|||to|||name|||every|||one|||

    1.
    three hundred nameless
    walk
    holding names behind their backs
    bone to bone
    muscle to muscle
    let us stretch their memory between our lines

    2.
    saved by death from life
    name yourself
    mouth-holes stare

    3.
    outside, it’s not death that whitens with bones in the leaves of trees
    you look closer
    but indeed, it is death
    outside, it’s not death that blooms in the branches of trees
    you look closer
    but indeed, it is death
    outside, it’s not death that sings a birdsong in the white branches in the white blossoms of trees
    you look closer
    but indeed, it is death

    4.
    death
    that has saved so many from life
    name everyone by name
    the mouth-hole of death stares

    5.
    not the bones of earth
    not the blood of heaven
    not the voices of war
    we
    no one’s

    6.
    and who is our memory about
    everyone
    and our words about no one
    about everyone
    our bones are muscles and blood about no one
    about everyone
    hair’s falling out nails split cheeks sink into mouths
    no one’s

    7.
    bone to bone
    blood to blood
    death to death
    poetry
    for no one for everyone
    grips the blood the bones the water in the tap the sand on the temple the fingers the nose the jaw every skull grips the hem like burrs asks to carry it to the better times carry it at least in the mouth of one in the mouth of the three hundred nameless
    I look closer
    but indeed, it is a war
    for no one
    to everyone

    Translated by Valzhyna Mort

    night forty-eight

    1
    I wear a second-hand country a second-hand city apartment bed pillow blanket
    ability to walk across a park without checking under my feet without checking over my shoulder
    but Poland is not safe
    Lithuania is not safe
    Germany is not safe

    2
    I wake up from loud conversations behind the wall fuss jostling banging of doors
    I think
    /// there we go, the war is here too ///
    I roll over I try to fall asleep knowing
    that Moldova is not safe
    Romania is not safe
    Estonia is not safe

    3
    every night now I see the same dream
    in the dream I go to work in the morning
    I return in the afternoon
    I wash dishes I wash clothes I cook dinner I read books I go to bed
    and even in this dream
    Latvia is not safe
    Georgia is not safe
    Finland is not safe

    4
    to help myself fall asleep, I do simple exercises
    1) I imagine two solid walls between myself and the window
    2) I imagine myself behind a heavy metal door in front of which stands an oak armoire
    3) I double-check my food supplies my drinking water and the contents of my emergency bag
    because
    Slovakia is not safe
    France is not safe
    Italy is not safe

    5
    having not found any safe areas on the map
    I wait out the war

    in the second-hand time

    Translated by Valzhyna Mort

    An Open Letter to an Enemy of Liberalism in My Native Land

    Dear Professor Legutko,

    Early this year, when Russians were positioning their troops along Ukraine’s borders and liberal democracies were debating what it all might mean, I started reading your books. I have heard that they are influential in Poland, and I am concerned about the weakening of liberal democratic commitments in our native land and more broadly in East Central Europe. Would their political identity, their liberal commitments, prove strong enough in what seemed like a new confrontation with Russians authoritarianism? It is a rather disturbing question to ask about Poland and Hungary, and to a lesser degree about other former Soviet satellites, only thirty years after the fall of communism.

    A lot has been written lately about the possible reasons for this weakening, and for the contemporary appearance in the West of “post-liberalism,” but I decided to explore the issue by studying the work of Ryszard Legutko, your work, the work of a declared Polish anti-liberal, a philosopher, an educator, a former minister of education, a politician of the ruling illiberal Law and Justice party, and a member of my own generation. In our lives we have witnessed the same events — the student protests in 1968, the Prague Spring, the workers’ protests of the 1970s, Solidarity and martial law. We have read the same books, we have heard the same people. I was exhilarated by Poland’s, and the region’s, attainment of democracy in 1989, a benevolent revolution that I considered a perfectly natural and logical development. You, on the other hand, believe that adopting democratic liberalism was our homeland’s gravest mistake. You also claim, provocatively and rather counterintuitively, that liberalism, or liberal democracy, which has always been rightly regarded as communism’s eternal enemy, is in fact communism in disguise. Liberalism, in your view, is communism that is actually winning!

    I was not sure what I expected to gain from reading your books. Keeping a vigilant eye on the enemy of everything I believe in? But attending to counter-narratives, even distasteful ones, can be instructive. An unapologetic liberal, I was prepared for a strange voyage. I was not wrong. When I was halfway through your book The Cunning of Freedom, Russia invaded Ukraine. Illiberal authoritarianism was on the march and liberal democracies were rapidly mobilizing. (I must note here that when you spoke before the European Parliament you condemned Moscow’s invasion in the strongest terms.) Glued to a TV, I became distracted and irascible. So many lives, all of them so similar to our own, were being destroyed, so much pain inflicted on real human beings, in the name of antiliberalism. Still, I kept reading.

    In the foreword to your book The Demon in Democracy, John O’Sullivan, the British conservative commentator and erstwhile political advisor to Margaret Thatcher, tries to convince us that what you mean by liberal democracy is not liberal democracy at all. It should be called by an altogether different name, perhaps “liberal-democracy.” It is certainly not liberal democracy “as it was understood by, say, Winston Churchill or FDR or John F. Kennedy or Ronald Reagan. That was essentially majoritarian democracy resting on constitutional liberal guarantees of free speech, free association, free media, and other liberties needed to ensure that debate was real and elections fair.” Liberal-democracy, on the other hand, is ideological, “liberationist,” and does not hesitate to restrict the freedom of persons and institutions “from parental rights to national sovereignty.” It is, in other words, precisely what conservatives denounce as “leftist” or “progressive” liberalism. Whereas the “classical liberalism” of fundamental human rights, open debate, and governments of, by, and for the people, is, for O’Sullivan, just fine.

    Your repeated complaints against feminism, the “enormous privileges” of homosexuals, the “persistent attempt to deconstruct family,” multiculturalism, the general decline of public and private morals, the loss of self-restraint and shame and the sense of duty, all have a distinct odor of right-wing bigotry. But your ambition goes much further. All these modern abominations, you claim, are not excesses or aberrations of liberal life. They are, in your interpretation of them, direct and unavoidable consequences of the very essence of liberal philosophy. Yes, your enemy is the same liberalism that O’Sullivan so gallantly defends — the liberalism of human rights, equality, and individual sovereignty. Liberalism, and with it liberal democracy, is poisoned at the root, in the fundamental and faulty premises of Bacon, Hobbes, Locke, Rousseau, and Mill. The whole intellectual and political structure created by the Enlightenment is, according to you, only now reaching its full potential, which is also its final undoing. You have your own version of the end of history.

    You are not original or alone in your post-liberalism and your counter-Enlightenment. We have heard similarly hostile judgments about liberalism, and about modernity, and about the Enlightenment tradition, since the beginning of liberalism itself. Today they can be found in the works of academic anti-liberals such as Alasdair MacIntyre, Adrian Vermeule, and Patrick Deneen. Liberalism’s cardinal sin, they claim, was Locke’s concept of the “state of nature” — a hypothetical condition of perfect liberty, pre-political and pre-social, to which every human being aspires. But in the course of history various forms of governments, aided by religion, have imposed upon this naturally free human being piles of arbitrary restrictions and obligations that hamper and distort his natural capacities. To liberate the human individual and allow him to reach his full potential, every form of human association, every stricture and obligation, needs to be rationally examined, reduced to actual necessities, and legitimized by popular consent — the hypothetical “social contract.” In your view and the view of other antiliberals, this was a revolutionary idea that struck at tyranny — but also destroyed everything that was good and useful in the pre-liberal and pre-modern world.

    In order to fulfil its goals, liberalism, according to the account of the post-liberals, became the fierce enemy of the intricate network of traditional interhuman relations, “social hierarchies, customs, traditions, and practices that had existed prior to the emergence of the new political system,” of the very concept of human rootedness and continuity. Nothing old was allowed to stay in place. Everything had to be invented anew. Nothing was to be accepted on faith, except perhaps liberalism’s own holy creed, which includes the concepts of innate human equality and inalienable human rights, which you and your comrades denounce as an absurdity without philosophical or theological justification.

    According to this narrative, which you repeat almost verbatim, liberalism is in a state of constant and relentless war against the remaining bastions of tradition — local communities, the family, and religion — replacing them with its own artificial constructs. Freedoms needed to be regulated, lest they interfere with other freedoms. Liberalism benefitted from a reluctant and misguided need to be led to the light. Hence its ever-intensifying social engineering, its justifications of the coercive function of a supposedly minimal state — its continuous politicization of, and interference with, all aspects of human life, including the most private ones. Instead of the “natural” self-discipline and restraint that reigned in the pre-modern world, which was accepted, apparently without objection, by grateful members of all classes and estates, we got a multiplicity of laws and regulations imposed by distant, anonymous institutions. This process, started over two centuries ago, is yielding more and more dreary results — “absurd” feminist ideology, sexual candor and freedom, unlimited rights to abortion, genderism, euthanasia, and legislation against domestic violence and hate speech, which allow “further drastic intervention by government and the courts in family life, the media, public institutions, and schools.” Oh, and also the “transnational” homosexual movement that has grown so influential that one can no longer entertain a “harmless” “faggot joke.” (You actually said that!)

    Liberalism, in your intimidating and exaggerated view of it, is a hyper-ideology that coopts both the right and the left: welfare state advocates and free market fundamentalists, identitarians and globalists, radical environmentalists and greedy industrialists — they all bow to the same liberal idol. Gathered in its temple “the socialists and the conservatives are unanimous in their condemnations: they condemn racism, sexism, homophobia, discrimination, intolerance, and all the other sins listed in the liberal-democratic catechism.” (Where are the bold, free spirits ready to defend racism, sexism, homophobia, and the rest? You know exactly where they are.)

    Tolerance and pluralism are also liberal ruses. “One simply cannot put a Christian, a Muslim, a socialist, and a conservative into an individualistic/egalitarian framework and expect them to be Christian, Muslim, a socialist, or conservative in the standard sense of the word,” you instruct. “Two loyalties — one particular to one’s own community, and the other to an infinitely open system — cannot be reconciled.” If two loyalties seem too many to you, dear professor, then you know precious little about the complexity and the richness of actual human identity. Moreover, the individualistic and egalitarian framework is probably the only framework in which you can safely put such different people together. Communities that exclude loyalty to other communities, or even limit contacts with those outside the community, do exist, but they are a rarity rather than a rule, and they are certainly not a model of social peace. The liberal framework, by contrast, tolerates and protects such exclusive communities, as long as they do not interfere with other communities or do something nasty to their children. Consider the flourishing in liberal America of the Amish, who are much praised by Patrick Deneen.

    In your view, freedom is a limited commodity that should be meted out judiciously. Some people clearly deserve more of it than others. Citing Aristotle, you remind us that some of us are born to be slaves and some of us to be masters. You contend that by extending freedom to some groups we must take it away from others. This does not add to the general pool of freedom. “Imposing the liberal system of freedom,” you complain, “requires that the disadvantaged receive more free space while the privileged have a certain amount of it taken away from them.” (I am reminded of Anatole France’s ironic observation that “the law, in its majestic equality, forbids rich and poor alike to sleep under bridges, to beg in the streets, and to steal their bread.” And also of your utterly unironic observation that “it would be true to say that both a beggar and a Rockefeller, if left alone, would have exactly the same freedom to sleep rough or spend their vacation in Hawaii….”) All this, you say, leads to social engineering, “for instance upgrading women and blacks while restraining patriarchy,” just as “encouraging homosexuals has meant limiting what has been called ‘the monopoly’ of heterosexuals in all areas of life.” You have a strange way with empathy. I conclude that in your view it is better to leave the advantaged and the disadvantaged exactly as they are.

    In your account, liberalism is an aggressive and expansionist force. It moves forward “relentlessly,” “annihilates internal criticism,” “hunts down old, incorrect rights,” “ruthlessly imposes liberal-democratic patterns on everything and everyone.” It conquers new territories “as if under a single well-structured and well-organized command following a superbly devised strategy.” Very frightening! Liberalism lures and corrupts by its false vision of an easy life — entitlements without obligations, no striving for moral merits, no need to justify claims, dignity possessed without moral achievement, by the very fact of being born. As a result, the denizens of liberal democracies have more and more rights but less and less freedom, which naturally breeds alienation and anomie. Despite its apparent vibrancy, therefore, life in a liberal democracy is lackluster and dull. Liberal art has been dehumanized; its literature is “speaking about nothing”; the rhetoric of diversity is “masking expanding uniformity.” In the liberal world “there is neither conversation nor poetry.” (Where have you lived?) Luckily, however, the whole liberal project is nearing its end. Liberalism’s energies are almost spent, and it is entering a final crisis — which is entirely its own fault.

    It is certainly true that in the name of liberalism we must allow, and even encourage, the criticism of liberalism — and so I hasten to say that it was indeed unfortunate that in 2019 your lecture at the Alexander Hamilton Forum at Middlebury College was canceled after student protests. That is emphatically not the liberal way. Freedom of speech is always a two-way street. The more of it there is, the better prepared we are to respond to our opponents. (I understand that eventually you were able to speak to a political science class at Middlebury.) You are also right to caution against accusing everybody who takes issue with liberal democracy of crypto-fascism. But your own work does not make it easy to enforce such a distinction. It is hard to ignore some of its disturbing, indeed odious themes — the rejection of individual human rights, the repudiation of tolerance, the dream of an organic and homogenous Gemeinschaft with little room for ethnic, religious, or sexual minorities.

    I detect something personal, something pre-intellectual, in your denunciations of liberal democracy — a visceral recoil from its uncontrollable scope and variety. It seems to make you profoundly anxious. You write that your doubts about liberal democracy started during your first trips to the West in 1970, when you discovered that liberals were reluctant to condemn communism in unambiguous terms. Was that the main thing that you noticed about the West? Your observation, by the way, was incorrect: many of the most ferocious Western adversaries of communism were liberals. But the hesitation that you detected in certain left-wing quarters made you speculate, and you came up with a theory: that there are deep affinities between the two systems. And this led you to the wild conclusion that liberalism sets itself the same goals that communism does. Both are future-oriented and both are “progressive,” that is, both promise the constant betterment of the human condition — at a price, of course. Both are engaged in intense social engineering and social coercion to create nothing less than a new society and a new human being. Both are hostile to communities, families, and religions. (Though for you only one religion really matters.) Both are millennarian cults that strive for the ultimate victory, for the apotheosis of history.

    Yet liberalism is worse than communism, in your view, because it is more clever: it achieves its goals without resorting to overt coercion, to anything as coarse as the Gulag and the KGB. It even allows you to publish your anti-liberal books! (Have you ever read Herbert Marcuse?) Liberalism is so insidious that, unlike communism, it has never openly claimed to struggle towards some ultimate future of harmony and bliss, for the sake of which even genocidal atrocities are justified. Unlike communism, which is so obvious, liberalism never maintained that its vision of history has been scientifically, that is unquestionably, proven and beyond discussion. Yet you are not fooled. You have decoded the reality beneath the appearances. You know that we must await the hour when the mask will fall, and the totalitarian nature of liberal democracy will become visible to all.

    If this is the truth that you have spent the best part of your career proving, I pity you. But again I must wonder what is eating at you. During you first visits to the West, you must have stumbled among the post-1968 leftists. This was practically inevitable. I remember my own first visit to the West — to London — in 1969, in the sophomore year of my English studies. In order to obtain a passport and a permit to travel, one had to produce a notarized invitation from someone abroad who would solemnly promise to pay for your upkeep. Who would take such a risk? Unless you had close and generous family in the West, you had to find a person, a friend of a friend, sometimes a total stranger, to sign the papers, with the silent understanding that it was a fiction and that you will not be a burden. In my experience, the people most likely to do so were the rebellious leftist types who, not unlike us, found a thrill in flaunting bureaucratic regulations. They were the curious ones who came backpacking to Eastern Europe to check it out for themselves. They visited our student clubs, came to our drinking parties, engaged in endless discussions, and invited us to backpack across their countries. Once we got there, they sometimes let us sleep on the floor in their dingy apartments with their Che and Mao posters. They were totally misguided in their politics, but they were awfully nice people. They were wrong, but they were free.

    I still remember my exhilaration when I set foot in London. Raised in a rather conservative and overprotective Polish family, I found myself for several eventful weeks completely on my own, immersed in a world that was strange but oddly recognizable — dense, vivid, constantly throwing me off balance yet never letting me fall. I walked through posh and shabby neighborhoods, sat with hippies in Hyde Park, watched multigenerational Indian families picnicking on the grass and little African boys practicing cricket on the pitch. I followed with amusement a march of somber-faced bearded members of the Young Communist League of London. I hitchhiked in a tiny car packed with jolly itinerants who must have been British travelers, and I stayed with hospitable Ukrainian emigres whose wartime past I preferred not to investigate.

    It was hardly a vacation. I came with a hundred pounds in my pocket — a fortune, if you had to buy it on the black market. I slept in strange, unhealthy places. I washed dishes in pubs and painted houseboats on the Thames. I worked on a demolition site supervised by a Polish foreman, who showed the most extraordinary disregard for his workers’ safety. All the time I entertained the absurd idea that absolutely nothing bad could happen to me because this was the world is as it should be. I was naive, of course, and I probably put myself in a lot of danger, but nothing bad happened and I returned to Poland with a clear idea of what the “normal world” is. I decided to recreate it internally, or in the close circle of my friends. We were not rebels, dissidents, conspirators. We were just ordinary people trying to live ordinary lives, that is, to express ourselves freely without nervously looking around, to possess “forbidden” knowledge as if it were the most natural thing. Once, on a bus in Warsaw, a stranger reproached me for reading in plain sight a book of unmistakably samizdat provenance. I looked up at him in genuine astonishment. What could be wrong with reading a book?

    Perhaps my approval of liberal democracy — for us it was simply democracy — was also pre-intellectual. I kindled instinctively to it. Political choices, as the Polish poet Zbigniew Herbert once remarked, are frequently a matter of taste.

    What strikes me most in today’s antiliberal narratives is their conviction that for over two centuries Western civilization flourished (and sometimes withered and flourished again) in a fog of misconceptions. To claim that everything humanity did in that vibrant, creative, often turbulent era was the result of a huge philosophical error, of certain wrong premises laid down in the eighteenth century by a handful of philosophers, is to deny the abundance of history and human agency. Were we so easily fooled, and for so long? And what would happen if we really tried to undo that fantastic fallacy and returned to the truth, returned to… what exactly?

    You blame the philosophers of the eighteenth century for their revolutionary theories. I, too, have a reverence for ideas, but one does not have to be a Marxist to see that some non-ideological factors played a role in the great historical transformation. The history of ideas is not the whole of history. There is also the history of economics, society, technology, science, human geography. Momentous changes were happening in all those realms at that time. They caused political upheavals and religious wars. Sometimes the ideas came later. Locke wrote in the aftermath of Cromwell’s Civil War, the regicide of Charles I, the Restoration, and the Glorious Revolution that ushered in constitutional monarchy in Britain. His philosophy expressed what was probably on the minds of many people. Liberal political principles started to take root, first in the Anglo-Saxon world and then in all corners of the Western world, not as a doctrine imposed from above, but as a response to the demands of the emerging new world. It was not the only response, but its success was hardly a matter of historical accident or of the machinations of “liberal elites.”

    The people whom we call the fathers of liberal thought were not always the most rigorous thinkers and they did not usually exert themselves too much to create elegant, abstract philosophical systems. (The conservative thought of the same period did not exactly cover itself in rigorous glory, either.) Liberal thought draws from many, sometimes contrasting, sources: anthropological optimism (man is rational and capable of freedom) and anthropological pessimism (man is endlessly corruptible), rationalism, empiricism, religion (mostly Protestant Christianity), natural law, a dash of utilitarianism. Liberal philosophers, especially those in the English tradition, often smoothed out the seams by referring to observable facts and to common sense. Bertrand Russell (definitely not one of your heroes) saw this piecemeal, empirical approach of the English liberal thinkers as their great advantage. Liberalism’s loose structure leaves a lot of room to improvise, and it requires constant thinking, debate, compromise, and partial solutions. There is no political doctrine that provides less immediate and total gratification than liberalism. Moreover, I cannot name a single liberal politician who would quote Locke, or Mill, or Kant while proposing, or opposing, a policy or a law. Doctrinal purity is the least of their concerns. Their — our — liberalism is a framework of general ideas that supports a system of constantly evolving institutions, procedures, and legal solutions — a matter of messy practice rather than immaculate dogma.

    Many of the ills of contemporary liberal democracies that you list are real, and they are subject to constant liberal debate, in which common sense sometimes wins. Many of your allegations are familiar anti-liberal exaggerations, sometimes repeated in good faith also by liberals, and it is impossible not to notice that they almost inevitably come down to sex. You and your ilk peddle the strange view that liberals are at bottom hedonists, inveterate pleasure-seekers, philosomatoi, body-lovers, obsessed with sexual indulgence. At this point you put down Plato, Aristotle, and Mill and reach for dusty old issues of Playboy. The emancipation of the body from “the old moral teachings” and the triumph of sexuality has annihilated, in your view, “all hitherto existing moral hierarchies that made sexuality subservient to higher goals.” Sex has been “transformed into a powerful instrument for creating collective ideologies that regulate life’s most private aspect,” with two great victories: “legal abortion and homosexual rights.” Same-sex unions are “as good or as bad as the group marriage of several men and several women,” and equally undermine our attachment to the monogamous unions of one man and one woman.

    Who are these libertines? I wonder where you actually encountered this orgy of license and abandon, this wholesale rejection of the “traditional” family. In Krakow? I must have been hanging out with the wrong crowd. My own experience of liberal life has made me think that a medieval peasant must surely have had more fun, including carnal fun, than my constantly overworked, stressed, hurried, deadline-obsessed friends from the educated middle class. The 1960s, please remember, were a long time ago; we are no longer young and that world (insofar as you portray it at all correctly) is gone. There is something, well, queer about the way sex keeps coming back as the perfect metonymy of everything that has gone wrong in liberal democracy. Isn’t a sex-obsessed analysis of society an intellectual kind of sex addiction?

    Can a society survive without virtue, excellence of character, self-control, and a sense of duty? Obviously not, and the liberal world is no exception. Not long ago, in these pages, Samuel Moyn wrote about the central role of duties in liberal theory and practice. That was not only because duties are necessary to safeguard our rights, but also because rights are necessary if we want to dispense our duties properly. Moyn observes that in recent decades the subject of duties seems to have fallen out of liberal discourse. In my own experience, the situation “on the ground” may not be so dire. The spirit of civic self-organization, activism, and voluntarism — all requiring a strong sense of duty — is as alive as ever. A free and self-reliant individual seeking his own version of eudaimonia, or flourishing, does not need to be a selfish hedonist. (Call me provincial, but I do not know a single person who would fit that description.) It is past time for you, and other sentimental communitarian post-liberals, to notice that individuals form associations for common purposes. They belong to groups and they support causes. They are generally not Dionysian monads. You would be surprised at how often the pursuit of happiness means the pursuit of the happiness of the other.

    The spirit of uncoerced duty, of excellence of character, of a willingness to sacrifice — virtue in the most classical sense — is on plain view in Ukraine, which is fighting for its liberal life. So is barbarity and the viciousness of liberalism’s enemies. We are witnessing the perennial danse macabre of the best  in humankind with the worst. I now see, on live television, pictures from my parents’ war stories: women and children lumbering through fields of broken stone and glass, families huddling in shelters, civilians of all ages training for combat against professional soldiers, housewives storing Molotov cocktails. It is Warsaw in 1939, and the Warsaw Ghetto Uprising in 1943, and the Warsaw Uprising in 1944, with some striking anachronisms. The neighborhoods in Ukrainian cities that have been leveled by Russian bombs look exactly like the neighborhoods in which I grew up. The same dreary socialist classicism, the same anonymous concrete apartment buildings, now in ruins. The exodus also looks familiar, just like my future mother must have looked walking out of Warsaw after the fall of the Uprising — women and children, vulnerable and scared — they are still walking, this time with roller suitcases and cheerful school backpacks. They stream into all the neighboring countries, but mainly into Poland. Poland has accepted over two million refugees. To put it in proportion, it is as if twenty-four million people descended on the United States within a few weeks. But this is not a relationship between a victim and a protector, between a supplicant and a charitable helper. After all, Ukrainians also do something for Poles and the rest of Europe. They are our protectors. Taking care of their women and children is the least we can do. That, too, seems to be obvious to Poles — Poles and Ukrainians, together.

    There is a lot of close, entangled, and mostly unhappy history between the two nations. An intimate bond often led to bloodshed, most recently during the horrid Volhynian Massacres in 1942, when the Ukrainian Insurgent Army was brutally cleansing ethnic Poles from Ukrainian lands in the hope of establishing a Ukrainian state under Hitler’s protection. (Hitler had different plans.) Between 50,000 and 100,000 thousand Poles, mostly civilians, including women and children, were slaughtered, as well as many Jews, and also Ukrainians who tried to protect their neighbors. Poles retaliated in kind, killing 10,000 to 30,000 Ukrainians. The Germans, who occupied the territories at that time, stood by and watched. “Hatred grew into the hearts and poisoned the blood of brothers,” wrote the nineteenth-century novelist Henryk Sienkiewicz about an earlier epic bloodletting, the Khmelnitsky uprising in 1648. There seems to be no trace of that poison now.

    Am I like the hapless, pedantic Settembrini in The Magic Mountain, haggling, on the eve of the Great War, with the Hegelian-Marxist anti-liberal Naphta, a Polish Jew schooled by the Jesuits in Spain? Settembrini stands for reason and enlightenment. He is a decent and likable man, but Thomas Mann, his creator, equipped both of the interlocutors in the grand debate with telling human defects. Naphta is beguiled by death and is clearly uncertain about his identity, including the Jewish identity that he tries to conceal. Settembrini, a man of great passion, fears the power of human emotions and tries to push them out of his world. He wants to ignore everything that is irrational, dark, dangerous, or sublime in the human soul. He finds music politically suspect because it lifts the spirit too high, beyond the reaches of reason. Obviously he does not want to hear about metaphysics.

    In this regard he exemplifies a liberal characteristic that is often criticized: its preference for “the mean” at the expense of greatness, its indifference — or hostility — to metaphysical strivings. Man’s spirituality is not one of liberalism’s concerns. And so it can appear small and pedestrian and boring. In his review of Mein Kampf, George Orwell noted that while capitalism and socialism (Orwell’s creed was democratic socialism) promises mainly a gradual improvement of material conditions, Hitler, Stalin, and Mussolini offered their followers the rapture of pain and the ecstasy of struggle. Hence their immediate, and disastrous, appeal. One can object that Churchill, too, promised “blood, sweat, and tears,” but they were not his ultimate goals — they were a way to win the comforts and the banalities of peace.

    There are those who claim that Vladimir Putin also harbors such an authoritarian grandeur — that, influenced by the ideas of a twentieth-century Russian fascist mystic named Ivan Illyin, he truly believes in a celestial and divine soul of Russia, and in its holy mission to convert and sanctify the rest of the world. Myself, I think this flatters him with too much spiritual depth, but it is indisputable that metaphysical language is present in Putin’s propaganda. If only Ukrainians, seduced by liberal materialism, would renounce their Western error and return to the holy Russian womb! This may require a dose of purifying violence, a common sacrifice to restore a common spirit.

    The mystical streak runs deep in Russian political tradition. In 1831, when Russian troops were bombarding Warsaw and finishing off the Polish-Lithuanian anti-Russian uprising that inspired (among other things) Chopin’s “Revolutionary Etude,” the great Russian poet Fyedor Tyutchev waxed metaphysical in comparing Poland to Iphigenia as she was sacrificed by Agamemnon “for the breath of fair winds”:

    Pierced by your brother’s arrow,

    fulfilling destiny’s pronouncement,

    you fell, single-tribed eagle,

    onto the purifying fire!

    Believe the word of the Russian people:

    your ashes will be preserved by us in sanctity,

    and our general freedom,

    like the phoenix, will be reborn in them!

    (translated by Frank Jude)

    The Poles were not impressed by such grandiose sanctification, and neither, it seems, are the Ukrainians. Governments should stay out of transcendental preoccupations. Imperfect human laws have more quotidian tasks. One thing is certain about liberalism: it does not lead to religious wars. But having said this, I wish Settembrini would allow himself to enjoy music. It would, ironically enough, make him a better liberal.

    In the days of our youth in Poland, some of us dared to challenge our “socialist civics” teachers by asking an impudent question. How come “bourgeois democracy,” the infamous system of exploitation and suppression of the working class, has not yet succumbed to the inner contradictions described by Marx? Whence its durability? Why do its citizens seem to be thriving materially and culturally — with better cars, better food, better movies, and generally with a more colorful, rich, varied, and exciting existence than in our gray and ascetic world? With communist parties legal, active, and sometimes even participating in governments, citizens could easily send the bourgeois parties packing.

    As a rule, the answer that we were given was curt and threatening. It was that we had succumbed to Western propaganda. We watched too many Western movies and listened to too much Western music. In fact, they told us, the West is nothing like that. There is unemployment, and racism, and widespread crime. What we mistake for the good life is a materialistic façade meant to deceive and enslave people, to turn their attention away from their loneliness, their alienation, their inner poverty. For Western freedoms are meaningless. The system owes its continuity to its control of everything, including human minds. This is what Marx called “false consciousness” — a deceptive system of ideas, beliefs, and habits that creates a veil of obfuscation which prevents people from recognizing their true condition.

    Today’s anti-liberal criticism on the right accepts this Marxist narrative almost without modification. The resilience of liberal democracy troubles the “post-liberals,” and so they predict its imminent downfall. But still they need to explain its apparent resilience, its continued attractiveness. Why does liberal democracy enjoy the support of the very people whom it has purportedly enslaved? Why are its fundamental and systemic flaws not more obvious to those who live with them daily? Why are millions still trekking from illiberal countries into liberal countries, and not the other way round? You, Professor Legutko, admit that “alternative political models have not been drawn or even seriously considered, and the effectiveness of the regime is still impressively high.” But why?

    Your answer sounds oddly familiar to people such as ourselves, who were educated in communist schools. You admit that liberal democracy is “perfectly tailored to the aspirations of the people inhabiting it,” and that the human model that it promotes “is perfectly tailored to the opportunities offered by the political system and to the aspirations enhanced by it.” It would seem, then, that free people have created a system that suits them best. But this cannot be, since it is a wrong system — and so this can only mean that the people living in this system are not really free, or do not know how to use their freedom. How can they be free? They have departed too much from the ideals taught by the ancient philosophers and religions. They are too far gone in the liberal lie. And so they are in urgent need of being saved from themselves. Yes, false consciousness! Nothing here is real. Everything is an illusion. Everything is its opposite. As you write, “pluralism means monopoly; diversity — conformity; tolerance — censorship; openness — ideological rigidity.” Our teachers, and Orwell too, would have been proud.

    You wonder why, after the fall of communism, Poland and the rest of East Central Europe, “as if charmed by powerful but invisible political magicians,” settled for liberal democracy. After all, the huge moral mobilization represented by the overthrow of communism should have culminated in something more profound and spiritual, something that would contain “classical metaphysics, morality, and Christian religion,” something that would have reflected Poland’s unique historical experience. You see post-communist Poland as a slavish imitation of the West induced by an intellectual inertia, by a “contagious” concept of historical inevitability, or, worse, as the result of brainwashing by Poland’s “liberal elites” and conniving by former communists eager to establish a system that would allow them to retain some of their privileges. (Where else would they feel at home if not under a regime similar to communism?) But you do not despair. In your view, the opportunity for redemption may not be entirely lost. People are waking up and voting against the liberals in Hungary and Poland, and soon perhaps in the rest of the region. The trend may even have pan-European consequences. Anti-liberal, or post-liberal, or illiberal parties in your part of the world — the only such parties that actually hold power — may give a much-needed boost to their comrades in West. Some of your fellow anti-liberal politicians even speak openly about Poland’s mission of re-Christianizing Europe.

    Not sharing your misgivings about liberal democracy, I see the post-communist transformation of Poland as both natural and welcome. It is true that the struggle against communism in Poland, and probably in other East-Central European countries, appeared to many people as more of a moral battle than a political one. Yet if high-minded and general language was preferred by the anti-communist dissidents, it was partly, but not entirely, for strategic reasons. After Solidarity’s initial and quite unexpected successes — the strikes spreading like wildfire and forcing the government into an unprecedented dialogue — there was confusion about what exactly the workers should demand. At first their postulates were mainly economic and labor-related, but under the influence of opposition intellectuals they gradually expanded into the social and cultural sphere. It was quite obvious that the proposed changes would gravely curtail the communist monopoly of power. It was hard to predict, however, how far the changes would go and what the new hybrid arrangements would look like. It is safe to assume that most Poles, if asked directly, would have said that they wanted to live in a “democracy of the Western type,” but in those days such an outcome seemed a rather remote possibility. Something unfamiliar was happening, something that should not have been possible, and it was better not to be too specific in one’s plans, or even in one’s dreams.

    As a result, a language of lofty imponderables dominated the public discourse: truth, dignity, honesty, respect, solidarity, fraternity, national identity, and of course “Christian values,” were affirmed loudly by nearly everybody, including anti-clericalists. The Church was a much-needed ally in the struggle, providing spiritual and material assistance, and liberals responded with good will. (There was even a rash of baptisms and church weddings among people who had lived happily without them.) On the liberal left’s side, the textbook of this rapprochement was Adam Michnik’s book The Church and the Left, which appeared in 1977 (and years later in English). But this may have given the wrong impression about the intellectual and political realities. For some Western conservative commentators, such as George Weigel in The Final Revolution, published in 1992, the Church’s struggle with communism was a millenarian battle with the “tyranny of politics.” It was what Weigel saw as “the human turn to the good, to the truly human — and, ultimately, to God.” You would have thought that Solidarity’s program was wholly cribbed from the Sermon on the Mount, that it was less about the form of government than about the shape of the human soul.

    After the crackdown on the anti-communist opposition and the declaration of martial law in 1981, it was no longer possible to believe that the system would be vanquished or transformed by righteousness alone. Something new, as yet unknown but quite specific, would have to appear in its place. In the midst of the repressions, there was a pervasive sense that by resorting to military force the system has written its own death sentence. It had no more arguments left. It was a junta, and juntas do not last forever. “You can win a fight with a bayonet but you cannot sit on it,” was the slogan of the day.

    The breakthrough in 1989, and the quick collapse of the remnants of communist power, confronted Solidarity and other anticommunist movements in the region with the urgent task of translating their victory into political institutions. Ideological differences, kept in check under communism and martial law, came to the surface. There was, indeed, an abundance of ideas. Should Solidarity constitute itself as a political party? One of many, or perhaps, at least at first, the only one, if strictly pledged to internal democracy? Or should the new dispensation be based on local citizens’ councils or worker’s committees, like those that ran strikes and negotiated deals with the authorities before martial law? Should the government-controlled economy be privatized, or marketized and kept in the hands of state, or ceded over to workers’ collectives? There were also the programs of radical nationalists, and Catholic integralists, and monarchists. There was even the Party of Beer Lovers, with its own utopia of replacing vodka with good beer as the staple of Polish social gatherings. In many circles, mainly on the left, there was a longing for something called “anti-politics,” which the Hungarian writer Georgy Konrad defined as the domination of civil society over the political elites, or, in his own words, “the emergence of independent forums that can be appealed to against political power; a counterpower that cannot take power and does not wish to. Power it has already, here and now, by reasons of its moral and cultural weight.” But finally, to the disappointment of some and the relief of many, it came down to parliamentary democracy and constitutionally guaranteed fundamental rights. Liberal democracy triumphed not by the suppression of the alternatives or the clandestine plots of the elites, but the way it always triumphs — by being the most acceptable, or the least objectionable, to the largest number, including its own opponents.

    What happened later was more problematic, owing not to liberalism’s intrinsic shortcomings but to specific circumstances in East Central Europe. These were countries with very weak liberal traditions. They had only a scarce familiarity with the problems that liberalism elsewhere had to work through, sometimes repeatedly, during its history. Liberal democracy came to Poland and other post-communist countries fully cooked and ready to serve in a late twentieth century version, to the absolute delight of many and the uneasiness of equally numerous others. The former group had long cultivated their “Western” identity in defiance of communist political and cultural pressures. The latter group had responded to the same pressures by falling back on traditions, extended families, national history, and the Catholic Church. They also considered themselves Europeans, but their concept of Europe was sometimes vague and antiquated. Under communism both groups coexisted, treating each other’s peculiarities with a good dose of forbearance. Under democracy, they often found themselves on the opposite sides of political divisions, treating each other with growing impatience and hostility. They were free to fight bitterly over the high political and cultural stakes.

    Culturally conservative Poles were disturbed by some of the manifestations of instant political liberalism — gay pride parades and women’s pro-abortion protests (often under deliberately provocative and offensive slogans), sexual education in schools, including instruction about gender identity and non-standard sexual orientations, and harsh media attacks on the Church for its sexual scandals and political overreach. The response of the liberals was often contemptuous and dismissive: this is how things are done in the civilized world, end of discussion, and whoever does not agree is a bigot, a chauvinist, a religious fanatic, or a moron. (Students of contemporary American liberalism will recognize this phenomenon.) “The nation is so stupid!” I have heard that on many occasions from my liberal friends. It always reminds me of Brecht’s famous poem “The Solution”: wouldn’t it be easier if you dissolved the people and elected a new one, more to your liking?

    One should not underestimate the role of economic dislocations after the collapse of the communist planned economy, which often overlapped with a sense of cultural marginalization. The main factor of liberal instability in Poland today seems to be cultural rather than economic. Quite a lot of Poles live happily, comfortably, and a bit overconfidently in the modern, and sometimes post-modern, culture. But quite a lot of Poles are ill at ease in it. Those two cultural constituencies grow more and more distant; they do not talk to each other and they have no common language. As a result, the fabric of the relatively young Polish liberal democracy is fraying. This development, of course, is not unknown in the West. The “basket of deplorables” language is carefully avoided in public speech, but the contemptuous sentiment persists. In this sense, Eastern Europe may indeed hold a lesson for the West as an example of a problem that needs to be acknowledged before it grows too big to solve.

    Illiberal parties in East-Central Europe benefit from this dilemma by stirring and channeling social fears and resentments. How illiberal are they? Both the Fidesz Party in Hungary and the Law and Justice Party in Poland have solidly liberal antecedents. Fidesz, under the leadership of the young democratic activist Victor Orban, was the hope of Hungarian liberalism in the 1990s. The Law and Justice party harkens from the more conservative wing of the Solidarity movement. Their drift to the far right was largely opportunistic — the filling of a political vacuum left by a series of missteps by the left and left-centrist governments that preceded them. They position themselves as defenders of “European Christian traditions” against the purported threat of “Islamization” and “neopaganism.” They present themselves as protectors of the family from the double threats of feminism and LGBTQ “ideology.” They are morbidly oversensitive about national sovereignty and have strong anti-EU elements. At home they try to curtail opposition media — in Hungary much more successfully than Poland — by financial means and by manipulating media ownership laws. Most importantly, they tamper with judicial independence by packing constitutional tribunals and supreme courts with political sympathizers, and defying the European (though not American) tradition of a depoliticized judicial nomination process.

    Yet the opposition in both countries are far from impotent. Independent opposition-leaning media remain vocal, especially in Poland, and vigorous political debate is continuing. Non-governmental organizations of various stripes remain active, and fundamental human rights are generally protected. Even “reformed” constitutional tribunals and courts sometimes decide against the governments’ policies. National and local elections are conducted regularly, and international observers deem them generally free and fair, although marred by the politicization of the media and the governments’ deployment of administrative resources on behalf of their preferred candidates. There are no political prisoners.

    The continuing electoral success of those parties, despite their impressive list of failures and the glaring lack of charisma in their leaders, is helped in no small degree by the divisions in the opposition, which in Poland still fails to realize that dismissing forty percent of the electorate — the Law and Justice voters — as uncivilized and dispensable is not a winning strategy. It is laughable to credit these tacky right-wing parties with some bold vision of a new post-liberal order, but it is equally wrong to present them as fully authoritarian, dictatorial, or even fascistic. These are seriously imperfect democracies, but it is offensive and impertinent to compare them to Putin’s Russia or Lukashenka’s Belarus.

    And yet I do not wish to make light of the concerns that the rise of illiberalism provokes in these countries and in the wider world. There is a historical basis for alarm: the liberal traditions in these countries are weak, and there is a lack of respectful and patient debate about liberalism’s problems and paradoxes. (Some, of course, are too far gone in anti-liberal hatred and ignorance for any civilized debate.) I am quite confident that no one in today’s Poland would deliberately relinquish the liberal freedoms that they have come to take for granted. But many Poles may fail to distinguish between liberalism’s core elements and its accidental, transitory, and debatable manifestations. They may watch with satisfaction their governments’ creeping and calculated antiliberal interventions without realizing that sooner or later their own freedoms may be at stake. Cultural dissonances can push them beyond the point of no return. This is also in evidence today, for slightly different reasons, in some “mature” liberal democracies. Putin has been exploiting our unaddressed cultural dissonances for quite some time.

    My dear professor, we are already quite far from an academic philosophical discussion. But you are far from being a disinterested seeker of truth. You are a politician representing your party in the European Parliament, a party that is slowly and methodically dismantling the liberal checks on power. You are, to quote Marx again, a philosopher who wants to change the world instead of just interpreting it, to lead us boldly “beyond the liberal-democratic horizon.” But where, exactly, do you wish to lead us?

    Revolutionary anti-liberals of old were quite specific in their remedies. Liberalism is finished, it’s communism or fascism now: this was the anti-liberal refrain of the 1930s. Today’s anti-liberals are more cautious. When their books approach their conclusions, they grow vague and elusive. No, they concede, they cannot propose an alternative. Not yet. But an alternative will emerge and it will be a good one. It will preserve all the good sides of liberalism and erase all the bad ones. It will be something entirely new, because liberalism cannot be improved, it can only be replaced. And the new dispensation may turn out to be an old one, a restoration of some kind. It will teach us true freedom by re-establishing its proper meaning, by reviving traditional virtues, by reintroducing the metaphysical dimension to our social life, by returning us to the long-forgotten ambition of achieving spiritual greatness by political means. Your American colleague Deneen lamely admits that the ideal post-liberal system may one day be called… liberal. In the meantime, let us, the right thinkers, stick together, study the classics, give testimony to the truth, despise the secular modernist liberals, and sooner or later one of us will come up with a heroic idea.

    Not to dismiss the appeal of utopian thinking, but once in a while we need to return to the serious world of political reality. In the old days, when our backpacking leftist friends from the West maintained that Soviet communism is not a “true thing,” we pointed out that it is the only real thing. Today, the only real alternative to liberal democracy is illiberal authoritarianism. It seems, in fact, to be on the rise. For years, Putin’s Russia has been playing the same role toward the illiberal parties in Europe that the Soviet Union used to play for the communist parties in Europe. It has been gathering them under its wings, supporting them with money and disinformation campaigns, nudging them into positions most favorable to Putin’s geostrategic plans. (The Polish Law and Justice party seems to be an exception to the rule, despite sometimes echoing some of Putin’s anti-liberal and anti-Western rhetoric. Poles have coddled Orban, and the Polish Prime Minister has met with Le Pen and Salvini, but it is only fair to note that Law and Justice has not joined them in their pro-Russian position.) Like the Soviet Union of old, Putin’s Russia is always on the lookout for the disappointed and the dissatisfied, for clueless fellow-travelers, for useful idiots. And like the Soviet Union of old, it finds them.

    Your views, Professor Legutko, and the views of other antiliberals, cannot be discussed in a vacuum. They have concrete consequences. They are used by autocrats who wish to weaken liberal democracy not in order to replace it with something better, but to seize, solidify, and maintain their own power. Their visceral fear of liberal democracy is not philosophical, it is existential. We see this today with the utmost clarity in Ukraine. In a sense, Putin is right. Ukraine does pose a mortal threat to his regime, not because it plans to march on Moscow but because it chooses to pursue its own liberal future. The victory of Ukraine could spell the end of Putinism. And Ukraine’s defeat would trigger truly frightening consequences in Europe and elsewhere. That is why Ukrainians have been fighting our war, a war for the version of history that you would like to cast away. History has not ended, which means that everything is still possible, but at this moment in history it is liberal democracy that has provided us with the largest scope of freedom and the lowest level of coercion in human history. It may also be the only protection we have against the authoritarianism and the autocracy that has reappeared on the historical stage. Old demons are back. It is not the “demon in democracy” that we have reason to fear.

    The demon in democracy: you end your book of that peculiar title with a sigh of resignation. Perhaps, you admit, the story of liberal democracy does express the “basic truth about modern man who, after many adventures, downfalls and ascents, exultations and tribulations, after following many chimeras and surrendering to many temptations, finally arrived at the accurate recognition of who he is.” You say it with regret and with disappointment. No further change in our condition will be possible, except for the worse. We have revealed our true nature and its name is mediocrity.

    I refuse to succumb to your gloom. During my life as a denizen of liberal democracy I have seen my share of mediocrity, but also enough creativity, and even heroism to believe that our story is far from over. And are there no mediocre people on the post-liberal right? Are you all visionaries and supermen? Anyway, mediocre people, however you condescendingly define them, also have rights and are also worthy of respect. As I write this, the Russian offensive in Ukraine has stalled. Ukraine has been defending itself longer than Poland did in 1939 and will outdo France in 1940. We are in for a long, dark, tense period, with Poland once again on the front line of defense. You and your comrades have nothing to contribute to this defense. It will be won or lost by the moral mettle of Western liberalism. It is the strength of our convictions, the ones that you have haughtily repudiated, which will decide the outcome.

    Liberal democracy has won similar confrontations before. I really do not see anything else — certainly not your ugly and illusory post-liberal order — that can take its place.

    A Dangerous Desire to Do Right

    War begets war: it is an old truism, and internecine wars — of the type twice fought on American soil — typically have their antecedents in prior wars. Consider our Revolutionary War, whose cri de coeur was “no taxation without representation.” But how often we overlook that Britain imposed these heightened taxes on the colonists to service debts from the French and Indian War. Consider our Civil War, which was fought to preserve the Union and abolish slavery. But how often we overlook that what upset the balance between free and slave states were territorial acquisitions made during the Mexican-American War. This pattern extends also to the key personalities of these conflicts, who first appeared on the historical stage in the prior war — George Washington, who at the end of the French and Indian Wars was a minor officer of mixed reputation who had once surrendered to the French, and Ulysses S. Grant, who mustered out of the army not long after the end of the Mexican-American War. When Robert E. Lee surrendered to him seventeen years later at Appomattox, Grant reminded Lee that they had met once before, in Mexico. General Lee, who had been a colonel in that first war, apologized; he could not recall having ever met Grant.

    A recent raft of commentary — from articles to books to endless cable news segments — has asked whether the United States is headed toward another civil war. Anxiety about the subject grips us. Could our divisions metastasize into war? We watch the trend lines: increasing income inequality; racial resentments; hyper-partisanship; outbursts of violence. Which of these could prove combustible enough to incite a war? In recent years an alarming number of Americans have been moved to protest, to riot, and even to engage in insurrection. And like our Civil War and our Revolutionary War, the propellant that turns civil discord into civil war may not exist in our current discontents, but rather in our last war, which was fought far from our shores.

    “The baby boomers turn is over,” said Marine Lieutenant Colonel Stuart Scheller as he stared into the camera. “I demand accountability, at all levels. If we don’t get it, I’m bringing it.” His video, posted to Facebook, immediately went viral. He recorded it at his desk in Camp Lejeune the day after a suicide bomber at Kabul International Airport’s Abbey Gate killed thirteen American service members and over 170 Afghans. In his nearly five-minute-long post, Scheller lamented the Biden administration’s handling of our withdrawal from Afghanistan and called out senior military leaders, including Chairman of the Joint Chiefs of Staff General Mark Milley, Commandant of the Marine Corps General David Berger, and Secretary of Defense Lloyd Austin. “People are upset because their senior leaders let them down, and none of them are raising their hands and accepting accountability or saying, ‘We messed this up.’” But Scheller’s remarks went one step further than a simple demand for accountability. He went on to quote Thomas Jefferson, who said that “every generation needs a revolution.”

    When I finished watching the video last August, I wasn’t certain what to make of it. My first instinct was to categorize it as a rant. If it wasn’t clear already, after the bombing at Abbey Gate it became evident that the Biden administration had handled the evacuation of Afghanistan with an exceptional degree of incompetence. Emotions remained raw, so a rant — even if inappropriate and perhaps even illegal when delivered by an active-duty officer — seemed understandable. Upon further reflection, however, I slowly came to realize that what I had watched was something else: an act of self-immolation.

    Before his swift relief by senior officers that same day, Scheller held battalion command. The Marine Corps is very selective about which officers it grooms to become battalion commanders; the fact that Scheller held that job means that he was — until recording his video — well-regarded, a Marine with a future in the Corps. Furthermore, Scheller was seventeen years into a twenty-year career. At twenty years he would have been eligible for retirement at half his base pay with other benefits, such as healthcare for life. It took him exactly four minutes and forty-five seconds to throw all that away. Scheller is a husband and a father. Why did he do this?

    Before last year’s cataclysmic withdrawal, Afghanistan was not a place, or an issue, most Americans cared about. In 2018, according to Rasmussen, 42 percent of the country couldn’t even say whether we were still at war there. Over the past two decades, the war in Afghanistan was waged by an all-volunteer military and funded through deficit spending. Unlike other wars, there has been no draft and no war tax. It is often said that while America’s military has spent the past twenty years at war, America itself has been at the mall. This has led to a massive civil-military divide.

    The botched Afghanistan withdrawal, in which many active duty as well as retired military members received hundreds of phone calls and texts daily from their Afghan allies who were being left to fend for themselves against the Taliban (and who have already suffered at the hands of the Taliban in the months since our retreat) only deepened this sense of alienation among many who had served. One need only look back through history — from Caesar’s Rome to Napoleon’s France — to see clearly that when a republic couples a large standing military with dysfunctional domestic politics, democracy doesn’t last long.

    These are the exact conditions that exist in the United States today, in which we are witnessing a politicization of the American military with few precedents, from General Mark Milley marching across Lafayette Park in his fatigues with former President Donald Trump, to the congressional testimony of senior officers — on everything from January 6 to right-wing extremism to critical race theory — becoming fodder for late-night cable news anchors who seek to position those in uniform on one side or another of the Democratic-Republican divide. Our military is, historically and ostensibly, an apolitical organization, but this has never meant that military members do not have political views. Of course they do. Yet the military stays out of politics because its highest authority is a civilian one and to voice political opinions publicly is to question that authority. And so as it pertains to politics, our military practices a code of omertà. Scheller’s video broke that code.

    The Marine Corps is a small community. As a lieutenant, Scheller served in 1st Battalion, 8th Marine Regiment (or 1/8, as we call it) a year after I did. I received his video from a friend, a lieutenant colonel who also served in 1/8. And one of the two infantry battalions guarding Kabul International Airport during the Afghanistan withdrawal was 1/8, too; that commander was a classmate of mine at Quantico. The all-volunteer military, the men and women who have fought two decades of war, has become increasingly insulated from the broader American culture. We all know each other, but fewer and fewer Americans know us.

    The model of the citizen soldier which characterized the American military for generations has become replaced by a professional soldiering class, one that is increasingly closed, insular, and living in its own atomized reality — just like the rest of America. A military identity that segregates itself from American life (identitarianism being de rigueur these days) should concern us. As divisions cleave citizens apart, it is not unreasonable — indeed, it is prudent — to believe that those same divisions could cleave some in our military apart from the civilians they serve. This will be dangerous.

    Our military remains apolitical because its involvement in politics would threaten to subvert the supremely democratic principle of civilian control. Civilian control over the military was written into the Constitution by its framers as one of the many measures that divided powers. Article II, Section 2 states, “The President shall be the Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States when called into the actual Service of the United States.” By vesting ultimate authority into a single civilian in the chain-of-command, the Constitution safeguarded against a military that could find itself at odds with the society it served.

    Still, the words in the Constitution are only sufficient if they exist within a culture that values civilian authority. Although that civilian authority has never broken down entirely, there have been moments when the military has tested its civilian leadership — from Lincoln with General McClelland to Truman with General MacArthur to Obama with General McChrystal — and always civilian authority has trumped military authority, exactly as the framers of the Constitution intended. But the more dysfunctional our politics become, the more cravenly our partisans behave, and the further military culture deviates from civilian culture as we rely on a professional soldiering class to fight our wars, the more stress we place on the barrier between military power and civilian power. It is a barrier that has allowed the United States to exist successfully in a condition that should otherwise be a contradiction: we remain both the world’s leading democratic power and the world’s leading military power.

    The first presidential election I witnessed as a member of the military was George W. Bush versus Al Gore in 2000. I was in college, a naval ROTC midshipman, and on Election Day I remember asking a Marine colonel who was a visiting fellow at my university whether he’d made it to the polls. In much the same way one might say “I don’t smoke” when offered a cigarette, he said, “Oh, I don’t vote.” His answer confused me at the time. He was a third-generation military officer, someone imbued with a strong sense of duty. He then explained that as a military officer he felt it was his obligation to remain apolitical. In his estimation, this included not casting a vote on who his commander-in-chief might be.

    Although I do not agree that one’s commitment to remain apolitical while in uniform extends to not voting, I would over the years come across others who abstained from voting on similar grounds. That interaction served as an early lesson on the lengths to which some in the military would go to steer clear of politics. It also illustrated that those in uniform have, by definition, a different relationship to the president than civilians do. As that colonel saw it in 2000, he wouldn’t be voting for his president but for his commander-in-chief, and he didn’t feel it was appropriate to vote for anyone in his chain of command. As it turned out, the result of that election was contested. Gore challenged the result after Florida was called for Bush, and the dispute went all the way to the Supreme Court between the election and the inauguration, by which point Gore had conceded.

    There are many ways to contest an election, some of which are more reckless and more unseemly than others, but our last two presidential elections certainly qualify. In 2016, Democrats contested Donald Trump’s legitimacy based on claims of collusion between his campaign and Russia. In 2020, Republicans significantly escalated the level of contestation around the election with widespread claims of voter fraud, which ultimately erupted in rioting on January 6.

    Today, as is well known, dysfunction runs deep in American politics. While the images from January 6 remain indelible, the images of entire cities in red and blue states boarded up in the days before the 2020 presidential election should also alarm us. If contested elections become the norm, then mass protests around elections will also become the norm, and if mass protests become the norm, then police and military responses to those protests will surely follow. All sorts of fundamental firewalls in our politics and government will fall. We will find ourselves in a Constitutionally twisted and socially inflamed new normal, in which the boundaries that form the structure of a democratic republic will collapse. Little progress has been made to circumvent this cycle of contested elections in which we are trapped, with the most recent attempt — the January 6 commission’s investigation — receiving only tepid support in Congress.

    Destructive complexes are not new in American life. In his farewell address to the nation, President Dwight Eisenhower issued a famous warning: “In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist.” Eisenhower, who in his military career had commanded Allied forces in Europe against the Nazis, delivered those remarks in January 1961, at the height of the Cold War, which had led to a drastic militarization of American society. In the more than sixty years since Eisenhower’s address, the term “x-industrial complex” has been used to describe the self-justifying and self-perpetuating nature of various industries — medicine, entertainment, and education, to name a few. But it is the political incarnation of that juxtaposition that we are most dangerously mired in now. Just as the military-industrial complex threatened to undermine democracy in Eisenhower’s time, the political-industrial complex threatens to undermine democracy in ours.

    An analysis published in 2020 in the Harvard Business Review by Katherine Gehl and Michael Porter describes this systemic threat succinctly: “Far from being ‘broken,’ our political system is doing precisely what it’s designed to do. It wasn’t built to deliver results in the public interest or to foster policy innovation, nor does it demand accountability for failure to do so. Instead, most of the rules that shape day-to-day behavior and outcomes have been perversely optimized — or even expressly created — by and for the benefit of the entrenched duopoly at the center of our political system: the Democrats and the Republicans (and the actors surrounding them), what collectively we call the political-industrial complex.”

    This political-industrial complex includes not only legions of campaign staffers, pollsters, consultants, and other party functionaries, but also media (both traditional and nontraditional) that inspire division because division keeps people engaged, keeps eyeballs on screens, and so drives profit. While average prime-time viewership across the top three cable news channels had fallen by roughly a third from 2008 to 2014, the advent of Donald Trump’s candidacy and election caused viewership to soar, with CNN posting nearly $1 billion in profits in 2016. In the lead up to the 2020 presidential election, Fox News became the highest-rated television channel during the prime-time hours of 8 to 11 p.m. This wasn’t just on cable news. It became the highest rated channel in all of television. There was a time when higher numbers of citizens watching the news would have been regarded as a positive sign of greater civic engagement. But this is not such a time. There is something degraded and ferocious about the new partisan engagement that makes these numbers not edifying but troubling.

    The effects of this political-industrial complex extend far outside politics. Politics now devours everything. Today, nearly every facet of life falls somewhere along the left-right political spectrum. Every question we ask ourselves is shot through the lens of politics. During the pandemic, for instance, I desperately wanted my elementary school-aged children to be in the classroom, with their friends. But even such an expression of paternal care about what I believed was best for my kids could have been mistaken for a declaration of ideology. When speaking to other parents, did this fervent desire to see my children in the classroom, even as we grappled with the coronavirus, make me look like a Trump supporter? A Republican? The most dispiriting aspect of the pandemic, aside from the suffering and the dying, was surely the way even the virus was immediately politicized.

    I am also a veteran. When I tell my military buddies that prisoners of war should never be slandered and that convicted war criminals shouldn’t be trotted out as national heroes, do they assume that I’m also a fan of the Green New Deal? A Democrat? Again, the tyranny of politics. It is the universal filter. Indeed, the politicization of American life is swiftly becoming total, with virtually no thought or action existing outside the realm of partisan sorting.

    In 1939, when America was emerging from the throes of the Great Depression, our military ranked nineteenth largest in the world, standing behind Portugal. World War II, and the Cold War that followed, epitomized what theorists call “total war,” in which every facet of a society is mobilized. This was a departure from centuries past, where nations typically waged “limited war,” relying on professional armies instead of the widespread enlistment of its citizenry and means of national production. One consequence of total war is that even non-military parts of society become military targets: manufacturing, agriculture, energy, even civilian populations. By the time Eisenhower delivered his address, total war had reached its zenith, as the development of civilization-ending nuclear weapons had made the human race’s continued existence contingent on a precarious doctrine of “mutually assured destruction” between the United States and the Soviet Union.

    We now live with total politics; and one way to measure our current state of “total politics” is to look at the ballooning economics of presidential campaigns. In the presidential election of 1980, spending by Republican and Democrats combined totaled $60 million ($190 million when adjusted for inflation). In 2020, filings show that the election cost $14.4 billion, which represents a 75-fold increase in spending. Just as the military-industrial complex fed off the U.S.-Soviet conflict in the Cold War, the political-industrial complex feeds off the left-right conflict. If the military-industrial complex led us into a paradigm of seemingly perpetual warfare with shifting and at times incoherent objectives (Korea, Vietnam, Iraq, Afghanistan), then the political-industrial complex has led us into a paradigm of seemingly perpetual campaigns in which our political class needs divisive issues to fight over more than it needs solutions to the issues themselves — crucial issues such as gun control, immigration, and health care.

    Our passions are being inflamed and manipulated for profit by a political-industrial complex that feeds off our basest fears of one another. Our experiment in democracy has worked when it appeals to the best in us, as opposed to the worst. Eisenhower recognized this, and it was that instinct in each of us he appealed to as he closed his farewell address: “Down the long lane of the history yet to be written America knows that this world of ours, ever growing smaller, must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect.”

    And if we do become a community of dreadful fear and hate? In the Cold War, failure meant mutually assured destruction through nuclear war. It was an outcome that, fortunately, never arrived, though it is instructive that Eisenhower’s farewell address came a little less than two years before the Cuban Missile Crisis, the closest humanity has come to a thermonuclear exchange. Today, we sit on a different sort of precipice. Are we entering an era where we hold elections in a nation so hopelessly divided that neither side is willing to accept defeat? In a democracy, that is the truest form of mutually assured destruction.

    This takes us back to the question of politics and the military, and to that colonel I knew in college and his conviction to stay out of politics. Increasingly, in military circles, this view seems to have fallen out of favor, particularly among senior retired officers. In 2016, for the first time in recent memory, we saw large speaking roles doled out to prominent retired military leaders at both parties’ national conventions. This trend has accelerated in recent years, and in the 2020 election we saw some retired flag officers (including the former heads of several high commands) writing and speaking out against Donald Trump in prominent media outlets, and others organizing against Joe Biden’s agenda in groups such as Flag Officers 4 America.

    The United States military remains one of the most trusted institutions in our society, and so support from its leaders has become an increasingly valuable political commodity. If this trend of increased military polarization seeps into the active-duty ranks, it could lead to dangerous outcomes, particularly around elections, and specifically a presidential one.

    Holding contested elections is like driving drunk. The drunk driver goes to the bar, has one too many, and often makes it home safely. They convince themselves in the morning that the night before wasn’t that bad, that they can hold their liquor. Typically, a safe return will only reinforce the drunk driver’s belief that they can get away with a little irresponsible behavior at the bar; that is, until they wrap their car around a telephone pole. Many commentators have already pointed out that it is likely that in 2024 (or even 2022) the losing party will cry foul, and it is also likely that their supporters will fill the streets, with law enforcement, or even the military, called in to manage those protests. In short, it is likely that we will soon be driving drunk again.

    There are, of course, many ways we could wrap our proverbial car around a telephone pole. When gaming out the pitfalls of future contested elections, it’s worth imagining one alternate outcome to the 2020 election: a narrow Trump win. This scenario seemed most likely to involve the military in dangerous ways. And it is a pattern that could repeat in subsequent contested elections with different players so long as the current political climate endures.

    Imagine if Trump had won in 2020 by a narrow margin — say, the same margin by which Biden won. Prominent voices on the left had already questioned the wisdom of conceding the election, so it is quite likely that had Trump won in anything less than a landslide, national-level Democrats would have questioned the legitimacy of the vote. The interregnum between Election Day and the Inauguration would have seen recounts and legal challenges, and the election outcome would not have been settled in a single night. Under these conditions, it is also likely that major protests would have occurred in American cities, including Washington, D.C. Canyons of boarded-up windows in the capital already attested to business-owners’ fears of a Trump reelection and the inevitable protests that would have followed. In their scope and their passion, these protests would have equaled if not exceed those of the summer before. Biden supporters might not have stormed the Capitol, but they would have assembled, and Antifa or their equivalents would have been among them. Lafayette Park certainly would have filled, likely in much the same way it filled in the summer of 2020, in chaotic and at times violent ways.

    Voices on the right would call for these protests to be broken up. Senator Tom Cotton would likely reprise his calls from the summer before, in which he had encouraged Trump to evoke the Insurrection Act and deploy federal troops on American soil to restore order. The limits of Trump’s patience would be breached as thousands of protestors shut down Lafayette Park, to say nothing of protestors in New York shutting down Fifth Avenue in front of Trump Tower.

    One can imagine General Milley and his colleagues at the Pentagon counseling patience. And one can imagine Trump’s response: What are these generals good for? All they do is lose wars. They certainly don’t know how to win an election. Under such conditions, it is not difficult to imagine Trump calling up Marines from Camp Lejeune and paratroopers from Fort Bragg. After all, this isn’t without precedent. During the riots in Los Angeles in 1992, with which these protests would draw comparison, Marines from Camp Pendleton were mobilized to stop the violence. More recently, after Hurricane Katrina, President Bush deployed a battalion of Marines to New Orleans, a unit that had just returned from Iraq. (I happened to be part of that deployment, and that battalion was the aforementioned 1/8 in which Stewart Scheller served.)

    Had Trump won narrowly in 2020, none of the above would have been improbable; indeed, it would have been likely. So then what happens? Let us imagine those several battalions have now arrived in Washington, and that one of them is under the command of a charismatic Marine lieutenant colonel. He is a decorated and esteemed veteran of the wars in Iraq and Afghanistan. He is popular among his troops, who trust him. Like most any battalion commander, including Stewart Scheller, the fact that he holds command attests to his solid record and reputation within the Corps. The climate in Washington is explosive. Our lieutenant colonel orders his Marines to stay off social media, but politics are now total and so impossible to escape. Protestors carry signs that read Not My President, but what does this mean for our lieutenant colonel and his Marines? They are following orders that are predicated on the legitimacy of that president, yet they have major political leaders — to include, I would imagine, the Speaker of the House and the Majority Leader of the Senate — questioning his legitimacy and thus the very legitimacy of their orders.

    Specific orders soon come for our lieutenant colonel. When the protestors break yet another curfew, he and his Marines are ordered to clear out Lafayette Park, a repeat of the much-derided actions of the summer before. But those protests had been different. In the aftermath of the murder of George Floyd, their cause was social justice, a far more amorphous set of aims. Now, however, you are either with us or against us, the president is either legitimate or illegitimate. Americans, including our lieutenant colonel, are being asked to make a very binary choice.

    Clearing out Lafayette Park means batons, tear gas, and, most despicable of all, rubber bullets. Like Lieutenant Colonel Scheller, our lieutenant colonel harbors resentment toward those in power. He isn’t a partisan, but he knows it doesn’t feel right to aim a rifle at his fellow citizens. He has been to war, sent there by the politicians and the politicized flag officers whose decisions have misspent the blood spilled by him and his comrades. These politicians and flag officers have since retired and made exorbitant sums sitting on the boards of defense companies, or setting up lucrative Netflix deals, or signing contracts as cable news contributors in which they lecture others on democracy while making more in a month than he has in his entire retirement account. Like Lieutenant Colonel Scheller, our lieutenant colonel has reached his limit. But unlike Scheller, he isn’t sitting behind his desk at Camp Lejeune when it happens. He is standing in front of one thousand frightened, confused and heavily armed Marines who trust him a lot more than those elites issuing their orders. When the order comes to clear out Lafayette Park, our lieutenant colonel refuses. And when he refuses, his Marines also refuse. In today’s America, a soldier’s loyalty to his general—or his colonel—might be a little understood as a political force, but it is a political force that as far back as the Roman legions has dissolved democracies.

    Our lieutenant colonel doesn’t simply refuse his orders. He goes a step further. He approaches the leaders of the protests in Lafayette Park. He believes that the protestors have a right to peacefully assemble, and he plans to secure that right. And so he asks the leaders of the protest, “Where would you like my Humvees?”

    The Democrats hail him as a hero (in the mold of Lieutenant Colonel Alexander Vindman) and call for other officers to refuse their orders. The right condemns him as a traitor (even though they were quick to laud Lieutenant Colonel Scheller) and call for his court martial. Our lieutenant colonel becomes a lightning rod, and his actions set off a chain reaction within the U.S. military. If Democrats and Republicans cannot agree on the legitimacy of the president, and if they are calling in the military to arbitrate this dispute, for those in uniform the very action of following an order now confers legitimacy on one side or another. Everyone who wears a uniform is being forced to choose. And they do, disastrously so, because when military members become partisans, they take their equipment with them.

    That question, Where would you like my Humvees?, is one that every citizen should fear. If America ever did descend into another civil war, the weapons that would decide it are not sitting in the gun lockers of Oath Keepers or Antifa deadenders; they are sitting in the armories, the motor pools, and on the flight lines of hundreds of American military bases.

    BC If the result of the above scenario sounds implausible, ask yourself whether any of the incremental steps do. We have seen violence in Lafayette Park reach levels of intensity that required the president’s evacuation by the Secret Service to a secure bunker in the White House. We have seen our leaders contest the last two elections. Already both parties are laying the groundwork to contest the 2024 election with controversies surrounding voting rights. If another contested election leads to violence in America’s streets, it is quite possible a president of either party could evoke the Insurrection Act. Those troops would then have to face off with protestors. What would be the result?

    After I served in Afghanistan and Iraq, I covered the war in Syria as a journalist. It is often forgotten that the refusal of Sunnis in the military to follow the orders of Bashar al-Assad was determinative in pushing that political crisis into a civil war. When the military there splintered, the defecting elements took their tanks, their guns, and their jets with them. Obviously we remain several steps removed from that sort of instability. But cautious speculation has its uses: it can be critical in heading off conflict, particularly as the forces our politicians are playing with couldn’t be more combustible, and they are playing with these forces in the presence of two conditions that could cause events to spin out of their control.

    The first of those conditions is the already discussed civil-military divide, particularly in the context of a lost war. Disillusionment and the veteran experience often attend one another. The end of a war — particularly a failed war — heightens these feelings of disillusionment. From George Washington (a major) to Mustafa Kemal Atatürk (a lieutenant colonel) to Napoleon Bonaparte (a second lieutenant) and Adolf Hitler (a corporal), these revolutionary figures all got their start in the army of the old regime and, at one point or another, could be categorized as disgruntled veterans. If revolutionary embers are blowing, a large contingent of disgruntled veterans represents a massive pile of kindling.

    The second of those conditions are divergent realities — our grave nation-wide cognitive crisis. Today, according to Reuters, approximately a quarter of all Americans believe that Trump is the “true president.” This is not only an ideological certainty; they are certain also about their facts. If you extrapolate that number to our military, it means roughly 345,000 men and women in uniform do not believe in the legitimacy of the current commander-in-chief. Whether those people are right or wrong doesn’t matter. What matters, from the standpoint of social stability and social peace, is that they believe it.

    A similar divergence existed in our last civil war, in which one half of the country believed the Constitution allowed for their secession from the Union while the other half of the country believed in preserving the Union at all costs. Indeed, the issue of secession and its legality was a widely debated issue in the decades leading up to the Civil War, a contested issue analogous to abortion or affirmative action today. David A. Strauss, a scholar of constitutional law, has observed that

    before the Civil War, there was a lively and inconclusive debate over whether the Constitution permitted states to secede. There is no longer any such debate; the issue was settled by the Civil War. No one today would seriously advance the position that the Constitution permits secession, at least the kind that the Confederacy attempted. Where is the text that settled his question? The answer, of course, is that this question, like other important constitutional questions, is decided by something other than text.

    One reality triumphed over another, not because it was proven illegitimate in the minds of those who believed it, but because it was defeated on a battlefield. After the war, the mythmaking of the Lost Cause focused on certain aspects of the Southern cause (states’ rights) over others (slavery), so much so that the term “states’ rights” evolved into a racist provocation in subsequent fights against desegregation. Yet this doesn’t change the fact that many Southerners truly believed in the defeated view of reality. They believed that their first allegiance was to their state as opposed to the federal government, and that their state legislators had the right to secede; and if those duly elected legislators did secede, their obligation as southerners was to fight in defense of their state. The fact that neither side ever agreed (and in some cases continue to disagree) on what the war was fought about simply demonstrates why the war was fought in the first place.

    Most famous among those who believed that his allegiance belonged to his state was Robert E. Lee. By the standards of that time, Lee enjoyed an impeccable reputation. In 1861, he was President Lincoln’s first choice to command the Army of the Potomac, an appointment that Lee refused because, as explained in a letter written to his sister, he could not “raise my hand against my relatives, my children, my home.” By the end of the war, in defeat, Lee’s thinking had changed somewhat. In a letter written to President Andrew Johnson, requesting a pardon, Lee remarked: “True patriotism sometimes requires of men to act exactly contrary at one period, to that which it does at another, and the motive which impels them — the desire to do right — is precisely the same.” Lee then evoked his great hero, George Washington. “At one time he fought against the French under Braddock, in the service of the King of Great Britain; at another, he fought with the French at Yorktown, under the orders of the Continental Congress of America, against him.”

    Those who would discount Lee’s motives as malicious treason, or discount those who doubt the legitimacy of the last election as malicious perpetrators of “A Big Lie,” create caricatures of their ideological counterpoints at the expense of understanding their worldview. It would be reckless to discount that worldview, particularly if one wishes to triumph over it. It is a worldview sincerely held by one-quarter of our fellow citizens, many of whom serve in our military and have their own political values and passions, like all other citizens.

    The threat the military represents to our democracy is not — as is too commonly asserted — a monolithic one, in which the military will act as an ideologically homogenous entity in accordance with the orders of its senior officers. The true threat from the military will occur as a consequence of a collapse of our politics, in which the legitimacy of the chain-of-command, from the president down, falls into question. We glimpsed this possibility in January 2021, when General Milley went outside his chain-of-command to assure China through backchannels that the election results would be honored despite President Trump’s statements to the contrary, and that the military remained under steady control. Did such back-channeling make Milley a hero or a traitor? It depends on who you’re asking.

    If one-quarter of our military believes that the current president is illegitimate, it is entirely plausible that under certain conditions they, like Lee, might believe that “true patriotism” requires them to act against a president whose legitimacy is being questioned. The threat to the republic is not a military split between those who are on the right side of history and those who are on the wrong side. The true threat is a military whose ranks split between divergent realities, divergent facts, divergent public philosophies, in which those on either side — like Lee, or Grant, or Washington — are possessed by a dangerous “desire to do right.”

    And the Bleat Goes On

    Wait long enough and every enjoyment is eventually placed on the altar, gussied up, and sanctified. Rock ‘n’ roll lyrics were once a readymade source of ridicule, regarded as gibberish written by and for bubblegum brains and blasting out of transistor radios to drive mom and dad mad. The late-night television host Steve Allen, equipped with Clark Kent glasses and a quipster’s fast draw, did a routine where he read aloud the lyrics of a popular pop song as if performing a poem at the 92Y in full authorial pomp. Most of the kinescopes from his show have been lost in the ghostly landfill of time, but Allen’s goof on Gene Vincent’s “Be Bop a Lula” circa 1956 somehow survives on YouTube, as Allen invites the studio audience and viewers at home to drink in the song’s simple beauty: “Be bop a lula, be my baby/bop a lula…I don’t mean maybe.” It was all in the timing, and Allen knew just when to pause for pregnant effect.

    Allen, a classic postwar liberal who jousted with William F. Buckley, Jr. on Firing Line, didn’t harbor hostility toward rock and roll, even though he was much more of a piano-tickling jazz guy; he was simply making sport of its conventions, much as he mimicked the hothead apoplexy of newspaper letters to the editor, and most of us wisenheimers who grew up with Mad magazine went along with the gag. But there were others watching in the cavernous dark of rec rooms across the land who took rock and roll more seriously, more protectively, and resented its being picked on. Allen’s mock-mimicry lodged in their craws as Exhibit 1 of the adult condescension toward the passionate, unfettered joy of rock and roll. These old gassers just didn’t get it! Rock and roll, it was righteously felt, would have the final say and the last laugh. Demographics were on its side. On our side, if you were a teenage baby boomer ready to stampede into tomorrow.

    It took awhile, but a counterblow was struck. It seemed a soft counterblow at the time, not a ringing manifesto, but it resonated nevertheless. In 1969, the pioneer pop journalist Richard Goldstein edited an anthology titled The Poetry of Rock, a choice floral arrangement of rock and folk-rock lyrics that was published as a slim Bantam Books paperback that fit neatly into a jeans pocket or small purse, like Kahlil Gibran’s The Prophet, only groovier; it was the perfect everyday companion for English majors, pop fans, and studious aspiring songwriters of a sensitive nature, a sizable cohort back then. Goldstein had been miffed by Allen’s professorial buffoonery — “I recall being pretty pissed off with Steverino then for his dishonest presentation of rock,” he states in the introduction — and here was the rebuttal. “I do not claim that these selections constitute a body of ‘undiscovered’ poetry. This is no pop-Ossian. But I do assert that there is an immense awareness of language, and a profound sense of rhythm.”

    The timing of The Poetry of Rock couldn’t have been more propitious. By 1969, rock had largely lost its “and roll” and strengthened into a four-letter word of cultural prowess, a raised fist demanding to be reckoned with. Essays such as Richard Poirier’s controversial “Learning from the Beatles” in Partisan Review in 1967 and Albert Goldman’s reveille call “The Emergence of Rock” in New American Review in 1968 had elevated the status of rock, and the first ponderous stirrings of Dylanology rumbled through the forests, thickening in time into an academic industry. Woodstock Nation had become a kingdom of the imagination, a muddy, momentary Camelot. Although undertaken in an underdog spirit, The Poetry of Rock spoke to the cresting countercultural moment and went into multiple printings, earning a spot in the pop-studies curriculum and pride of place on countless dorm room bookshelves next to Stranger in a Strange Land and The Harrad Experiment.

    Thumbing through The Poetry of Rock today makes for a wistful ride in the wayback machine, the book’s graphics and fonts a garden of hippie nostalgia, its contents a reminder of how prophetic Goldstein’s anthology choices were. From Chuck Berry, “America’s first rock poet,” the idol of us all who “sang about an America of pure motion and energy” (“In a Chuck Berry song, you couldn’t tell the girls from the cars, and some of the best marriages ended up in traffic court”), to the flossier troubadours, social prophets, flower-power bards, and asphalt-jungle serenaders represented here, a pantheon takes shape. Each inductee benefits from Goldstein’s elegant inscriptions — deft, evocative, and seldom guilty of over-salesmanship. “The Supremes sing like satin,” he writes in the citation for Holland, Dozier, Holland’s “Baby Love”: “The lines move in even strokes, like a pendulum. You can sense the ebb and flow of feminine hips behind that gently rocking refrain.” He catches the inherent contradiction of the Rolling Stones’ “Lady Jane,” “a chivalric ode against a tinkling dulcimer” that is sung (tongued?) by Mick Jagger with his usual lewd larceny. He’s also quite sharp on how Lennon-McCartney contrive an enigmatic vignette out of the snug nest of “Norwegian Wood.”

    Fittingly, The Poetry of Rock finishes its survey of the hidden subtleties of the hit parade with a peer into the abyss titled “The End,” the nightscape tour guided by Jim Morrison, lead singer of The Doors, Lizard King, and leather-sheathed shaman whose musky voice seemed to resonate from his majestic crotch with a swell of reverb echo. Not everyone was captivated by his charismatic ooga-booga. “Jim Morrison sounds like an asshole,” decreed Robert Christgau, the Dean of American Rock Critics, who recently celebrated his eightieth birthday. Christgau also deemed Jimbo a bad poet, and it’s hard to disagree when he cites pearls such as “We need great golden copulations” and “Death and my cock are the world.” Yet the Morrison mystique endures a half century after his death, and not only because of the erotic, vampiric aura of his persona that would inspire the classic Rolling Stone cover line “He’s hot, he’s sexy, and he’s dead.”

    It also endures due to what one might dub the Rimbaud Factor, the proto-myth of the poet as a young, incandescent, self-destructive, genius-propelled comet of orphic utterance — a Romantic hand-me-down from the revolutionary age of Shelley-Keats-Byron. Born in 1854, Arthur Rimbaud was the precocious rebel who joined the Paris Commune at the age of sixteen, flipped the table on French Letters with Illuminations and A Season in Hell, was shot by his fellow poet and lover Paul Verlaine (a bromance gone bad), and, trading in a life of words for the pursuit of money, action, and exotic locales, shipped off to Africa to seek his fortune as a mercenary and a gun-runner. Considering the embroilments that followed, he should have stuck to vers libre. But had he done so, he wouldn’t have become the live-fast, die-young aspirational/inspirational legend and action figure, a category in America that had been reserved for the likes of Billy the Kid and James Dean until rock matured enough to erect shrines for its early departed.

    Bob Dylan admitted in his memoirs that reading Rimbaud as a teenager rang his bells, but apart from a close call with a motorcycle accident that temporarily took him out of circulation, it was clear that Dylan was a long-hauler for whom death and Dionysus held no siren allure. Morrison, however, consciously modeled himself on the human cannonball side of Rimbaud, busting through the doors of perception to pursue “the derangement of all the senses” through the heavy bombardment of music, movies, drugs, sex, poetry, and incantation. It’s a lot to take on, even without the police looking for any excuse to arrest you for public indecency and the music press beginning to snarl, and Morrison beat a strategic retreat that turned out to be fatal. Like Rimbaud radically uprooting himself from the literary soil, Morrison removed himself from the fame and clamor of the rock scene and shifted to Paris in 1971, dying under murky circumstances in a bathtub of a probable heroin overdose at the age of 27. Morrison’s grave at Pere Lachaise cemetery became a pilgrimage site for hordes of Americans paying homage, including Patti Smith, another Rimbaudian on a mission.

    The publication history of Morrison’s poetry, prose poetry, and spoken word seances set the template for the posthumous engorgement that has become more the norm for lyrics collections. The first books, The Lords — Notes on Vision and The New Creatures, were self-published, small press titles later incorporated into one volume by Simon and Schuster that tallied a tidy 144 pages. A third, An American Prayer, was also published in his lifetime. The death-cult industry and discipleship demanded more and, augmenting the memoirs, reconsiderations, documentaries, and movie biopics (The Doors, directed by Oliver Stone at his most Oliver Stone-ish), were additional troves of poems, aphorisms, transcripts, and unfinished projects that stuffed the turkeys of the two-volume Lost Writings of Jim Morrison: Wilderness in 1988 and The American Night in 1990. But too much is never enough, not when the faithful and famished cry out for more, and in 2021 up from the catacombs rose The Collected Works of Jim Morrison: Poetry, Journals, Transcripts, and Lyrics, a multimedia compendium that included family photographs, a full-sized reproduction of his Paris notebook, the shooting script for a never-released film, and a recording of his final poetry reading, along with audio renditions of Morrison’s work by Patti Smith, Tom Robbins, and Liz Phair. The only thing missing was a shroud bearing His image which glowed in the dark.

    The Collected Works were touted by the publisher as “immersive,” but immersion is a dicey proposition. It can do a disservice to the artist undergoing preservation, blurring and burying the original bold strokes — the signature moves — under a grainy mass of bone fragments, nail parings, napkin scribbles, false starts, fizzled experiments, and memorializing blab. (As Wilfrid Sheed wrote of James Agee, this scavenging represents the quest to find the hidden clinching evidence of Greatness: the missing sonnet.) Distance enables us to see and hear and mentally frame more clearly than an archival tour of the mothership. I grew up with The Doors. Their first two albums were long drives into the night with laconic touches, and nearly everything that came after was blubber and drift. The bluesier Morrison tried to be, the blowsier he looked and sounded, and his poetic scratchings were a hit and miss proposition where the misses prevailed. The Lost Writings bear this out.

    This is the curse of completism: the a-critical desire to leave no scrap behind, so as to enable the construction of a sacred grotto or shiny monolith that can sink under the density of its own motley debris. It’s especially perilous for the reputation of an enfant terrible who outlives the outrage stage and spends decades professionally releasing product to keep the name and brand solvent: too much incriminating evidence is left behind. Lou Reed, a student and protegé of the brilliant, bedeviled poet, critic, and fiction writer Delmore Schwartz, first made his scowling mark as the lead singer and songwriter of the Velvet Underground (the house band of Andy Warhol’s Exploding Plastic Inevitable), introducing a street argot, caustic sneer, and gender-bending insouciance into rock lyrics that established the unbeatable standard of New York snottiness, a source of municipal pride. The snottiness became less of a signature trait with the passing years, especially after Reed romantically partnered with choppy-haired multimedia spellbinder Laurie Anderson; he practiced tai chi and dined at macrobiotic restaurants without ever being credibly accused of turning mellow. When Reed died in 2013 he had become a crusty institution, the Harry Dean Stanton of gravelly gravitas, and many New Yorkers were taken aback by how deeply they mourned.

    Reed himself was too cantankerous to be canonized, but his oeuvre could be propped up for posterity. Posthumously updated from an out-of-print edition, I’ll Be Your Mirror: The Collected Lyrics of Lou Reed has an authoritative heft and imprimatur. Six-hundred-and-seventy-nine pages thick, it houses an ample apparatus: a preface from the oracle himself; introductions by Martin Scorsese (who divulges that Lou auditioned for the role of Pontius Pilate in The Last Temptation of Christ — now that would have been a trip) and the critic and biographer of Delmore Schwartz, James Atlas; remembrances from guitarist Nils Lofgren and Laurie Anderson; and a comprehensive discography. The lyrics of the gritty ditties and croonier tunes from the early albums are here — “Walk on the Wild Side,” “Sister Ray,” “White Light/White Heat,” “Pale Blue Eyes,” “Sweet Jane,” “Rock ‘n’ Roll” (with its inspired rhyming of “computations” and “amputations”) — and somehow manage to maintain their identity and integrity despite the accumulative tonnage of dreck, filler, dopey sentiments (“I found a reason to keep living, and the reason dear is you”), dippy rhymes (“You scream, I steam, we all want Egg Cream”), body-horror frissons (“Pus runs through matted hair”), dubious provocations (such as “I Wanna Be Black,” whose white-bread narrator wants to have natural rhythm and shoot twenty feet of jism), florid theatricals (dozens of pages expended on Reed’s Edgar Allan Poe tribute “The Raven,” with its promise of “No Nosferatu, Vincent Price or naked women here…”), and an appendix of Miscellaneous Songs that includes an ode to “Gravity,” which, get this, is “pullin’ us down.”

    All this fodder and more, and for what, for what? It doesn’t do Reed any good, piling everything in. Lyrics reclining flat on the page can’t compete with the Lou-ster trotting them through their paces to the squall of guitars and the drone of former bandmate John Cale’s viola, and Reed’s vocals themselves dwell in a lesser dimension than the monochromatic hypnotics of the Velvets’ chanteuse and unholy ghost, Nico. Reed may have written the words to “I’ll Be Your Mirror,” but Nico’s interstellar transmission made the song forever hers. And who other than Nico could have made “All Tomorrow’s Parties” sound ominously near to a battle march?

    Even with musical stars who began as poets, such as Patti Smith and Leonard Cohen, the initial words on the page usually become superseded by the husky voice in the microphone and put into harness, becoming part of the soundtracks in our heads. I first came across Patti (forgive the familiarity but we intersected too often at CBGB’s for formal pretense) through her poetry chapbooks that could be found at St. Mark’s Bookstore or prominently placed next to the cash register at Gotham Book Mart, alongside Henry Miller’s The Death of Mishima and numerous Edward Goreys. Seventh Heaven, that one I still have. Also WITT, whose cover photo featured Patti at her most Falconetti-ish. I have both the American and French editions of The Night, her poetic duet with Television’s Tom Verlaine (her former boyfriend, who took his last name from Rimbaud’s volatile sidekick), which might bring me a sweet return on eBay if I were ever in a financial pinch or simply mercenary. These handy little bibles carry flashback associations for me (St. Marks Church poetry readings, Anne Waldman standing on one leg like a stork as she chants her poems, Allen Ginsberg plodding the East Village), lines that still reignite, intimations of future glory — unlike when I behold the handsome paperback of Patti Smith: Collected Lyrics 1970-2015, which enscrolls the lyrics to Horses, Radio Ethiopia, and subsequent Patti Smith Group albums. It’s a more austere collection than Lou Reed’s catch-all, yet likewise directed at the already devoted — the Church of Patti, for whom Just Kids is scripture. It’s difficult to imagine anyone picking up this book on impulse — the literary world has been impoverished by the lack of impulse buys — and getting zapped by a rogue stanza, ready to run off and seek fresh possibilities. The song lyrics to Horses etc., like so many rock lyrics, seem “poetic” without actually being poetry, too proclamatory to insinuate themselves like a private communication. When she sings “Pissin’ in the river / watchin’ it rise,” we wonder and worry how full Patti’s bladder might be.

    Not every rock lyric collection functions as a hymnal. Some serve as songbook memoir (see the Foo Fighters’ chief pilot Dave Grohl’s recent The Storyteller: Tales of Life and Music) and/or showbiz seminar, a tradition that goes back to the songwriting team of Betty Comden and Adolph Green recounting the backstories and performing their most beloved Broadway show tunes. The late super-syllabic musical theater marvel Stephen Sondheim elevated this approach into a masterclass, presenting a guided tour of his wizard’s workshop with Finishing the Hat and Look, I Made a Hat. The Sondheim duo, collected in a slipcase edition titled Hat Box, may have supplied the inspiration for the blockbuster, best-selling double whammy of Paul McCartney: The Lyrics, edited with an introduction by the poet Paul Muldoon, its volumes split alphabetically from A-K and L-Z, and weighing in at 8.6 pounds, a few ounces heavier than Hat Box. Together, they’d make a swell pair of yoga blocks.

    It is a measure of the bountiful good will that McCartney has accrued for over half a century that the size, extravagance, and aggrandizement of The Lyrics are not seen as an expression of ego but a gesture of generosity: fan-service on a galactic level. It’s a charm offensive from a performer whose charm bears a Cary Grant stamp of eternal youth. Open up either volume at any page and the factory showroom new-book smell welcomes you like an old friend. McCartney’s gregarious reminiscences of how the songs were stitched together or spontaneously took wing are full of mundanities and memorabilia — references to Nivea cold cream and crystal radio sets in the gloss on “Eleanor Rigby” — that remind us how even in the mod brashness of the Swinging Sixties, Beatles music was ingrained with filmy nostalgia, gray weather, and an almost Dickensenian domesticity. Alternating with the pull into the past of “Penny Lane” and “Strawberry Fields Forever” was an antic absurdism inspired by Lewis Carroll, Edward Lear, the Goon Show (Spike Milligan, Peter Sellers, et al.), and Peter Cook that found its way even into a hoarse-shouting, high velocity guitar-grinder like “Helter Skelter,” whose lyrics were based on the Mock Turtle’s song from Alice in Wonderland and subjected to woeful misinterpretation by Charles Manson. Most of McCartney’s post-Beatle output has the peppy tunefulness of cheerful busywork, but it seems churlish to expect more from pop’s roving ambassador of good vibes.

    As poetry, most of McCartney’s lyrics wouldn’t survive serious examination — as when he compares “distractions” to butterflies buzzing round his head (ahem, butterflies don’t buzz), or rhymes “neurosurgeon” with “nothing urgent” (egad) in “Temporary Secretary” — but as a boomer artifact the double volume brings us full circle to Goldstein’s The Poetry of Rock. Here, too, Chuck Berry is hailed as a poet for whom the automobile was the all-American freedom chariot, love wagon, and status machine. “I know there’s a theory that rock and roll couldn’t have existed without the guitars of Leo Fender, but it probably couldn’t have existed without Henry Ford either. I’m thinking of the relationship between the motorcar and what happens in the back seat. We know that people shagged before the motorcar, but the motorcar gave the erotic a whole new lease on life. Think of Chuck Berry ‘riding along in my automobile.’ Chuck is one of America’s great poets.” The success of McCartney’s The Lyrics has prepared the runway for the upcoming publication of Lyrics by Bryan Ferry, the lead singer and finger-snapper of Roxy Music and Wading in Waist-High Water: The Lyrics of Fleet Foxes, the latter an indie folk band with a complicated history that needn’t detain us. Where it will all end, knows only God.

    Of course, the greatest vindication of Goldstein’s crusade to crown rock lyrics with laurel was the awarding of the Nobel Prize in Literature in 2016 to Bob Dylan, who reacted with his usual hazy aplomb, bless him. To many high-minded kibbitzers, this honor was the final rude slap to the face of Philip Roth’s Nobel hopes, but an equally strong case could be made that Leonard Cohen was the more deserving candidate if the druids of Stockholm were determined to anoint a cross-pollinating itinerant entertainer: a genuine poet, meticulous songwriter, elegiac novelist, thinking person’s sex symbol, and every inch the craggy Jewish sage and dharma bum Dylan is. The compact Everyman edition of Cohen’s poems can be read as a thing unto itself, whereas a dutiful slog through the 688 pages of Dylan’s The Lyrics: 1962-2012 (which leaves another decade of new material yet to be gathered from the hayloft) at best re-acquaints you with the live-wire magpie modernist phrases and Waste Land imagery of his first electric Bringing It All Back Home/Highway 61 Revisited/Blonde on Blonde glory run, where the amphetamine rush of the words were lashed to “that thin, wild mercury sound” achieved in the studio.

    As poetry, Dylan’s songs don’t repay scrutiny; their effects are mostly wrought from the musical and nasal delivery, his coyote cunning. When Dylan salutes the outlaw John Wesley Harding for traveling “with a gun in every hand,” you wonder: what is he, an octopus? How many hands does he have? And you could butter your biscuits with the cornball platitudes of Nashville Skyline. It’s unlikely Dylan will be read in the future as a poet, but he will be studied as an epic phenomenon, a traveling medicine man embodying and enriching the American mythos on the last legs of its Whitmanesque voyage. It’s a testament to his tireless, restless nature and vocation that in November he will bestow upon us a treatise titled The Philosophy of Modern Song, or as I prefer to think of it, Bob Dylan’s Guide on How to Write Songs Real Good. In it he intends to lift up the hood of songwriting and show us the nuts and bolts of songwriting, the tinkering required to get things right. Beaming from the cover of Dylan’s book in all of his pomaded radiance is the now deceased, eternally irrepressible Little Richard, the lyrics of whose “Long Tall Sally” can found on page 21 of The Poetry of Rock. If all of this smacks of ancestor worship, well, why not? Respect your elders, kids, and someday you too may be immortal.

    Soul-Making Studies

    I’ll admit to being biased here. Teaching a great books course at Columbia — I was a graduate student, my charges were freshmen — was the pedagogical experience of my life. I was never the same again, and I know that many of my students also weren’t, because they told me so, and because, decades later, some of them still tell me so. It confirmed me as a convert to the mission: to great books courses in particular, and to the humanities in general, as unique and indispensable parts of the undergraduate experience.

    So when that mission is attacked — or defended particularly well — I tend to pay attention. Lately, it’s been both. Last fall, Roosevelt Montás, a senior lecturer at Columbia and former director of its Center for the Core Curriculum, published Rescuing Socrates, a beautiful, powerful, personal argument on behalf of great books programs. Together with another book, The Lives of Literature by Arnold Weinstein, a senior professor at Brown, Rescuing Socrates elicited a rebuttal — in the scornful, condescending tone he takes on such occasions — from none other than Louis Menand. Menand is a professor at Harvard. It has long been fashionable, among a certain kind of wised-up academic, to dismiss the humanistic enterprise as hopelessly naïve and retrograde. Such is also the case with another recent book, Permanent Crisis: The Humanities in a Disenchanted Age, by Paul Reitter and Chad Wellmon, professors of Germanic studies at Ohio State and the University of Virginia respectively. The authors describe the development of what we now call the humanities (as an idea, an ideal, and an institutional structure) across the German nineteenth century, with inroads into the American twentieth. But their attitude toward that ideal — the belief that the humanities can play a unique role in the moral development of young adults — is much like Menand’s: sneering, patronizing, and contemptuous.

    Before we get into the meat of this, a few disclaimers. I figure myself in both critiques. Menand lists my book Excellent Sheep, from 2014, in a roster of similar (and, in his view, similarly misconceived) polemics. Menand, I should say, is a writer I have long admired, so much so that I have asked him more than once to blurb my books. He has demurred, which in retrospect is just as well. For as long as I’ve admired him, I’ve also been infuriated by him. He is as clever a critic as they come, with an elegant wit and a bloodhound’s nose for humbug. But he also exemplifies Wilde’s definition of a cynic. If I were asked to edit a selection of his work, I would call it The Price of Everything. As for Reitter and Wellmon, I appear in their volume, along with Nietzsche, Dilthey, Edward Said, Andrew Delbanco, and others, as a “melancholy mandarin” (although I am neither), one of the nostalgic fools who actually believes in the humanities’ transformative potential. If the authors understand the other targets of their inquiry as badly as they do my work, their book is worthless. But to give them the benefit of the doubt — they seem more careful when it comes to their principal areas of concern — they do appear to be a useful pair of guides to the historical dimensions of the issue.

    What is that history? It is one of discontent, on the part of certain scholars (by no means all of them in the humanities), with the direction of their institutions: their perception that the modern university, especially with respect to its teaching of undergraduates, is excessively utilitarian in its approach — overly specialized, narrowly practical, subservient to market values — and that it is therefore failing to discharge a crucial spiritual obligation. “Professors have been making the same complaints,” writes Menand, “ever since the American research university came into being, in the late nineteenth century.” In fact, as Reitter and Wellmon show, the words “American” and “late” can be deleted from that formulation. The criticism dates to the beginning of the modern university, circa 1810, in Prussia.

    For Reitter and Wellmon, as for Menand, that very persistence negates it (“it’s a song that never ends,” Menand writes), as if the duration of a problem were a brief against its existence. But the criticism persists because the problem is structural. “The conflict these professors are experiencing between their educational ideals and the priorities of their institutions,” Menand writes of Montás and Weinstein, “is baked into the system.” Indeed it is, but that is not, as he intends, a strike against them. It is precisely the point. The modern university came into being under the banner of Wissenschaft, to use the German term: systematic empirical research and scholarship, conducted by specialists trained in one or another of an emerging set of academic disciplines — philology, history, chemistry, physics. The word for that in English, before its meaning became restricted to a specific branch of Wissenschaft, was “science.” The modern university, as it is often said, is a “knowledge factory,” supplying that essential raw material for modern industry and modern states, enhancing the profits of the one and the power of the other, and it is on that basis that it has secured its lofty levels of prestige and funding.

    Wissenschaft in all its dimensions — the investigation of reality — is a noble and magnificent endeavor, and its results represent the greatest intellectual achievement (one of the greatest achievements, full stop) in human history. But something, some have always felt, went missing in the enterprise. For universities are not just centers of research. They also teach and, in particular, teach undergraduates. In this they inherit the role of the institutions from which they emerged: in Europe, the pre-modern universities, with their feet in the Middle Ages; in America, the early colleges, which were largely church-affiliated institutions. Both understood their mission, at its core, in moral terms: to inculcate virtue, to shape character, to produce men, or gentlemen, of cultivation.

    So what would become of that mission? From the beginning, it was recognized that disciplinary study alone would not be adequate to discharge it — indeed, that the two were, if not incompatible, then utterly distinct. Some of the more research-forward institutions sought to exclude undergraduates altogether. Such was the initial vision for Johns Hopkins, which was founded in 1876 as the first American university on the German model. In 1889, Frederick A. P. Barnard, the president of Columbia, a school that was then in the process of rapid divisional expansion, proposed abolishing its college. But there and elsewhere, the two halves of this schizophrenic arrangement — call it the college mission and the university mission — remained uneasily conjoined. Institutions, in addition to conducting research, would train undergraduates in the new scientific learning, preparing them for careers as professionals, as experts and technocrats, as doctors, lawyers, scientists, and engineers, as academics themselves, and then — then there was this other thing.

    What was that other thing, that something some have felt went missing in the research model? It has traveled under many names. The Germans called it Bildung, a term with a notorious plurality of definitions: formation, self-cultivation, education as opposed to training. John Erskine, the Columbia professor who, in 1920, taught the first (elective) great books course, spoke of “intelligence,” conceiving it as something one developed — a broader awareness that saved one from becoming, in Saul Bellow’s later phrase, a “high-I.Q. moron.” Many have understood this desideratum in holistic terms, as the imperative to educate the “whole person” for the “whole of life.” The Yale Report of 1828, a signal document in the history of American higher education, speaks of bringing all a student’s powers into play: imagination, taste, creativity, judgment, as well as reason and memory. “A man is [not] to be usurped by his profession,” wrote John Henry Newman in The Idea of a University in 1852. He has roles to play “as a friend, as a companion, as a citizen at large; in the connections of domestic life.” The end of undergraduate study, Newman said, “is fitness for the world.”

    The methods to achieve that end have also traveled under different names: liberal education, general education, core curricula, great books courses, the humanities. In earlier generations, as Reitter and Wellmon explain, such endeavors were conceived in normative terms. Students were to be instilled with a specific set of virtues, deriving from Christianity and the classical world. They were to be inducted into an appreciation of the “timeless truths” embodied by the Western tradition. They were to be instructed in the nature of the good life.

    But no one has thought that way for a very long time. In a pluralistic world, where values clash with values, the goal is understood to be the development of a student’s ability to question and examine values, especially such values as they bring with them to campus, to reach their own determination as to what is good, true, beautiful, just. And to reach it not just once, but in an ongoing way, across the whole of life, as experience reshapes their understanding of the world and of themselves. That is what Socrates meant by the examined life, which was, for him, the only one worth living. “A liberal education,” Montás writes, “lives in the questions, not in the answers.” And, especially for college students, about to set out on their road, those questions, as he says, boil down to one: “What is worth striving for?” What should I do with my one precious life, so that I do not waste it? A college education should be practical — it should provide you with the means to achieve your ends — but it also must be liberal. It must equip you with the ability to discover what those ends are in the first place. “Liberal” education means the kind of education that is appropriate for free people. It is a preparation in making the best use of one’s liberty.

    But Menand will have none of this:

    If, as these authors insist, education is about self-knowledge and the nature of the good, what are those things supposed to look like? How do we know them when we get there? What does it mean to be human? What exactly is the good life?

    Oh, they can’t say. The whole business is ineffable. We should know better than to expect answers.

    I don’t know whom to feel more sorry for, Menand or his students. Is he really so shallow? Are they really so sure of what they want out of life? Well, he teaches at Harvard, so maybe they are. When, at an event there many years ago, I suggested that college students need to keep examining their decisions, that now was the time to take a breath and think about what they really wanted out of life, one student said, “We already made our decisions back in middle school, when we decided to be the kind of high achievers who get into Harvard.”

    Okay. But not everyone is so serene in their acceptance of the dictates of their twelve-year-old self, and of the social and parental pressures that produced them. The only reason I have thrown myself into these matters is that I saw so many of my students floundering at Yale — not because they couldn’t do the work, but because they could no longer remember why they were doing it. Like Wile E. Coyote pedaling furiously in thin air, they had finally looked down. And looking down, they had plummeted: into confusion, into depression, into despair. And not just them, but the hundreds of students and recent graduates, from across the country and around the world, who have written to tell me the same. That they had been sold a bill of goods. That success had not turned out to fill their souls.

    In Quarterlife: The Search for Self in Early Adulthood, the psychotherapist Satya Byock explains that a healthy adulthood rests on the twin pillars of stability and meaning. These map precisely onto the practical and liberal aspects of a college education. Meaning, as I understand it, denotes the feeling of being connected to something larger than yourself: a community, an ideal, a tradition, a cause — a purpose. It means feeling connected to yourself: feeling, as Byock says, that your outer life is a manifestation of your inner life — that you are living a life, as I would say, that feels like it belongs to you, a life in which you recognize yourself. When that feeling goes missing, you might end up in Byock’s consulting room, or my inbox. And by then, things have usually gotten pretty bad. It is all well to pooh-pooh self-knowledge and the question of the good, to scoff at words like “spiritual” (by which I mean the dimension of life that is concerned with meaning) and “soul” (by which I mean the part of ourselves, or the sense of ourselves, that feels the need for meaning), but it turns out that we cannot do without them.

    So why are the humanities, and in particular the great books, so important for all of this? The first thing to say is that they are not necessarily so important. Plenty of people find their way to meaning without ever studying the humanities or reading the great books — in many cases, because they never went to college. But we are talking about people who are going to college. They got there in the first place by jumping through an endless series of hoops, and they are still jumping. They are majoring (often double-majoring) in economics or business or computer science or biology; they are bulking up their resumes by running frantically among their internships and extracurricular activities; they are self-medicating with their screens, or their meds, or their drunken hook-ups, or all of the above. But they are also on the cusp of young adulthood, the stage at which it’s most important to ponder questions of value and purpose. And they aren’t getting a lot of opportunity, to put it mildly, to do so.

    That is where the humanities come in. The humanities deal with questions of value, as the sciences (by which I also mean the social sciences) do not. Philosophy takes up such questions directly. Literature does so indirectly, by instantiating them in stories, which are records of the choices of imaginary people — a set, as it were, of moral hypotheses. What is justice, Plato asks? What does liberty consist in, Mill wants to know, and why is it important? Achilles chooses between a life that is glorious but brief and one that is long but obscure — though, in the end, the question collapses in the face of the death of his friend, of the love he has for him and the duty of revenge he thinks he owes him.

    To put the matter differently, the distinction between the sciences and humanities, for college students, is exactly one of means versus ends. Science equips you with means, with tools to operate in the world. When the humanities attempt to justify themselves with reference to means, as they tend to do today (we teach you to think analytically, we teach you to communicate), they end up looking foolish, because there’s little in that line that cannot be acquired in the other disciplines, but more to the point, because the argument buries the lead. The unique and essential value of the humanities, as a subject of college instruction, is that they furnish an arena in which to reflect upon ends, for that is what they do themselves. You can use an equation to build a spaceship, but what can you do with a poem? Only change your life.

    I say all this with no prejudice against science, nor in entire ignorance of it. Yes, I was an English professor, but in college I majored in biology-psychology. I took two courses in math, two in physics, four in chemistry, four in biology, and six in psychology, mostly of the “hard” or physiological kind. I also grew up in a scientific family. My father was a professor of engineering; my older brother, a research physician. So I have a fairly good idea of what science is about, and a very good idea of what goes on in an undergraduate science classroom. What goes on is exactly what should: an education in the findings and procedures of empirical research — in facts and the establishment of facts. Facts: not values. Questions of value have no place in the conduct of science as such. Indeed, the scientific disciplines established themselves on the basis of that exact exclusion, that exact distinction. Even a discussion of the values that science embodies and, still more, of the uses to which it should be put, has no place, strictly speaking, in the conduct of science. Physics tells you how to build an atom bomb, but it cannot tell you if you should. Economics teaches you how money works, but it cannot teach you what you ought to do with it. Such questions can’t be answered scientifically, precisely because they deal with values — with choices — not facts.

    There is another distinction that is crucial to the special role of the humanities in the undergraduate experience. The humanities are personal. I don’t mean that students can’t have personal feelings about the material they study in ecology or sociology. But the material doesn’t have personal feelings about them. It isn’t pointed at them. But Socrates, Emerson, Rousseau, or again, Euripides, Tolstoy, Dante: they grab you by the lapels. They ask you, is it well with you? Or, as Lionel Trilling put it, are you content with yourself? Are you saved or damned? Reitter and Wellmon imagine that the proponents of the humanities believe the latter “offer moral succor.” That is pretty much the opposite of what they offer. “I bring not peace but the sword,” said Jesus. “I am not a man,” said Nietzsche, “I am dynamite.”

    The humanities are personal, and the response to them is personal as well. Mark Edmundson, who has written more incisively about this process than just about anyone, speaks of “the incessant labor of combining your own experience, taken in and metabolized by intense feeling and thought, with what you have acquired in books.” The movement is dialectical: you think, or think-feel, from your life to the books and the books to your life, each illuminating the other. To study the humanities, in other words — to study them properly — is itself to undergo an experience. Again, this is not a claim that one would make about calculus or anthropology, where the goal of study is confined to comprehension, the absorption of knowledge and method. In The Last Days of Roger Federer, Geoff Dyer has a paragraph that draws the distinction nicely:

    In 1910, at the age of twenty-one, de Chirico wrote to a friend, “I am the only man to have truly understood Nietzsche — all of my work demonstrates this.” The claim to exclusive comprehension is something all readers of Nietzsche will recognize….If you don’t feel this way you haven’t experienced Nietzsche at all; you’ve only studied him.

    But this idea, too, Menand cannot abide (or comprehend):

    “The value of the thing,” Montás explains, about liberal education, “cannot be extracted and delivered apart from the experience of the thing.”…It all sounds a lot like “Trust us. We can’t explain it, but we know what we’re doing.”

    My father had the same objection, though he at least had the excuse that he was a professor of engineering, not English. He was skeptical about the value of fiction — which, after all, contains no information. “You’ll have to sit me down with pencil and paper someday,” he said to me once, “and explain to me what this is all about.” I couldn’t, I told him. You have to see for yourself, and once you had, you wouldn’t need me to explain it.

    From the beginning, great books courses have been subject to the charge of dilettantism — on the part of students, but, even more, on the part of instructors. Such courses typically cover an enormous range of works, from the Greeks to the present or near-present: Homer to Joyce or Woolf or Toni Morrison, Plato to Freud or Fanon or Foucault. But no one is an expert in more than a few of those works. Or, as Menand puts it, “Why should an English professor who got his degree with a dissertation on the American Transcendentalists (as Montás did), and who doesn’t read Italian or know anything about medieval Christianity, teach Dante?” Because you don’t teach these works as a specialist, in a great books course; you teach them as a fellow seeker. Montás teaches Gandhi, who asks, in his Autobiography, “How heavy is the toll of sins and wrongs that wealth, power and prestige exact from man?” “I cannot read Gandhi,” Montás comments, “without asking that question not of humanity in general but of the particular human that I am.” And if you aren’t a fellow seeker, if such questions aren’t alive to you, you have no business teaching such a course.

    Indeed, the specialist’s approach is exactly the wrong one to take. I taught Columbia’s core literature course, familiarly known as Lit Hum, for two years, then a departmental version of the same kind of course for seven semesters at Yale. My academic work was in Jane Austen, and Pride and Prejudice was always my weakest book, precisely because I could no longer see it as an ordinary reader, could not resist the urge to interpose my learning between my students and the text. One of the goals in a great books course is to make your students into lifelong readers, to empower them to approach the classics, in the future, on their own. The idea that you can’t gain access to the Inferno without a doctorate in medieval literature is exactly the wrong kind of message to send.

    This is not to say that teachers should be ignorant. Every time I taught these courses, I read around in secondary texts, to continue to refresh my understanding. I discussed the books with fellow instructors, often in the context of regular staff meetings. In the Lit Hum program, section leaders meet for weekly talks by specialists. But, ultimately, my value as a teacher rested on my experience as a reader.

    My experience, but also my expertise. For I do believe such courses must be rigorous. “The instructor’s job,” Menand contemptuously writes, “is not to give the students a more informed understanding of the texts, or to train them in methods of interpretation,” but “to help the students relate the texts to their own lives.” This is precisely the wrong approach, though it is, alas, a common one. It is the kind of approach that often gives these courses a bad name — that turns them into, as one of my Lit Hum students put it, in reference to the sections that her friends were taking, “group therapy.” By the end of the first semester, she told me, her roommate had taken all of two pages of notes, to my student’s thirty-six. Because training my students in methods of interpretation is exactly what I sought to do. Literature, like all art, creates meaning through form. You can’t relate a text to your own life unless you have a sense of what it means, and you cannot have a sense of what it means unless you can interpret form.

    So when I taught the Odyssey, I didn’t ask my students whether they could “relate” to Odysseus (or Telemachus, or Penelope), or whether they had gone on any “odysseys” themselves. I wasn’t happy if I simply “got them talking” (“shar[ing] their responses with their peers,” as Menand puts it). I asked them questions such as: Why, in the poem that bears his name, does Odysseus not appear until Book Five? Why do we so often find him sitting on thresholds? What is the function of the story of the scar? How does the poem respond to the Iliad (which they had just read)? And so forth. The “relating” part I knew that they would do themselves — though it isn’t so much relating as a kind of fertilization, where the works compost down in your consciousness, to nourish revelations. The great books are great because their power is inescapable. The teacher’s job is to unlock it.

    The other common charge against great books courses, as everybody knows (it is often the only thing they know), is that they are ethnocentric. The texts, historically, have all been products of Western culture, and all, or almost all, have been written by white men. Montás, like most contemporary proponents of core curricula, is receptive to the idea of opening syllabi to works from other cultures, as he did himself by introducing Gandhi at Columbia. But he still believes, as I do, that the Western tradition should stay at the center. For one thing, it is a tradition: the Odyssey responds to the Iliad, Virgil rewrites Homer, Dante rests on Virgil, etc. In philosophy, it’s Aristotle talking back to Plato, Aquinas building on Aristotle, and so forth. This is itself empowering to students. They begin to acquire a vocabulary — the motifs of Western epic, the concepts of Western philosophy — that enables them to understand, and join, the conversation.

    As it happens, Menand co-founded a great books course at Harvard under an antithetical set of principles, those of cultural diversity and the authority of specialists. It is taught by a team of six professors, who lecture in turn on the readings. Discussion is confined to one hour and fifteen minutes a week. (In Lit Hum, at Columbia, it is three hours and forty minutes.) The most recent syllabus for the fall semester included works by “Homer, Plato, Sappho, Augustine, Ferdowski, Murasaki, Dante, Boccaccio, Hafez, Basho, Dickinson, Nietzsche and Luiselli.” That is, three writers from ancient Greece, one from ancient Rome, two from medieval Persia, two from medieval Japan, two from fourteenth-century Italy, one from nineteenth-century Germany, one from the nineteenth-century United States, and one from twenty-first century Mexico. Also, two philosophers, four lyric poets, and seven writers of narrative (epic, novel, story, autobiography). It will not surprise you to learn that the selection corresponds to the instructors’ respective specialties. I would call this a Chinese menu, but it’s more like a dog’s dinner.

    Yet the most important argument for a Western core is not coherence. It is that we live in the West. The Western philosophical and literary traditions are the foundations of our politics and our imaginations, and the great books are the central spines of those traditions. I would no more substitute Confucius for Plato at an American university than I would substitute Plato for Confucius at a university in China. Nor is it only Enlightenment concepts, which still undergird our political system, that descend from Western sources. It is also post-Enlightenment concepts. It is the critique of the Enlightenment, as practiced ubiquitously in the contemporary academy. It is the whole empire of postmodernism. Foucault, Derrida, Judith Butler, they are as much a part of the Western tradition — which has always been one of acerbic dissent — as Locke, Voltaire, and Kant. They are the most recent chapter in the Western tradition (they descend from Heidegger, Nietzsche, and Marx, among others). Where, again, did contemporary feminism come from? It didn’t come from China. It didn’t come from Persia. It didn’t come from India. It came from the West — from the Enlightenment, first of all — even as it often pits itself against the West. The very idea that Western texts should be decentered in Western core curricula could only have originated in the West. Not to understand the Western tradition is, as a Westerner, not to understand yourself.

    I have sometimes conflated, in this essay, the humanities in general with great books courses in particular. So it is worth asking: how, outside of core curricula, should the humanities be taught to undergraduates? As specialized disciplines, or as what Montás refers to as liberal learning? The question came up for me at Yale when I was asked to participate in my department’s teaching practicum for second-year graduate students, a seminar designed to prepare them for the start of their instructional duties the following year. In a session about the use of secondary sources in the undergraduate classroom, I said that I don’t use secondary sources in the undergraduate classroom, because I don’t believe that our role as teachers of undergraduates is to produce future graduate students. The comment fell with an audible clunk — there were three other professors in the room — so I pressed the point. If our role were to produce future graduate students, I continued, we’d be doing a terrible job, because we graduate about ninety majors a year, and only about five of them end up going on to doctoral programs in the field. Nor would we want any more to do so; those five will have trouble enough finding faculty positions, assuming that they even finish their degrees. So what are we doing for everyone else?

    No one had an answer. The question had apparently never occurred to them. Mine was essentially the one that I have outlined here. Or as I put it then, taking a phrase from Keats, our role is to point students down the vale of soul-making. I recognize that this is not an answer that’s designed to please a provost or a parent, but the fact is that humanities departments have been finding more and more trouble coming up with a compelling rationale for their existence, certainly with respect to undergraduates. As of now, the leading candidates are the instrumental one (we teach you analytical and rhetorical skills) and what might be called the political one: books, at least the ones by “dead white men,” are evil, or complicit with evil, and the reason to study them is to unmask them.

    Well, as even English professors have been forced to acknowledge of late, almost no one’s buying what they’re selling anymore. As a share of all bachelor’s degrees, the humanities have been declining for more than thirty years, but over the last decade, the numbers, even in absolute terms, have been falling off a cliff. From 2012 to 2020, the number of bachelor’s degrees awarded in English declined by 29%, with declines of roughly 25% in both foreign languages and philosophy and religious studies. Menand cites these numbers, too, but only to circle the wagons. “This is the moment they have chosen,” he writes of Montás and Weinstein, “to inform readers that academic humanists are not doing their job.” That’s right: when things are going badly, the last question you want to ask is why. Better to shoot the messenger.

    Now, I don’t think this decline has mainly to do with anything that is happening in the classroom. 2012 is the year when the first individuals who started college after the onset of the financial crisis began to graduate. With steeply rising debt burdens and a rapidly contracting middle class, students have decided, correctly or not, that the humanities are not a good bet. But I don’t believe that that’s the whole of it. If you tell people that old books are evil, that the Western literary and philosophical traditions are nothing but a giant cesspool of cisheteronormative white patriarchy, they will eventually wonder why they should bother with them at all. And if you tell them that the point of college is to learn to overthrow the cisheteronormative white patriarchy, they will migrate to fields like the social sciences (as I’ve been told that a lot of prospective humanities majors are doing) that are more obviously relevant to the cause.

    Menand’s solution to this predicament is a little different than Montás’s and mine. Humanists, he writes, “should be defending their role in the knowledge business.” In other words, in Wissenschaft, the production of knowledge on the scientific model. “Philology,” he notes, “prevailed in literature departments” — he means in the nineteenth century — “because philology was scientific. It represented a research agenda that could produce replicable results.” But it’s been a long time since the literary enterprise in academia was primarily philological. Primarily, it is interpretive. Critical theory, which has dominated literary studies since the 1970s, Menand goes on, “aim[s] to add rigor to literary analysis” — but rigor and science are not the same. You can have the first without the second. Critical theory might like to conceive of itself as a science of reading, but there is no such thing. The real value of critical theory, for literary academics, is that it keeps on changing — that it is, precisely, not replicable. Critical theory is just an interpretive lens, or rather, it is a succession of lenses — structuralism, deconstruction, feminism, New Historicism, and so on — and every time the paradigm shifts, the interpretations need to be redone all over again, providing the excuse for another trainload of monographs and journal articles. The latest lens, in fact, is “digital humanities” — big data applied to the archive of texts, a contemporary iteration of the scientistic illusion.

    My guess is that Menand believes that most of what his colleagues do is worthless (though he is surely too savvy to say so). Not just because he undoubtedly thinks that literary interpretation is unscientific, but because he also doesn’t think too much of literature itself. “‘Read a good book,'” he wrote some years ago, “is a phrase that has the ring of virtue. It implies that what is, after all, just another form of distraction is more than that.” When I read that, I thought, he should at least have the decency to change his title from Professor of English to Professor of What Is, After All, Just Another Form of Distraction. When I say that Menand is a person who knows the price of everything but the value of nothing, this is the kind of thing I mean.

    But if art has no value, then the study of art has no value, except perhaps as a chronicle of the way that other people waste their time. Certainly, the teaching of art has no value. But if you do teach art, including the art of literature, you ought to be able to give an account as to why. And that is what the humanities must do: to say, without embarrassment, that art has value, that its value is primarily internal to the individual, and that the methods to educe that value are interpretive, not scientific. If the humanities insist on being judged by scientific standards, they will lose, and they should.

    What they must not do, though, is go to war with science, as Montás and Weinstein do, and as Menand is right to criticize them for doing. Science is not the problem. The problem, again, is the structure of the university — or, at least, the structure as it has evolved. More than any other institution in society, the university is constituted by a set of tensions: research vs. teaching, Wissenschaft vs. Bildung, science vs. the humanities, practical utility vs. the pursuit of knowledge and learning for their own sakes. The tensions in themselves aren’t bad; both sides, in each case, are valuable. What is bad is that over the decades, the first sides have pretty much won (mainly because they are lucrative, while the second sides aren’t lucrative at all). Which means that liberal education has lost.

    It’s funny: liberal education, contra Reitter and Wellmon, does not mean preaching a particular morality — “deliver[ing] ready-made worldviews,” “inculcat[ing] comprehensive and ultimate moral commitments,” “stipulat[ing] how students are to lead their lives.” In fact, as I have suggested, it means the opposite. Yet preaching a particular morality — delivering, inculcating, and stipulating — is exactly what colleges and universities now do. I mean, of course, the morality of the progressive elite, known variously as political correctness, wokeness, or, in Wesley Yang’s term, the successor ideology. This is the morality that produces concepts like cisheteronormative white patriarchy, and dispatches students into battle with it. Though institutions, to be fair, are largely preaching to the choir. The successor ideology is now what many students bring with them to campus, and what needs to be put into question.

    Even Montás misses this: that the gravest threat to Bildung now is not crass materialism, but a totalizing moral system that students are expected to receive without examination. Though the two, I should say, are perfectly compatible. Or as Menand writes (as only he can): “Students at places like Brown and Columbia want to make the world a better place. … If some of those students make a lot of money, who cares?” Those last twelve words deserve to be inscribed above the gates to Harvard Yard, as a kind of mission statement. But it’s the first part that I’d like to call attention to. Students at elite institutions “want to make the world a better place.” The one thing I thought I could count on Menand for is skepticism, especially with respect to claims of virtue, but here, in the face of his students’ pretensions, it deserts him. Do they really want to make the world a better place, or is that just a phrase that they kid themselves with, on their way to making a lot of money — to law, finance, consulting, and tech, which together continue to constitute the lion’s share of postgraduate destinations at elite schools?

    And if they do want to make the world a better place, what do they mean by that? Have they ever really thought about it, or is it just a cliché they repeat? “Better” means “more good,” which means in turn that the first thing that you need to do, if you want to make the world a better place, is inquire into the nature of the good. For the answer, it turns out, is not self-evident, despite what current dogma seems to think, and if college doesn’t teach you that, the world eventually will. Rigidity is fragility, and the fragility with which the system saddles students now is intellectual as well as psychic. This is the urgent task of liberal education in our present illiberal moment: to liberate students from their own unexamined certainties, to endow them with the incomparable power of thinking things through for themselves.

    The Oblomovization of the Western World

    Ilya Ilyich Oblomov is a mid-nineteenth century landowner outside of Saint Petersburg. An honest and decent man, he suffers from a natural tendency towards inertia. He lives less in his home than on his sofa, and less on his sofa than in his capacious dressing gown of Persian fabric, and less in his dressing gown than in his “long, soft, and wide” slippers. His body is flabby, his hands are plump, his movements are all suffused with a graceful languidness. Oblomov lives mostly lying down. Walking and standing are, for him, brief flights between a landing on his bed or his sofa. He is the very definition of the weak-willed, overworked man tortured by the mere idea of what he has to do. “As soon as he rose from bed in the morning… he would lie right back down on his sofa, prop his head on his hand and ponder, until, at last, his head was weary from hard work and his conscience told him enough had been done today for the common weal.” Something as simple as writing a letter takes him weeks, months even, and entails a complex ritual. Each decision comes at enormous psychological cost. His falsely obedient valet Zakhar shirks his duties and lets the house sink into an unspeakable state of disorder. There are days when Oblomov forgets to get up, only opening an eye around four in the afternoon, and tells himself that anyone else in his position would have already gotten through piles of work. Feeling overburdened by that mere prospect, he goes back to sleep. When his friend Stolz introduces him to a young woman, Oblomov panics. He is terrified at the very idea of sharing his life with a wife, going out into the world, reading the papers, living in society. While he falls in love with the charming Olga, who is put in charge of ensuring he that doesn’t fall asleep during the day, and takes long walks with her, he cannot resolve himself to see the relationship through. Olga teases him, wants to break him of his napping habit, rebukes him for not being more daring, for his clumsiness. Weighed down by this pressure, he breaks things off with her. Olga turns her back on him, despairing at him, calling him a “shabby, worn caftan” and a coward. Continually overwhelmed by small tasks he never has the time to finish, Oblomov is, at thirty years old, always just about “to enter life’s field.”

    Behind its appearance as a farcical comedy, Ivan Goncharov’s novel Oblomov, which appeared in 1859, is a poignant description of a failure to launch. The more our protagonist sleeps, the more he needs rest. Having never known great joys, he has also avoided great sorrows. Locked up inside him is a light searching for an escape, but which only “burned its own prison” and then went out. With only the will and not the way, he has never been able to move forward, for “moving forward meant suddenly throwing his roomy dressing gown from his soul and mind as well as his shoulders.” His life ends with him “finally interned in the plain, otiose tomb of his retirement which he had fashioned with his own hands.”

    Why remember Oblomov in 2022? Because he is the leading man of lockdowns, only without Netflix and the internet. The man lying down was us, was you, in that low-flying existence into which we were recently banished. For over two years, many people have transformed the relative powerlessness of science and medicine to curb the pandemic into rage against our elected officials. The pandemic will wane, but in the meantime quarantine has become a real option for frightened souls. Goncharov’s novel is perhaps less a depiction of the Russian soul, as Lenin lamented, than a premonition for us all: literature not as entertainment but as forewarning. The virus has, of course, been a tragedy for many millions of people, but it has also kept the world behind closed doors for years. It has breathed impressive new life into the struggle between homebodies and wanderers. The isolation of whole populations would not have gone off so well, almost overnight, had something not mentally prepared us for it. Lockdown life’s victory had lain dormant, at least since the 9/11 attacks that considerably disrupted air traffic. That was when, alongside climate disruption and the fear of terrorism and war, what one could call the Great Seclusion began. We were already locked down mentally, without knowing it.

    The late twentieth century was a period of openness both in terms of mobility and our way of life. That period is over; the lockdown of minds and places is well underway. Orbital tourism for millionaires has begun, but crossing a border or leaving one’s house is still “problematic.” Covid came like a sign from heaven to a West that no longer believes in the future and sees in the coming decades the confirmation of its collapse. It affixed the terrible seal of death to all those fears. As opposed to the flu of 1969, forgotten by all, this pandemic has already comprehensively changed how we live. How many experienced the return to normal as a shock? Pandemic measures restricted them, the return to freedom depresses them. Won’t they miss the fenced-in nightmare that they wholeheartedly cursed when it was first implemented, like prisoners who, upon release, sigh for the bars of their cell and for whom freedom has the bitter taste of anxiety? Any excuse is seized as an opportunity to cloister themselves again. Bedrooms, like houses, are self-sufficient microcosms, so long as they have Wi-Fi.

    More than enforced lockdown, we should fear voluntary self-lockdown in response to our dangerous world. This slow-motion period of life has enabled an extraordinary easing in social pressures: reduced contact with others, limited outings, curtailed nights out, remote working, absent bosses, a couch-potato (or pajama-wearing) lifestyle, authorized slouching, splendid regression. The Other as a disrupter, tempter, interrupter has disappeared, or been kept at bay. A few at least derived a paradoxical pleasure from the hermit lifestyle: complying with curfews, the constraint of masking, shielding measures — the six-foot radius surrounding us was annoying but it also gave us structure. The pandemic worried us, but it also freed us from a greater concern: the problem of freedom. It is possible that, in the years to come, and not only as a result of the pandemic, freedom will acquire the bitter taste of memory, or of a pipe dream.

    Who could have foreseen that this experience would, on the whole, be regarded indulgently by a substantial number of our contemporaries, and regarded almost as a long vacation? (In the spring of 2020 a French magazine published an article about “the young professionals who already miss lockdown.”) Many were for what could be called an intermittent lockdown or, at least, a conditional reopening. We must not be misled by the cliché, certainly widespread in France, of a return to the Roaring Twenties or post-liberation Paris, or of a new Movida Madrileña. Countless Europeans no longer want to return to the office, dreaming instead of a simple life in the countryside, far from the noise of cities and the turmoil of history. Admittedly, many people want to resume their lives and re-emerge, bars and restaurants are teeming with patrons, impatient crowds are chomping at the bit, travel is resuming, all of which are good signs. Life is excess. Life is unbridled profligacy or it is not life, just mere existence. But the forces of isolationism remain very powerful. An end of carefree living comes with the triumph of negative passions. We now define ourselves in terms of lessness: we want to consume less, spend less, travel less. Or we define ourselves in terms of what we are against: we are anti-vax, anti-meat, anti-mask, anti-nuclear, anti-vaccine passport, anti-car. (In medicine, of course, “negative” — not being infected with HIV or the coronavirus — has acquired a happy meaning, whereas “positive” has become a synonym for mortal danger.). The Before Times were already dead when Covid broke out and we did not know it.

    Pascal said that all of man’s problems stem from his inability to sit quietly in his room. He continued: “Hence it comes that men so much love noise and stir; hence it comes that prison is so horrible a punishment; hence it comes that the pleasure of solitude is a thing incomprehensible.” We could tell Pascal that for human beings over the past two years, the problems stem from their inability to leave their rooms. In this case, what threatened them was less the virus than inaction, less the risk of falling ill than of dying of boredom. No offense to Pascal, but amusement is essential, frivolity is vital and without these interludes to break up daily life, existence would quickly feel like punishment. Between the meditation on the misery of man without God and distraction, there is a third term that Pascal, a man of the Ancien Régime, could not conceive of: action and work.

    Despite this, not everyone lived through the hardship of Covid in the same way; the poorest and young people experienced it harshly, the well-to-do less so. But we were prepared for the state of emergency to become the norm. And the protests by the last holdouts, the sporadic riots, were only a last stand before grudging consent. Society went from stunned to angry, and from angry to exhausted. Rage was only the temporary cloak thrown over a deeper weariness. In the name of freedom we clamored for the right to do as we please when we please, while demanding that society take care of us when we are sick or struggling. Leave me alone when all is well, take care of me when all is not. The modern patient is also impatient, irritated by the limits of medicine — “incurable” is the worst obscenity in our vocabulary — to which he suspects either of unwillingness or hidden financial interests. The negative connotation with which we saddle the Before Times, as if they had been a time of depravity, leads one to think that the pandemic was seen by some as an ordeal of moral purification. Some people’s puritanism found confirmation in that ordeal.

    We should think about the current situation in terms of a tension between the level-headed and the restless, the cautious and the bold. There will always be people in the streets, crowded trains, people driven by the instinct to live, by wanderlust, by rational compromise. But another inclination could prevail, should fear win the day: the rise of the closed-off, of the at-home. The pandemic will become normalized, added to the list of everyday scourges. It will remain virulent enough to obsess the worried and not lethal enough to trouble the happy-go-lucky.

    What is a historic event? An incident with consequences that feeds on and reinforces an earlier mindset. The default mood of our time is apocalyptic: terrorist threats, unchecked immigration, wars in Europe and the Middle East, natural catastrophes, environmental doom. Everything calls for a pause in travel, for withdrawal into small communities as we wait for the curtain to fall. Only one solution is proposed to address these very real problems whose existence it would be absurd to deny: that of dread and seclusion. Whatever the reason, be it global warming, terrorism, or armed conflict, since the century began we have been soaking in a permanent fear in constant search of reasons to grow bigger still. “I want you to panic,” the doom-monger Greta Thunberg declared at Davos a few years ago. It is an epitaph for our time.

    The dogmatists of decline and apocalypse would suspend us in our anxieties as if in amber to keep us at home and persuade younger generations to do the same. It matters little whether the diagnosis is accurate, it is the symptom of a state of mind that both preceded and confirmed the event. The After Times? They will consist, in fact they already do consist, in an indoor world, the probable legacy of a wily virus, ebbing and flowing with the regularity of an infectious tide. Inside; the negative romance of our times; the prestige of the uterine home; the house as cradle; the womblike hearth. The virus didn’t just mean Covid but the pre-existing allergy to the outside. For two years we have been living in a repeating horror, at once both impressive and weak. What did we learn in that time? That we should wash our hands. A vast improvement, to be sure, but it won’t set anyone’s heart racing.

    Our situation since 2020 boils down to one word: obstacle. What was simple is now hard, what was hard is now well nigh impossible. Not long ago, drinking a coffee at the counter required proof of vaccination, buying a baguette meant wearing a mask, grocery shopping meant long lines like in the cold war-era Soviet Union. Not to mention the innumerable forms, supporting documents, and QR codes. For two years, France has demonstrated a kind of genius in creating a bureaucratic labyrinth of bans, restrictions, limited permissions, and recommendations of such lexical richness and jargony inventiveness as to delight the language professions. Sadly, France was not alone in that frenzy and few nations escaped the red-tape nightmare. In such a situation, there is only one outcome: people stay home. There will always be a thousand reasons to encourage people to burrow down into a hole under the state’s benevolent guardianship. The Ten Plagues of Egypt rain down upon the too fearful humanity of the North and the too impoverished humanity of the South, opening the door will become a highly dangerous act.

    A lock is ambiguous: we turn a key in it to come home after a busy day or we lock and bolt it to keep the outside out. The expansion of our domestic space will elicit the equal and opposite reaction of a shrinking public space. So we should limit our possessions, our ambitions, our movement. Future man will be a diminished man to go hand in hand with digitally augmented reality. The first lockdown had the novelty of the unprecedented, almost picturesque in its brutality. It promised to be brief. Subsequent lockdowns began to look like a self-fulfilling prophecy. What if lockdowns became a symbol of our future. What if they shape the world of tomorrow, along with masks, distance, mistrust, and increased regulation? For two years we have been “Platos in dressing gowns” (Emmanuel Lévinas on Oblomov) holding forth on vaccine effectiveness, Big Pharma “conspiracies,” our elected officials’ lies, and the dangers of community life. There is a comfort to seclusion, and one could even delight in an abridged life reminiscent of the long-established Western monastic tradition: the monk’s cell, minus God but plus social media. The intense pleasure of being enshelled, endowed with all the properties of resistance to climate change, crime, and violence. It is now imperative that we stay rooted in place to prevent exposure or a heavy carbon footprint. The earth is becoming immense again. Lockdown was space constricted and time dilated. Post-lockdown is the opposite: distances increase exponentially. Getting a train and especially a flight is still a feat, an obstacle course. The nearby has become faraway and the faraway has become inaccessible.

    Take the Swedish word “flygskam,” or flight-shaming, popularized by some green activists. No longer should we travel by air, so as not to contribute to historic greenhouse gas emissions. Yet, according to the International Civil Aviation Organization, flights only account for three per cent of worldwide carbon emissions. Who cares? For some, the urgent matter at hand is not global warming but punishing humankind. We must be kept on the ground to teach us a lesson. Changing one’s life now means reducing it by as much as possible. If each decade is the field on which a battle between opposing trends is fought, the prevailing option today is to close off the horizon. Covid will perhaps have converted us all to the cave-dwelling lifestyle. No effort is spared to discourage travel, not to mention the near-criminalization of car use in Europe. Many leaders warn of the aberration it would be to return to traditional tourism, strangled by its own success. An environmentally minded mayor in Poitiers, Léonore Moncond’huy, saw fit for the planet’s sake to cut subsidies to an association called Rêves de Gosse, which enables disabled children to take their first flight. On her view, “flight should no longer be a childhood dream.” Please keep your feet on the ground. Increasingly we reassess the need for cars, planes, trucks, ocean liners, and tanker ships.

    The new nationalist or collapsologist narrative always ends with an indoor serenade. All that’s left is to timidly conduct the somber inventory of what we are now forbidden from doing in the name of climate or protecting our borders, which are erected now as ramparts, spike strips, walls. Freedom has become a burden from which only enclosure can deliver us. Hibernating citizens are told to stay in bed, or at least snug and cozy. At the slightest transgression, the smallest excess, our carbon footprint goes up, the planet is harmed, and the cure is delayed. Hence the widespread idea of setting individual consumption quotas to curb pollution. A new aristocracy of the carbon-conscious will form an elite with whose behaviors the majority will have to align their own. Consider, for example, a new game released in France to instill environmental awareness in children called The Zero-Waste Family (La famille zéro déchet) — doubtless a wonderful initiative. But will a saga based on vegetable peelings and sorting the garbage replace Clue or Trivial Pursuit in children’s imaginations? If, as Tennessee Williams wrote, desire is something made to occupy a larger space than that afforded by the individual being, what remains of desire when it’s put on a diet? Whole peoples, families, and individuals are overwhelmed by a reverse Napoleonic complex: since we have consumed so much, we must reduce the space we occupy to the extreme, everyone in their little nook. For a generation raised under the dark stars of catastrophe and decline, any trip outside the nest would cost considerable energy.

    It is symptomatic of our new century that we no longer speak of change but of salvation: we must save the planet, save France, save America, save the left, save the right. An absolute alternative makes intermediate solutions sound laughable. It’s redress or death. Yet to preserve something — a landscape, a language, a country — sometimes you have to innovate, to upset things. Freedom is something you learn, and so it can also be unlearned, and we could lose our taste for it in a single generation. Freedom is the possibility of creating something new on this earth; it is the ability of each of us to lead our lives as we see fit, to feel unique. Covid didn’t just kill, punish, and weaken millions, and disrupt the whole planet’s social, political, and romantic lives, it has also freed us from freedom as an ideal. And since our only tomorrows leave everything to be desired, let us slow down our today, quell our ambitions, shackle the Dionysian lusts. Let us become the still waters that nothing can stir.

    This is pure oblomovschina. Our contemporaries can all be found on the sofa, facing a screen, the last bastion shielding us from the world’s horrors, which arrive filtered through images, and only further whets our appetite for our homes. Such is the scenery in which, from Los Angeles to Beijing, all of humanity shuffles through its days. Each of us behind our fences, in our homes, apartments, yards. During lockdown we have been reduced to the square-footage of our living rooms, forced to venture out via radio waves and sight alone, without permission to physically leave an assigned perimeter. For Jean-Claude Kaufmann, in his book C’est fatigant, la liberte, or Freedom is Exhausting, pajamas have become a “political object,” just as the paving stone is political in the rioter’s hand or the ballot in the citizen’s. In slippers and bathrobes, we have resisted the cruel world’s assault. Our slippers are internet-ready, iPad- and smartphone-compatible, connected to the worldwide, cosmic, interstellar web. But can this really be enough?

    Here we are, with our best intentions, under existential house arrest. What some have called pandemic tyranny has been replaced by what we might call static tyranny. Stop moving, don’t budge. (It is not surprising that protests of public health policies on both sides of the Atlantic have grown out of the mobile professions, drivers and truckers, as was already the case in France in 2018 with the Gilets Jaunes, so named for the hi-visibility vests French drivers are required to carry in case of emergency.) A new anthropological type is emerging: a huddled, hyper-connected being who no longer needs others or the outside world at all. All contemporary technology favors incarceration masquerading as openness. How could we not sympathize with the preference for staying home and teleworking on the part of people who have for years suffered the soul-crushing effects of the commute, office life, and micromanaging bosses?

    La vrai vie est absente: Rimbaud’s famous verse could be interpreted as “real life is absence of life.” For all those still advocating the spirit of exploration, the fondness for other people, and the joy of discovery, the misfortune is two-fold: add to the five to ten million dead from the virus a scrubby penitence as atonement for our sins. Our belief in reason was once supposed to afford us mastery over the world and nature. In the 1960s the historian Alexandre Koyré wrote From the Closed World to the Infinite Universe to mark the passage from the closed cosmos of the Middle Ages to the expansive one of the Renaissance. Five centuries later, we are living through the opposite: our knowledge and technologies seem limitless but the boundaries start at one’s front door. Each of us, alone or with our families, in our bedrooms or living rooms, doomscrolling through alarming news, considers the Outside a place of peril. Therefore it is important to note that the Inside is not peril-free, either: it delivers us into the hands of banality, relentless boredom, the weariness of being, our souls swallowed up in fog. Almost everything has become possible from home: restaurant meal delivery, entertainment, film, concerts, theater delivered over platforms, workouts with digital coaches, technology-assisted working from home, video games, occasional partners found on Tinder or Grindr, and so on. Even safe sex using sensors and suction cups is a conceivable option with faraway partners. The key lies in that “almost.” Does “almost” suggest inevitability?

    In “The Man of the Crowd,” in 1845, Edgar Allan Poe followed a sixty-five-year-old man through London. The man’s clothing is torn and he loses himself in the maze of streets and the flow of pedestrians. He has a fondness for the principal thoroughfares, and as the darkness comes on he seeks out the busy bazaars, audiences emerging from theaters, crowded cabarets. When the evening establishments, packed with drunks and girls, close their doors, he is filled with distress. At dawn he heads into the heart of town, plunging into the bustle and activity of the first employees leaving for work, and there he starts over his unflagging wandering until evening, without stopping to rest.

    It is tricky these days to be a devotee of crowds or to fraternize with thousands of strangers in a warm closeness. Please don your armor and put a wall up around yourself. Don’t touch me, don’t brush against me, don’t stare at me. Anyone who coughs nearby is a leper to be avoided. The pleasure of strolling amid the multitudes, attending a concert or sporting event, going out to eat, elbow to elbow with other people, drinking and laughing, the exquisite delight of people-watching, the hunger for new faces: that was yesterday. Today we dial back such behavior, because the other is a potential enemy for me as I am for him. We have lost the innocence of company in favor of a six-foot bubble between guests. And this will continue long after the pandemic; now that the idea has caught on, mistrust will prevail over casual abandon.

    Thirty years ago, AIDS forced us to comply with a vital obligation: use protection to avoid infection, while kissing was cleared of all suspicion. It was a blissful combination, symbolizing the coming together of bodies. Condoms enabled union without contagion, a basic precaution that saved generations. Covid makes room for no such protection: the virus floats in the air and lands on you at random. Your spouse might inhale it in the wake of a panting jogger, or get it from someone in the supermarket who exhaled the fatal particles at the check-out line. And the cycle is set in motion, the curse ever repeating: the whole world rapt in anticipation of the swab’s verdict. To the ancient Greeks, pneuma was the divine breath that gives life, the primordial breath which became the Holy Spirit for Christians. Now, this breath is potentially lethal: the damp warmth of breathing can kill. Breathing in another person used to be a heady experience; now it might be a death sentence. Is there anything more conducive to squelching desire? Will we develop a distance-compliant erotica, a Corona Sutra with sexual positions recommended by the medical establishment? Will there be a scarcity of skin and screen-mediated orgasms, as in Barbarella, Vadim’s old B-movie in which the heroine, played by Jane Fonda, made love to her partner using only her fingertips? There is now a counterintuitive arousal in seeing the objects of our desire take off their masks, as if nudity began there. Life in public risks no longer being a place of exchange and human commerce, but one of suspicion and hostility. There is little margin between indispensable precautions (vaccines, various passes, increased hygiene) and redundant disconnection. Covid has revived the two great modern phobias: paranoia, the fear of others, and hypochondria, the fear of oneself, the certainty that our bodies hide within them the germ or disease that will kill us.

    Some cultures are accustomed to physical reserve. In Asia people bow with their hands joined. They have acquired a group instinct that is not, like here in the West, considered a herd mentality but the art of living together in a population of fifty million people. In North America, people wave at each other so as to better avoid each other. People do not smile at you to start a conversation, but to ask politely that you stay where you are. I’ve clocked you, take my presence into account, walk on by. As for hugs, they are not warm embraces but an interlacing of arms that must be performed stomach-in, avoiding all contact with the body. In my native France the bise is disappearing, to the great relief of those who could no longer bear those damp effusions against their cheeks, those lips that smacked two, three, or four times. It will survive in families or among close friends, like a forgotten treasure to be added to the UNESCO cultural heritage register. The winners are the misanthropes.

    Covid, of course, is not the only cause of the new disparagement of touch, of physical contact. But what is a life without touch worth, a life in which we do not hold each other? We live in an urban civilization and the art of the city is ultimately the art of theater, the art of putting oneself on display and appreciating the displays of others. In France, looking at each other, taking the measure of other people, is an essential part of public life. Watching the passersby from a sidewalk café is a delicious pastime, on that vast stage where all ethnicities, genders, and ages act as in a play, always similar yet always different, whose energy and variety fascinates and exhausts us. The crowd astonishes itself through the individuals forming it. What will become of this urban wonderland if we have to wear masks, face shields, and surgical gloves, muzzling ourselves with fabric? We have been summoned to a re-education: for example, over the bad habit the French have of crowding the person ahead of them in line, out of irritation.

    A cold geometry has prevailed over the dance of atoms. In the mid-twentieth century, the body revealed itself. Today it is covering itself back up: thirty years ago it was condoms, today it is masks, gloves, face shields, scrubs, lab coats, hairnets, perhaps soon a deep-sea diving outfit, not to mention veils and burkinis in Muslim countries. Times are tough for sensual pleasures. This ordeal has revealed to us how happy we were without knowing it, the extent to which ordinary life in the Before Times was in fact extraordinary. Is it a surprise that birth rates have flagged slightly since 2020 and that peoples’ sex drives are on the wane, as mere contact with others portends inordinate threat and we might no longer find others appealing? (Again, the reasons are as much cultural as epidemiological.)

    In the years to come we may witness the disappearance of office life with the broad roll-out of telework. La droite de la paresse, or “the right to laziness,” which was conceived in the late nineteenth century by Paul Lafargue, Karl Marx’s son-in-law, will have become the majority’s fate, with the twofold consequence that a broad swath of the population, as unfortunate as they are unoccupied, must be entertained night and day, hypnotized in front of their screens and immersing themselves in mandatory free time. Work will become the privilege of the rich and idleness the burden of the poorest. In a reversal of the ancient curse attached to labor, the very rich will flaunt their mind-boggling working hours and humblebrag about their burnout, while the rest head to the unemployment office to live off assistance and a minimal income. Work may soon become a rare good reserved for the most fortunate, while the plebe will “amuse himself to death,” in the words of Neil Postman.

    What, then, will be left? Safety at the cost of boredom or freedom at the cost of risk. When home becomes a burrow, as in Kafka’s story, a “hole for taking refuge in,” life consists in consolidating one’s den, burying ourselves deeper. In the burrow, the whole of life consists in ensuring the occupant enjoys total serenity and comfort: even a grain of sand sends the burrower into a commotion. Sealing a passage shut, filling in a gap, is his daily activity. A persistent noise, at first a hiss, sends him into a panic: is it the start of a cave-in or some small animal digging tunnels? The fortress is under siege, and it is under siege precisely because it is a fortress and therefore, by definition, hostile to others. The person as burrowing mammal: “When autumn sets in, to possess a burrow like mine, and a roof over your head, is a great good fortune for anyone getting on in years.” The world’s hostility to the burrower is unremitting; the struggle against the outside world never ends. These days the burrow seems like a hypothetical mass solution, be it an isolated house, a forest cabin, or a survivalist’s bunker.

    The Renaissance and the Enlightenment had heralded fertile times, carried forward by the promise of better. Since the late twentieth century, we have entered a sterile period and too many sides dream of subjecting humanity to a regressive imperative. The joyful endorsement of existence, curiosity about foreign places, and gratuitous meandering have become suspicious. Day after day we dispense lessons in applied despair to the young. The common thread between the doctrines dominating the current ideological field, on the one side decline and isolationism, on the other catastrophism, is the recommendation to survive. We have an embarrassment of horrors, all of which are presented as absolute priorities: the pandemic, unstemmed immigration, neighborhood violence, Islamist terrorism, climate disruption, and above all war in Europe, which absorbs them all. It is also an embarrassment of ways in which the world ends, which pile up rather than cancel each other out. We can choose between dying of disease or from extreme heat or enemy bombs, which various popular fictional stories and TV series all announce in their ways. Based on fear, these interpretations of our prospects have the same effect: the temptation for people who seek above all to protect themselves from major historical disasters is to withdraw from the world.

    We can hardly be astonished that younger generations are haunted by nightmares, no longer believe in the future, and run, headfirst, into the burrow to await the world’s end. Or that the need for absolute security and perfect safety has quenched even the pleasure that we take from each other’s company. The end of the world is first the end of the outside world. The 1960s thirst for life is over: now we must throw water on the sublime, scale back our ambitions, and invite everyone to orgies of scrimping. We fervently denounce clutter; we crusade to simplify, with the goal of a life of less and less and less. The desire to enjoy all the best of what life has to offer is discouraged, even forbidden as a sin against the planet, the nation, the past, ethics, and minorities. From 2020 to 2022, how many political Cassandras and killjoys have shoved their way to the podium to chastise us and promise us the harshest punishments? We’ve had too much fun and now we have to pay! In this fire-and-brimstone spirit Nicolas Hulot, the former Minister for Ecology in France, pronounced in March 2020 that Covid was “nature’s ultimatum” before the final annihilation. This is nothing but encouragement to retreat into ourselves, for the Outside is an abyss. Withdrawing from life is taken for prudence. In this respect, isolationism is just a patriotism of entrenchment. Anyway, no one can live through the many tragedies of our times without a way to blow off some steam.

    A door must be either open or shut, said Alfred de Musset. But the rich tension between inside and outside occurs when doors and windows are ajar and enable circulation from one setting to the other. (The same can be said of borders, which ideally exist to better connect people.) One should prefer the elegance of assumed risk to a paralyzing angst. What makes us strong is not shrinking back but confronting challenge and adversity head-on. To the dogmatism of open and shut, one may prefer porousness, the happy medium between moderation and bravura that only creative collisions enable. The charm of existence is always to be found in the collision between several spheres. As Victor Segalen wrote, “I had to choose between the hammer and the bell; what I remember now is mainly the sound they made.”

    It will take either a lot of talent or a powerful desire to continue to coexist in harmony with our fellow humans to push back the zealots of decadence and the worshippers of the apocalypse. What is needed is a commitment to renaissance, a serious desire to forge the future. Until recently, it was unclear that the West was still capable of it. Then Putin unwittingly brought many Westerners to their senses. Russia’s war in Ukraine caught old Europe off guard. Winded from the pandemic, and under the impression that an insipid universal peace had become the norm, it has nonetheless reacted with admirable unanimity and resolve. Europe did not roll over. We were expecting Munich and we got a collective Churchill. In a matter of days Europe emerged from its long sleep-walk that started when the Berlin Wall fell. Populations can drift into numbness but they can also wake up, and reemerge strengthened from the worst ordeals, and offer commendable examples of resurrection. We are stronger than we think, and our enemies are weaker than they believe.

    But let us remain cautious. War and disease teach ambiguous lessons that awaken as many as they cut down. Will the extraordinary solidarity that the international community has shown since the Russian army’s invasion of Ukraine, the explosive shock of this attack, survive the test of time, the rise in oil and gas prices, our thousand everyday worries, or the terror of a nuclear threat? Freedom often comes at an uncomfortably high price. It is a struggle fought on multiple fronts in which endurance and perseverance are the virtues required.

    Who will prevail? The advocates of renunciation or the forces of audacity? Meanwhile Oblomov waits in the wings, asking no more of life than a sofa.

    The Deer Seeing Himself in the Water

             In the clear water of a spring,
             A Deer gazing at himself one day
             Praised the beauty of his antlers
             And could hardly bear the sight
             Of his slender legs,
    Whose shape he saw vanish in the waters.
    “What a disproportion between my feet and my head!”
    He said, grieving when seeing their shadow,
    “My forehead reaches the top of the highest bushes,
             My feet are unworthy of me.”
             While he is speaking like this,
             A bloodhound makes him run away;
             He tries to save himself;
             Into the forest he bolts;
             His antlers, a vulnerable ornament,
             Impeding him at every moment,
             Hinder the use of his feet,
             Which his days depend upon.
    He then relents, and curses the gifts 
          Which the Heavens make him every year.
    We value the beautiful, we despise the useful; 
          And beauty often destroys us.
    This Deer blames his feet that render him agile; 
          He esteems the antlers that do him harm.

    Two Goats

        As soon as the Goats have grazed, 
        A certain sense of independence 
    Makes them seek out fortune; off they go 
             To the parts of the pasture 
             Least frequented by humans.
    There, if there is a place without roads or paths,
    A cliff, a mountain with precipices,
    That is where these Ladies walk away their whims; 
    Nothing can stop this climbing animal. 
             Two Goats, then, taking liberties, 
             Both of them having credentials,
    Left the lower meadows, each going her way.
    The one going toward the other quite by chance.
    A stream is encountered, and for a bridge a plank.
    Two Weasels abreast could hardly have crossed  
                        This bridge;
    Besides, the swift water and the deep creek
    Must have made these Amazons tremble with fear.
    Despite so many dangers, one of these beings
    Sets foot on the plank, and the other does the same.
    I imagine seeing, with Louis the Great, 
               Philippe of Spain approaching 
               On the Isle de la Conférence.
               Thus, step-by-step, 
               Nose-to-nose, our Adventuresses, 
               Who, both being very haughty,
    Half-way across the bridge refused to yield
    To one another. They could boast having
    Among their race (as the History is told)
    One particular Goat whose merits were peerless,
    Whom Polyphemus gave to Galatea, 
               And the other, the goat Amalthea, 
               By whom Jupiter was nursed.
    Neither backing away — they fell together; 
               Both tumbled into the water. 
    Such accidents are not unusual 
    On the road to Fortune. 
    

    The Animals Sick from the Plague

           An evil that spread terror,
           An evil that the Heavens in their fury
    Invented to punish the crimes of the earth,
    The Plague (we must call it by its name),
    Able to replenish in one day the river Acheron, 
           Made war against animals.
    They didn’t all die, but all were struck: 
           You didn’t see any of them busy
    Looking for some support of a dying life; 
           No food aroused their desire; 
           Neither Wolves nor Foxes watched for 
           Their sweet and innocent prey. 
           The Turtledoves fled away from one another: 
           No more love, therefore no more joy.
    The Lion called for advice, and said: “My dear friends, 
           I believe that the Heavens allowed 
           This misfortune for our sins; 
           That the guiltiest among us must
    Sacrifice themselves to the blows of heavenly wrath,
    Perhaps it will achieve a collective healing.
    History teaches us that in such crises 
           We make similar sacrifices:
    So let’s not flatter ourselves; let’s consider without indulgence 
           The state of our conscience.
    In my case, to satisfy my greedy appetites 
           I devoured many sheep.
           What had they done to me? Nothing at all.
    It even happened sometimes that I ate 
                          The Shepherd.
    I will therefore sacrifice myself, if need be; but I think
    It’s good that all accuse themselves as I have:
    For we must wish that in all justice 
           The guiltiest perishes. 
           “— Sire,” said the Fox, “you are too generous;
    Your scruples show too much nobility.
    Well, to eat sheep, a foolish race,
    Is it a sin? No, no. You, my Lord, 
           By eating them, you really honored them. 
           And as for the Shepherd, we can say 
           That he was deserving all evils,
    Being one of those who impose 
           A false power over the animals.”
    Thus said the Fox, and to flattering applause. 
           They didn’t dare delve too deeply
    Into the less pardonable offenses of the Tiger, 
           Nor of the Bear, nor of the other beasts.
    All the quarrelsome beings, even the sheep dogs,
    Were, according to them, little saints.
    The Donkey came in his turn and said: “I remember 
           That in passing a Monks’ meadow —
    The hunger, the moment, the soft grass, and I think 
           Some devil also pushing me —
    I mowed from this meadow the width of my tongue.
    I had no right to do so, since we must speak frankly.”
    Upon these words, they shouted against the ass.
    A somewhat clerical Wolf proved with his harangue
    That they should repudiate this wretched animal,
    This scab, this mange, from whom all their evil came.
    His trifle was judged a hanging case.
    Eating other people’s grass! What an abominable crime! 
           Nothing but death could pay 
    For his infamy: they made him grasp this.
    Depending on whether you are powerful or miserable,
    Courts will pronounce you white or black. 
    

    The Coach and the Fly

    On a steep, sandy, arduous trail,
    One from all sides exposed to the Sun, 
         Six sturdy horses pulled a Coach.
    Women, a Monk, old men—all got off.
    The team was sweating, snorting, spent.
    A Fly arrives, and gets near the horses; 
    Claims to be urging them with her buzzing;
    Stings one, stings the other, and thinks all the while 
         That she drives the contraption;
    Sits down on the pole, on the Driver’s nose; 
         As soon as the chariot makes its way, 
         And she sees the people walking,
    She takes all the credit for herself; 
    Comes and goes, dashes about; it’s as if she were
    A General going to each position
    To make his men advance, and hasten victory. 
         The Fly, in this mutual need, 
    Complains that she acts alone; and that she must do all the work;
    That nobody helps the horses out of their predicament. 
         The Monk recites his Breviary;
    He certainly took his time! a woman sang;
    This wasn’t really a time for singing! 
    Lady Fly goes on singing to their ears 
          and undertakes a hundred follies.
    After a lot of effort, the Coach reaches the summit.
    “Let’s take a break now,” the Fly says.
    “I’ve done so much that our folk are finally on flat ground.
    Now, you Gentleman Horses, thank me for my trouble.”
    
    Thus, some people, pretending to please,
    Interfere with things: 
         They pretend to be everywhere indispensable, 
          And, being intrusive, must be expelled. 
    

    The Rat and the Oyster

    A Rat living in a field, a Rat with a small brain,
    has one day had enough of the paternal Gods.
    He abandons the field, the grain, and the stubble,
    Quits his burrow to roam the countryside. 
           As soon as he is outside of his home:
    “How vast and wide is the world!” he says.
    Here are the Apennines, and here the Caucasus.”
    The least molehill was a mountain in his view.
    After a few days, the traveler arrives
    In a certain district where Tethys had left
    Many Oysters on a shore; and our Rat, at first
    Thought he saw, in seeing them, tall ships.
    “My father was indeed a poor fellow,” he says,
    “He didn’t dare travel, being extremely fearful.
    For myself, I’ve already seen the maritime empire;
    I’ve crossed deserts, but we didn’t drink.”
    From a certain pedant, the Rat took these details 
           And blathered about them,
    Not being one of those Rats who gnawing on books 
           Become learned up to their teeth. 
       Among so many Oysters closed tight,
    One had opened itself, and yawning in the Sun, 
           Delighted by a mild Zephyr,
    Sniffed the air, breathed, spread out,
    White, plump, and, to the eye, incomparable.
    As soon as the Rat sees, from quite a distance, 
                                               this yawning Oyster:
    “What am I perceiving?” he says, “It must be some 
                                                    delicious food;
    And, if I’m not misled by the color,
    I must feast today, or never.”
    Whereupon Mr. Rat, full of anticipation,
    Gets near the shell, extends his neck a little,
    Feels trapped as in a snare; for the Oyster suddenly 
    Closes. And this is what comes of ignorance.
    
    Our Fable contains more than one lesson.
           We see first of all
    That those who have no experience of the world
    Are by the slightest things amazed;
           And also we can learn from it that:
           The taker may also be taken.

    Translated by Henri Cole and Claire Malroux