Heritage’s president Kevin Roberts proclaims, all to overthrow “a corrupt ruling class.” Whereas Reagan wanted to limit government’s purview, Roberts wants to destroy the entire federal government that we have, the product of a century and more of admirable reform, and replace it with an army of right-wing Christian ideologues. Then, to exert its power as fully as possible, he — and Trump — want to construct mass detention camps prior to deporting eleven million undocumented immigrants, all under the command of an unrestrained leader who embodies the nation’s will and who won’t have to “second guess, triple guess every decision.” Much as Trump says, menacingly, that he will accept the election results so long as they are honest, Roberts says the second revolution will be bloodless — “if the left allows it to be.” 

    These threats are not frivolous. Heritage’s Project 2025 — contributed to by more than one hundred conservative and right-wing organizations, its contributors including at least one hundred and forty former Trump administration officials or associates, with Paul Dans, Trump’s former chief of staff for the Office of Personnel Management, serving as project director — has been in the works for a long time. (The document’s all-important Chapter Two, on the consolidation of executive power, came from Russell Vought, the Christian Nationalist director of Trump’s Office of Management and Budget and policy director of the 2024 Republican platform committee.) Project 2025 is in part a policy agenda and in part a field manual for turning the federal government into a bastion of right-wing power, a politicized enforcer of ultra-conservative social and cultural values. 

    “I have no idea who is behind it,” Trump lied, preposterously, when, around the time Joe Biden withdrew from the race, the public began becoming aware of what was in Project 2025. “I have nothing to do with them.” In fact campaign officials acknowledged that Project 2025 “aligns well with their ‘Agenda 47’ program.” But the project was becoming so big a problem that at end of July, Trump senior adviser Susan Wiles and campaign strategist Chris LaCivita, in an obvious panic, furiously disowned it, with LaCivita warning that people involved in Project 2025 would be barred from a second Trump administration. According to the Washington Post, while Kevin Roberts tried telling people in private “that the storm will blow over,” Heritage staffers, their dreams of cushy Trump administration jobs crashing, immediately started jumping ship. In early August, as the Trump campaign was flailing against the phenomenon of the Harris campaign, the publication of the plan as a book called Dawn’s Early Light, with a preface by J.D. Vance, was postponed until after the election. 

     The panic caused a predicament for the Trump tacticians, at least momentarily. Unless such major Trump figures as Dans, Vought, Peter Navarro and Tom Homan were now to be blackballed as well as Stephen Miller (who risibly tried to deny any connection when his American First Legal group was a participating organization in compiling the project report), LaCivita’s threat was empty. Anyone disgraced now could easily be reinstated after a Trump victory. More important, given the enormous overlap between Project 2025 and the Trump forces’ program, as outlined in Agenda 47 and other public statements, there was no way that the Trump forces could renounce it without renouncing its own campaign. Unless and until that happens, there is no reason to regard Project 2025 as anything other than what it is, the most detailed statement by dozens of Trump’s own key policymakers about what they intend to do if he and they are returned to the White House. 

    Some of Project 2025’s most alarming proposals — forcibly detaining and deporting those millions of undocumented immigrants, abolishing the Department of Education and the National Oceanographic and Atmospheric Administration, and using the Comstock Act of 1872 to restrict access to contraception as well as abortion pills — have received enormous attention. Even so, there’s much more there than at first meets the eye, all of it in keeping with the Trump campaign’s official pronouncements. 

    When it returns to familiar conservative policy priorities, the project may seem to be treading familiar ground, but it is in fact much more radical. Its proposals “to promote prosperity,” for example, predictably amount to slashing income and corporate taxes even beyond Trump’s windfall for the wealthy in 2017. But rather than skew tax rates even more heavily in favor of the wealthiest Americans, in Reaganite fashion, Project 2025 would take a sledgehammer to the federal tax system itself, replacing the current code with two flat rates of fifteen percent and thirty percent — a giant leap toward eradicating what has been a cornerstone of modern government for more than a century. Meanwhile, Project 2025 would sustain the vastly reduced maximum rates for capital gains, estate, and gift taxes enacted as part of the 2017 overhaul but due to expire in 2025; a regressive national consumption tax, however, would be very much on the table. Trump, on his own hook, has suggested replacing federal income taxes altogether with an “all tariff policy,” which would take us back to the 1890s and a protectionism so disastrous to consumers that even its main proponent, President William McKinley, eventually disowned it.

    The Project’s better-known policy proposals also reach far deeper than the most spectacular examples alone suggest. The Project hardly stops, for example, at the detention and deportation of millions of undocumented immigrants, in step with what Trump advisers like Stephen Miller have indicated they will do. Combing through the boilerplate and fine print, the careful reader finds that the Project also recommends potentially terminating the legal status of half a million immigrants settled under deferred action for childhood arrivals, suspending application intake for large categories of legal immigrants, barring U.S. citizens from receiving federal housing assistance if they reside with anyone who is not a citizens or permanent legal resident, compelling states to share driver’s licenses and tax information with federal agencies at the risk of losing vital funding, and more. In all, as the Reaganite conservative Niskansen Center acidly and correctly observes, the Project “aims to demolish the American immigration system, coerce states and localities into cooperating with administrative schemes and intimidate immigrants present in the United States.”

    Properly decoded, meanwhile, the Project’s language connotes specifically Christian Nationalist objectives invisible to most readers but that profoundly enlarge its scope, as Andra Watkins has pointed out in Salon. Taking a single example among several, one of the Project’s most forceful passages reads: 

     Pornography should be outlawed. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered.

    Most readers would understand this as an appeal to wipe out Pornhub and similar smut sites, and the proposal would appear to be problematic mainly to First Amendment defenders. But “pornography” has many meanings. Speaker Mike Johnson has described homosexuality as pornography. Outraged parents have demanded, as in one Florida school, that reproductions of Michelangelo’s David are pornographic and must be banned from classrooms. Are teachers who introduce their students to Renaissance art to be registered as sex offenders? Should writers and publishers and filmmakers who depict homosexual themes be imprisoned? In 2024 these are not unreasonable questions. 

    The heart of the Project, however, is not about changing policy, it is about changing the basic structure of our political institutions, most notably the presidency. Addressing a student civics summit sponsored by the right-wing outfit Turning Point USA in 2019, Trump offered a lesson on the Constitution in which he remarked, notoriously, “I have an Article II, where I have the right to do anything I want as president.” When Richard Nixon said nearly the same fifty years ago after the Watergate scandal — “Well, when the president does it, that means it is not illegal” — it sealed his reputation as a failed would-be autocrat. Project 2025 would go a long way to enabling Trump to achieve what Nixon could not.

    The key proposed changes have now been widely discussed. Reviving an executive order Trump approved while in office but that Biden killed, some fifty thousand federal civil service jobs would be reclassified as political appointments, forcing current employees either to pledge unswerving loyalty to Trump and his policies or lose their jobs, to be replaced by Trump partisans. Thereafter the president would, in accord with a maximalist version of what is known as “unitary executive theory,” exercise absolute control over the executive branch. The government would operate, Russell Vought writes, on “the fundamental assumption that it is the President’s agenda that should matter to the departments and agencies that operate under his constitutional authority.” That is, the Justice Department, the FBI, the Treasury Department, the board of governors of the Federal Reserve, would all operate at the whim and in the interests of one person, the president, who will become an American duce

    This enormous expansion of presidential power is driven by the same presumptions that animate the coup at large, above all the need to destroy a “deep state” that, in Vought’s view, which is widely shared on the right, is “increasingly weaponized against the public and a President who is elected by the people and empowered by the Constitution to govern.” The potential for tyrannical abuse by a corrupt president is, I hope, obvious. So long as a president controlled the Congress, the only check on his power would be the Supreme Court. But as the John Roberts Court proved in the 2023–2024 term, Trump would face no check at all. Indeed, this Court has presented Trump with unaccountable power beyond anything the Project 2025 collaborators could have imagined when they initially drafted their report. 

    To understand the character of the current Roberts Court requires returning to the same right-wing networks that generated Project 2025, and particularly to the formidable figure of Leonard Leo. Like Kevin Roberts, Leo is an ultra-traditionalist Roman Catholic, connected to the Opus Dei prelature represented in Washington by a group called the Catholic Information Center. He has dedicated his life to rooting out what he has called the “vile and immoral current-day barbarians, secularists, and bigots” who slander and defame people of faith and desecrate the divinely inspired “natural order.” Leo is the generalissimo of the Federalist Society and the overseer of a multi-billion-dollar dark money empire of right-wing institutions and shadow groups. From his position in the Federalist Society, he handpicked five of the six justices of the current Roberts Court majority, including the Chief Justice, while remaining a close associate of the sixth, Clarence Thomas. What by all rights might be more appropriately known at the Leo Court emerged in 2023–2024 as the coup’s most powerful ally.

    Relying on its bogus “originalist” or “textualist” method except (as ever) when it was inconvenient to do so, the Court made several audacious decisions in line with the hard right’s policy agenda. In Loper Bright v. Raimondo, the majority gutted the regulatory agencies and arrogantly enshrined the opinions of judges over the opinions of experts in the extremely technical matters of regulatory policy, notably as pertains to the protection of the health of the citizenry and the environment — a proud victory for ignorance that delivered to American corporations the relief from social responsibility (and its economic cost) that they sought. In Garland v. Cargill, the majority opinion by Justice Thomas followed strict textualist principles to decide that even the Trump administration had gone too far when, after a mass shooting in Las Vegas in 2017 that killed sixty people and wounded four hundred and thirteen, it ruled that attaching a bump stock turned a legal automatic rifle into an illegal machine gun. The chief text that Thomas employed, though, was neither the Constitution nor the relevant congressional debates, but firearms illustrations from an amicus brief supplied by the Firearms Protection Coalition Foundation, a right-wing Second Amendment lobbying group dedicated to “creating a world of maximal LIBERTY” that is “free from government coercion.”

    It was, however, the Roberts Court’s political decisions and its alterations of the Constitution itself that did the most to aid the coup. First, the Court deliberately delayed proceedings to insure that Trump would not face trial on serious federal charges stemming from January 6 until after the November elections, if ever. Then, in Trump v. Anderson, the majority nullified a crucial provision of the Fourteenth Amendment in order to rule that an adjudged insurrectionist is entitled to hold the office of President of the United States so long as he controls one house of Congress. And finally, in Trump v. United States, the Court held, with no textual basis whatsoever, that under our constitutional structure of separated powers, the nature of Presidential power entitles a former President to absolute immunity from criminal prosecution for actions within his conclusive and preclusive constitutional authority. And he is entitled to at least presumptive immunity from prosecution for all his official acts. 

    This jaw-dropping assertion was followed by this lame little sentence: “There is no immunity for unofficial acts.” Which of course will only have the effect of the Chief Executive’s lawyers inventing expedient new meanings for “official” and “unofficial.”

    It is difficult to imagine a more anti-American conception of political power than the one that the Court has recently made into law. This decision reversed nothing less than the reason for the American Revolution — that we do not live under kings, that power in America never be presumed above the law. It represents everything that George Washington despised, everything that James Madison and his far-seeing colleagues in Philadelphia toiled to spare us. This feverishly activist Court has done nothing less than enact authoritarianism into law, and it has done so with an authoritarian waiting in the wings, who happens to be the same authoritarian who appointed three of them for precisely the purpose of legitimating his fetish for power. Is this cynical? The cynicism is not in the interpretation but in the facts themselves. To think otherwise is to be played for a fool, and democrats, whose adversaries are always flourishing, must never be fools.

    The country faces, in sum, a critical emergency. It is so because Donald Trump’s apocalyptic plans and pronouncements, repeated emphatically and enthusiastically embraced by his supporters, make it so. The press corps and pundits that treat this as a normal election must constantly avoid Trump’s insistent refrains that it is not. Trump has declared he will stop at nothing to seize power, including unleashing violence. His closest advisors have offered a program for systematically destroying the federal government and replacing it with their vision of a Christian Nation. Trump has openly assured his followers that, if he wins, they need never vote again, that everything will be “fixed.” He warns that long-established institutions, men and women sworn to protect and defend the Constitution, have betrayed that trust — an “evil” Deep State that must be eradicated. Since January 6, Trump has been conducting war on the entire system of justice that has been attempting to hold his criminality to account. Historians have written a library on societies that have succumbed to cults of personality because decent people believed that it could not really happen. The historians’ questions have been: how could they not take the threats seriously? How could they let it happen? Well, then: how could we not have taken the threats seriously? How could we let it happen?

    Historians Killing History

    In the aftermath of the Hamas attacks of October 7, the subsequent congressional hearings with university presidents, and the encampments that followed, academia has once again found itself at the center of the culture wars, from which it rarely strays far. On one side, critics denounce universities for “wokeness,” while on the other side, defenders of universities condemn the anti-woke critics of reactionary politics and bad faith. These battle lines are tediously familiar to anyone who paid attention to the history wars, which had until October 7 formed the principal theater in the academic culture wars. The combatants are occupying the same lines of trenches from which they fought over the 1619 Project, the Florida AP African-American Studies standards, and so on. Behind the coils of rusting barbed wire, the front has scarcely budged.

    It is striking to me, as a somewhat rare creature — a military historian in civilian academia who has studied the work not only of Clausewitz but also of Foucault — how incomplete and self-serving are the arguments of both sides. But one need not know German military theory to appreciate that the narrow slits of pillboxes offer less than comprehensive views of reality. Nor need one know French critical theory to grasp that the tales people tell about themselves and their opponents do psychological work for them. Analyzing these tales requires attention to what they exclude as well as what they include. In all the hue and cry about the university, there has been virtual silence about the ostensibly unexciting subject of scholarly standards — those quaint things supposed to ensure that academics generate and communicate knowledge more rather than less rigorously. Instead, we have had a great deal of talk about ideology, or rather ideological corruption, by and about both academics and their critics. The driving question is not, “what is the evidence for your argument, and is it sufficient?” but “whose side are you on?” 

    Accusing each other of ideological corruption enables both sides to avoid reckoning with the collapse of scholarly standards in their own ranks. In effect, they have colluded to misdiagnose — or at best incompletely diagnose — the nature of the problem, and in a way that serves both their interests. To paraphrase the description of the Sirius Cybernetics Corporation’s products in the Hitchhiker’s Guide to the Galaxy, the superficial design flaw of ideology hides the fundamental design flaw of declining standards. 

    The indifference to scholarly standards should be evident to even casual observers of the academic culture wars. The late Harvard law professor Charles Fried justified his refusal to consider the accusations of plagiarism against Claudine Gay on the merits because of who was making them: they were part of an “extreme right-wing attack on elite institutions.” In strikingly similar language, the hedge-fund manager Bill Ackman refused to consider the accusations of plagiarism against his wife on the merits because they were part of “attacks on my family.” This is not the language of standards. This is the language of the bunker. 

    Likely less evident to the casual observer is the indifference to scholarly standards that has characterized the history wars in recent years, or the way in which shared silence about standards between ostensible opponents in the history wars anticipated the same shared silence in the academic culture wars more broadly. Too many historians, of varying ideological stripes, mimic the forms of scholarship without reproducing its substance. They make trips to archives, consult the secondary literature, and cite sources in footnotes, but their research lacks rigor and integrity. It is not scholarship, it is pseudo-scholarship. The intellectual incompetence — or dishonesty — of many critics of the historical profession simply mirrors that of a great deal of the profession itself. No wonder neither wants to look in the mirror: they would find their enemy, themselves, staring back out at them.

    Reframing the problem in terms of standards rather than ideology is important for three reasons. First, it provides the basis for a vital center in academia, which is needed there just as much as in politics. This center, if it is to be real and not merely a band-aid over differences, cannot be defined by a priori ideological commitments; it must be defined by reinforcing commitments to process — be it scholarly or liberal-democratic — and to human dignity. A call for “process” may not sound like an inspiring blast from a trumpet, but (as I have argued previously in these pages) process secures moral substance, to which the heart should thrill. It channels historians towards humanizing and away from dehumanizing the people they study; it encourages them to treat those who lived in the past as subjects to be understood as fully as possible, not as mere objects to be over-simplified and manipulated according to historians’ whims. Thus standards, which distinguish between more and less rigorous process, also distinguish between more and less humanistic substance. Not coincidentally, liberal democracy requires the same humanism.

    Second, thinking in terms of standards rather than ideology has implications for how we understand the directionality and the substance of the relationship between universities and politics in seeking to explain the dysfunctionality of both. One formulation has it that (left-wing) politics have corrupted universities; spaces that were once about the pursuit of objective truth have succumbed to the lure of pursuing ideological victory. Another, expressed by the statement that “we all live on campus now,” has it that universities have corrupted politics by leaking out dangerous (identitarian) ideologies. While these two formulations reverse the directionality, both see the substance of the transmission as ideological in character. Hence the transmission of low scholarly standards — the decline of the quality of evidence and argument — has also largely escaped notice and analysis.

    Doubtless this transmission in and out of the academic bubble goes in both directions. But the transmission from universities to the public deserves special scrutiny, because the public is not responsible for upholding scholarly standards the way universities are. In effect, the American people have delegated to universities the responsibility for generating reliable and methodologically proven knowledge, and for educating the public (especially its young) in the rigors of the scholarly process through publication and teaching. As the price for accepting that responsibility, academics have demanded certain rights and privileges — most importantly, academic freedom and tenure — which amount to sovereign exemptions from regular political accountability and market forces. Simply put, tenured academics enjoy a degree of economic security available to few others. By accepting payment in the form of these special rights and privileges, academics have accepted special responsibility for upholding scholarly standards in trust for society. If and when they betray this trust, they must take special responsibility for the collapse of scholarly standards in society at large. The rough comes with the smooth — and whether or not academics accept it in principle, it comes in practice. What happens on campus does not stay on campus. When academic disciplines debase themselves through an aversion to rigor, precision, complexity, and non-conformism, when they behave indifferently and even adversarially toward the apparatus of evidence and logic, we should expect the same debasement of public discourse; and we find it everywhere now. This is social accountability more pervasive than legislatures can conjure.

    Finally, reframing the problem in terms of standards rather than ideology makes visible the similarities between what has happened in academia and what has happened in other socially important institutions across the ideological spectrum. The police come to mind as a parallel. In return for promising to provide a public good — security — they too have claimed exemptions — “qualified immunity” — from normal political and economic accountability, while insisting on the right to hold everyone else to it. Rather than keeping their promise, they have too often failed to uphold standards internally. 

    My purpose in indicting this institutional degradation is not to endorse knee-jerk anti-institutionalism. We need institutions. But we also need those institutions to have the honesty and the self-confidence to look in the mirror and admit when they have behaved badly, no matter how badly their critics may be behaving. The resort instead to pointing the finger at outsiders is a terrible evasion, which goes far towards explaining America’s social and political dysfunction today.

    I do not propose to attempt a historical account of why and how pseudo-scholarship conquered the historical profession, its critics, and its defenders. Instead I want to try to offer a snapshot view of the historical profession as it exists today. No such view can be comprehensive; there are too many people to know and too many things to read. Mine is based on my experience over a dozen years since being inducted into the profession. Conversations with colleagues have made me believe that my observations are shared by others. I offer them on that basis. 

    The single most important aspect of the collapse of scholarly standards in the historical profession is the inability to distinguish between rigorous primary-source research and superficial primary-source research, especially archival research. Primary sources refer to sources produced by the people historians are studying (as distinct from secondary sources, which, as a rule of thumb, refer to sources produced by other historians). Primary-source research is supposed to be the heart of what historians do: it is the very basis of original knowledge about the past. Yet far too many dissertations and monographs contain far too little original research, instead offering clever ideas and new interpretations resting on slender and shallow primary-source bases. This is no surprise, since most doctoral programs in history offer little-to-no training in primary-source research. Indeed, there is now a generation of professors who cannot teach students how to do rigorous primary-source research because they never learned how to do it themselves.

    Perhaps the principal reason for this lack of training is that many historians regard research as easy and theory as hard. This is absurd. Primary-source research is a craft, and like other crafts it blends art and theory. If we loosely define “critical theory” as questioning everything that we think we know about the world as a potential attempt by powerful people to mislead us, then we might call good archival research applied critical theory. The reason is that good archival research is an exercise in examining the archives for what they are hiding and what they are missing. To do this, one must understand how archives are constructed and interpret sources in their archival context; one must not treat archives as existing in nature, or sources as possessing self-evident meanings independent of their archival contexts. The applied character of this critical theory tends to make its theory-ness invisible to historians socialized to expect theory in textual form.

    In addition to requiring theoretical sophistication, good archival research is a grind. If a particular archive is central to a historian’s research, then answering their questions should require months of research there and supplementary follow-up visits, as they realize that they merely skimmed key files because they had failed to understand the files’ potential relevance. This type of research is time consuming, difficult, and expensive. One may get lucky and have the help of a finding aid — or one may have to trawl through hundreds if not thousands of feet of uncatalogued boxes. One takes the tedium and the boredom along with the satisfaction and the pleasure because it really is the only way to develop a sense of a period and a subject, of the many roads not taken along with the few that were, of the universe of information that might once have existed. Without a sense of the whole, one cannot make arguments based on the parts that one has seen with appropriate qualification and precision.

    Too much of what passes for serious archival research these days is, to my eye, nothing of the sort. It is not the work of people who went to archives with a commitment to understanding their construction and a sense of excitement about learning new things. Instead it is the work of people who went to archives looking to anoint their argument with a few references for a patina of authenticity. Such historians chase trends more than proceeding from intellectual curiosity, tell tidy stories stripped of the messiness of real life, and produce the historical equivalent of fast fashion, which gets rewarded because the profession can no longer distinguish it from couture. It is a devastating indictment that the techniques of dumbing-down and appealing to emotion that are used to achieve social-media virality also help historians to achieve professional renown.

    The failure to master the craft of archival research leads to failures of what historians call “source criticism.” If a historian is interested in government policy, for instance, they need to understand that confining their research to the official records of the most central and highest-level bodies will not give them the same degree of insight as scholars who also take the trouble to consult the records of lower-level departments and other collections. Similarly, they have not done the same source criticism as another scholar if they order a photocopy or scan of a single document from a file cited by the other scholar and do not take the trouble to visit the archive to see the whole file. This is basic stuff, or it ought to be. It is appalling how many historians do not seem to understand these fundamentals.

    The inability of too many historians to distinguish between serious and superficial primary-source research is closely connected to what I would describe as functional historiographical illiteracy. My sense is that far too few historians today understand the difference between reading a book and reading in a book. When historians read a scholarly work, they should be reading, in the first instance, to try to understand what questions the author was trying to answer and why the author made the choices that they did. Readers may still end up disagreeing with the author’s answers or thinking that they made bad choices — but readers owe authors the courtesy of trying first to understand them on their own terms. Too many historians skip that step and default straight into criticism mode, especially if what they are reading conflicts with their existing views or their prior sense of how the world works. 

    I doubt that I am the only historian to have spent graduate school positively reveling in criticism mode. It filled my callow mind with such a sensation of power. But we are supposed to have such immaturity knocked out of us by strict yet compassionate supervisors, and by the process of writing a carefully researched dissertation and learning for ourselves how hard the scholarly craft is. If historians do not learn that lesson because they do not do careful research — if they approach their dissertation as a glorified think-piece and persist in believing that it is much easier to interpret the past authoritatively than it actually is — then they simply do not know how to read the same way as someone who has learned that lesson. They remain blind to the nuance and the qualification with which good scholars make their arguments, or they mistake these subtleties for unimportant details. They try to shoehorn into a conventional category a work that cannot be categorized because it is so original. They read in a book, looking for the key points and getting annoyed that the author did not package them conveniently. Oftentimes, I don’t think the ensuing misrepresentations of other scholars’ work reflect dishonesty — that is, deliberate misrepresentation — but incompetence. Many historians truly believe that their misrepresentations are fair and accurate.

    The collapse of standards for both primary- and secondary-source research has facilitated an epidemic of plagiarism. I am not talking about the classic form of plagiarism, which happens to be the easiest to spot: namely, the use of someone else’s words without quotation marks or citations. I am talking about the theft of ideas, which is softer and often more difficult to detect, because it requires a working knowledge of the relevant archives and an understanding of how the scholarly literature on a subject has developed over time. This type of plagiarism is sometimes camouflaged by citations to previous scholars on a relatively minor point of fact while the plagiarist makes off with their broader conceptual breakthrough — the phony attribution functions to cover up the theft. Another common form of plagiarism is source-mining. This is when historians use other scholars’ citations as a blueprint for their own archival research but fail to acknowledge their reliance on the prior work. The pioneers went to the trouble of slogging through box after (uncatalogued) box to find the out-of-the-way nuggets that the derivative historians glibly cited; the latter took a shortcut and pretended that they found those nuggets all on their own. 

    Peer review, which should have obstructed the collapse of standards and the spread of plagiarism, has done no such thing, because it, too, has broken down. Work that never should have survived peer review has been published on a large scale due to some form of corruption of the process — the reviewers were not competent, or they failed to take the responsibility seriously, or they waved the thing through because it was by a buddy of theirs. Too often, moreover, the rejection by conscientious peer reviewers of a manuscript as wholly unfit for publication does not prevent it from being published, but results in it being published in a different journal with only minor adjustments. The breakdown of peer review has led in turn to an erosion of brands that once might have provided the equivalent of a good housekeeping seal of approval. These days, publication by a “respected” journal or a “prestigious” university press is zero guarantee of quality. 

    The corruption of the process of peer review has been accompanied by the perversion of the norm of collegiality. Pretending that lousy research is good, misrepresenting the work of other historians, and so on ought to be understood as uncollegial behavior. But collegiality today seems to be understood as being a pleasant sort of person to have lunch with. In practice, it means going along to get along — hardly a recipe for scholarly excellence or integrity. In truth, collegiality isn’t about being “nice,” nor is it confined to the colleagues in front of one’s nose. It is about upholding standards on behalf of one’s colleagues across space and time. The scholarly college is an imagined community, with many members we do not know and will never even hear of, some of whom have died and others of whom have not yet been born. Collegiality means honoring one’s obligations to the entire scholarly college, and by doing so, establishing the college’s moral right to make claims on relatively scarce public resources. We are not entitled to a living as historians; tax-payers and tuition-payers do not owe us their money. We have to make a case that we are worthy of their investment, and the bare minimum for making that case is maintaining the standards that set us apart from lay historians, that is, the public. Those standards are what preserve the value of our credential, which is held by individuals as part of a collective trust. When individuals debase the credential, they harm their colleagues.

    Although more could be added, this is sufficient to indicate what a standards-centered, rather than ideology-centered, critique of the historical profession would look like, as well as to enable readers to spot analogues in their institutions and recognize that what has happened in mine belongs to a broader pattern in American society. This critique is not an endorsement of anti-intellectualism. On the contrary. Genuine scholarly expertise — which, by its nature, is hard-won, valuable, and limited — still exists, and it deserves to be defended. My point is that it needs to be defended inside the profession as well as outside it. When we ourselves value expertise so little that we no longer recognize it in our own ranks, uphold it through peer review, or protect it with a properly defined norm of collegiality, we do not deserve that our defenses of it be taken seriously by the rest of society. 

    Perhaps the strongest evidence that the professional blight I have just described is symptomatic of a collapse of scholarly standards, rather than of ideological capture, is the fact that two groups of historians often constructed — both inside and outside the profession — as ideological opposites share the same scholarly infirmities. Call it the horseshoe of scholarly incompetence.

    On the one hand, there are traditional military and diplomatic historians. Broadly speaking, they see themselves, and are seen by others, as continuing to study old topics (hard power, high politics, dead white men, and so on) using old methods of archival research. On the other hand, there are non-traditional historians of race, gender, and sexuality, who see themselves, and are seen by others, as studying new topics (knowledge production, the personal as political, historically marginalized groups, and so on) using new methods of critical theory. The methodological commitments of the two types are understood to imply corresponding ideological commitments, and vice-versa: “traditional” history is coded as conservative or politically right-of-center (for its defenders: hard, manly, substantial, tangible), while “woke” history is coded as progressive or politically left-of-center (for its critics: soft, effete, flimsy, intangible). Of course this dichotomy is an over-simplification, but it is one that I think many historians would recognize, however grudgingly.

    Historians and their allies in these two camps have inverse grievances about each other, which are discouragingly similar to those of Americans fighting the culture wars.  “Traditional” historians believe that “woke” historians regard them as knuckle-dragging fascists — dismissing them as methodologically unsophisticated on spurious ideological grounds. “Woke” historians believe that “traditional” historians regard their work as faddish and jargony left-wing activism — dismissing them as methodologically pseudo-sophisticated on spurious ideological grounds. Of course, framing the other as ideologically motivated does ideological work for each, implying that they are more objective than their opponents. 

    This ideological framing excludes a great deal of inconvenient evidence. For one thing, as we have seen, rigorous archival research is an exercise in applied critical theory — the two are not binary opposites. For another thing, anyone who has read the ninth chapter of That Noble Dream, Peter Novick’s classic history of the historical profession, or paid attention to the “new right” in the United States today, knows that the politics of critical theory, postmodernism, relativism, or whatever one wants to call it are protean, not inherently left-wing. Conversely, anyone who got whiplash from watching left-wing historians who yesterday had denied the possibility of objectivity today insisting on “facts” as against the Trump administration’s endorsement of “alternative facts,” or who sees the tensions between the Marxian left and the Foucauldian left, knows that materialism and canons of proof are not inherently right-wing. Epistemological conservatism and political conservatism are not linked as tightly today as they were during the culture wars of the 1990s.

    No less important, the “traditional” fields of diplomatic and military history most often championed by the political right and the methodological conservatives suffer from exactly the same type of scholarly weaknesses as they accuse the non-traditional fields of having. Where an identitarian historian sniffs at archival research as the fetishization of documents, a diplomatic historian who had lunch at several archives in several countries now claims expertise in all. Where an identitarian historian began their academic journey as one of the ninety-two percent of undergraduate students in women’s, gender, and sexuality studies at Yale to get A’s, a military historian got their doctorate from a war/strategic studies degree mill. Where an identitarian historian seeks contemporary relevance by reducing the complexity of the past into a tale of white supremacy, a diplomatic historian seeks the same relevance by reading the past backwards through today’s foreign policy categories—and both twist the historical evidence to conform to their present-day agenda. I could go on. And if you think that diplomatic and military historians do not plagiarize, fake their footnotes, and wave their buddies’ lousy work through peer review, then I have an exciting time-share opportunity on a river in Egypt that I’d like to discuss with you. 

    In other words, as in the broader culture wars, each side of the history wars accuses the other of behavior of which it itself is guilty. Seeing themselves and encouraging others to see them as opposites distracts attention from what they share. Much as the MAGA right and the identitarian left betray a lack of commitment to liberal values, so the supposedly opposite methodological and ideological poles of the historical profession betray a lack of commitment to scholarly standards. 

    In the historical profession, as in a liberal democracy, there must be a single set of standards that applies against all comers. If historians’ left-wing ideological commitments lead to better scholarship than that produced by historians with right-wing views — as was the case with so much women’s, African-American, and working-class history in the 1950s and 1960s — then great. If historians’ right-wing commitments lead to better scholarship than that produced by historians with left-wing commitments, then great. Ideological commitments do not delegitimate scholarship, but they do not legitimate it either. Scholarship must stand or fall on its own, according to professional standards of originality and importance, evidence and argument, much as citizens are entitled to due process regardless of their political beliefs. If “woke” history does not meet those standards, then it is bad scholarship. If “traditional” history does not meet those standards, then it is bad scholarship. 

    By all means criticize bad scholarship. But spare us the pretense that any one field or ideology has a monopoly on it. Just as right-wing illiberalism cannot provide a remedy to left-wing illiberalism (or vice-versa), so “traditional” diplomatic and military history cannot provide a remedy to the very real quality-control problems in “woke” history until it addresses its own equally serious quality control-problems (or vice-versa). Would that the problem of the historical profession was “merely” one of left-wing bias! It is much worse than that.

     

    To explain why their profession and universities more broadly are under attack, historians seem to have read Richard Hofstadter on the paranoid style as a how-to guide rather than as an explanatory analysis. They have produced a whole genre of literature blaming exogenous forces beyond their control — notably “neoliberalism” and the Republican Party — for the ills that beset them: fewer college students majoring in history, fewer economically secure jobs for newly minted PhDs in history, the redirection by states and donors of financial support away from the “useless” humanities and towards the “useful” STEM disciplines. If the profession dies, they want the world to know, it was murdered.

    There is considerable evidence to support such a narrative. The neoliberal drive to impose market discipline and market values on universities has indeed done enormous damage to academia. It is also true that many Republican politicians are not operating in good faith and propose “cures” that would be no better than the disease. But the murder narrative is incomplete and self-serving — as would be obvious to historians if they were examining anyone but themselves. Every institution facing criticism dismisses its critics as bad-faith hostile outsiders. It is what police departments do when summary executions of black people provoke accusations of racism. It is what the Trumpified Republican Party does when people with eyes and ears accuse it of gross hypocrisy. Institutions like to blame exogenous forces beyond their control for their problems because it enables them to avoid grappling with their own culpability for endogenous forces within their control. Consciences rest easier with a narrative of murder than with a narrative of suicide.

    It does not relieve illiberal critics of the historical profession (and of universities more broadly) of their culpability for murder to insist that the profession’s death is also a suicide. The critics must take responsibility for their misconduct; historians must take responsibility for ours. Neoliberalism does not force us to mistake bad work for good. A vast right-wing conspiracy does not make us hire our cronies from graduate school over better scholars. We have done that to ourselves. Like many of our critics, we are not going to be worthy of public trust until we admit this. Nothing better illustrates our transformation into a profession of pseudo-scholars than our institutional unwillingness to do so. 

    It is little short of a tragedy for the United States that universities have failed to uphold scholarly standards, which mandate the rejection of a bunker mentality. The “no enemies to the left” mentality, like its counterpart on the right, is neither scholarly nor humanistic nor democratic. It is unreflective, inhumane, and authoritarian. Scholarly standards, like liberal-democratic standards, do not come with a two-wrongs-make-a-right exception. Instead of upholding standards, universities are leading the way for other socially important institutions to excuse the abandonment of them. 

    For any institution, the right to self-governance and the obligation to self-govern are flip sides of the bargain struck with the public: the obligation is the fiduciary responsibility that an institution owes the public in return for the public respecting its autonomy. Academic freedom and tenure exist to protect academics from being policed by outsiders according to non-scholarly standards. They do not exist to relieve academics of the obligation to police ourselves according to scholarly standards. If we default on our obligation to govern ourselves, then we lose the moral high ground to complain when outsiders try to govern us.

    When institutions fail to hold themselves accountable, as mine and so many others have, Americans have every right to be angry. Speaking both as a citizen and as a member of an institution, I hope they channel their anger into a determination to make their institutions better and more faithful servants of the public good — not into a determination to destroy their institutions, or to transform corrupt institutions dominated by one political ideology into corrupt institutions dominated by a different political ideology. Such a reform campaign, conducted with the maturity befitting a free people, would require Americans across the political spectrum to examine their own attraction to pseudo-scholarly thinking. If they do not, their republic may disappear into a past with no institution left to study it. 

    On the Envelope

    Act One: Berlin and Prague

    Immanuelkirchstrasse 29 is a short walk from my house in Berlin. The five-story corner apartment went up in the early years of the twentieth century, when Prenzlauer Berg was a mixed-class district of workers and upwardly mobile Jewish immigrants. Like most buildings in the neighborhood, the façade suffered damage in the Second World War and was neglected during the four decades it stood in the capital of the German Democratic Republic. It has since been immaculately restored, with a fresh coat of cream paint and a new set of angel-faced mascarons above the turquoise window sills. There is a decent trattoria on the ground floor as well as a wine bar with outside seating where it is pleasant to sip Silvaner and wile away an endless July afternoon, yet there is no plaque near the entrance that would inform passersby that the building was once the site of one of the more remarkable episodes in the history of the German postal service.

    It was here that Fraulein Felice Bauer, a valued employee of Carl Lindström Inc., received or read hundreds of letters, postcards, and telegrams sent to her by Dr. Franz Kafka, a civil servant at the Worker’s Accident Insurance Institute of the Kingdom of Bohemia and a partner in the asbestos factory owned by his family. The two met on August 13, 1912 at the home of their mutual acquaintance, the novelist Max Brod. Bauer was on the first leg of a vacation through the Austro-Hungarian empire, and decided to pay a call on her distant relative in Prague. An anxious and vacillating Kafka was there to get some advice from his successful literary friend about the selection and arrangement of short stories for his debut collection, Meditation. That evening Kafka and Bauer spoke about their mutual interest in Yiddish theater, looked at photos of the trip that he and Brod had taken to Goethe’s house in Weimar a few months before, and shook hands on an audacious plan, never to be realized, to visit Palestine together. When it came to an end, Kafka volunteered to walk the visitor from Berlin back to her hotel. The next morning, she continued on to Budapest and Meditation went off to the Rowohlt publishing house in Lepizig.

    The first snowflake of what Kafka’s biographer Rainer Stach calls a “paper avalanche,” written with a typewriter on Worker’s Accident Insurance Institute letterhead, arrived at Bauer’s office on September 20. Two days later, lightning struck. Over the course of a single evening at his desk in the tiny, cold bedroom of his family home, Kafka produced “The Judgment.” Georg Bendemann, the protagonist of “The Judgment,” is a young businessman who would like to write a letter to his old friend in St. Petersburg announcing his wedding to Frieda Brandenfeld — note the initials — but is foiled by the unexpected outburst of the grotesque and soiled patriarch he keeps locked away in a dank adjoining room. The story, which later appeared with the dedication “For F,” bears, for the first time, many of the disquieting elements of the sensibility we now call “Kafkaesque.” Its author, who was almost never satisfied with his work, was pleased with the result, and considered the ecstatic process that had given birth to it to be the epitome of the writing experience. Within a week, he had the vision of the sword-wielding Statue of Liberty that would open “The Stoker” — the first chapter of The Man Who Disappeared — and had tracked down Bauer’s home address.

    During their doomed five-year-long courtship, in which they met in person only a handful of times and were engaged twice, Kafka wrote the majority of the fiction for which he is now famous: further chapters of The Man Who Disappeared, “The Metamorphosis,” the unfinished novel The Trial, the first draft of “In the Penal Colony,” and other stories such as “The Hunter Gracchus,” “The Great Wall of China,” “A Report to the Academy,” and “A Country Doctor.” In maintaining a romantic correspondence that intersected with his literary activities, he was far from unique. (Like many writers, he also kept a diary.) What distinguishes the five hundred and eleven pieces of mail that would one day be collected under the title Letters to Felice — the longest book he ever wrote — was, as media theorists such as Friedrich Kittler and Bernhard Siegert have argued, his peculiar relationship to the postal service.

    In the century before the House of Thurn and Taxis decided to grant the celebrity author of the epistolary novel The Sorrows of Young Werther and his adoring fans free use of their postal system as a promotional strategy, letters were primarily tools for communicating information across greater or lesser distances. Guidebooks offered templates that letter-writers could consult for the proper formulae for every sentence from a salutation to a valediction, for every situation to addressees of every social status. As literacy increased, as carriage routes were replaced by railway lines, and as postcards and telegrams were introduced into circulation, the volume of written communication skyrocketed. Parallel to these developments, letter-writers began to adopt an individualized and creative attitude toward the practice; epistolary exchange regularly came to include introspection and self-fashioning alongside the conduct of business and the transfer of intimate sentiments. Siegert quotes Clemens Brentano’s letter to his sister, Bettina von Arnim, one of Goethe’s correspondents, to this effect: “The writer must at the same time write to himself, since he must become acquainted with himself through the letter…in letters you look into the mirror of your soul…” 

    For male authors of the Romantic and post-Romantic periods, female correspondents — figured as some combination of Mother, Lover, and Nature — were the preferred relay points for making their own acquaintances. And writer or not, what man, in this new mass-republic of letters, didn’t secretly fancy himself, as Siegert puts it, a “miniature Goethe”? No doubt a similar notion was rippling through Kafka’s unconscious when, pondering his brief flirtation with the sixteen-year-old daughter of the custodian of the Goethe House in Weimar, he asked Brod if he thought it was true that one could “bind a girl to oneself with writing.” In the summer before he met Felice, he was a cage in search of a bird.

    With Bauer, however, he was dealing with an entirely different order of addressee. Bauer had been hired in 1909 by Carl Lindström Inc., Germany’s leading producer and distributor of phonographic machinery and office equipment, as a typist — or “typewriter,” as members of the profession were sometimes called, the worker being metonymically identified with her machine. By the time she met Kafka, she had risen up the ranks of the sales division and been entrusted with power of attorney to sign contracts on behalf of the company. She represented Lindström’s latest products — such as the Parlophone, a gramophone, and the Parlograph, a dictation device — at trade fairs across Germany. When the company wanted to advertise the Parlograph to potential customers, they created a flipbook, a precursor to the film reel, in which a bound series of photographs could be flipped through with the thumb, providing the illusion of movement. The photographs showed a typist in headphones demonstrating the use of the machine. The model they chose was Felice Bauer. 

    Bauer was thus a member of two historical vanguards. Not only was she in the first generation of female employees in white-collar settings, she was also working at the epicenter of technological media, which would shake the foundations of communication, including the part of it we call modern literature. (The aftershocks would reverberate for another fifty years. Lindström’s in-house label, which distributed the jazz and tango records Bauer liked to dance to, would expand into the British market a few months before Kafka’s death in 1924. Only two years after Bauer herself died and was buried alongside her husband, the banker Moritz Marasse, in the Angelus Rosedale Cemetery in downtown Los Angeles, not far from where I grew up, Parlophone scored its most enduring success when the A&R man and producer George Martin signed a Liverpool-based rock outfit whose name would certainly have raised the eyebrow of the author of “The Metamorphosis.” “P.S. I Love You,” the letter-themed B-Side to their debut single “Love Me Do,” was a post-script in more ways than one.) 

    To “bind” a modern woman like Bauer required more than technologies such as pen, ink, stationary, envelopes, and stamps; it required Kafka to integrate himself into the circuits of a communications network whose complexity would have overwhelmed a writer of Goethe’s era. Like a seasoned logistician, Kafka coordinated multiple timetables down to the minute. He coordinated collection times in Prague with delivery times in Berlin—not failing to account for variations for express mail, regular mail, postcards, and telegrams, as well as for weekday and Sunday service. Then he coordinated delivery times in Berlin with Bauer’s estimated arrival and departure times to and from home and office — not failing to account for all the potential intermediaries inside both buildings, and what he did or did not want to risk each of them seeing. (Bauer’s family and co-workers, as well as anonymous postal officials, loomed large in his imagination: he reports a dream in which the arms of the Prague postman who delivers Felice’s letters become the pistons of a steam engine.) In the earliest, most intense phase of their correspondence, between October 1912 and March 1913, when the Bauers left Immanuelkirchstrasse for a more upscale address in the western part of the city, messages traveled from Prague to Berlin several times a day. Some were letters of up to twelve pages long, which Kafka divided between several envelopes and mailed simultaneously to different locations so that Bauer would receive the contents in installments as she went about her business. 

    In one of them, he expressed his ambivalence about the products sold by her employer, envisioning a scenario, all too familiar to us today, in which a Parlograph in Prague carries on a telephone conversation with a gramophone in Berlin —machines communicating in the absence of human beings. Yet wasn’t this the unintended consequence, for himself at least, of his correspondence with Bauer? On the one-year anniversary of their meeting at Brod’s, Bauer had taken a sample of his handwriting to a graphologist, who detected “literary interests” in her newly minted fiancé. Kafka replied touchily: “I have no literary interests; I am made of literature; I am nothing else and cannot be anything else.” We should take him at his word, rather than gloss this as a Romantic declaration of his fidelity to his artistic vocation. Kafka had ceased to be a nineteenth-century subject embarked upon a literary project of epistolary self-knowledge; he had instead become a “machinic assemblage,” to use Deleuze and Guattari’s term, whose software was made of combinations of the alphabet, just as a computer was a machine whose software was made out of combinations of zeros and ones. The mirror of the soul that Brentano had once enjoyed peering into had been smashed; what remained of the self was a fragmented body, or if
    you like, a differential system for processing the networked shocks of modern life. When Kafka mailed the letter to Bauer he could not have known that both his engagement and the Archduke Franz Ferdinand each had less than a year to live. Their respective demises were to be followed by the first chapters of The Trial and “In the Penal Colony.”

    In Kafka’s most gruesome story, a European traveler to a remote tropical island is invited by an officer of the colony to witness a demonstration of a machine designed to torture and execute prisoners. As the officer explains to his visitor in their common language, French, the body of the condemned man is inserted face-down and strapped into the “apparatus,” a battery-powered “harrow” made of needles, which will tattoo, over the course of twelve hours, the condemned man’s “sentence” into his flesh, making him aware of it for the first time, and killing him in the process. The officer describes the working of the apparatus, built by the commandant who founded the penal colony (in German, frühere Kommandant — note the initials) with quasi-religious fervor. He claims that as the condemned “deciphers” his sentence — “Honor thy superiors!” — “with his wounds,” his face will radiate the beatific calm of enlightenment. Unfortunately, the apparatus has fallen out of favor with the colony’s new commandant, who regards it as barbaric. The new commandant has withheld the resources needed for its maintenance and repair, and is threatening to abolish the practice entirely. With his demonstration, the officer hopes to enlist the traveler in his mission to convince him to preserve this juridical “tradition.” When he fails, he takes the place of the condemned man in the apparatus, only for the rickety old machine to malfunction, botching the inscription of his sentence: “Be just!”

    If the literary sources for the story are Dostoevsky’s Crime and Punishment and Mirbeau’s The Torture Garden, credit for the idea of the apparatus itself is probably owed to Felice Bauer. In the early months of their courtship, she mailed him a “factory brochure,” which may have been, according to Siegert, the December 1912 issue of Phonographic Magazine, which contained an article about the distribution of gramophones to the French penal colony of New Caledonia. Siegert also points to the similarity between the Parlophone’s stylus and the needles of the apparatus, and notes that the officer compares the expression on the faces of the condemned to someone who is listening to speech (or music) rather than reading a text. Yet no less than in “The Judgment,” Deleuze and Guattari add, it is “impossible to conceive of [the apparatus] without it involving an epistolary aspect.” The envelope and the letter have long functioned as symbols of the body and the soul—the exterior and the interior, the visible and the invisible, the public and the private, the literal and the metaphorical, the letter of the law and its spirit. By revealing and applying judgment simultaneously, and by inscribing the judgment on the material envelope of human skin, the apparatus reverses these oppositions or collapses them outright. Just like Kafka, the men who are fed into the apparatus wind up being made of literature — that is, littera, letters — and nothing else. 

    When, for a short time, Kafka and Bauer renewed their engagement and their correspondence, he dispensed with the use of envelopes. The majority of the remainder of Kafka’s surviving messages to her are written on postcards watched over by the small blue, green, or red portraits of that whiskered old commandant, Franz Joseph I, whose death on November 21, 1916 took place shortly after a horrified public at a reading in Munich became the first people in the world to be exposed to “In the Penal Colony.” On that day, Kafka sent a postcard to Bauer. “I cannot let you, you of all people go on accusing me of selfishness,” he wrote on its exposed paper skin. “It does affect me deeply, because it is just.”

    Interlude: Buenos Aires

    Just as the court in The Trial is said to be “attracted” to Joseph K.’s guilt, criticism has been irresistibly drawn to the puzzlements of the Kafkaesque. Whether it is a plot point such as a traveling salesman who turns into a bug or an ape who gives a report to a scientific congress, whether it is a courtroom setting that opens onto a painter’s studio or a castle that becomes harder to find the closer one approaches, whether it is a defamiliarized folk-peasant or a defamiliarized Imperial Chinese setting, whether it is a character identified only by their function or with an incongruently biblical name or by a single initial, the seemingly fantastical elements of Kafka’s fiction intersect with the narrative expectations of realism at various points of tangency, opening up an area of undecidability that vibrates with intimations of the allegorical like a fata morgana.

    Take the apparatus of the penal colony. It is difficult, first of all, to tell how to locate it historically. Is it an atavism or a harbinger? A technological device put at the service of an archaic ritual, it combines, as we have seen, elements of orality and literacy in ways that do not neatly map onto the debate about tradition and progress carried out between the officer and the new commandant, who, for all his pieties about civilized punishment, is still running a penal colony. Since, like Joseph K, the condemned man is presumed to be guilty, the trial is dispensed with, while other features of the judicial process (charge, verdict, sentencing, punishment) are compressed by the apparatus into a single moment. The traveler remarks upon the fact that the condemned man remains ignorant of his crime, but even this concession to readerly expectations about the nature of the legal process turns out to be a case of sublime misdirection. What goes unremarked upon is that the “sentence” is not a sentence at all. It is not a statement of an offense (insubordination) or a statement of a punishment (death), but is instead a command, clearly modeled after the decalogue. The command is rendered impossible to fulfill by the apparatus itself, unless what it means to honor one’s superiors is to die in it, in which case it is not, properly speaking, a punishment, but a human sacrifice. 

    The officer’s reliability is similarly difficult to judge. We have good reason not to believe his claim that the condemned are able to decipher what is written on their bodies. When the traveler is shown samples of the old commandant’s handwriting with which the apparatus has been programmed, he finds it completely unintelligible. But neither can it be dismissed with any certainty: what he reports could simply be a feature of the fictional world Kafka has built, and not a matter of the character’s trustworthiness. In any case, it is he, not the condemned man, who ends up in the apparatus. Is his substitution for the condemned man, and the botched execution that follows, in which the traveler sees “no sign of the promised redemption” on the officer’s face, a proof of the fatal command to “be just,” or a refutation of it, or just a result of the traveler’s lack of expertise in noticing salient details? It seems as impossible to definitively answer this question — one of many raised by the story — as it is impossible to resist the desire to try.

    Stach dismisses “In the Penal Colony” as a “wind-up toy…beloved of literary critics.” He might have called it a “machinic assemblage.” In this story as in Kafka’s work more generally, inviting interpretation only to frustrate it has the predictable effect of stimulating interpretation. Disappointment with Kafka criticism is nonetheless understandable. (Perhaps it is even inevitable: after all, no small part of our concept of the Kafkaesque is that nobody is able to give a satisfactory definition of it.) Starting in the 1950s, numerous attempts were made to run his fictions through the apparatuses of established hermeneutic paradigms, such that they became psychoanalytic case studies of Oedipal struggle and castration anxiety, or indictments of the irrationality of bureaucratic domination on the eve of totalitarianism, or theological parables about spiritual longing after the death of god or the “human condition” in an absurd world — readings so crude that an exasperated Susan Sontag offered the critical “mass ravishment” of Kafka as a reason to give up on the hermeneutic enterprise altogether. Even the best critic — from Arendt and Benjamin to Jameson and Kittler, there has also been no shortage of distinguished readers who have tried their hand at exegesis and decoding — stands in the same position before Kafka as the man from the country stands before the gate of the law. He could spend a lifetime at the threshold of his oeuvre, knowing that there are indefinitely many readings of it that he has yet to approach, and in the end be forced to concede that the particular gateway to understanding which he has chosen reveals more about himself than about Kafka. To paraphrase the critic Michel Chaouli: when you read Kafka, Kafka reads you.

    One way around this impasse might be to follow the strategy proposed almost off-handedly by Jorge Luis Borges, in his short essay “Kafka and his Precursors.” There he turns Kafka on his head, treating him not as an object of interpretation, but as a hermeneutic paradigm in his own right; not just as a writer to be read, but as a way of reading. Although Kafka issued few programmatic statements about literature and had little use for aesthetic theory, Borges employs his stories as instruments for perceiving his “voice” and his “habits” in earlier texts. He lists Zeno’s paradoxes of motion, a fable from the Tang Dynasty court official Han Yu, two “religious parables on contemporary and bourgeois themes” from Kierkegaard, Robert Brownings’ poem “Fear and Scruples,” a short story by Léon Bloy, and one by Lord Dunsany. “Kafka’s idiosyncrasy is present in each of these writings, to a greater or lesser degree,” Borges writes, “but if Kafka had not written, we would not perceive it; that is to say, it would not exist.” The idea, taken from T.S. Eliot and later made popular by Harold Bloom, is that insofar as “each writer creates his own precursors” every creative writer can also be read as a literary critic. On this argument, the Kafkaesque is not the sui generis phenomenon it is sometimes considered to be, but the molecularization of a sensibility whose atomic particles were already scattered throughout literary history. 

    Borges disclaims any “connotation of polemic or rivalry” in his concept of the precursor. Still, one suspects that his purpose in writing the essay was to add Kafka to a list of his own. Of the six precursors he attributes to Kafka, Zeno would certainly have been familiar to him, and Kierkegaard was an acknowledged influence. Han Yu, Bloy, and Lord Dunsany represent a trinity of the antiquarian, the obscure, and the contrarian that is more characteristic of the taste profile of the future director of the National Library of Argentina. “Fear and Scruples,” however, is an inspired choice, for more reasons than one. Browning’s poem concerns an exchange of letters with an “unseen friend,” whose identity and fame are doubted by other acquaintances of the speaker, and by the graphologists he consults. The last of its twelve elegiac stanzas reads:

    “Why, that makes your friend a monster!” say you:

    “Had his house no window? At first nod,

    “Would you not have hailed him?” Hush, I pray you!

    What if this friend happened to be — God?

    More interesting than the resemblance Borges notices between the premise of “Fear and Scruples” and that of the “The Judgment,” or the concluding theological revelation he borrows from Browning to give to Kafka, is that the comparison hints at the presence of another precursor hidden behind the em-dash in the final line: Emily Dickinson.

    Act Two: Amherst

    At first glance, Dickinson and Kafka could hardly seem more dissimilar. They were born more than a half century apart: she to a locally prominent family of Puritan stock in a small college town on what was then the western frontier of the United States; he to a family of assimilating Jewish shopkeepers in a mid-sized city in an industrialized, six-century-old monarchy in Central Europe. Their different genders meant that they had to navigate very different social norms and expectations surrounding familial responsibility, education, career, travel, political participation, romance and sexuality, and, above all, the business of writing. Where the latter is concerned, they did not speak the same language, come out of the same literary tradition, or work in the same genre.

    Yet the biographical overlaps between them are too numerous to dismiss. Both had domineering fathers (Edward Dickinson, Hermann Kafka) who cast long shadows over their psychic and literary lives; both sought refuge in strong bonds with a sibling (Austin, Ottla) and a friend who acted as a first reader (Susan Gilbert, Max Brod). Neither married or had children. Neither traveled often, or made it farther than a thousand kilometers from the desk in the small room in their family homes that, for better or worse, functioned as the omphalos of their imaginations. Each displayed a heterodox, gnostic streak and expressed ambivalence about their religious heritage (Dickinson refused numerous entreaties from teachers, friends, and family to be rebaptized; Kafka, who frequently vacillated on the subject of Zionism, once remarked, “What do I have in common with Jews? I barely have anything in common with myself.”) Their most productive periods took place against the backdrop of a political crisis and a military conflict that would consume their countries (the Civil War, World War I) but which neither ever treated more than obliquely in their writing. 

    Common literary influences were few, but they included the Bible and Charles Dickens. More surprisingly, as Borges intuited, Robert and Elizabeth Barrett Browning were also touchstones for both writers (Dickinson cherished Elizabeth’s Aurora Leigh, about a young woman who is raised by an aunt who lives a “cage-bird life,” and wrote an elegy for her when she died in 1861; Kafka recommended the Browning’s letter exchange to Felice Bauer as a model for their own correspondence). Both used the metaphors of frost and dismemberment to describe the sensory effects of great literature (Dickinson’s famous line that poetry “makes my whole body so cold no fire can warm me” and made her “feel physically as if the top of my head were taken off”; Kafka’s no-less-famous line that “a book must be an axe for the frozen sea within”). Their work had a number of motifs in common (Moses denied entry to the promised land, waiting at the threshold of a locked door or gate, the metaphysical sea voyage, the becoming-animal of the self, the collapse or reversal of interiority and exteriority, the body in pain). 

    During their lifetimes, they were reluctant to make their work public (only ten of Dickinson’s poems were published in her lifetime, all anonymously; Kafka routinely refused his publisher’s requests for new material and left all of his novels unfinished). Both demanded that their executors (Mabel Loomis Todd, Thomas Wentworth Higginson, Lavinia Norcross Dickinson; Max Brod) burn their manuscripts after their deaths (the request was partly acceded to by Lavinia and refused outright by Brod). As a result, their achievements were only recognized posthumously. Dickinson became a popular success with the bestselling first edition of her Poems in 1890 and entered the canon of world literature around the same time as Kafka, following World War II. They have since been subjected to mythologizing (the reclusive “woman in white,” the “old maid of Amherst”; “St. Kafka”) and popification (witness the 2019 Netflix series Dickinson and the 2024 AHD miniseries Kafka). Conflicts over the ownership, preservation, editing, and scholarly interpretation of the diverse papers in their respective archives have continued into this century.

    Let us take a closer look at Dickinson’s. Although she published little, Dickinson was known to her friends and family, and around Amherst, as a writer of poetry, so when Lavinia entered her aunt’s room after her funeral she cannot have been entirely surprised by what she found there: a box containing over three thousand pieces of paper covered in her handwriting. There were forty small booklets of folded paper with two holes punched in them and bound with string, containing fair copies of around eight hundred poems, written between 1858 and 1864, that have become known as “the fascicles.” In addition to the fascicles, which represent the core of Dickinson’s work as a poet, there were “sets” of fifteen unbound papers containing around one hundred and fifty poems, as well as thousands of “scraps” mostly dating from after 1864 and written in pencil on such heterogeneous writing surfaces as a flier from the Home Insurance Company of New York and an advertisement for Orr’s Boneset Bitters, a page torn from family copies of The New England Primer and Washington Irving’s Sketch Book of Geoffrey Crayon, a wrapper for John Hancock writing paper and a wrapper for French chocolate, a page with a queen’s head embossed on it and one with a three cent locomotive stamp in the center, ordinary machine-made stationary and the fifty-two envelopes now collected in a facsimile edition entitled The Gorgeous Nothings.

    Rounding out Dickinson’s known literary production are the thirteen hundred or so surviving letters that she sent to a circle of a few dozen correspondents, most extensively to her bestfriend, confidante, possible lover, and later sister-in-law Susan Gilbert Dickinson. Hundreds of these letters contained enclosed poems, included lines of original verse in the body of the text, or were written in rhythmic and rhyming prose. Some two hundred were simply untitled poems without any accompanying prose that were signed, addressed, and mailed to one or more recipients. The borders between the fascicles, the sets, the scraps, and the letters are not as neat as this synopsis suggests: poems that were sent as letters appear in the fascicles and sets, and many of the poems in the fascicles and sets probably started off life as scraps, which were destroyed or discarded after fair copies were made.

    Starting in the 1990s, scholarship has taken a great deal of interest in the materials that Dickinson used and the epistolary network that she constructed. Noting that her manuscripts contained drawings, cut-outs, collages, and other non-literary media, Susan Howe, herself a poet and visual artist, has claimed that Dickinson’s use of non-standard writing surfaces was not simple thrift on her part — employing whatever was to hand — but an entirely conscious and incipiently modernist aesthetic strategy to align her chosen forms with her chosen materials — especially in the case of the fifty-two “envelope poems,” where Dickinson inscribes on the exposed exterior surface what is intended for the concealed interior surface. 

    Virginia Jackson has gone so far as to suggest that the popular conception of Dickinson as a writer of lyric is misleading at best, an artifact of a number of contingencies: her posthumous appearance in print, the many editorial hands involved in putting out the first edition of her poems, a culture primed to venerate solitariness in poets in general and sentimentality in women poets in particular, and later, paradigms of academic literary interpretation and pedagogy that operate on the assumption that poems are printed “verbal icons” and that ahistorically conflate the lyric with poetry as such. A better name for the genre she worked in, according to Jackson, would be the “letter poem”: not the formalized address by the poet to herself that is “overheard” in print by a future, far-away, and unknown group of readers, but particular messages addressed to specific audiences on specific occasions. 

    In fact, once one abandons the teleology of print, one can see that it is also technically incorrect to say that Dickinson did not publish. Rather, her network of correspondents was itself a small-scale publishing operation built by her for the express purpose of having her poems read as close to the way she intended as possible. It was a publishing operation centered on Amherst, though it extended as far as Worcester, Springfield, Boston, Brooklyn, and Geneva, New York. At first, Dickinson’s long-distance letters and letter poems were delivered by stagecoach; after her father helped secure the funding to build the first railroad connection in Amherst, an event commemorated in her poem “I like to see it lap the Miles,” they were delivered by iron horse. 

    And here we can return to Kafka. In carving her own postal network out of the existing system and integrating her literary and epistolary activities, Dickinson not only anticipated his practice, she arguably transcended it. True, like Browning, Dickinson was a more explicit allegorist than Kafka — there is no doubt, for example, about the identity of the country gentleman who offers a ride in his carriage to the speaker of her best-known poem — and thus seems easier to interpret, but through her denaturing of poetic form she arrived first at many of the effects we more commonly associate with his name. 

    The hymn (or ballad) stanza that forms the basic unit of most
    of her poems is a quatrain in alternating iambic tetrameter and trimeter with rhymes on the second and fourth lines. As the name suggests, it comes from the tradition of church (or folk) song, and is generally regarded as a genre of “minor literature,” compared to the statelier pentameter used in the elegiac stanzas of Wordsworth or Browning. Dickinson denatured this stanza in three ways. First, through the syntactical twists necessary to fit complex thoughts into the sprightly meter. Second, through her use of slant or feminine rhymes, which kink the poems’ sound and meaning, on the principle that one should “Tell all the truth but tell it slant—” since “Success in Circuit lies” and “The Truth’s superb surprise / …must dazzle gradually / Or every man be blind—.” (Dickinson’s justification recalls Moses’ rationale for taking over the reading of the commandments to the Israelites gathered at Mount Sinai.) Third, and most famously, through her idiosyncratic use of the dash, which has become as proprietary as the initial K is for Kafka, since no one can use the punctuation mark in a poem without recalling hers. 

    As the late Helen Vendler, her most astute critic, noted, the dash serves many functions in Dickinson’s hands. By slowing down the sprightly meters of the hymn stanza, it can “[enact] separation,” “indicate a break in continuity,” or “correct a narrative.” When a dash — rather than a full stop or a question mark — concludes a poem, it “becomes especially significant” since is can convey “a state of suspended being,” or its opposite, “a state of continuing action,” and sometimes both at the same time. To this I would add only the following biographical and historical context: Dickinson’s dashes already mark the prose letters that she wrote to Austin as an eleven-year-old girl in 1842, a few years before Samuel Morse sent the message “What hath God wrought” from his office in Baltimore to the Capitol Building in Washington, D.C. in his eponymous telegraph code.

    We know how baffling these stylistic innovations have always seemed thanks to the testimony of her first “professional” reader, Thomas Wentworth Higginson. Known today, if at all, as the man who helped introduce the world to Emily Dickinson, in the early 1860s Higginson was a writer on the make. The ex-minister, abolitionist, and women’s rights advocate had established a reputation as an up-and-coming public intellectual with a series of articles in The Atlantic, including one with advice to “young contributors” to the magazine in September 1861. The following April, he received a letter that was to change his life — and the course of American literature. The envelope contained four poems, an unsigned note requesting his verdict on them, and a smaller envelope containing a card with the name of the author written on it in pencil. (“A box within a box,” Dickinson’s biographer Alfred Habegger comments, “with herself deep inside.”) Higginson performed “surgery” on the enclosed poems, and recommended that his correspondent read Whitman and Harriet Prescott; in a follow up letter he judged her use of meter “spasmodic” and “uncontrolled” and recommended that she “delay to publish.” She assured him that publication was the farthest thing from her mind, and where the judgment of her contemporaries were concerned, “I have no Tribunal.” 

    Since all ended well — the two remained lifelong correspondents and Higginson went on, with Austin’s mistress Mabel Loomis Todd, to be the editor of the commercially successful first edition of her Poems — we can perhaps forgive him for seeing a novice still learning the rules of poetic composition where he should have seen a genius who had long since moved past them, and tampering in the editorial process with what he should have left alone. His incomprehension is revealing. Recalling his first impressions of her poetry in 1891 in an essay on her letters for The Atlantic, he wrote of the final stanza of “Your riches taught me poverty”

    Its far – far Treasure to surmise –

    And estimate the Pearl – 

    That slipped my simple fingers through –

    While just a Girl at school!

    that “the slightest change in the order of words — thus, ‘While yet at school, a girl’—would have given her a rhyme for the last line…” (I am quoting the version that he edited for publication, not the original letter poem addressed to Sue.) Where he wants a perfect rhyme (pearl/girl) to give the poem strong closure, she provides a slant rhyme (pearl/school) instead. What Higginson fails to see is that just like the inversion of expected syntax in the penultimate line, Dickinson preserves the echo of the expected rhyme in the line that subverts it. Read in the original context of the letter addressed to Sue, it is a poem about regret for missed opportunities, but read in the context of her reception by Higginson, her choice not only anticipates his objection — that what is regarded by experts as correct has slipped through her “simple” fingers — it provides an ironic commentary on the difficulties of grasping beautiful things and properly estimating their value.

    What neither of them were in a position to know was that in this poem — which contains a line, incidentally, about Buenos Aires and one about becoming a Jew — her subversion of sonic expectation produces an analogous effect to the subversions of narrative and referential expectation in the stories of Kafka. Unlike the modernist writers who more ostentatiously or programmatically departed from literary norms, it is Dickinson’s and Kafka’s precise calibrations of the distance between the conventional and the unconventional that makes their work seem so uncanny.

    Dickinson displayed her greatest range of effects, and is at her most Kafkaesque, in her poem “I felt a Funeral in my Brain.” 

    I felt a Funeral, in my Brain,

    And mourners to and fro

    Kept treading – treading – till it seemed

    That Sense was breaking through —

    And when they all were seated,

    A Service, like a Drum —

    Kept beating — beating – till I thought 

    My mind was going numb —

    And then I heard them lift a Box

    And creak across my Soul 

    With those same Boots of Lead, again,

    Then Space — began to toll —

    As all the Heavens were a Bell,

    And Being, but an Ear,

    And I, and Silence, some strange Race

    Wrecked, solitary, here — 

    And then a Plank in Reason, broke,

    And I dropped down, and down —

    And hit a World, at every plunge,

    And Finished knowing — then —

    Written at the outset of both the Civil War and an eruption of creative activity that saw her go from producing a few dozen to a few hundred poems per year, “Funeral” belongs to a suite exploring physical and psychological agony, including “After a great pain a formal feeling comes,” as well as the lesser-known “I like a look of Agony,” “It is easy to work when the soul is at play,” “That after Horror — that ‘twas us,” “A single Screw of Flesh,” and “A Weight with Needles on the pounds,” each of which — like “In the Penal Colony” — turns on an image of a body being tortured by one or more small, sharp, metal objects. It is usually read (by Vendler, Sharon Cameron, and others) as an account of a severe mental breakdown (or a particularly gruesome migraine), with the twenty un-full-stopped lines rhythmically propelling the speaker downward to darkness on the paratactic conjunction “and” as she encounters all the mortuary (Funeral, mourners, service, Box) and mental (Brain, Sense, mind, Soul, Reason) elements of the conceit announced in the first line. 

    The more one sits with “Funeral,” however, the stranger this simple conceit becomes. Most puzzling are the ways it twists interior and exterior space into a Möbius strip, and then concludes with a similarly ambiguating operation on the experience of time. The physical trajectory of the “I” in the poem is particularly difficult to follow. In line one, the speaker seems to be the space inside which the activities of the metaphorical funeral occur — the comparison, though unmentioned in the poem, might be to a church building —
    but when the “Plank in Reason” breaks in line seventeen, causing the speaker to “drop down, and down” in line eighteen, it strongly suggests that “Reason” is in turn a metonym for the wooden “Box” that is lifted by the mourners in line nine. In other words, that the speaker is the body in the coffin in the funeral that takes place inside her own brain. (Recall Habegger’s characterization of the envelope containing a card with the words “Emily Dickinson” that she would include in the envelope of her letter to Higginson a few months later as a “box within a box with herself deep inside.”)

    Complicating matters further is that in the intervening lines, the poem seems to turn its gaze outward from the interior of the brain to external “Space” in line twelve. What the capitalized noun means in unclear. Is it to be identified with the totality of the universe or “all the Heavens”? Does “Space” include the interior space of the speaker’s body? When the poet plunges, is she falling through herself or Space or both? Do the Heavens mean simply “sky,” in which case they are included in space, or do they mean “the afterlife,” in which case they transcend space? Do the “Worlds” she hits during her free fall also contain Heavens? Similar questions could be asked of “Being” in line fourteen which is shrunk, synecdochally, to an exterior part of the body, namely, a single “Ear” that is able to hear the “tolling” of Space, just as the bodies of the condemned in “In the Penal Colony” are said by the officer to shrink to an organ that is able to hear. Is “Being” here Being as such, or simply the poet’s “Being”? If the latter, is Being coextensive with the poet’s body, or only a part of it, and if the latter, does it exist inside or outside the Brain where the funeral in the poem is said to take place? Is the “Ear” of Being that hears the tolling of space the same organ that hears the “creak” across the “Soul” in line ten? 

    These questions are no less undecidable than the ones raised in Kafka’s stories. Whatever one’s answer to them happens to be, it is clear that what “Funeral” tracks, no less than “In the Penal Colony,” is the instability, reversibility, and even collapse of received notions about interiority and exteriority into a vertiginous mise en abyme. Like its speaker, the reader of “Funeral” arrives in the last line of the poem “Finished knowing” exactly what to make of it. But Dickinson is too clever and profound a poet to allow the consolations of a skeptical “suspension of judgment” to have the final word. Instead, with the last word “— then —” she elects to deepen the mystery, using her signature dashes in both the ways Vendler described — at once suspending being and continuing the action — to add a dimension of temporal paradox to the spatial paradoxes of the preceding nineteen lines.

    Yet the manuscript of “Funeral” suggests that Dickinson was also of two minds about where the poem should be located. She crossed out “Brain” and wrote “Soul” in the margins, only to cross out “Soul” again and retain her original conception. Perhaps the reason was nothing more than to preserve the appearance of “Soul” in line ten that introduces, via the rhyme with “toll” in line twelve, the metaphor of the bell in line thirteen. But the ultimate choice of the finite material substance of the brain rather than the infinite metaphysical substance of the soul as the envelope for “Funeral” strikes me as the right one, since it heightens both the poem’s pathos and its perplexities. In her poem Dickinson does not resolve — for herself or anyone else — the probably insoluble issue of the relationship between the mind and the body or the body and the soul, nor does she do so in the many other poems that return directly or obliquely to this theme. But her engagement with the corporeality and materiality of the self was unusual for the poetry of the time, something that is often obscured by the fact that the other person to do so was none other than Walt Whitman.
    The discourses of contemporary physics, mathematics, botany, and anatomy all appear in her poetry, especially between 1861 and 1865, her années miraculeuses

    Along with “Funeral” the word “brain” appears in four other poems, including “The Brain — is wider than the Sky —” in 1862, where she writes somewhat blasphemously that 

    The Brain is just the weight of God — 

    For — Heft them — Pound for Pound —

    And they will differ — if they do —

    As Syllable from Sound — 

    True, the word “Soul” appears more frequently in her Complete Poems, but along with “mind” it is usually presented through the vehicle of a corporeal metaphor, or shown as participating in some inextricable or inexplicable relation to the body. Of these, the one that caught my eye was a letter poem from November 1865 sent to Sue in Geneva, New York, to console her for the death of her two-year-old niece. “The Overtakelessness of Those / Who have accomplished Death — ,” Dickinson writes Sue, is “Majestic is to me beyond / The Majesties of Earth — ” But before it ascends to heaven, the soul “Inscribes” a message — “Not at Home” — “upon the Flesh.” 

    Dickinson would send a similar message to her own nieces — “Called Back” — before her own death on May 15, 1886. The words, taken from the title a popular novel that Dickinson enjoyed, were later carved on her tombstone, the original writing surface for poetry. On the day of her funeral, construction had just begun on the Statue of Liberty in New York Harbor. Emile Berliner was in Washington D.C., at work on his latest invention, the gramophone record. Franz Kafka, her true inheritor, was a two-year-old boy in Prague. One day he will write a story that concludes with a visit to a tombstone, whose inscription reads: “Here lies the former commandant. His followers, who at present must remain nameless, dug a grave for him and laid this stone. A prophecy says that after a certain number of years the commandant will arise, and from this house lead his followers to re-conquer the colony. Have faith and wait!”

    Tel Aviv, June 24, 2024

    Suddenly a cry flew 

    out of nowhere, like the lash of a whip,

    piercing and sharp,

    waking us from a troubled sleep —

    furious —

    “Tell me, have you all gone mad? 

    Giving up on all this?

    Just like that, despairing already,

    Without a real fight?”

    “Leave us alone,” we said.

    “Let us withdraw into our heads 

    to mourn our dead

    until this thing passes away 

    that no words can portray. 

    We are like mutes beneath the weight of its pain, 

    before the horrors of our hostages.

    So let us be, just be,

    without understanding, without thinking, 

    until our looted land, our trampled land,

    our raped land

    stops hurting.” 

    For a moment the lights flailed.

    For a moment the tunnels wailed.

    The world was black and white.

    The world was coal and ice.

    In the middle of the night we got up to flee,

    my wife, my son, and me

    I bore the cry on one shoulder 

    and the hope on the other, 

    numbed and put under. 

    “How much more can we go on like this”
    my wife whispered,

    so that the boy wouldn’t hear

    and be struck by fear.

    “Our high-tech filled the world with awe

    we were the start-up nation —

    but it turns out we had a flaw, 

    we were just the warm-up band 

    for the guy in the crowd with a gun in his hand 

    who said his bullets were blanks.”

    “Look,” whispered my wife.

    “This is how it happens. 

    This is what it looks like when it actually happens.”

    We saw – 

    We saw long, silent convoys

    streaming from the mountains into the valleys

    and swallowed by ships that were swallowed by seas. 

    “It’s as if in a single day of atrocities this land became 

    too demanding, too much for us to handle,” my wife said in astonishment.

    “No, no,” scoffed a young man

    passing by on a scooter,

    with a gun in his holster, a shooter.

    “No, no, it’s that it took only a single day of fear 

    to extinguish — to rob you of —

    maybe you never had it —

    the desire for a land of your own.” 

    “It’s not that we’re running away,” 

    I said to my wife.

    “We’re just changing the arrangement of our elements,

    We’re just relocating, inward — ”

    Suddenly the boy spoke:

    Yallah, rise from the ashes,

    from your school of fear and despair!” 

    So said our son, 

    as he grew stronger before our eyes.

    He showed us pictures from an album we did not recognize

    of a bloodied childhood, a war childhood, a ruined cradle, 

    images of a confiscated childhood. 

    “Because if we do not rise from the ashes now,”

    the boy said, “we will never rise again.” 

    “Or we will rise so different,” my wife said,

    “so strange and terrible, so hard and bitter —

    Foes —

    until finally we will no longer be those 

    they would be foolish to tangle with.”

    “This is the last minute,” the boy roared,

    “And even if it sounds trite, 

    for right now it is right,

    because right now rules are being written.

    Those who were left behind are leaving,

    those who were deserted are deserting. 

    Speak to me, father,

    give me breath.

    I’m nearly done for, father, I’m nearing death. 

    My soul is weary of the call-ups, weary,

    give me a hope, give me a reason —

    You are silent, father, 

    so I will speak for you:

    Men, women, now is the time to fight, 

    to go out into the streets at night.

    There is whom to fight for

    and there is what to fight for,

    because a gift like this, a gift from life, 

    we will never be given again. 

    No other state will sprout from this strife.

    It all now depends on you.

    This is the time to rise, to live,

    To be a nation or not to be —

    To be a human or not to be —

    There is for whom and there is for what —

    And everything is suspended

    over nothingness.” 

    Translated by Leon Wieseltier

    The Politics of Possession in America

    I saw The Exorcist not long ago, probably the bravest thing I have done in a while. The movie terrified me the first time around in 1973, and it did the same fifty years later. This time it got me thinking about possession. It made me wonder if milder forms of possession — no projectile green goo, no head twirling 360 degrees round — might be abroad in American culture now. Alas, there is reason to think so.

    The Exorcist, you will recall, is about the possession of a twelve-year old girl, Regan, by a demon named Pazuzu. By the time Pazuzu is through with her, Regan has become something of a demon herself. She spits venom in every direction, at her mother, at her doctors, and at her mother’s boyfriend, who in time she murders. Enter two priests — one old, one young — who perform an exorcism on Regan. The effort kills the older priest. The younger priest saves Regan by telling the demon to take possession of him and leave the girl alone. Which the demon does, but at a cost. Pazuzu sends the unlucky priest flying out the window to his death on a set of stairs still known in Georgetown, the site of the movie, as the Exorcist Steps. Good wins over evil, but the price is high.

    Regan’s possession turns her libidinous. When a group of clueless psychiatrists comes into her room, she elevates her skirt and roars “fuck me” three times in a deep, demonic voice. (Mercedes McCambridge does a wonderful job with the vocals.) Furious at her mother, she rises up from her bed and bellows, “Lick me! Lick me!” Wanting to get at the young priest, whose mother has just died, she screams, “Your mother sucks cocks in hell!” There’s more where that came from and plenty of it. 

    The last resort for Regan’s mother is to turn to exorcism after the medical doctors have let her down. The doctors are materialist, smug, and rather uncaring. One is not entirely displeased when Regan contrives to grab one of them by the nuts and administer a good squeeze. Suppose, though, that Regan’s mother had summoned not priests, not reductive psychiatrists, but a psychoanalyst — old school, from Vienna, let us say. What might such a figure say about Regan’s possession? 

    He would surely not be talking about demons. More likely he would be talking about some part of her own spirit or psyche that had taken Regan over. To the psychoanalyst, we are an uneasy combination of id, ego, and super-ego: desire, intelligence, and often irrational prohibition, to put it in compressed terms. (The picture has been bitterly criticized, but bear with it for now.) And those elements of the psyche generally exist in tension with one another. The id desires, but the ego and the super-ego do not always approve of its desire. Conflict occurs. In fact, conflict, sometimes mild, sometimes not, is the ongoing state of the human psyche. We want, but we also don’t want what we want, and there begin multiple riddles. For the Viennese visitor, character is conflict.

    Is it possible for one agency of the psyche to take over and suppress or even temporarily eliminate the other two? One can, I think, be taken over by the id. What we call the id is, in German, das es, which means “the it.” We are all inhabited by an identity-less creature, an it, that wants and wants. Generally, the it is mitigated by the ego and super-ego, but not always. 

    Can someone become identical with her it? This is what happens to Regan, or so our Viennese visitor would say. She becomes all libido (lick me!) and someone on the verge of puberty, as she is, is likely to have libido to spare. Dismiss all the special effects for a moment, and you see that Regan has become all brutal desire. She is identical with it. 

    The movie came out in 1973, and it is certainly a product of its time. What society, or some influential segment of it, was worried about then, and probably not without reason, was the potentially destructive effects unloosed by the voluptuary counterculture. The Washington section of the movie begins with a scene of a demonstration, being filmed for a movie starring Regan’s mother, featuring irrational, chanting students. (Chanting can itself be a form of mild and temporary possession.) The religion of sex, drugs, and rock and roll was scary. What if everyone tuned in, turned on, and dropped out? Or simply went into a Dionysian rage? More to the point, for this movie, what happens when the great sexual unbinding reaches the middle class and the very young? You may need old-time Catholicism to fight it: fire with fire and all that.

    I have seen two different endings for the movie. In the first, Regan, who has purportedly forgotten everything that has transpired, sees the white color on a priest and, not knowing quite what she is about, jumps forward and kisses him. (Chastely.) In the second ending, there is still the chaste kiss, but the priest goes off to lunch with a hapless detective who has gotten involved in Regan’s case. Church and state unite as a guard against future Dionysian explosions. 

    The Exorcist is of a piece with the renderings, and maybe the reality, of the Manson Family murders and the bloody concert at Altamont. Both events were cast as cautionary tales about the 1960s. (Joan Didion made a career out of this.) It’s not all peace and love, Woodstock magic, and Rousseau-inspired bliss. If you let it all hang out, smoke weed, drop LSD, bathe naked, and chant along with Crosby, Stills, Nash, and Young, “Rules and regulations who needs them? / O throw them out the door,” then Sade himself is around the corner. We unyoke the dark side, as well as the bright. Those who summon Dionysus must understand that he is not only a liberator but also a destroyer.

    We are a long way now from the ‘60s reign of Dionysus. Id possession may erupt here or there, but it cannot be a point of cultural definition the way it could be around 1973, the year of The Exorcist. Our mythical God, if we have one, is Apollo — Apollo in his most reductive, cold, materialist guise. Apollo can be a wonderful force — he brings music and mathematics, architecture, and science. But like Dionysus, he can be corrupted. He can become obsessive, judgmental, cruel, even sadistic. When the mortal Marsyas challenges Apollo to a musical competition and loses, Apollo skins Marsyas alive. Apollo’s spiritual province, our Viennese colleague will tell us, is the super-ego. When it is enflamed, the super-ego judges us bitterly for not living up to the highest standards, for not being excellent in every way, for not being perfect. Like Apollo, it is prone to deliver punishment. Though it does not quite flay us, as Apollo was inclined to do, it attacks the hapless ego and causes depression, anxiety, and self-hatred in myriad forms. We live now, I believe, in the age of corrupted Apollo, the god of computers, in the age of the super-ego.

    [inaignia]

    Is it possible to be possessed by the super-ego? 

    From every direction now one hears the voice of hollow righteousness. It is monotonal, jargon-ridden, condemnatory, fierce. It calls others out for their crimes. It hunts out racism, sexism, homophobia, transphobia, Islamophobia: you name it. It is relentless, unforgiving, and cruel. It raves madly in the idiom of reason. Those who deploy it would give anything to be judges, with hanging prerogatives. These people are often suffering possession by the super-ego, just as a true-life Regan, circa 1973, would be suffering possession by the id.

    I am not saying that every person who endorses the social justice agenda is mentally ill and needs a shrink or an exorcist. People who hold these ideas sanely — and there are plenty of them — tend to be humorous, self-aware, and well-disposed to irony. They are serious in their commitments, but they don’t take themselves too seriously. Nor do I wish to endorse the perpetual application of psychoanalytical terms to cultural matters. These terms are best used to help suffering individuals begin to name and to wrestle with their problems. But there are times when a society, or a significant portion of it, takes on pathological qualities. (And we must not be cowed about speaking about pathology.) In such times, we are lucky that we have analytical tools with which to diagnose what ails us.

    How, then, do you distinguish the sane members of the leftist tribe from the whackos? You start to recognize both versions — the sane and the pathological — by their voices. The sane speak with self-awareness and usually some self-doubt. Irony infuses what they say, as does a willingness to listen to counter-arguments. The whackos speak in one tone of voice, a tone that a dictator would be proud to deploy. (For what is a dictator but a non-stop, obsessive talker who is always right?) It says, I am authority, I am truth and power, listen to me. Their voices sound mechanical, robotic. They sound, in a word, possessed. And they are possessed, by their super-egos. 

    They create manifold problems. For a start, they are in pain themselves: they are being tyrannized by their own over-I’s. One way they find respite, a brief release from their torments, is by deploying their super-egos against others. Of course, then the super-ego redoubles its force, and the scolder scolds himself even harder than before. So back, then, to denouncing others! This exercise resembles what happens when a thirsty wayfarer on the sea takes a slug of seawater. Relief and release, but only for a minute. Then one is thirstier. Remedy? A few more gulps of sea water. Then: repeat cycle.

    The super-ego-possessed are dangerous also for another reason. They have the ability to inflame the super-egos of others. The reasonable college president or CEO hears the rant and finds herself guilty and confused. These people, who give in to the radicals and the inquisitors and the nut-jobs, have been called cowards. I am not so sure. I think they have failed to understand that ours is an age of ersatz authority, which can strike the irrational parts of ourselves as quite real authority. They do not understand that reason can be unreasonable. (Thus no straight and humane and non-lawyerly answer was given to the question of how the university presidents would respond to calls for a genocide of the Jews.) Super-ego possession is contagious.

    What is to be done? One thing is sure: you cannot talk to a super-ego-possessed person. It is tempting to try. They sound reasonable. (They often tend to be quite smart, an ace test-taker, high-I.Q., in a good-speller sort of way.) But don’t try it. You are wasting your time. As the senior priest tells his younger associate in The Exorcist, don’t converse with Regan. Don’t negotiate with a demon-possessed kid. So conversation is off the boards, when possession — id possession or super-ego possession — rules the roost. 

    [inaignia]

    Let me pause for a moment and look in the other direction, the direction of the American body politic that is in its way possessed by Donald Trump. This form of possession is different. We’re not talking about people trying to look, act, and sound like him. No, it’s something else entirely. 

    If the two priests from The Exorcist looked at the extremes of the Trump phenomenon with a cold eye, I suspect that what they would see would be a case of idolatry. “I am the Lord thy God,” the Book says, “thou shalt not have strange gods before me.” And this indeed is a strange God. But people do worship him, and in considerable numbers. A woman at a Trump rally in Iowa, awaiting the arrival of her master, said, “I’ll probably start crying. I’m going to start crying now. When he comes out on stage and I can see him face to face, it’s going to be the best day of my life. I love that man.” This is the language of worship, not of relatively sane political endorsement. 

    Is it entirely unfair to link the face-to-face business to Paul’s words in Corinthians: “For now we see in a mirror dimly, but then face to face.\Now I know in part; then I shall know fully, even as I have been fully known”? (It probably is unfair.) But we can perhaps agree that this is not the language of thoughtful political allegiance, but a far more religious idiom. And, no doubt, this woman is not the only one who feels religious awe in the presence of Trump. Listen to another devotee: “Trump works for God. And God is all about America. And God is the one that’s gonna save America. He’s using Trump as one of his tools. That’s why we support Trump, because he works for God.” Trump seems closer to Jesus than to God the Father in this rendition, but the point remains.

    Idolatry, at least in the Jewish and Christian tradition, means worshiping a substitute for the one true God. Usually, it is a substitute that you can see or touch or hear, that is available to the senses. It seems that loving and serving an invisible and immaterial god is a psychological burden. A golden calf is better: more readily seen, more readily petitioned and celebrated.

    What the priest calls idolatry, the psychoanalyst names differently. What he sees is an irrational fixation on a leader, but not just any leader. To Freud, writing in Group Psychology and the Analysis of the Ego, there is a certain sort of leader who draws obsessive, even pathological, allegiance. The leader must love only himself, and others only insofar as they further his ends. He must be, or be perceived as, completely self-reliant. He needs nothing from anyone else. He trusts his own thoughts to the exclusion of all others. And he holds himself with a regal seriousness. He does not ever criticize himself. He never admits that he was wrong or could be wrong. He is inevitably male.

    He acts as something of a hypnotist on his audience, lulling them into worshipful compliance. He casts a spell. Then the clincher: he puts himself in the place of his followers’ super-egos. He absolves them of the burden of thought. They no longer need to decide what is good and bad, right and wrong. He knows, and will tell them, and what he tells them is true. They have traded their mental autonomy, yes; but in return they have received confident assurance, peace of mind. The conflict that comes with having a tri-partite self lessens and sometimes disappears. One is made whole. One is resolved and happy. 

    I do not mean to say that everyone who endorses Donald Trump is psychologically ill and in need of treatment. Two lawyer friends of mine, among the more intelligent people I know, endorse Trump for clear and cogent reasons. They find him humanly objectionable, but they believe that on a number of issues his instincts are good. They like his views on trade; they like his views on borders; they like his reluctance to use military force. This election cycle, they will probably endorse his views on crime. I believe these people are mistaken for a dozen reasons. But you can talk to them. They give reasons, they take your thoughts in, they respond to them humanely, and usually with good humor. They are not possessed by Trump. They have not put him in the place of their super-egos. Psychological terms will not suffice to illuminate their thinking.

    Surely the assassination attempt is going to augment Trump’s standing as a deific figure among his worshippers. To give only one example of the many sacralizations of Trump after the shooting: shortly after the event, Ben Carson, who ran against Trump in 2016, speaking at the Republican convention said, “First they tried to ruin his reputation and he’s more popular now than ever. Then they tried to bankrupt him, and he’s got more money than he had before. Then they tried to put him in prison and he’s freer and has made other people free with him. Then last weekend they tried to kill him and there he is over there, alive and well.” That last “they” in “they tried to kill him” is remarkable. When Carson was talking, no evidence of any accomplice or plot had been found. The shooter was only a scrawny, confused, and lonely kid, but Carson’s “they” suggests that there are titanic forces ranged against the god-king. And he will defeat them, inevitably. Carson reached to the Book of Isaiah, addressing Trump directly, “No weapon formed against you shall prosper.” We are no longer talking about a common mortal.

    As a rule, I dislike using psychological terms to analyze culture. Those terms often work well enough to describe people who are ill. (They seem to me to have little or no purchase on the healthy and thriving.) But we have a situation now in which a significant segment of our population seems to be, well, possessed. Some so-called progressives are captive to a set of often extreme ideas; some right wingers are captive to the person of Donald Trump, a rogue patriarchal figure. Who would care, really? Except that for various reasons these people, who are probably more to be pitied than condemned, have gathered an extraordinary amount of cultural power in present-day America. 

    Is there anything to be done about that? Yes, but the response needs to be thoughtful and humane. We need to get used to hearing and deploying the term “super-ego possessed” to characterize those who have been taken over by progressive jargon. These people do not speak, rather they are spoken. They are possessed by a certain set of values and words. (Some of which, sanely deployed, are perfectly good values and perfectly good words.) Those in authority, the college presidents and the CEOs and all the rest, need to be able to identify this phenomenon and call it what it is. As in, “Yes indeed, he’s super-ego possessed. Can’t really talk to him and shouldn’t have to listen.” Others sympathetic to progressive ideas need to know how to spot the possessed in their midst and stop transferring power to them. They seem so fervent, so committed, so in love with justice. They can manifest themselves as an inspiration. And they tap so effectively into the super-egos of others. It will take time to see which progressives are reasonably sane and which have become possessed. But as Freud said, the voice of reason is a small still voice, but it will not rest until it gains a hearing. 

    The super-ego-possessed leftist is in thrall to a voice and to ideas that live internally. He has become possessed by the discourse and it speaks him. The Trump worshiper has put a man, Trump, in the place of his super-ego. Not only can he do no wrong, he can always tell them exactly what is right. I’m not sure there is much of any cure for this malady. But one can point it out and see what happens. It is embarrassing for a full-grown woman or man to internalize a paternal figure. It is an admission that one has not grown up. I sometimes tease a couple of my Trump friends by asking, “Is Trump still your daddy?” They are good-humored people and respond in kind. 

    What makes someone susceptible to possession by a super-ego figure? I am not entirely sure, but I can make a guess. Every year for some years, a hypnotist visited the University of Virginia, as part of student orientation. He brought people up on stage and began trying to cast his spell. He would start with a dozen or so, but soon he would send at least half back to their seats. The others, he saw, were susceptible to hypnotism. I knew a few of the kids who were kept on stage and invited to dance, sing, and fall in love with each other. They tended to be dreamy kids, emotionally alive, but not given to strong cerebration. They were the kinds of people who were, give or take, born stoned. They did not rely much on cognitive function, which our Viennese friend would associate with the ego. They were quite willing to accept the voice of the hypnotist as their inner voice of conscience — as their temporary super-ego. 

    I think that those who yearn for a super-ego figure, a Trump or some other authoritarian leader, often tend to have moderate intellectual faculties at best. They live in a world of baffling complexity and do so in a state of confusion. This state is constantly fed by the Internet, which is a confusion machine. So many voices, so many views; cacophony wherever you look. Plenty of lies, plenty of errors. It can be a pleasure to learn from the Internet, but you best have acquired your basic knowledge from something that is not the Internet. A book is a good idea; five hundred (good) books areis better. If you do not really read or cannot read well (a common condition, actually), your head is likely to be a blooming, buzzing confusion. Half the people in our country, by definition, have an IQ less than a hundred. They have been tossed into a life during a time where the world can be a joyous place indeed, but it can also be a rankly complicated one. And along comes a figure who clears up the confusion. He relives citizens of the burden of intellectual activity that every open society in some measure imposes upon them. He knows what is true, right, and just. He tells you the idealized past is better than the chaotic present, and he gives you the hope that we might return there. He is never wrong. Not for nothing did the ever-shrewd Trump say that he loves uneducated people. 

    There is no exorcism for this sort of possession, or at least none that I know of. Calm conversation, compassionate engagement: these things may help. But let’s not get our hopes up. When my students go off to their holiday dinners, where they will often meet up with a relative who is a fountain of Trumpism, I offer them some advice. Don’t weep, don’t wail, don’t leave the room. Respond with a simple question: What made you come to believe what you do? Then listen hard. Sometimes it works. (Sometimes.) When it works, the steam of fanaticism dissipates just a bit. But possession is the antithesis of persuasion. 

    It is no great wonder that people exist who are prone to possession; it has always been so. Our own case is unusual in part because we have powerful means for the possessed to amplify their thoughts. And for whatever reason, all too many of us are susceptible to their influence. As I say, I don’t much like flourishing the language of Vienna to describe American politics now. I would far rather speak the language of Washington and Philadelphia, of the Declaration and the Constitution. I hope that soon the psychoanalytical idiom will go back to its proper home in the learned journals and the consulting room. For now, though, what we see before us leaves little choice.

    We need to understand where we are. Let us defeat fanaticism with analysis, with ideas, if this can still be done. And also with a renewed compassion. For fanaticism is alive in the land, and on the move: its power to do harm is inexhaustible.

    The Rise of the Barbarian Right

    It’s strange, how life can sometimes mimic literature. Consider the story of Jonathan Keeperman, which in crucial ways recalls American Pastoral. Like Philip Roth’s novel, it is a story of how mad ideas can take hold when history unsettles familiar normative coordinates, and when children confront a more dimly lit world than the one faced by their fathers. Even some of the basic details are reminiscent of American Pastoral. Jonathan Keeperman’s father, Fred, came into the world in 1948 at Brooklyn’s Maimonides Hospital and spent his early years in Brownsville. The family-owned a candy store on Pitkin Avenue, and soon Fred was immersed in the “colorful cast of characters who inhabited the immigrant Jewish community into which he was born,” as his obituary put it. (He died two years ago.) 

    The family moved to the eminently Rothian town of Metuchen, New Jersey. Fred joined his high school’s varsity wrestling team, and this in turn won him an athletic scholarship to Knox College in Galesburg, Illinois. There he met his future wife, Rita, a Galesburg local and Catholic-school grad “who taught Fred how to bale hay and put a cow back in the barn,” per the obit. After graduating college, Fred became first a special-ed teacher and then a junior-high vice principal. 

    In 1976, ambition beckoned him to the Bay Area. He went into business with his uncle and finished an evening law degree. Eventually, the family made its forever home in a cul-de-sac in Moraga, a lush, quiet suburb of San Francisco. Fred ran his own small law office, where Rita would serve as the business manager. On the side, he coached sports and led the local education foundation and baseball association, among other civic groups. Fred and Rita Keeperman, in short, enjoyed a full measure of the stability and social capital which were the boomers’ historical inheritance but which would elude later cohorts.

    Jonathan Keeperman was born in Moraga, the third of Fred’s four children. He earned a master’s degree in creative writing at the University of California, Irvine, and would teach as a non-tenured lecturer at the same institution for more than a decade, from 2009 until 2023. During his time at Irvine, Keeperman honorably defended the free-speech right of the campus Republicans to invite an obnoxious speaker, and helped to lead efforts to organize his fellow itinerant instructors under the auspices of the American Federation of Teachers. Writing that instructors “make up the highest percentage [of adjuncts] among all the disciplines in the system,” Keeperman told California Teacher, an AFT publication, in 2016 that “we wanted to look at the labor practices from campus to campus.” He complained of the low pay, the arbitrary power wielded by administrators, and the insecurity that defined the careers of adjuncts. In doing so, Keeperman channeled the anxieties of the educated precariat, which were to propel millennial socialism and the movements associated with Bernie Sanders and, a little later, the Squad.

    Yet Keeperman’s radicalization in those febrile years ran in a different direction than might have been expected from someone of his background. Unlike Merry, Seymour “The Swede” Levov’s daughter in American Pastoral, who swerves to the radical left — all the way to the Weather Underground — in opposition to the Vietnam War, Fred Keeperman’s son has emerged as one of the stars of the “dissident right”: a loose constellation of pseudonymous intellectuals and social scenesters who promote a combination of IQ-based eugenics, the worship of strength, and lifestyle self-help. 

    Roth’s Merry directs her (literally) explosive rage against America’s postwar military-industrial establishment — a discrete and familiar bogey for boomer progressives. But Keeperman and his cohort, the dissident right, identify a more fundamental force as the oppressive enemy: democratic egalitarianism, with its supposed denial of human difference, its general tendency to cut down the high to succor the low. They blame it for pervasive censorship and the H.R.-department quality of modern social life; for the snuffing out of excellence and the “disequilibrium afflicting the contemporary social imaginary,” as Keeperman has written. 

    The dissident right would bury the mildly egalitarian brand of conservatism that in the last century made its peace with equal human dignity, even seeking to extend it to subjects derogated by progressive egalitarianism, such as the unborn child. That conservatism was anchored in the “Judeo-Christian” consensus of the postwar era — a consensus that is fast slipping away, along with the shared moral memory of the horrors of the first half of the twentieth century. The dissident right would replace all that with a more heroic landscape trod by the aristocratic spirit: the one who designates value for himself, hindered neither by the demands of the dysgenic many, nor by popes and priests, nor still by the oozing tyranny of the primordial feminine — the ultimate source of democratic egalitarianism. To hell with your sacred victims, bellows the master subject of history, the noble barbarian, the online Übermensch, as he smashes down the female-dominated egalitarian order. In more extreme versions — Keeperman himself stops well short of these — the noble barbarian might also proclaim: Total N——r Death! (one of their grotesque trademark chants.)

    Shocking stuff. Except, as we will see, for all its capacity to create rhetorical disturbances, the dissident right is merely affirming — in vulgar rhetoric and hateful imagery — the IQ-obsessed, biopolitical future that is already being organized under existing market societies. 

    At some point in the 2010s, Keeperman adopted “L0m3z” as his nom de plume et de guerre, an online persona who could say things that a non-tenured academic could never get away with. Such as: 

    “Lamppost” — meaning, hang or lynch — “the journos.”

    My enemies are dysgenic freaks.
    The sheer tonnage of human filth is overwhelming. An assault on the senses, on the basic right to decency and peace of mind. How does one walk through the cities and not be constantly and involuntarily muttering under his breath: “Billions…billions…”? 

    That last bit is a reference to a social-media meme featuring a frowning, bespectacled figure who, aggrieved or put-upon, declares that “billions must die!” Keeperman/L0m3z would weave much of his output from the memetic threads that normally cocoon online subcultures. (The process should be called memesis.) He softened the material, making it more accessible to a wider audience of conservative “normies,” even as he added a dash of literary flare, as might have been expected from a veteran of one of the nation’s most prestigious writing programs.

    The Travis Bickle-style sentiment expressed by L0m3z — his desire to see a filthy human mass washed away from the face of the earth — is undercut by the fact that the “billions must die” meme-guy is supposed to be taken for a sad-sack creature. Such half-facetiousness is a central feature of the dissident right, a humanizing fig leaf. The movement’s political claims are rarely expressed in earnest or systematic fashion. Rather, arguments are advanced precisely via the joke and the adroit compiling, rejiggering, and interpolating of an existing set of highly mobile memes and symbols.

    The memetic joke serves multiple purposes. For one thing, it shoos away those too dull or too moralistic to get it: that “we” don’t really mean it when we say that billions must die, and also sort of do mean it — wink. More mundanely, the joke supplies a built-in defense mechanism against would-be cancelers and doxers, that is, those who would reveal the real figures lurking behind the pseudonymous avatars. L0m3z himself was recently unmasked as Keeperman in a Media Matters-style exposé in The Guardian, which denounced him for, among other things, reissuing Ernst Jünger’s The Storm of Steel under Passage Publishing, the imprint that he founded
    in 2021.

    Given the emphasis on edgy jokes, the dissident right’s voice can blend with that of other groups of online shitposters, all contributing their share of noise to the social-media cacophony. But Keeperman & Co. are a distinct group, in the business of articulating a distinct worldview. That worldview cannot be understood as highbrow Trumpism. For the dissident right has little to do with the populist upsurge that has engulfed most developed democracies since the mid-2010s, even if the same structural forces have provoked both. For one thing, the social base of the dissident right lies not in Trump country — not in, say, the Rust Belt or Appalachia — but among a segment of the bicoastal professional class. The core group of ideologues is composed of higher-education exiles, “independent scholars,” and non-tenured academics. Arrayed around them are concentric circles of artists and fashionistas, tech and finance bros, podcasters, fuckupnik heirs, and the like, most clustered in Lower Manhattan, Miami, and the Bay Area. Some of these characters could be described as financially stressed, but others are perfectly affluent.

    Sociologically, the dissident right has more in common with the urban left than either camp does with Trumpian America. Indeed, the movement and its hangers-on include not a few former Democratic Socialists of America types. There is, for example, Anna Khachiyan and Dasha Nekrasova, cohosts of the Red Scare podcast. Once a bastion of irreverent vocal-fry Bernie-ism, Red Scare now worshipfully covers the likes of Steve Sailer, the amateur race scientist.

    Sailer, who popularized the term “human biodiversity,” is the author of the America’s Half-Blood Prince: Barack Obama’s “Story of Race and Inheritance,” which appeared in 2009. More recently, Keeperman’s imprint has published a collection of Sailer’s old columns and blog posts. The volume is studded with such hard and brilliant gems of racial pseudoscience as: “Barbados, despite an average IQ of 78, is one of the most pleasant countries in the 3rd World due to its commitment to maintaining a veddy, veddy English culture”; and “since there are so many unmarried Asian men and black women, they should find solace for their loneliness by marrying each other. Yet, when was the last time you saw an Asian man and a black woman together?” 

    Many of the dissident right’s leading personalities, moreover, are what I have called “off-white ethnics”: Jews, Armenians, Romanians, Arabs and North Africans, even some Indians. This frequently puts them at odds with more straightforward white nationalists and anti-Semites — such as the “Groyper” movement led by the flamboyant video-caster Nick Fuentes — who write off even the Poles as “barely white,” let alone a “Mischling” like Keeperman. For their part, the dissident rightists consider unalloyed racial nationalism déclassé, an affront to good taste and a refuge for “low-IQ” white people, whom they hold in almost as much contempt as they do blacks. If you are an intelligent Jewish-American urbanite who wants to play around with certain Nietzschean and eugenic themes, you aren’t going to join tiki-torch-bearing marchers chanting that “the Jews will not replace us.” No, you turn to the dissident right.

    These tensions are not just a matter of ethnic- and class-based rivalry among different groups of haters. They bespeak serious ideological differences. The Groypers are uncomplicated racial-fascist goons: The Jews have orchestrated mass migration, porn addiction, and foreign wars to break our organic unity and weaken our people, etc. The dissident right is a much more complex beast, capable of entertaining sophisticated visions of the political order that might replace the current one, the better to serve the creativity of “natural” or
    IQ aristocrats. 

    For a glimpse of these visions, consider After the War, an anthology of dissident-right flash fiction released this year by Keeperman’s Passage Publishing. In keeping with the dissident-right style, all but a couple of the forty-four contributors appear pseudonymously. This, combined with the short length of the stories, makes reading the book feel like scrolling down an especially freaky X feed. And that’s the point. As the writer “Zero HP Lovecraft” notes in the foreword, 

    a flash-fiction story is short enough that you can conceivably read one story, not only in a single sitting, but in a single interval of consciousness, with no momentary discontinuity. If you grit your teeth and muscle through it, you can read a whole two pages without even once switching contexts to check your social-media feeds.

    Zero HP Lovecraft — the pseudonym is a portmanteau of the name of the Rhode Island horror pioneer and the video-game notion of having zero “health points” — is one of the most virulently racist characters in the dissident-right sphere. “No shit, I’m racist,” he has confessed on the X app. “I have recorded entire podcasts about why blacks are dumber and more violent than whites. I have advocated for [the] mass deportation of anyone darker than cappuccino.” He complains of the “negroid warbling” — rap, hip-hop, and R&B — that supposedly permeates contemporary public spaces. He declares: “I don’t have DNA. I only have TND” (that is, Total N——r Death).

    He is also the author of a handful of strikingly inventive horror stories, written in the tradition of his literary namesake but updated for the age of surveillance capitalism. His gift lies in conveying the subjective experience of people in these milieus — cryptocurrency speculators, “fin-tech” specialists, unemployed online edgelords, and the like — in crackling prose: “We imagined ourselves as samurai-sword VR pirate pioneers, but it turns out we’re pointless argument vegetables growing in walled gardens, harvested for the benefit of robots that serve us ads.” In classic Lovecraftian fashion, he then pulls back the curtain to reveal the hidden, cosmic-scale monsters — technology and capital — that dwarf and menace his human subjects, draining their life essence until the human itself has been rendered superfluous. 

    One can’t but feel a certain awe for the absolute bleakness of his worldview — a bleakness that sometimes bears the awful ring of truth. “They say the bit of folk trivia about a goldfish having a memory of three seconds is just that,” he muses in the foreword to After the War. “But there’s still something so poignant about this image. Trapped in a glass bowl, watched on all sides, an attention span of three seconds: that’s me, that’s you.” Thus, Zero HP Lovecraft laments in substance tech-driven social phenomena that the anthology reflects in flash-fiction form.

    The authors featured in After the War aren’t nearly as perceptive about technology or as fantastically imaginative as Zero HP Lovecraft. Many deploy hackneyed tropes that are the mirror image of the didactic woke-ism that mars much mainstream fiction: if cartoonishly repressive white males supply the grist for the Big Five’s moralizing mill, here it’s the fat, blue-haired, rainbow-pin-wearing, they/them-pronouns-using police officer and similarly left-coded authority figures who serve as easy foils for the protagonists. Other stories are too caught up in insider symbology and jokes to rise to any degree of universal literary merit. A handful are unquestionably clever, however, combining grim humor with memorable conceits made all the more discomfiting by the authors’ foul politics.

    As its subtitle, Stories From the Next Regime, suggests, the anthology invites the reader to envision what it would mean to overthrow our current political, economic, and cultural arrangements in favor of an order more conducive to the adventure and excellence for which the dissident right yearns. The mood is one of anticipation and triumph, even if in many cases, it is really the nihilistic sense of triumph felt by the one who burns everything down. 

    Most of the stories are in the science-fiction genre, with the very best of them managing to pass off their uncanny and disturbing future scenarios as humdrum reality for their characters. Philip K. Dick was probably the grandmaster at generating this effect, and his influence is felt heavily throughout. Indeed, the anthology as a whole could be described as Dickian — that is, if Dick had cheered for the Nazis in his novel The Man in the High Castle, from 1962, now better known as the basis for Amazon’s television series. The stories generally fit inside a limited thematic matrix — a sign that they arise from within a coherent and fairly well-developed ideological movement, rather than a literary scene or sensibility. I notched the recurring themes in the back of my copy as I was reading it, and was struck by how infrequently I needed to come up with new categories for my counting system. Taken together, the handful of categories can double as a guide to dissident-right ideology.

    It should come as no surprise that a significant plurality of the stories involve race, eugenics, “natural” or genetic aristocracy, physiognomy, and the centrality of bloodlines. “The Frowners,” by a writer who goes by “Degree Studies,” is typical. The story dully restages Steve Sailer’s notion of “noticing”: that hereditary differences among large human groups — delineated by race — should be obvious to anyone prepared to take off the lenses of egalitarian piety. The protagonist is a scientist from Earth who, in the distant future, visits Jupiter’s moon Ganymede to present the results of his research into the local xeno-culture. It turns out that “there were distinct physical characteristics of those engaged in violence” among the Ganymedians: namely, “a distinct downward tilt to their face,” absent among the peaceful. But the Ganymedians are not prepared to hear this hard teaching. One of their own scholars pipes up that “there is no reason to believe” that frowners “are innately more violent. In fact, we believe the frown is caused by exposure to violence and injustice.” Substitute skin color for the Ganymedian frown and . . . get it? Noticing!

    The yearning to expose the immutable hierarchy of human types likewise animates “The Pasture,” by “Meta Prime.” It envisions a future in which humans are socially categorized as Sheep, Camels, Lions, and Children. The latter three designate the three-stage metamorphoses of the soul in Thus Spoke Zarathustra. In Meta Prime’s story, only those born as Camels, Lions, or Children are afforded respect, while the Sheep are placed at an early age in a space known as The Pasture, where they are digitally surveilled and cared for. Parents of Sheep hope desperately that their children might graduate from The Pasture into a higher status, thus “transcend[ing] their lineage” and “proving [their] soul to be something more than that of [their] ancestors.” But this rarely happens. Usually the Sheep leave The Pasture and enter society as Sheep. “Even the families who were able to get their offspring placed in ideal positions in The Pasture had little hope of making a difference… They had to live with the fact that souls of their caliber had not built society… and only now had the opportunity to enjoy it by the good graces of the Children, Lions, and Camels who had sacrificed before them.” 

    The message is unmistakable: our actually existing society is maintained only thanks to the efforts of a hereditary or natural aristocracy, whose superiority in talent and responsibility is simply inaccessible to the many. Meta Prime only wishes we had the courage to admit this bare reality and thus furnish the aristocrats with the rewards of rule and respect naturally due to them, while disabusing the small-souled many of their grubby hopes of social ascent or equality. 

    “Blood Ties,” by the writer “Mythpilot,” adds an interesting geopolitical twist to these hereditarian concerns. The story pictures James, the aristocratic ruler of a Western country, retiring to a rare moment of intimacy with his wife, Anna, after the couple has publicly announced the impending marriage of their daughter to a son of the Russian nobility. Delighted about this union, James and Anna reflect fondly on their own, a “grand romance,” a match made in heaven — or more precisely, by “biopolitics,” as Anna reminds her husband. Now, a similar fusion of noble lines promises to seal the peace between their country and the Russians — “the people who once tried to bomb us,” Anna notes. James waxes philosophical: “It’s a new world, darling, and it belongs to us. We used to trust in pieces of paper for peace. Now we trust blood… Peace has a price. Blood for blood.” Anna concurs: “Despite my mother-sadness, I think it’s a marvelous thing. Blood is human, blood is warm, blood is us. This can be the beginning of a new age, a human age.” The “old world” wasted itself for the sake of abstract principles, when all it took to establish harmony between nations was to restore the premodern politics of “personality” and intermarriage. The countless victims of Europe’s monarchic wars could not be reached for comment.

    If Mythpilot offers a farcically gentle vision of a world order built on blood and genes, a contributor who goes by “P.C.M. Christ” — the nom de plume’s theological significance will become clear in a moment — harbors no such illusions. In “Sins of the Fathers,” at once the collection’s most impressive and repellent story, P.C.M. Christ takes the dissident right’s eugenic politics to their terrifying, and ferociously anti-Christian, terminus. 

    In the future, all children born with intellectual or physical disabilities are banished beyond the pale of civilization, so that neither the family nor the state has to bear the burden of “a life that could never recover from its handicaps.” Tyler is one such child. While his older brother, Harrison, is a genetic marvel of intelligence and athleticism, Tyler is “half-formed and hideous” and “crippled by various mental disorders.” Agents of the state are headed over to collect him for removal, and his mother and father must make a choice. Parents are permitted to accompany their children into exile, on the condition that they never return to civilization. Tyler’s mother, Mary, is already firmly resolved: she is staying with Harrison among the healthy. But the father, Chris, is torn. “I need some time, Mary,” he says, but he only has thirty minutes to decide. And then: “I’m going with Tyler.” It is a touching moment, all the more notable for the elliptical brevity with which the author describes it. Yet it soon becomes clear that, for P.C.M. Christ, the father is a contemptible character. 

    Transported with Tyler to a camp far outside the city, Chris finds himself forced to permanently undress and to submit to the egalitarian diktats of a figure called simply “Mother”: a cross between matriarch, corporate diversity manager, and female correctional officer. “Our way of living is communal,” Mother instructs Chris. “Care, sex, love; all are given freely and broadly…We do not allow anyone to be above another.” Again: “There is one sin in this community, and it is unforgivable — that you would place yourself above the group.” Since the community is founded upon a constitutive “weakness,” Mother adds, those who dare inject strength or excellence or hierarchy face “unrelenting punishment,” lest they jeopardize communal “safety.”

    Skeptical at first, Chris learns to accept this state of affairs. So much so that after six months, his male breasts begin to emit milk — “a sign, he was told, of his growing empathy.” Chris’s transformation from husband to milkmaid reaches its apotheosis when a family with a Down syndrome daughter approaches him, and he happily breastfeeds the lot of them, as their bodies and feelings melt into each other. Tyler, meanwhile, shows no improvement, “only growing more and more demanding” over time. But Chris counts himself blessed, feeling “righteousness through pain” and — P.C.M. Christ adds with all the Nietzschean venom he can muster — “gratitude for the hobbling weight of a cross to bear.”

    In addition to its eugenic dimension, P.C.M. Christ’s story introduces a second major theme of the anthology and, by extension, of the dissident right: namely, a fear of female power as the biological engine of social egalitarianism. The idea goes back to the movement’s leading thinker, Costin Alamariu, the Romanian-born political scientist behind the pseudonym-cum-online persona Bronze Age Pervert or BAP (complete with a broken faux-primitive syntax). Alamariu’s Yale dissertation from 2015 — published independently last year as Selective Breeding and The Birth of Philosophy — contends that philosophy at its classical origins was foremost concerned with “the problem of breeding.” (The book briefly topped the Amazon charts.) Eugenics, good breeding, “the standard of nature” as conveyed by Plato’s and Aristotle’s endless talk of excellences among horses and other animals — all this for Alamariu represents the rebellion of the noble barbarian against the female-led egalitarianism that is society’s default form. Alamariu, and Keeperman and dozens of lesser dissident-right figures after him, use the metaphor of the “longhouse” — the communal living space supposedly associated with sedentary agricultural civilization — to represent this matriarchal despotism. 

    In “Sins of the Fathers,” the camp for disabled children ruled by a female disciplinarian — promoting equality even as she flexes her own power — is an obvious longhouse. The same complex of ideas appears throughout the anthology, with the authors variously equating femininity with collective organization, campus diversity nostrums, anti-racism and the removal of Confederate monuments, and the general sapping of vigor and vitality. Yet the contributors to After the War are seemingly divided over the prospects for resistance, with some staging misogynistic orgies of male triumph, while others merely assert a male right to pleasure as the condition of perpetual female domination.

    The opening story by “V.N. Ebert” — one of the more drearily on-the-nose pieces — is narrated by a pilot of spacecraft in a future moon colony. “The Moon had been a libertarian thing” at first, he tells us. But the colony is now menaced by the same creeping bureaucratization that long ago suffocated adventure and heroism on Earth. A visiting female activist embodies this threat. “She didn’t acclimate well,” the pilot observes. “Wanted to organize, whatever that meant.” Her recruitment fliers “had a rainbow flag I remembered from down there.” The girl rails against “exploitation and violence,” but our pilot pays her no heed, and she finally abandons her mission and returns to Earth. Noble barbarian 1, female busybody 0. 

    “Genesis Revelation,” by “Mencius Moldbugman,” transmutes the male triumph over female power into an insane Burroughs-esque mythscape. Here, the horrors of the longhouse are laid bare. It is a “dark prison” whose walls are smeared with “the blood of weak men, the blood of men cowering wild-eyed.” Overseeing this prison are the “doe-eyed but dangerous women” whose power has depended upon the “suffocation” of men down the ages. Our protagonist, identified as “the warrior,” enters the longhouse bent on ending this female despotism. “With purpose, the warrior strode toward the nearest woman and grabbed her.” Defenseless before such boldness, “the woman leaned back and opened her legs, offering herself to her new master. Her sex thanked him for his strength and moistened with relief that her reign had finally come to an end. The other women took heed and did the same.” The dissident-right warrior screws his way to freedom, winning over all womankind except for “one old crone too bitter and barren to bear the blessings of his fruit.” But the harridan, too, eventually succumbs to the warrior’s determination, her everlasting NO to life drowned out by his everlasting YES. Finally, “the warrior stepped out of the longhouse, loyal mothers to his future sons in tow.”

    “A Big Man on Campus,” by “Noble Red,” is equally heavy-handed. On her way to Drag Queen Story Hour at Ruth Bader Ginsburg College in upstate New York, the freshman Margaret spots the only boy on campus: tall, handsome, “the most beautiful young man she’d ever laid eyes on.” A friend informs her that his nickname is Shakespeare — “because everyone gets to shake his spear.” The friend adds without elaborating that “he’s the college rapist, of course.” An official at the registrar’s office unlocks the meaning of this mysterious statement for Margaret. “The number one reason why young women go to college is to get raped,” she explains. Parents don’t intervene, “because they realized that their daughters claiming to have been raped was a marker of high status. But more importantly, it was and is a marker of political affiliation. It means you’re one of the right people.” 

    Problem is, “demand very much exceeds supply.” Enter “Shakespeare”: “We employ a low-status male to rape all the students. He doesn’t really rape them, of course. They just go to his room for thirty minutes and then allege that he did. We log the complaint, inform the authorities, file all the paperwork…The boy never faces legal jeopardy, because the girls all profess to be “too traumatized” to go through with the ordeal of a police investigation and trial. As she enters his room for her own turn, Margaret thinks she can “save” the boy-prisoner of female desire and female politics. Noble Red’s story, then, ends on a note of pessimism when it comes to overcoming the longhouse, at least among the college-attending classes. Yet for the author, the miserable fate of “Shakespeare” isn’t lacking for erotic possibility: the girls hold the power to ruin him, even as they also hold his “spear.” 

    In his own story, “Vampire Island,” Alamariu/BAP proposes a similar pattern for resetting relations between the sexes: not the total defeat of the longhouse in the manner of Mencius Moldbugman’s warrior, but a renegotiation of the terms of female domination. In the wake of nuclear war, the five hundred or so remnants of the LC (“Lewis and Clark”) battalion have taken refuge on Guam, enjoying plentiful food and abandoned fuel and living as equals in generous leisure. A bust of the “Blond Beast” is enshrined at the center of their camp.

    This tropical idyll is interrupted when a few of the men vanish while on excursions. Someone or something is kidnapping the soldiers. More specifically, “the most conspicuously handsome and fit were being picked off.” A party reconnoitering the nearby jungle in search of the missing learns the truth: their comrades have been taken prisoner — for the purpose of breeding — by a band of semi-civilized amazons. “Pumping relentlessly into the frenzied gripping pussies of the ecstatic amazons,” the captive prisoners are now cheered and now flogged by the “violent vampiric cum huntresses.” The horror, the horror! But there are too many amazons, and the men of the battalion resolve to sue for peace. Under the settlement, the amazons are to perform “no more than three extractions per day, and this only a week at a time, with days of rest in between, fed shellfish, pineapple, and cured wild boar by the amazons’ dwarf-like servant class.” For BAP, at least when he is scribbling trashy post-apocalyptic erotica, female domination, rightly ordered, entails male pleasure. 

    Reconciling the contradictions in dissident-right sexuality might appear impossible. One mode of fantasy vents revulsion at female sexuality: as a mysterious and “natural” power in itself and as the source of egalitarian politics that must be vanquished by the noble barbarian. The other eroticizes the status quo of female domination: hence the recurrent figure of the lone and helpless male overpowered by groups of sexually dominant women. The through-line seems to be an inability to view sex through any lens but that of power and counterpower: it’s the brawny male brute or the dominatrix all the way down.

    Interestingly, BAP himself straddles the two modes of fantasy. As a thinker, he promotes the notion that matriarchy is the stifling default state of society, and can only be resisted through heroic male exertion. As a storyteller, however, he imagines amazons lashing his Aryan heroes — like Keeperman, BAP is part-Jewish — and forcibly extracting their lifegiving seed. Then again, BAP’s idol Nietzsche advised: “Going to a woman? Do not forget the whip!” — yet he was also photographed (with an English philosopher) harnessed animal-like to a cart carrying his beloved Lou-Andreas Salomé, a whip in her hand and looking knowingly at the camera.

    The largest plurality of stories in this sickening volume are devoted to imagining the processes of social breakdown, civil conflict, frontier settlement, and population transfer that open up new horizons of freedom for the noble barbarian — or at least, that bring the current order to a close. 

    “Mog the Urbanite” contributes a tightly composed — if politically chilling — tale about a pair of boys examining their grandfather’s collection of strange trophies. The ancient objects carry labels such as: “The Skin of Senator Molembek,” “Warhead From a Minuteman Missile,” and so on. But the one that most absorbs them has a faded label, and the boys can’t figure out what it is. It is a guitar, but the boys wonder if it is a weapon before giving up. Later, as they approach the “throne room” of “the Warlord,” they wonder why such an object would have a sticker on it that reads: “This Machine Kills Fascists.”

    In “A Whole World,” the writer “Golgi Apparatus” recounts the “informal invasion” and “second colonization of Africa” by enterprising privateers. The story, written in a breathless tone and cadence, describes the “CEO monarchs and eccentric pioneers” and “tech-bro caesars” who in the late-twenty-first-century manage to subdue the continent, once more, to the West’s undying Promethean impulse. The United States is in decay, but “in Conakry, a solitary genius known only as the Master rules through a network of undying mechanical servants — kept alive, some whisper, through a twisted Kabbalistic occultism optimized in a laboratory…Ethiopia is under Mormon control. Mercantile hubs and “neo-Singapores” blossom across the Gold Coast. 

    “Reconquista,” L0m3z’s own contribution, treads similar ground. More competently written than the others, it offers a faux-historical narrative about the future takeover of California from Mexican cartels by a militia amid the apparent breakup of the United States. After generations during which they could only dream of possessing “the birthplace of their grandfathers,” the militiamen could possess any mansion they wished. But for now they are celebrating victory with a barbeque on the beach. I couldn’t help but recall that this fantasy of a Californian Reconquista — the recolonization of the former Golden State by its “indigenous” population — is the work of Jonathan Keeperman, son of Fred Keeperman of Pitkin Avenue, Brooklyn.

    Other writers foresee the present egalitarian regime staying in place, and its opponents either escaping to ungoverned spaces or else mounting special operations and a low-intensity counterinsurgency. “Demeter,” a tightly crafted horror tale by “Detective Wolfman,” features a trucker who smuggles statues of forbidden historical figures such as Thomas Jefferson and Robert E. Lee to more tolerant places in South America and Eastern Europe. Interdicted by the villainous FBI, the smuggler reveals himself to be a vampire: the undying and undead Southern spirit, avenging the Lost Cause from beyond the grave.

    A related complex of themes — After the War is a rich document of contemporary political anthropology — has to do with male self-help and self-improvement. In “Under the Willow,” a writer who goes by “William Wheelwright” pompously describes a member of a future caste of warriors, also named William, as being of “epistolary persuasion.” The William of the story, we learn, “was maniacally focused on the perfection of himself. In the gymnasium, of his body. In the library, of his mind. And in the sacristy, of his soul.” Judging by his racist musings on the X app, however, William Wheelwright has a long way to go to basic human decency, let alone the spiritual perfection that he ascribes to his character: last year he responded to a poll asking, “Fellas you have to pick a [girlfriend], which one of these is least objectionable: former escort; sex with dogs; a black.” “Dogs are the least evil,” he wrote.

    Time and again, we encounter young men who have prepared themselves for the coming war-apocalypse-new world through strenuous exercise and the consumption of healthful food: “Raw milk. Berries. A few slices of 100 percent grass-fed organic steaks from cows that were kept in red-light vaults five hours a day,” as one story has it. You know, not like the bugs and zogslop on which the dysgenic masses gorge themselves. The prevailing emotion in these writings is disgust, and they provoke the same feeling in their readers. 

    Between the civil-war reveries, the fantasies of exacting violent revenge against the woke disciplinarians, and the vitalist commitment to the cultivation of minds and bodies fit for armed conflict, it is tempting to view the dissident right as a serious threat of radicalization. Online, no doubt, on various dark and darker webs, they have such an effect. But I think something else is afoot here: namely, the romanticization of social developments that are already unfolding in the United States and other advanced market systems. Put another way, dissident-right culture merely lends a heroic sheen to our actually existing realities and the ideological structures used to legitimate them.

    In actually existing advanced market societies, there is no need to set up camps on the outskirts of cities to house children with Down syndrome, because many fetuses diagnosed with the condition and others of the kind are terminated before birth, and close to a hundred percent in Iceland and Denmark. Other burdensome citizens — not just those facing terminal diseases, but also increasingly the elderly and even young people with mental illness — are increasingly goaded into medically assisted suicide in Canada and the Benelux states, with advocates fighting tirelessly to expand such MAID regimes elsewhere in the West. Categorizing people from birth as Sheep or Lions or what have you, so as to ensure that everyone knows his place, is equally superfluous in today’s market societies. On both sides of the Atlantic, social mobility has largely ground to a halt. In the United States, it takes an average of six generations for the advantages associated with inherited family wealth to disappear, according to research from the Brookings Institution. Among the libertarian right as well as some progressives, this reneging on the egalitarian promise of “meritocracy” is justified on the basis of the hereditary genius and virtue of the rich, Charles Murray-style. The “Pasture” that they recommend is universal basic incomes or forms of so-called negative taxation: handouts aimed at mollifying economically useless individuals, so as to obviate reforms aimed at altering the lopsided distribution of power generated by markets. Confronted with the growing stubbornness of hierarchies in contemporary capitalist society, the dissident right wildly and without any sense of irony expresses its disappointment by inventing a new hierarchical thinking draped in a mystical vernacular, a different sort of inherited hierarchy that is uglier and even less mutable than the one that they deplore. 

    Likewise, the fusion of “noble” blood and genes is a feature of advanced market societies, as Murray pointed out more than a decade ago in Coming Apart. Indeed, sociology has been aware of it as a problem for meritocracy ever since Michael Young coined the term in his dystopian novel-essay hybrid The Rise of the Meritocracy, first published in 1958. Our jet-setting meritocrats are already apt to unite their blood lines, with little to show for it by way of greater social progress or harmony between the nations. The dissident right’s fantasies of intermarried neo-aristocrats merely attach the prestige of the ancien régime to the love lives of tech bros and the consultant class, much as an earlier generation of eugenic ideologues did the same in the late nineteenth and early twentieth centuries. It was repulsive then and it is repulsive now. 

    As for sexual relations defined solely on the basis of power, that, too, is characteristic of the world we inhabit. A sexual imaginary that can only alternate between the male brute who screws his way to freedom or else the vampiric, dominant female — that’s about as radical as the ethics of contemporary pornography. As the critic Geoff Shullenberger has pointed out, moreover, there is nothing particularly novel about the notion that matriarchy is society’s default setting: the radical feminists of the 1970s got there first. Once again the creepy right inverts, and parodies, the radical left: the dissident rightists merely reverse the normative valuation of this state of sexual affairs — even as they also eroticize the matriarch who holds the whip.

    Even the new-frontier fantasies of the dissident right aren’t that far-fetched. China, Russia, and the North Atlantic powers are already mounting a second colonization of Africa. Only, the process isn’t taking place as Silicon Valley-adjacent writers besotted with the Californian Ideology might imagine. It is a project not of bitcoin-flush privateers, but of massive state-directed or state-backed enterprises that are marvels of social organization. On a less dramatic scale, numerous movements on the existing right encourage and organize the resettlement of likeminded families away from disordered urban cores of blue cities and states and toward safer and more socially cohesive red areas. It is their right to do so; but buying real estate is not a radical act.

    Much the same could be said for the dissident right’s obsession with bodybuilding. In their fiction and “nonfiction” (such as it is), the dissident rightists insist that to overcome the schemes of woke despots and h.r. henpeckers, you must train body and mind and lift yourself above the despicable masses. Social antagonism is not to be collectively resolved, but transcended by the exertions of the heroic individual perfecting himself, as the classical sculptor chiseled elegant form out of lowly matter. Yet such self-help programs, such aspirations to a salvific superiority, are nothing new. As the left historian Charles Sellers observed, going back to the nineteenth century, striving middle classes often corralled surging social discontent into a frenzy for self-discipline and what today’s online right would call “clean eating.” As if perfection was ever the solution to a social problem. 

    This is the dark transubstantiation of market society, as it is practiced by the barbarian right: how it, and they, can turn even its most humdrum offerings — going to the gym and counting your calories — into a means for defeating the woke matriarchy or any other real or imagined enemy. Much as, in American Pastoral, Merry’s fury, having erupted in violence, finally exhausts itself in the harmless pseudo-mysticism and lifestyle experimentation that were the endpoint of the New Left, so the dissident right, for all its countercultural energy and its self-congratulatory sense of its own radicalism, ratifies the deeper logic of the very society against which its adherents purport to rebel. It is only an ugly and fevered diversion from what really ails us. 

    True radicalism and true dissent in contemporary America require a critical examination of the meritocratic ideal and the power relations it has served to disguise since the early twentieth century. It should mean rejecting the routine throwing away of weak and vulnerable lives. It would mean reaffirming moral and political universalism, whether rooted in the Bible or in social democracy, especially in our time, when these ideals are under assault from seemingly every quarter. Lending the present state of affairs a new legitimacy on the basis of IQ or racism is not radical. It is simply evil. 

    A Poetry of Place

    When we first met, you said you hoped to write

    a place as yet unwritten, maybe here,

    the last of the café’s lunch crowd clearing out

    with a soft ceramic clink and spray of light 

    through glass to glaze your dark cascade of hair.

    It’s not Manhattan, after all: it’s not

    a place for public life, yet here we sit

    with much between us still unspoken,

    each unfamiliar blossom yet to bloom.

    One Saturday I lingered in the park

    not far from your apartment, the faint perfume

    of evening primrose floating through the dark 

    with petals cool as rain against the skin,

    the season still unchronicled, but you

    had packed your bags and flitted back to Brooklyn,

    from what, and to what end, I never knew.

    Somewhere Else

    The last time we ever spoke

    Missouri suburbs filled with snow

    and snowfall blotted out the oak

    beyond your buried patio.

    You’d never see another spring.

    Falls . . . confusion . . . vertigo . . . 

    Familiar landmarks vanishing,

    you stood up from your wheelchair.

    Where did you think you were going?

    Across the Firth of Forth to Fife,

    to a croft in Pittenweem—why there,

    a place that you would never see?

    Though stranded, at the end of life,

    you still had somewhere else to be.

    Memory Care

    Memory care makes final introductions

    to residents whose names have slipped away

    at the slightest pressure, evanescent

    syllables for those who will not be here long,

    mere bubbles in a froth of foam,

    more transient than resident, some

    transitioning, not to another gender,

    but to another state of being altogether.

    Are you in the bathtub? my father greeted me,

    perhaps replacing past with present, room

    with tub, the week since I last visited

    with a momentary absence. He glimpsed

    the cascade of errors, winced, then shrugged

    and raised his palms in mock surrender.

    Nights are worst, when Mr. D don’t act right,

    but crawls around unplugging clocks and lamps

    and grunting like an animal, until the staff

    step in to strap him down with soft restraints.

    Dreams subject him to a long examination,

    turning over his childhood to find the source of sadness,

    testing each failure, each scene of humiliation,

    as he turns over the exam to find a list of questions

    in an ancient, unfamiliar script

    with blanks that spread like spilt milk.

    Tomorrow — tomorrow he won’t remember

    where he lives, much less these ghostly neural flickers;

    but tonight the dreams remember him.