13 American Poems

    BENJAMIN FRANKLIN

    Drinking Song 

     

    To the Abbé de la Roche, at Auteuil

     

    Singer

    Fair Venus calls, her voice obey,

    In beauty’s arms spend night and day.

    The joys of love, all joys excel,

    And loving’ s certainly doing well.

    Chorus

    Oh! no!

    Not so!

    For honest souls know,

    Friends and a bottle still bear the bell. 

    Singer

    Then let us get money, like bees lay up honey;

    We’ll build us new hives, and store each cell.

    The sight of our treasure shall yield us great pleasure;

    We’ll count it, and chink it, and jingle it well.

    Chorus

    Oh! no!

    Not so!

    For honest souls know,

    Friends and a bottle still bear the bell.

    Singer

    If this does not fit ye, let’s govern the city,

    In power is pleasure no tongue can tell;

    By crowds tho’ you’re teas’d your pride shall be pleas’d 

    And this can make Lucifer happy in hell!

    Chorus

    Oh! No!

    Not so!

    For honest souls know,
    Friends and a bottle still bear the bell.

    Singer

    Then toss of your glasses, and scorn the dull asses,

    Who, missing the kernel still gnaw the shell;

    What’s love, rule, or riches? Wise Solomon teaches,

    They’re vanity, vanity, vanity still.

    Chorus

    That’s true;

    He knew;

    He’d tried them all through;

    Friends and a bottle still bore the bell.

     (1779)

    Philip Freneau

    Wild Honeysuckle

     

    Fair flower, that dost so comely grow, 

    Hid in this silent, dull retreat, 

    Untouch’d thy honey’d blossoms blow, 

    Unseen thy little branches greet: 

       No roving foot shall crush thee here, 

       No busy hand provoke a tear. 

    By Nature’s self in white array’d,
    She bade thee shun the vulgar eye,
    And planted here the guardian shade,
    And sent soft waters murmuring by;
      Thus quietly thy summer goes,
      Thy days declining to repose. 

    Smit with those charms, that must decay,
    I grieve to see thy future doom;
    They died—nor were those flowers more gay,
    (The flowers that did in Eden bloom)
      Unpitying frosts and Autumn’s power
      Shall leave no vestige of this flower.

    From morning suns and evening dews
    At first thy little being came:
    If nothing once, you nothing lose,
    For when you die you are the same;
      The space between is but an hour,
      The mere idea of a flower.

    (1786)

    Carrie Williams Clifford

    Character or Color—Which?

     

    What is blood, or what is birth?

    What is black or white?

    Or small or great, or rich or poor?

    Just so the man’s all right?

    O, vain and haughty white man, why

    Of ancestry prate so?

    Can you in tracing your descent.

    Farther than Adam go?

    Why boast of culture ? Well you know.

    Ere to your present state

    Of progress and renown you’d come,

    (With statesmen wise and great — )

    The blacks had splendidly achieved

    Long centuries before;

    Their monuments, unrivaled still,

    Adorn old Afric’s shore.

    No adventitious circumstance

    Can fix a people’s station.

    Integrity’s the thing that counts

    In any man or nation.

    Then modestly let’s run our course —

    All hist’ry tells the story:

    No race but has its page of shame.

    None lacks its page of glory.

    So what is blood or what is birth?

    What is black or white?

    Or great or small, or rich or poor.

    Just so the man’s all right?

    (1911)

    Frances Ellen Watkins Harper 

    Bury Me in a Free Land

     

    Make me a grave where’er you will,

    In a lowly plain, or a lofty hill; 

    Make it among earth’s humblest graves,

    But not in a land where men are slaves.

     

    I could not rest if around my grave

    I heard the steps of a trembling slave;

    His shadow above my silent tomb

    Would make it a place of fearful gloom.

     

    I could not rest if I heard the tread

    Of a coffle gang to the shambles led,

    And the mother’s shriek of wild despair

    Rise like a curse on the trembling air.

     

    I could not sleep if I saw the lash

    Drinking her blood at each fearful gash,

    And I saw her babes torn from her breast,

    Like trembling doves from their parent nest.

     

    I’d shudder and start if I heard the bay

    Of bloodhounds seizing their human prey,

    And I heard the captive plead in vain

    As they bound afresh his galling chain.

     

    If I saw young girls from their mother’s arms

    Bartered and sold for their youthful charms,

    My eye would flash with a mournful flame,

    My death-paled cheek grow red with shame.

     

    I would sleep, dear friends, where bloated might

    Can rob no man of his dearest right;

    My rest shall be calm in any grave

    Where none can call his brother a slave.

     

    I ask no monument, proud and high,

    To arrest the gaze of the passers-by;

    All that my yearning spirit craves,

    Is bury me not in a land of slaves.

     

    (1854)

    John Greenleaf Whittier 

    Among The Hills: Prelude

     

    Church-goers, fearful of the unseen Powers,
    But grumbling over pulpit-tax and pew-rent,
    Saving, as shrewd economists, their souls
    And winter pork with the least possible outlay
    Of salt and sanctity; in daily life
    Showing as little actual comprehension
    Of Christian charity and love and duty,
    As if the Sermon on the Mount had been
    Outdated like a last year’s almanac
    Rich in broad woodlands and in half-tilled fields,
    And yet so pinched and bare and comfortless,
    The veriest straggler limping on his rounds,
    The sun and air his sole inheritance,
    Laughed at a poverty that paid its taxes,
    And hugged his rags in self-complacency!

    Not such should be the homesteads of a land
    Where whoso wisely wills and acts may dwell
    As king and lawgiver, in broad-acred state,
    With beauty, art, taste, culture, books, to make
    His hour of leisure richer than a life
    Of fourscore to the barons of old time,
    Our yeoman should be equal to his home
    Set in the fair, green valleys, purple walled,
    A man to match his mountains, not to creep
    Dwarfed and abased below them. 

    (1807)

    Herman Melville

    Shiloh: A Requiem 

     

    Skimming lightly, wheeling still, 

          The swallows fly low 

    Over the field in clouded days, 

          The forest-field of Shiloh— 

    Over the field where April rain 

    Solaced the parched ones stretched in pain 

    Through the pause of night 

    That followed the Sunday fight 

          Around the church of Shiloh— 

    The church so lone, the log-built one, 

    That echoed to many a parting groan 

                And natural prayer 

          Of dying foemen mingled there— 

    Foemen at morn, but friends at eve— 

          Fame or country least their care: 

    (What like a bullet can undeceive!) 

          But now they lie low, 

    While over them the swallows skim, 

          And all is hushed at Shiloh.

    (1862)

    Phoebe Cary 

    Advice Gratis To Certain Women, by A Woman

     

    O, my strong-minded sisters, aspiring to vote,

    And to row with your brothers, all in the same boat,

    When you come out to speak to the public your mind,

    Leave your tricks, and your airs, and your graces behind!

     

    For instance, when you by the world would be seen

    As reporter, or editor (first-class, I mean),

    I think — just to come to the point in one line —

    What you write will be finer, if ’tis not too fine.

     

    Pray, don’t let the thread of your subject be strung

    With “golden,” and “shimmer,” “sweet,” “filter,” and “flung;”

    Nor compel, by your style, all your readers to guess

    You’ve been looking up words Webster marks obs.

     

    And another thing: whatever else you may say,

    Do keep personalities out of the way;

    Don’t try every sentence to make people see

    What a dear, charming creature the writer must be!

     

    Leave out affectations and pretty appeals;

    Don’t “drag yourself in by the neck and the heels,”

    Your dear little boots, and your gloves; and take heed,

    Nor pull your curls over men’s eyes while they read.

     

    Don’t mistake me; I mean that the public’s not home,

    You must do as the Romans do, when you’re in Rome;

    I would have you be womanly, while you are wise; 

    ‘Tis the weak and the womanish tricks I despise.

     

    On the other hand: don’t write and dress in such styles

    As astonish the natives, and frighten the isles;

    Do look, on the platform, so folks in the show

    Needn’t ask, “Which are lions, and which tigers?” you know!

     

    ‘Tis a good thing to write, and to rule in the state,

    But to be a true, womanly woman is great:

    And if ever you come to be that, ’twill be when

    You can cease to be babies, nor try to be men!

    (1854)

    Ralph Waldo Emerson

    “He walked the streets of great New York”

     

           He walked the streets of great New York

           Full of men, the men were full of blood

    Signs of power, signs of worth,

    Yet all seemed trivial

    As the ceaseless cry

    Of the newsboys in the street

    Now men do not listen after

    The voice in the breast

    Which makes the thunder mean 

    But the Great God hath departed

    And they listen after Scott & Byron

    I met no gods – I harboured none,

    As I walked by noon & night alone

    The crowded ways

    And yet I found in the heart of the town

    A few children of God nestling in his bosom

    Not detached as all the crowd appeared 

    each one a sutlers boat

    Cruising for private gain

    But these seemed undetached united

    Lovers of Love, of Truth,

    And as among indians they say

    The One the One is known 

    so under the eaves of Wall Street

    Brokers had met the Eternal 

    In the city of surfaces 

    Where I a swain became a surface 

    I found & worshipped him. 

    Always thus neighbored well

    The two contemporaries dwell

    The World which by the world is known

    And Wisdom seeking still its own

    I walked with men

    Who seemed as if they were chairs or stools

    Tables or shopwindows or champagne baskets

    For these they loved & were if truly seen

    I walked with others of their wisdom gave me proof

    Who brought the starry heaven 

    As near as the house roof

     (1840–1849)

    Ambrose Bierce

    Egoist

     

    Megaceph, chosen to serve the State

    In the halls of legislative debate,

    One day with his credentials came

    To the capitol’s door and announced his name.

    The doorkeeper looked, with a comical twist

    Of the face, at the eminent egotist,

    And said: “Go away, for we settle here

    All manner of questions, knotty and queer,

    And we cannot have, when the speaker demands

    To know how every member stands,

    A man who to all things under the sky

    Assents by eternally voting ‘I.'”

     

    (1911)

    Emma Lazarus

    1492

     

    Thou two-faced year, Mother of Change and Fate,

    Didst weep when Spain cast forth with flaming sword, 

    The children of the prophets of the Lord,

    Prince, priest, and people, spurned by zealot hate.

    Hounded from sea to sea, from state to state, 

    The West refused them, and the East abhorred. 

    No anchorage the known world could afford, 

    Close-locked was every port, barred every gate. 

    Then smiling, thou unveil’dst, O two-faced year, 

    A virgin world where doors of sunset part, 

    Saying, “Ho, all who weary, enter here!

    There falls each ancient barrier that the art 

    Of race or creed or rank devised, to rear

    Grim bulwarked hatred between heart and heart!”

    (1883)

     Walt Whitman

    The Prairie Grass Dividing

    The prairie-grass dividing—its special odor breathing,

    I demand of it the spiritual corresponding,

    Demand the most copious and close companionship of men,

    Demand the blades to rise of words, acts, beings,

    Those of the open atmosphere, coarse, sunlit, fresh, nutritious,

    Those that go their own gait, erect, stepping with freedom and

            command—leading, not following,

    Those with a never-quell’d audacity—those with sweet and lusty

            flesh, clear of taint,

    Those that look carelessly in the faces of Presidents and Governors,

            as to say, Who are you?

    Those of earth-born passion, simple, never-constrain’d, never

            obedient,

    Those of inland America.

     (1860)

    Stephen Crane

    Friend, your white beard sweeps the ground.

    Friend, your white beard sweeps the ground.

    Why do you stand, expectant?

    Do you hope to see it

    In one of your withered days?

    DO you hope to see

    The triumphal march of justice?

    Do not wait, friend.

    Take your white beard

    And your old eyes

    To more tender lands.

     

    When the prophet, a complacent fat man

    When the prophet, a complacent fat man,

    Arrived at the mountain-top

    He cried: “woe to my knowledge!

    “I intended to see good white lands

    “And bad black lands — 

    “But the scene is grey.”

     (1899)

     

    Untruth and Insanity in American History

    Five weeks into his second term, President Donald J. Trump issued Executive Order 14253, entitled “Restoring Truth and Sanity to American History.” For more than a decade, the order declared, a “concerted and widespread effort to rewrite our Nation’s history” had been “replacing objective facts with a distorted narrative driven by ideology rather than truth.” Trump singled out the Smithsonian Institution and the National Park Service, institutions under federal purview, for portraying American (and Western) values as inherently harmful and oppressive. True to form, he blamed the Biden administration for advancing “this corrosive ideology.”

    The order then instructed Vice President J. D. Vance, the Assistant to the President on Domestic Policy Vince Haley (a former speechwriter and advisor to Newt Gingrich as well as Trump), the Office of Management and Budget director Russell Vought, and Secretary of the Interior Doug Burgum to conduct an overhaul of the Smithsonian. These four authorities on American history would work closely with the policy’s West Wing overseer, Senior Associate Staff Secretary Lindsey Halligan, the former Florida insurance lawyer and Trump loyalist who went on to serve illegally as interim U.S. Attorney for the Eastern District of Virginia until she was removed by a federal court order early in 2026. Trump’s historiographical diktat further instructed Secretary Burgum “to reinstate the pre-existing monuments, memorials, statues, markers, or similar properties” that had been removed to “inappropriately minimize the value of certain historical events or figures,” which sounded like a euphemism for placing disgraced Confederate soldiers and politicians back on their pedestals.

    Right-wing outcries about left-wing historical distortions, predictably exaggerated and partial to conspiratorial thinking, are by no means uniformly meretricious, which thwarts any blanket condemnation of Trump’s order. The reluctance of liberals and progressives to call out those distortions on their own terms, a distortion of their own, is an abiding intellectual deformation that gives political hostages to the right. In making a federal case out of wokeness, however, the Trump White House, while exploiting a convenient target to arouse its political base and its band of academic acolytes, chiefly intends to expand presidential power further by commandeering and subjugating previously autonomous or semi-autonomous public institutions that have anything to do with history, including the National Archives. Not only will the administration control, as far as possible, how history is conveyed; it will also control the information upon which future generations — or, in the shorter run, potential grand juries — will judge Donald Trump and his associates. The “unitary executive” theory evidently extends to authorizing the president and his underlings to determine as far as possible not just which versions of our past should be honored and which repudiated, but also the materials from which future historians will treat the present. L’histoire, c’est moi.

    In their rebuttals to Executive Order 14253, the professional historians’ associations conjured visions of a Trump administration hellbent on imposing, to the limits of its powers, an atavistic account of the American past. Sanitized Trumpian history, the Organization of American Historians declared, would “reflect a glorified narrative that downplays or disappears elements of America’s history — slavery, segregation, discrimination, division — while suppressing the voices of historically excluded groups.” Put differently, the administration aims to suppress the history writing of the last sixty years, which was significantly inspired by the civil rights movement, and revive a worshipful pre-1960s view of the American past in line with its restorationist vision of the American future.

    If only that was all that the Trump regime has in mind.

    Although no student of history, President Trump has very strong views of his place in it, which offer clues about his regime’s actual historical significance. That self-image is fully displayed on the wall of the West Colonnade of the White House, now dubbed (with a Hollywood touch) the Presidential Walk of Fame, in a series of newly installed bronze plaques that describe each American president. 

    Complementing the dictator chic of the proposed Trump ballroom and the redecorated Oval Office festooned with gold appliqués, the Walk of Fame conveys a faux authority, as if the plaques were wrought by Clio herself. Relatively few people will ever see them except for Trump — who can see them daily, even several times a day, as long he is not at Mar-a-Lago or holed up in the private residence upstairs — along with visiting dignitaries whom the president wants to impress. The exclusivity, though, is in part the point. Housed in an inner temple of the White House, the plaques and their accompanying portraits stand as tablets of revealed historical truth with official authorization, banishing all doubts, fears, and confusions about the standing of presidents past and present and Trump’s place among them. For its chief audience of one, it is the ultimate in the ego-fortifying branding that he craves. For his guests, it is a firm reminder of who’s in charge. As much as the texts on the plaques, the narcissism of the display’s privileged venue reflects the narcissism of its creator.

    Fifty-one plaques describe forty-five presidents. From George Washington through George W. Bush, each man receives one plaque, except for Grover Cleveland, whose nonconsecutive terms get two. Suddenly, though, Barack Obama rates two plaques, apparently because one did not suffice to include all of the abuse heaped upon him: “the highly ineffective ‘Unaffordable Care Act’;” “a stagnant economy;” “the terrible Iran Nuclear Deal;” topped off by how Obama “spied on the Presidential Campaign of Donald J. Trump, and presided over the creation of the Russia, Russia, Russia Hoax, the worst political scandal in American History.” The same need to pile on the invective explains why “Sleepy Joe Biden . . . by far the worst President in American History” who “brought our Nation to the brink of destruction” also gets two plaques, his portrait contemptuously replaced by a picture of an autopen.

    The two plaques devoted to Trump’s first term consist, naturally, of a series of superlatives, among other things crediting him, preposterously, for creating (in Truth Social caps) “the Greatest Economy in the History of the World.” More strikingly, the first year of his second term gets two plaques all to itself, concluding with the demolition of the East Wing and the construction, “right here at the White House, the magnificent Trump Presidential Ballroom after a 225-year wait — but THE BEST IS YET TO COME!” To get some perspective on these proportions: the Presidential Walk of Fame devotes more attention to that first year of Trump’s second reign, 2025, than it does to the entire presidencies of Abraham Lincoln and Franklin D. Roosevelt combined.

    The pathetic grandiloquence is predictable, as are the falsehoods and the slanders. More telling is how the custom-made running narrative connects Trump with his more distant predecessors. Time and again, when describing major and minor presidents alike, the plaques cast the history of the presidency as an inevitable anticipation of Trump himself, all the while taking care to avoid all embarrassing similarities and contrasts. He is, in his person, the American telos.

    Andrew Jackson, for example, in an inartful bit of writing, “was unjustifiably treated unfairly by the press, but not as viciously as President Abraham Lincoln and President Donald J. Trump would, in the future, be.” The plaques approvingly highlight presidents who “raised Tariffs,” in most cases suggesting falsely that they did so unilaterally much as Trump tried to do. (The plaque on William McKinley does praise him for authoring, as a congressman, the tariff of 1890, while ignoring that measure’s disastrous economic — and for McKinley’s fellow Republicans, political — effects.) The plaques even manage to rope John Tyler in as a pro-tariff man, and never mind that he approved a hike in rates very reluctantly; Tyler is also noted for being the first president for whom Congress drew up articles of impeachment to no avail, another Trumpian connection. Tyler’s pro-slavery politics and eventual defection to the Confederacy go unmentioned. Warren G. Harding comes off better than most for having “cut Taxes, raised Tariffs, and restricted immigration,” the Trump trifecta. Harding’s plaque omits the Teapot Dome Scandal, lest it prefigure the Trump kleptocracy.

    Going back to the earliest days of the republic, George Washington’s plaque, not surprisingly, elides how Washington, far from inciting an armed insurrection against federal authority, personally led the forces that crushed one, the Whiskey Rebellion in 1794. John Adams’ plaque, however, misses the opportunity to mention the repressive Alien and Sedition Acts of 1798, from which Trump has haphazardly borrowed the only one still on the books, the Alien Enemies Act, to launch his mass deportations.

    The plaques do not explicitly call Trump The Greatest President of All Time, although they could easily be mistaken for doing do. Collectively, though, they leave little doubt that he is right up there with Washington and Lincoln. More to the point, they present American history, or at least the history of the American presidency, as two and a half centuries of prologue that culminate in the ascendancy of Donald J. Trump, the hero who not only made America great again but ushered in a golden age, making America greater than it ever was before.

    There is every reason to think that Trump has come to view American history this way. But so, now, do tens of millions of other Americans who need not visit the Presidential Walk of Fame to regard his presidency as a providential, even divine, dispensation. And in important ways that Trump cannot possibly understand, his regime, while aberrant in many respects, truly is the culmination of important currents in our past.

     Trump’s monomania, along with his royalist pretensions, come into sharper focus with his attempts to self-brand the nation’s currency. Here, though, his schemes have run into trouble, owing to an obscure bit of history connected to the Civil War era exploits of a certain Spencer M. Clark.

    From the nation’s founding until the war, the U.S. Treasury and U.S. Mint deliberately avoided placing actual individuals, let alone living ones, on its coinage, lest it imitate Old World and especially British currency that depicted the reigning monarch. (Americans repeated, into the 1860s, an apocryphal story that when George Washington learned that the first silver dollar was to bear his likeness, he ordered the die destroyed.) Coin designers instead opted for allegorical figures, such as the bust of a female with flowing long hair representing Liberty. But during Abraham Lincoln’s presidency, the government’s issuance of so-called greenback paper currency as legal tender, a part of its effort to crush the slaveholders’ rebellion, opened fresh opportunities for personal glorification. In 1862, Treasury Secretary Salmon P. Chase, a stalwart abolitionist but also an ambitious politician who would have preferred to see himself and not Lincoln in the White House, approved and probably encouraged having his likeness appear on the first one-dollar greenback. Critics assailed Chase’s impudence. The issue of currency portraiture, however, did not become a controversy until four years later, by which time Chase had resigned from the Treasury Department and been named Chief Justice of the U.S. Supreme Court.

    This brings us to Spencer Morton Clark. He was a Vermont-born small businessman who at some point moved to Washington and in 1856 obtained work as a clerk in the Bureau of Construction of the Treasury Department. Interested in the design of notes and securities, he gradually assumed greater responsibilities and became an advocate for establishing a separate office for overseeing the design and production of department paper. Although he lacked any experience as an engraving engineer, in 1862, having won the confidence of Secretary Chase, he was named superintendent of the first division of the new Bureau of the Currency, which over the decades would evolve into the Bureau of Engraving and Printing.

    Working at first with a male assistant and four female operatives, Clark was credited with, among other innovations, designing the first so-called Treasury Seal, a version of which still appears on American paper money, as well as for proposing that a facsimile signature of the Treasurer of the United States appear on department notes instead of relying on the battalions of clerks that had hitherto signed the notes. Clark’s early tenure, though, was marred by allegations of scandal, including charges that he was “hiring women based on their looks rather than their ability” and that his department had become, one congressman claimed, “a house for orgies and bacchanals.”

    As it happened, the Treasury Department was becoming the first federal agency to hire large numbers of female clerks, many of them teenagers and young women whose fathers were either in the military service or had been killed — a vulnerable workforce whose wages were essential to support their families. Short of the extravagant Dionysian rhetoric, substantial evidence surfaced of rampant sexual exploitation, including detailed testimony from at least one employee affirming that Clark had offered her $100 and then $1,000 to have sex with him. A congressional inquiry — conducted by a panel of House members friendly to Secretary Chase — cleared Clark of misconduct, calling him the victim of a conspiracy; and so he kept his job to the end of the war and beyond.

    Clark duly oversaw production of a new form of currency for public circulation, the so-called fractional notes for amounts less than a dollar, which were needed because of the public’s widespread hoarding of specie coins. The initial fractional notes bore the likenesses of George Washington and Thomas Jefferson, “illustrious men of our country,” a later journalist remarked, “long since gathered to their fathers.” But when an issue of five-cent notes appeared in 1866, reckoned likely to be, in future, the most widely used fractional note of all, they featured a portrait not of a departed Benjamin Franklin or Paul Revere but of the bearded, exceedingly un-illustrious, and very much living Spencer M. Clark. For good measure, Clark, unfailing in his efforts to curry favor, had the portraits of Chase’s successor, William Fessenden, and the current Treasurer of the United States, Frances Spinner, placed, respectively, on the twenty-five- and fifty-cent notes.

    There are differing versions of what happened. By one account, Superintendent Clark asked Treasurer of the United States Francis Spinner if, apart from the others, it would be all right to have “Clark” appear on the note, and Spinner, assuming he meant the explorer William Clark of Lewis and Clark fame, assented. Only after proofs of the bills appeared, so the story goes, was it discovered that the superintendent had already had a die cut with his portrait, which duly appeared on the new bills; and, supposedly, Clark lamely blamed a “misunderstanding.” No matter what actually happened, though, demand for the notes was so great and time had grown so short that the Treasury Department approved production and release of the Spencer M. Clark five-cent bill.


    The appearance of a relatively minor and long suspect federal official on currency over which he was largely responsible caused a furor from which Clark, this time, could not entirely escape. (He would resign two years later, his reputation precarious when yet another scandal broke, this one over alleged financial irregularities.) Elevating Fessenden and Spinner was bad enough, but plastering Clark’s portrait on legal tender was ridiculous. Congress duly amended an appropriations bill to include a provision, known as the Thayer Amendment, that forbade the visage of any living person from appearing on legal tender notes and securities. That amendment remains on the books, since enlarged to state that “only the portrait of a deceased individual may appear on United States currency and securities” (31 U.S.C. § 5114[b]).

    It would be fine historical justice if a scoundrel like Spencer Clark, the plausibly accused sexual predator, con man, and confirmed egomaniac, were responsible for now keeping Donald Trump’s mug off our money. When it comes to branding, though, Trump never says die, and his army of GOP sycophants rush to flatter him. Trump has already succeeded in arranging to have his signature replace that of the Treasurer of the United States on paper legal tender, overturning the rule that dates to Clark’s tenure. In 2024–2025, Representative Joe Wilson, Republican of South Carolina — previously best known for interrupting a presidential address to a joint session of Congress in 2009 by shouting “You lie!” at Barack Obama — floated a proposal to put Trump’s portrait on a new $250 bill, a clear violation of the Thayer Amendment that got nowhere. During the 2024 campaign, however, the Trump fundraising operation issued $100 commemorative coins designed to look official, displaying an image of the White House and the words “In God We Trust” as well as Trump’s profile. Although they were just mementos, subsequent developments suggest that those coins may have been mock-ups for something much closer to official.

    On March 19, 2026, the United States Commission on Fine Arts — a federal body purged in 2025 and restocked with individuals, the White House announced, “more aligned with President Trump’s America First policies” — unanimously approved the design of a 24-carat-gold commemorative 250th-anniversary coin bearing Trump’s glowering likeness, an official piece of currency from the U.S. Mint, physical size and denomination to be determined. To complaints that this is yet another obvious violation of the Thayer Amendment, Scott Bessent’s Treasury Department claims it has found a loophole in 31 U.S. Code § 5112, giving the Treasury Secretary authority to “adopt and prepare new designs” — as if that provision superseded the Thayer Amendment, which it emphatically does not. Where the forgotten Spencer Clark failed in getting his portrait permanently affixed to a five-cent paper piece, Donald Trump may well succeed in being inscribed on a gold coin commemorating American Independence — currency to celebrate monarchy’s overthrow that is truly fit for a king.

    Other projected Trump historical markers have less troubled American precedents. To greet George Washington on his journey from Mount Vernon to New York for his first inauguration in 1789, individual towns and cities built temporary arches, republicanized variants of décor for a royal procession. Into the nineteenth century, Americans designed permanent memorial arches, nowhere more often than in New York City. These monuments include my own favorite, the Soldiers and Sailors Arch at Grand Army Plaza in Brooklyn, honoring the Union victory over the slaveholders in 1865.

    As far as urban memorials go, the Brooklyn arch, standing eighty feet above ground, is as close as it gets in the United States to a European-style triumphal edifice, centering the plaza designed by Frederick Law Olmstead and Calvert Vaux at the entrance to Prospect Park much as Napoleon’s Arc de Triomphe centers a radial street axis off the Champs-Élysées. Indeed, the Brooklyn arch, with its statuary paying homage to the Union dead, including an equestrian bas-relief of Abraham Lincoln, was deliberately modeled on the Arc de Triomphe (though the latter, with its glorification of the Napoleonic imperium, strikes a different thematic tone). Imposing as it is, however, the Soldiers and Sailors Arch is less than half the height of its 164-foot Paris counterpart. Adapted to an American civic space, commemorating the destruction of slavery as well as the salvation of the Union, the Brooklyn arch reimagines the form as a more modest republican monument; grandeur but not grandiosity. 

    Trump and his supporters have a bigger and, of course, much glitzier idea, driven by his unfathomable version of the status anxiety common among arriviste robber barons. Reportedly, Trump began musing about building a triumphal arch when he visited Paris in 2017 at the invitation of President Emmanuel Macron and attended the Bastille Day parade at the Arc de Triomphe. Informal proposals for a Trump-themed arch in Washington began to surface later in his first term, more as a gesture of undying support or perhaps a provocation in anticipation of the 2020 election than a serious suggestion. More substantive plans appeared in the aftermath of Trump’s second inauguration.

    In April 2025, the American Mind, the online journal of the Claremont Institute, not previously known as an authority on architectural criticism or urban design, published an essay called “Washington Needs an Arch” by Catesby Leigh. A longtime journalist turned architecture expert, the Washington, DC-based Leigh had earlier made a name for himself in publications such as National Review, First Things, and the New York Post as well as Arts and Antiques and American Arts Quarterly, and as a co-founder of the National Civic Art Society, a non-profit organization dedicated in part to reviving traditional neoclassical styles in the nation’s capital. His article observed that Washington is the only major Western capital lacking a monumental arch, which in his view is a distinctive marker of national greatness and a proper gateway for civic space. Leigh advocated correcting that glaring flaw, and he knew just where to build it — what he called the “conspicuous dead space” at Memorial Circle at the west end of the Arlington Memorial Bridge, across the Potomac from the Lincoln Memorial. (That space is of course not dead: it is the cobbled and gently affecting approach to Arlington National Cemetery, over which the Lee Mansion presides from a solemn height — a kind of antechamber of national meaning.)

    Leigh had in mind a triumphal arch but in the modest American mode, about sixty feet tall (roughly the same height as the arch in New York’s Washington Square Park), built to honor the semiquincentennial of the Declaration of Independence. Although the design was compatible with conservative sensibilities, Leigh couched his proposal in architectural and civic terms, not in political terms, as a completion of Washington’s coherent classical design. He explicitly connected his monument to the abstract principles of the Declaration of Independence and not to any individual, let alone to Donald Trump. In reclaiming neoclassical precepts, he had no intention of disrupting the existing sightlines but aimed to complement them, providing, as he sees it, a long missing counterpart to the Lincoln Memorial.

    There is no evidence that Trump’s circle drew directly on Leigh’s suggestion, but leading architects within that circle who have promoted the more recent Trump arch proposals, notably Justin Shubow and Duncan Stroik, are important figures in Leigh’s conservative neoclassical milieu and were almost certainly aware of his essay. Leigh, however, without withdrawing his original proposal, has expressed dismay at what the Trumpists now envisage, an arch that is “way too big” and out of scale for the site — that is, an arch consonant with Trump’s view of history and his place within it.

    As of this April, the design proposal, prepared by Harrison Design, calls for a 190-foot-high main structure topped by a 60-foot gold statue of Lady Liberty — 250 feet in all, tacky symbolism for one foot per year since 1776. The main structure alone is taller than the Arc de Triomphe; with the statue on the arch’s roof, it will stretch nearly half as high as the heaven-scraping Washington Monument obelisk, meaning that it will dwarf every other structure in the city, completely disrupting the DC skyline. (Since it will be built in Virginia, the arch will sidestep the District of Columbia’s strict restrictions on the heights of buildings.) Viewed from the Virginia side, it will frame and completely dominate the Lincoln Memorial, off in the distance. Approached from the DC side, it will overwhelm the venerable rows of simple headstones in Arlington Cemetery.

    The design is unmistakably Trumpian, with gold rococo accents near the roof of the arch along with golden statues of two eagles in flight flanking the enormous statue up top. Gilded details evoke New York City not so much in imitation as to outdo Trump’s hometown, where the elite never quite accepted him: the resplendent gold statue is a replica of the green oxidized copper Statue of Liberty, this time sporting wings, while a pair of lions atop stone pedestals guards the arch on the DC side just as their originals guard at the New York Public Library — only these lions are gold, not pink marble. (That marble gives the Library lions their serene grace atop unmistakable power; whereas Trump’s worship of gold appears, to a layman, pathological.)

    To be sure, the formal plans presented by Harrison Design state that the arch is simply a commemoration of the Declaration of Independence at 250, the same as Catesby Leigh’s original proposal. But the grandiosity as well as the flashy details make its provenance as unmistakable as that of any Trump real-estate project. In any case, Trump is clear about whose monument it really is. Asked by a reporter back in October who the monument is for, the ever-unguarded Trump replied, “Me. It’s going to be beautiful.” (The man gives candor a bad name.) And just in case anybody tried messing around with who’s in charge and what the arch is for, and who or what it may end up honoring, Trump named as overseer of the project Vince Haley, the same ex-speechwriter loyalist he appointed as part of the team to overhaul the offerings at the Smithsonian.

    The gargantuan ballroom that is to replace the razed East Wing of the White House is another example of Trump’s edifice complex run amok. Early renditions look as if the plans were inspired more by Albert Speer than by Richard Morris Hunt. The privately funded project is also an enormous public show of subservient allegiance from a billionaire class falling over itself to render unto their new Caesar whatever it takes to get on his good side, whether out of fear or opportunism or both. Of course, the building contract went to a firm, Clark Construction, that is very much a Trump favorite, having also wangled a hugely inflated no-bid deal to repair two fountains in Lafayette Park at a cost to the taxpayers of $11.9 million, with add-ons that will bring the bill to $17.4 million. 

    Beyond the imperial pretentions and kleptocracy of Trump’s second term, however, there is an additional explanation for his insistence on building this thing. As it happens, Trump’s desire to construct a new presidential ballroom antedates his own presidency. In 2010, Obama’s former strategist David Axelrod recounts, private citizen Trump approached him saying, “I see you have these state dinners on the lawn there in these shitty little tents. Let me build you a ballroom you can assemble and take apart. Trust me. It’ll look great.” Trump was not wrong about those tents, but Obama evidently lacked enough trust in him to take up the offer. It would take fifteen years, but Trump, who never forgets a slight, would get his way, and not with anything so humble that it could be easily taken down and reassembled. It appears that he has made himself comfortable in the presidency by going back to the construction business. He is a human wrecking ball. For a developer, rubble is a sign that things are looking up.

    Another of Trump’s proposals with historical resonance, or at least the idea behind it, has at first glance a perfectly American pedigree. Perhaps his most sizable project, to build a National Garden of American Heroes, might have been conceived as a complement to the Hall of Fame of Great Americans designed by Stanford White, a loggia overlooking the Hudson and opened in 1901 on what was then the campus of New York University and is now the home of Bronx Community College. Starting with a group of thirty eminences chosen by a national board selected by NYU, the hall added new honorees every five years until the process halted in 2000; now, 102 greats are included in seven categories ranging from statesmen and writers to theologians and military leaders.

    I confess to a personal attachment, a sentimental attachment, to that old hall, mainly because my father, who grew up nearby, took me there when I was a boy. In that majestic setting, the displays spoke to me of great battles and great poems and great deeds and great sacrifices as no teacher or textbook ever would. It was a shrine but a remarkably democratic one, featuring busts of ordinary-looking men and women who had done extraordinary things, each one a hero but presented simply, one by one, the unheroic design elevating their heroism. Every other hall of fame, including my other favorite in Cooperstown, is descended from that curving memorial in the Bronx.

    But the plans for the National Garden of American Heroes, to be built on federal land near the National Mall, are something very different. Trump announced his garden as a political gesture, not a commemorative one, to counter the all-too-indiscriminate destruction of public statues that followed the murder of George Floyd at the hands of Minneapolis policemen in 2020. In place of iconoclasm Trump offered iconophilia, and there was every reason to be suspicious, lest Trump’s statue park complement his efforts to restore honor to the names and images of disgraced Confederate traitors.

    In fairness, while the selection process remains opaque, the list of the Americans who have made the cut (projected, when completed, to be 250: that number again) is for the most part not as bad as one would have rightly feared. To be sure, there is some obvious right-wing influence to go along with sheer boorishness. Only political bias can explain selecting Jeane J. Kirkpatrick as a hero, but not Daniel Patrick Moynihan, just as only politics can account for why Russell Kirk deserves inclusion. The list of visual artists is thin — John James Audubon and Charles Willson Peale but not Winslow Homer or Jackson Pollock. Most egregious is the selection of just two men under the category of journalists, Trump’s “enemies of the people”: Edward R. Murrow and, bizarrely, Alex Trebek, the host of the television game show Jeopardy! 

    Still, right-wing partisanship cannot explain why the Supreme Court justice named Marshall who made the grade is Thurgood and not John, or why Phillis Wheatley is included but Marianne Moore is left out. Most notably, Ulysses S. Grant is present but Robert E. Lee is not; nor, for that matter, is any other Confederate. Somebody clearly made an effort. Given the project’s origins, what seems to have been the studied exclusion of any Slave Power traitor comes not simply as a relief but as a signal that the Lost Cause may at long last have been firmly denied any claim whatsoever to honor in the national memory. The exclusion in fact quietly endorses the spirit behind the Confederate removals in 2020. 

    But don’t be fooled by the list of names alone: far from updating the old Hall of Fame of Great Americans in the Bronx, the Garden of American Heroes will be yet another Trumpian attempt to outdo his hometown with as much grandiosity as possible, and with further self-glorification in the offing. Last July, when Trump signed his larcenous so-called “One Big Beautiful Bill,” the measure set aside $40 million to “establish and maintain” the garden, which strongly suggested that, as with everything else this White House touches, there is some serious grifting afoot. But we ain’t seen nothing yet — literally in terms of anything built, figuratively in terms of the scale of potential corruption. Subsequent reporting has disclosed a far huger enterprise, with reflecting pools and dining facilities and an amphitheater, and life-sized statues (no modest busts here) commissioned at a cost of $250,000 each, which alone would bring the total to $10 million more than Congress has already appropriated. 

    As with the Presidential Walk of Fame, meanwhile, the true test of the garden’s historical significance will lie in the biographical material identifying each hero. An official White House statement has described the project as being “built to reflect the awesome splendor of our country’s timeless exceptionalism,” a sure sign of anti-historical boosterism. And the biographical descriptions that accompanied the original list of names were so vapid that they drained most of the heroes of their heroism while pushing a false and treacly view of an American past where never was heard a discouraging word. The great abolitionist Frederick Douglass, for example, is rendered as “a proud patriot who loved his country and wanted to see it become the best version of itself.” A more accurate summary would have quoted Douglass’ own words on the subject of patriotism, that “the best friend of a nation is he who most faithfully rebukes her for her sins.”

    Most sinister of all, the list of honorees released thus far consists of 245 names, not 250. It’s a dead giveaway: the only mystery here is about who the other four honorees will be who will stand beside Donald John Trump. Roy Cohn would be a pretty safe bet. The late Charlie Kirk of Turning Point USA will almost certainly be there. But who else? Witkoff? Giuliani? Hulk Hogan? Or maybe, realizing the omission, they will smuggle in Robert E. Lee or Stonewall Jackson or Jefferson Davis after all. 

    Should Trump’s Garden of American Heroes ever turn into something more than a political gambit, it is just possible that under another administration it could be revised into an updated Hall of Fame, built to properly American scale — the slightest of vindications for Trump. The same cannot be said for Trump’s other main response to the troubles of 2020, his 1776 Commission, announced two days before the November election, which delivered its report on American history during the waning days of Trump’s first term.

    Created in part as a counter to the New York Times’ tendentious and erroneous 1619 Project and the influential Manichean writings of the historian Howard Zinn, the commission was charged with finding ways to promote what Trump called “patriotic education” by refuting what he contended was “a twisted web of lies” about America’s historically systemic racism. The eighteen-member commission, chaired by Larry Arnn, co-founder of the Claremont Institute and president of Hillsdale College, and joined by a grab bag of Trump-aligned professors and less-than-qualified public figures, including Charlie Kirk, provided Trump with what he asked for and more.

    The most telling section of the commission’s report had nothing to do with 1619 or 1776 but everything to do with early-twentieth-century America and the rise of Progressivism — in the commissioners’ view a great anti-American heresy, which has posed a challenge to the nation’s fundamental values akin to the challenges posed by slavery, fascism, and communism. Progressives, the commission reported, were elitists who “rejected the self-evident truth of the Declaration that all men are created equal and are endowed equally, either by nature or by God, with unchanging rights.” Instead, they “believed there were only group rights that are constantly redefined and change with the times.” The commission singled out Woodrow Wilson as a Progressive mastermind, who, it claims, even before he became president, laid out “a new system of government” sometimes called “the administrative state,” a government “unaccountable to the people and without constitutional restraint.”

    What a Progressive such as Louis Brandeis — who described “the final end of the state” as making “men free to develop their faculties” — would have made of such an account is not too difficult to imagine. In 1862, Abraham Lincoln established the United States Department of Agriculture, an independent agency charged with protecting a specific group, the nation’s farmers, conducting agricultural research, and securing the nation’s food supply. Was Lincoln, then, and not Wilson, the original avatar of group rights and the father of the unaccountable administrative state? In demonizing, under the label of Progressivism, modern American liberalism as an alien force, the commission report restated, in a softer form, the right-wing animus that has long dated the downfall of the American republic to the creation, under Wilson, of the graduated federal income tax and the Federal Reserve. It is but a step or two away from the more crackpot theories of American history, some of them recently propounded by Supreme Court Justice Clarence Thomas, that conflate modern liberalism with totalitarianism and describe Progressivism as not merely the equivalent of but also the progenitor of Hitler, Mussolini, and Stalin. Really.

    Yet this is the history that the first Trump White House endorsed, and it is the nearest thing available to what American history will look like when Trumpian truth and Trumpian sanity are restored.

    Trump’s authoritarian second term — and even, for that matter, his more chaotic first term — has had a vertiginous effect that leads many to look for some historical precedent for this wild turn of events, to regain balance if not necessarily to find reassurance. Historians get asked the question all the time: has there been anything before in American history even remotely like the Trump regime? The answer, on the narrowest of grounds, is no: even down in the depths of James Buchanan and Andrew Johnson, no American president or White House administration has shown such disregard, even open contempt, for the Constitution and the rule of law as we now witness nearly every day. 

    Yet this fact can be misleading, causing commentators to look abroad, usually to one variety or another of European fascism, for similarities. These are easy enough to find: it is difficult, for example, to notice the rising influence of Opus Dei and reactionary Catholicism generally in Washington, as well as among MAGA intellectuals such as Patrick Deneen and Adrian Vermeule, and not be reminded of Francisco Franco’s Falange Española Tradicionalista. But no matter how close the foreign analogies, they egregiously overlook our homegrown evils, the deeply illiberal strains in the entirety of American history, which are obscured by limiting the search for analogies to past occupants of the White House.

    We are prone to approach Trumpism with thoughts of It Can’t Happen Here, Sinclair Lewis’ second-rate but influential nightmare fantasy from 1935, as well as Philip Roth’s much superior The Plot Against America. At long last, supposedly, where Charles Lindbergh’s America First failed, Trump is now forcing Americans to deal with the fact that it can happen here. Even holding aside slavery and the Confederacy, though, we knew this already, or we should have known it. Consider the experience of any black American in the South under the Jim Crow police-state regime, and the facileness of such prettifying thinking about American history becomes obvious: factually speaking, it has happened here. Then trace the history of what became of that evil after Jim Crow’s formal collapse: the shift of the solid segregationist South into the Republican Party, the rise of the Christian Right and then the Christian Nationalist Right out of the ruins of massive resistance, the political flirtations and more than flirtations with the likes of the cleaned-up Klansman David Duke, the right-wing militia paranoia of the 1990s that drove Timothy McVeigh to terrorism, the political careers of George Wallace and Pat Buchanan and Jesse Helms and Strom Thurmond, and finally add the internet and social media — ponder all this and you begin to have a handle on the origins of a powerful all-American authoritarian current that has fed into MAGA.

    Trump, of course, could not care less about the history of what paved his way to power. Our history-obsessed and legacy-addled president is phenomenally ignorant of our actual past. The ideologues around him will continue to push hard to impose an eviscerated version of our history that consigns the long and consequential career of American liberalism to history’s dustbin. For Trump, though, American history is just a lot of gold leaf, just more fodder for his self-glorification. And in that respect, certainly, he bears an indisputable resemblance to every caesar, generalissimo, caudillo, duce, führer, jefe, vozhd, Dear Leader, and Great Helmsman who ever walked the earth.

    The Universities and Humility

    “The very possibility of civilized human discourse rests upon the willingness of people to consider that they may be mistaken.” Those words were spoken in June 1968 by the great historian Richard Hofstadter in his commencement address at Columbia, which had been convulsed that spring by violent arrests of students protesting the Vietnam War. Hofstadter defended the students’ freedom to “confront difficult and inflammatory things,” including “the most troublesome questions of politics and war, of sex and morals, and national loyalty.” Speaking to both the enraged left and the bewildered right he insisted, however, that the willingness to think and rethink in view of new evidence and experience is indispensable to any civilized society.  

    This principle is today in urgent need of revival. For those of us who make our lives in universities, it should be self-evident because anyone with a will to learn knows that the best way to do so is with zeal leavened by humility. It should be self-evident, but alas it often is not. 

    The imperative to acknowledge our own fallibility has a long lineage. In the West it stretches back to Judaism, suffused with a dialectical spirit of self-questioning. In ancient Greece Plato subjected all claims to inconvenient questions from his teacher, Socrates, who confessed (as translated by Benjamin Jowett), “I neither know nor think I know.” Early Christianity decried the sin of pride as a mark of reprobation. 

    Self-doubt is an uncomfortable condition that, for many people, cannot match the appeal of ideology in politics or dogma in religion. Yet it is a necessary precondition for curiosity, tolerance, and any form of open thought. This was a central insight of the Enlightenment, from which some two centuries ago there arose a new kind of educational institution committed to what my Columbia colleague Stuart Firestein, a distinguished neuroscientist, describes as “knowledgeable ignorance” — the recognition of how little one knows and that everything one thinks one knows is provisional pending further investigation. It was on that basis, in Berlin in 1810, that the modern university was founded as a site of free inquiry and teaching in which the pursuit of truth proceeds in a spirit of skepticism toward received certitudes and brooks no interference from prelates, princes, or any authority external to the university itself. 

    The functional principle of this new institution — academic freedom — was slow to take hold in the United States. Through most of the nineteenth century America’s universities, such as they were, remained under denominational constraint if not control. In 1878, for example, the president of Vanderbilt University, a Methodist bishop, fired its professor of geology for teaching evolution in defiance of “the plan of redemption.” Soon the clergy were supplanted by men of wealth who had no problem with Darwin, at least not in the dubious form of Social Darwinism, whose doctrine of “survival of the fittest” flattered the thriving rich and justified the fate of the unworthy poor. But when it came to other unwelcome ideas, wealthy meddlers were ready to step in to exercise what Thorstein Veblen called “pecuniary surveillance” over “the permissible limits of learning.” At the University of Wisconsin, in 1894, two leading faculty were dismissed for “teaching socialism.”

    It wouldn’t be difficult to assemble an anthology of similar interventions first by men of the cloth and then by titans of industry. In retrospect all these efforts look like rearguard actions by a regime in retreat. In 1869, speaking at his inauguration as president of Harvard, Charles W. Eliot (a chemist descended from Puritan clergy) declared that “the winnowing breeze of freedom” had begun to “blow through all its chambers.” Arguably the most ventilated of America’s universities had been established four years earlier in upstate New York by the engineer and entrepreneur Ezra Cornell, who envisioned a new kind of university in which “any person can find instruction in any study.” Soon several new institutions — including Johns Hopkins in 1876 and the University of Chicago in 1890 — were founded on the premise that no subject or point of view should be ruled a priori out of bounds. 

    Still, the fight over academic freedom continued into the twentieth century. In 1900, the Stanford sociologist Edward Ross gave a public lecture opposing the use of Asian immigrant labor by the railroads. Jane Stanford, the widow of the railroad tycoon who had founded the university and now its sole trustee, became enraged and Ross was fired. In 1915 a group of eminent scholars led by the Columbia philosopher John Dewey established an advocacy organization — the American Association of University Professors (AAUP) — whose “Declaration of Principles” defined and defended academic freedom as its cardinal value. Two years later, the Columbia trustees, unimpressed, prevailed upon the university president to dismiss several members of the history department for holding a view — opposition to America’s entry into World War I — that was obnoxious to their own. With tacit consent from most faculty, he complied. Attempts at suppression continued during the “Red Scares” that followed both World War I and World War II, but by and large the forces of reaction grew weaker as the faculty’s role in institutional governance, bolstered by the protections of tenure, grew stronger. 

    The shared premise of the new universities — as well as older ones that were attempting to renew themselves — was that the only route to knowledge is through restless discontent with received certitudes. To this end, using language both descriptive and aspirational, the AAUP defined the modern university as “an intellectual experiment station.” At its best, that is what it became and what it continues to be.

    From the start, however, even the most progressive academic leaders knew that universities could sustain their “searching function” (Hofstadter’s phrase) only if they won support, or at least forbearance, from the public. 

    As a legal matter, private institutions were answerable only to themselves. As early as 1819, the principle of self-governance had been affirmed by the U.S. Supreme Court when it ruled that an attempt by the state of New Hampshire to alter the charter of Dartmouth College was unconstitutional. But while older institutions with private endowments were thus protected from government interference, by the early twentieth century they were becoming, in an extralegal sense, quasi-public. Through a series of laws enacted by Congress culminating with the War Revenue Act of 1917, the modern system of tax exemptions for nonprofit organizations and tax deductions for their donors was taking shape. The rationale for conferring tax advantage on institutions and on the philanthropic individuals who support them is that they serve the public interest. But when consensus breaks down over what constitutes that interest, tax advantage starts to look like tax evasion and politicians can be counted on to stress the resemblance. 

    Though the AAUP founders could hardly have been expected to foresee the crisis of trust in which higher education finds itself today, they were sensitive to the risks. They knew that American universities have always had to manage a distinctively American tension between government and private enterprise, including enterprises that do not operate for profit. They knew, too, that the right to autonomy must be balanced with some degree of deference to external forces — always a delicate balance because any true university, while ultimately dependent on public approval, must be a nursery and sanctuary for ideas that incur public disapproval. 

    Over the course of the twentieth century, this mutually wary relationship — now commonly referred to as a compact or contract between academia and society (Clark Kerr, the transformative president of the University of California, preferred the metaphor of a common-law marriage) — became more and more consequential, with a great deal at stake for both partners. Following World War II, the monetary value of the contract soared with the rapid expansion of the National Institutes of Health and, early in the Cold War, the establishment of the National Science Foundation, partially in response to technological and military competition from the Soviet Union. The government now invested huge sums in universities in the form of research grants, as well as grants and subsidized loans directed through the Department of Education to millions of students. And because the labor market increasingly rewarded holders of a college degree, the benefits of the compact were widely assumed to outstrip the costs. 

    But lately, for a host of reasons, notably the galloping sticker price of tuition, college education has come under attack as a foolish investment for young people seeking work in the trades or the service economy or even in white-collar jobs. In fact, because colleges provide significant financial aid, students are paying less on average in real dollars than a decade ago  — but that hasn’t changed the impression of skyrocketing cost. Some mega-wealthy entrepreneurs, almost all of whom benefited from attending college, now ridicule it as a time-wasting distraction. And despite the astonishing success of mRNA vaccines to prevent or mitigate COVID-19 infection, as well as countless other therapies and technologies developed in university labs, the reputation of academic scientists (and to some extent, economists) fell into sharp decline following the shocks of the pandemic — prolonged school closures, mask mandates, enforced isolation, along with persistent inflation triggered by shortages of staple goods and by the federal effort to stabilize the economy. Calls to “follow the science” now seem to many people to lead to perdition. 

    Meanwhile an even more damning narrative burst into prominence. This one says that universities, dominated by what the current president of the United States calls “Marxist maniacs and lunatics,” have become un-American or even anti-American, intolerant of conservatism and capitalism itself, ruthless toward dissenters, incubators of antisemitism, and so on. 

    It is mostly a slander. With humanities enrollments declining and expectations rising that the main function of universities is to train students for the workplace, the number of students sitting in classrooms discussing such supposedly subversive authors as Karl Marx or Michel Foucault or Judith Butler is small and shrinking. And even for those who are asked to read them, there is no reason to assume that they are doing so with uniform assent. “The charge of widespread ‘indoctrination’ by left-wing faculty,” writes the historian David A. Bell, a liberal centrist, “is nonsense, and, worse, a pretext being used shamelessly by the right to attack the university system and bring it under government control.” 

    Still, there is no doubt that universities — especially the so-called elites — have made themselves easy targets by furnishing their critics with a rich repertoire of follies and scandals that cast doubt on their professed devotion to academic freedom. They have done too little to counter the view that they have become playgrounds of “virtue signaling” — trigger warnings, land acknowledgments, compulsory statements of fidelity to a narrow conception of “diversity,” and so on. Even if this damning portrait of academic culture is an opportunistic exaggeration, there is enough truth in the caricature that the public is hard pressed to distinguish between reality and appearance. 

    After the monstrous attack by Hamas on Israeli civilians in October 2023, some universities, faced with the task of distinguishing between protected free speech and poisonous hate speech, made matters worse by bungling their response to protests over Israel’s ferocious counterattack. At my own academic home, whose formal name is Columbia University in the City of New York, non-students seeking to bring toxic hatreds onto campus are only a subway ride away. The situation was managed poorly. But none of us who stood on the sidelines should be confident that we would have defused it before it spun out of control. 

    Well before those sad and damaging events, universities had been exposing themselves to attacks in the name of outraged patriotism. In the always contested terrain of American history, college courses once likely to conform to a triumphalist story inherited from antebellum and Gilded Age historians who celebrated America’s “exceptionalism” now emphasize cruelties perpetrated against enslaved, indigenous, or exploited peoples who served involuntarily or resisted America’s “Manifest Destiny.” This is a belated corrective to the boosterish narrative that once marginalized millions of Americans in favor of a monochrome story of power and progress. Yet as Bill Readings warned three decades ago in a prescient book called The University in Ruins, it is at their own peril that universities abandon their role as “producer, protector, and inculcator of national culture” in the eyes of the broader public. 

    The charge that academia is a nest of insidious leftists has long roots. It reaches back to William F. Buckley (God and Man at Yale, 1951), and Allan Bloom (The Closing of the American Mind, 1987) and has been carried on with varying degrees of subtlety by conservative writers such as Roger Kimball, Bruce Bawer, and George F. Will, among many others. More recently, it has been taken up by liberals who write in a tone closer to that of disappointed friends, including Laura Kipnis, Jonathan Haidt, and Eboo Patel, all of them warriors against the excesses of “Woke,” “DEI,” “#MeToo,” and “Cancel Culture.” 

    I doubt that many people on left, center, or right (with a few exceptions such as Christopher Rufo and others involved in the Heritage Foundation’s Project 2025) anticipated that with the second election of Donald Trump, critiques of the university — whether fanciful or well-founded or somewhere in between — would become grounds for suspending or canceling billions of dollars in research grants, curtailing the influx of international students, enforcing “viewpoint diversity” (on the weak premise, as Amanda Anderson of Brown University puts it, that “individuals occupy identifiable political positions aligned with stable and explicit beliefs that do not change over time”) or “meritocratic” admissions and hiring, as if merit were an objective quality measurable in scores and grades or by counting publications or citations. 

    With the full force of government behind them, enemies of the university are now employing a strategy of divide and conquer. In the absence of a collective response remotely comparable to the defense led by AAUP a century ago, this strategy has proven to be highly effective. Columbia, Penn, Brown, Cornell, and Northwestern have made their deals. Harvard appears to be defying with one hand and dealing with the other. The Board of Visitors at the University of Virginia, buckling under fear of becoming the next target, forced out the university’s president James Ryan, a person of luminous integrity. And even with hints of a truce in the air, it seems unlikely that research support will return to previous levels anytime soon. With the rise in taxation rates on endowment income and a likely decline in overhead support attached to federal grants, the damage promises to be difficult if not impossible to reverse. American universities already appear to be losing their preeminence in the international rankings, which are based overwhelmingly on research output in the sciences. 

    I have taken a historical approach to some of the issues now facing higher education on the premise — the premise, I think, of all historical writing — that knowledge of the past has value for confronting challenges in the present. I have focused on well-known research universities because they are the institutions most visibly under assault. It should be stressed, however, that collateral damage is rippling through the whole range of higher education — from regional public universities to liberal arts colleges and historically black colleges and universities, as well as community colleges, which collectively enroll vastly more students, including large numbers of low-income and first-generation students, than elite institutions do. Compensatory cuts in state subsidies to education seem likely to follow reductions in federal Medicaid support. Pell grants, designed to help low-income students pay for college, continue to lose their purchasing power in relation to the price of attendance. Federal funding for English language instruction, technical training, and other forms of adult education is threatened by restrictive provisions in the “Big Beautiful Bill” as well as by the dismantling of the Department of Education. In short, programs intended to help the most vulnerable students are on the chopping block. 

    Those mounting the attack on higher education have many rhetorical advantages. They have tapped into an ugly undercurrent of contempt not only toward privileged intellectuals but also toward people very much without privilege — immigrants, people of color, students from disadvantaged backgrounds deemed unprepared or unfit. They also benefit from the fact that the term “university” is an abstraction in which it is hard to discern the dedicated teachers, researchers, students, and support staff who do the day-to-day work in classrooms, laboratories, dormitories, recreational facilities, administrative offices, and all the rest, serving not only the academic community but neighbors as well. At my own university it has been heartbreaking to watch the gutting of Columbia’s Double Discovery Center — the original model for the federal Upward Bound program — which is mainly dependent on now-canceled grants from the Department of Education. Having served thousands of vibrant high school and middle school students in northern Manhattan for more than sixty years with tutoring, mentoring, and counseling — a magnificent exception to the rule that elite institutions hold themselves aloof from their local communities — DDC is now fighting to survive on private benefactions.

    In October 2025, nine universities in varying degrees of favor or disfavor with the current administration were invited to sign a “Compact for Academic Excellence in Higher Education.” In exchange for acquiescing to its demands (among them, a five-year tuition freeze and limitations on foreign student enrollment), the compact promised “multiple positive benefits” such as “substantial and meaningful federal grants.” To qualify for these benefits, the signatories were asked to ban anything that would “punish, belittle and even spark violence against conservative ideas.” 

    Do “conservative ideas” include such features of the American past — which some people, it seems, hope to see restored in the future — as segregation, the prohibition of “mixed” marriages, and literacy tests at the polls? Do they include superseded conservative ideas such as free trade, limited government, and an independent judiciary? Its incendiary incoherence notwithstanding, the proffered compact, in the words of Erwin Chemerinsky, the dean of Berkeley’s law school, amounts to a brazen attempt at “extortion, plain and simple.” So far, thankfully, it is an offer that the invitees have been willing to refuse. 

    But universities continue to be under surveillance by Big Brother, who has demonstrated his willingness to punish transgressors and to do it again anytime he doesn’t like what he sees. Meanwhile, state legislatures dominated by his followers — notably in Florida and Texas — have banned the teaching of “divisive concepts” and granted new powers to administrators and trustees to review, discipline, or even terminate tenured faculty. Students with grievances about course content or grades or disciplinary procedures now have allies outside the university itching for a fight — conservative media, watchdog organizations, legislators, even governors — to whom they can appeal and thereby threaten faculty or staff by whom they’ve been offended. We face the prospect, as Suzanne Nossel, the former director of PEN America, writes, of professors “walking on eggshells for fear of not just a viral video or student complaint, but one that triggers government reprisals.”

    What should we make of the charge that universities have brought these furies upon themselves? For the most part, comparing instances of intellectual intolerance on the left to the wholesale assault from the right amounts to an egregious case of false equivalence. Yet there are elements of truth in the backlash against “identity politics,” or the sweeping claims of “Critical Race Theory,” or the instinctive deployment of the term “social justice” as if everyone agrees on what it means, or the excoriation of “settler colonialism” as a proxy for antisemitism. Despite the current administration’s mobster tactics, we in academia should consider that once we get through the current crisis, some of the shocks may prove salutary, and that serious self-searching is overdue. 

    To that end, the AAUP’s “Declaration of Principles” remains a valuable resource. Its authors understood that universities, even though liberated in the previous century from control by the sects that founded them and from coercion by the governments that chartered them, bear ultimate responsibility for regulating themselves. In a society where hostility toward intellectuals is always latent and sometimes virulent (Hofstadter wrote the key book on this subject, Anti-Intellectualism in American Life, in 1962), they knew, too, that universities would always remain suspect. On the core issue of academic freedom, as the legal scholar Robert Post has remarked, if faculty were to construe that freedom as the right “to research and publish in any manner they see fit,” it would not be long before public support “would vanish.” Post made that comment sixteen years ago. Today we seem to be approaching the vanishing point. 

    Anyone concerned about the future of higher education would do well to recall that even as the authors of the “Declaration of Principles” defended academic freedom as essential for the search for truth, they devoted a section (cited much less frequently than its clarion call for freedom) to its “corresponding duties” and “correlative obligations.” But what, exactly, did — and does — such a call for self-regulation mean?

    In the natural sciences it has meant that hypotheses must be tested by experiment and experimental results put to the test of replication. In the so-called social and human sciences — where the line between argument and opinion is often thin and work can be ideologically tendentious — it takes the form of peer review of journal articles, book manuscripts, and nominations to tenure. These quality control methods are by no means immune to error or to abuse, but they do ensure that propositions and theories, to be taken seriously, must have something more than the status of unfounded claims. 

    But when most people think of the university, they don’t think of the lab or the academic journal or the scholarly conference. They think of the classroom. When it comes to teaching, what can one say about how universities have been doing at monitoring themselves? Here is a frank answer from Leon Botstein, longtime president of Bard College and dauntless champion of liberal education, who has denounced Big Brother more fiercely than all but a very few college presidents while at the same time holding universities to account in a spirit of loyal opposition: 

    Universities have retreated shamelessly from their obligation to teach, particularly undergraduates. Higher education has become a matter of lecture halls, seminars taught by graduate students, standardized testing, fully remote learning, and obscurantist pseudo-professionalism, notably in the humanities and social sciences. Universities have abandoned the act of serious teaching and learning and settled for anonymity and routine.

    One need not agree in every particular with this list of indictments — in my experience graduate students can be very good teachers — but every honest observer of higher education knows that there is a lot of truth in it. Fifteen years ago, in their data-heavy book Academically Adrift: Limited Learning on College Campuses, the sociologists Richard Arum and Josipa Roksa argued in depressing detail that too many universities have been complacent as “students’ academic effort has dramatically declined in recent decades.” They made that argument long before the advent of artificial intelligence, which now invites students — at least those who wish to evade responsibility for their own learning — to substitute prefabricated writing and research for their own work. 

    Unfortunately, academia’s loudest critics are generally concerned less with meeting the needs of unconfident or underprepared students and more with the putative problem of radical professors browbeating students with “woke” ideas. How credible is this charge? The University of California sociologist Steven Brint, another sober critic of academia from within the academic world, put it this way in a recent interview with the Chronicle of Higher Education

    Those who are ‘woke,’ or social-justice oriented remain a fairly small part of the faculty, let’s say twenty percent as a kind of rough approximation. . . . In some disciplines like gender studies and ethnic studies it approaches fifty percent but, in self-description at least, never gets to be a majority even there. So it exists, but it’s not a majority tendency.

    But even if most teachers remain open to a range of perspectives, less sanguine observers will say that students whose thinking does not align with “progressive” norms nevertheless feel compelled to censor themselves or risk ostracism by their peers. My impression, based on many conversations with students, is that they are less likely to feel constrained by teachers than by other students. The classroom thus gives itself up to “the tyranny of the prevailing opinion and feeling” by which a majority — more likely, an imperious minority — seeks to “impose . . . its own ideas and practices as rules of conduct on those who dissent from them,” and thereby to “fetter the development and, if possible, prevent the formation of any individuality not in harmony with its ways, and compel all characters to fashion themselves upon the model of its own.” 

    Those words come not from a contemporary writer but from the greatest exponent of free speech in the Anglo-American tradition, John Stuart Mill. In On Liberty, in 1859, Mill sounded the alarm at “a social tyranny more formidable than many kinds of political oppression.” Today it is an article of faith among anti-academic pundits that even if teachers don’t browbeat their students, universities are aiding and abetting the habit of self-censorship, which inhibits both faculty and students from saying — or even thinking — what they wish. 

    The “soft power” of conformity is impossible to measure, but it does exist. I confess that I have done a little self-censoring myself. In my course on early American literature, I had assigned for many years Benjamin Franklin’s “Advice to a Young Man on the Choice of a Mistress,” from 1745, in which he advises a young friend on the sexual advantages of older women. Ribald and deliberately outrageous, it guaranteed raucous laughter when I read it aloud, which I did partly for comic relief after a week of theological tracts and hellfire sermons by Franklin’s contemporary Jonathan Edwards, but also because it illustrates the split (Edwards would have been scandalized had he read it) between pietism and rationalism in eighteenth-century America. Then, around a decade ago, the laughs died down and gave way to a few nervous chuckles or silent stares, so I decided to drop it from the syllabus. The last time I assigned it and read it in class, the only hearty laughter came from the one older student in the room, who asked me afterwards for the full citation so she could share it with her ex-husband.

    I am still not sure where my decision falls on the spectrum between cowardice and good manners. One reason I appreciate the AAUP authors is that they advised continual self-monitoring. “The teacher,” they wrote, “ought also to be especially on his guard against taking unfair advantage of the student’s immaturity by indoctrinating him with the teacher’s own opinions before the student has had an opportunity fairly to examine other opinions upon the matters in question.” Then they added the admonition that professors should “refrain from intemperate or sensational modes of expression” not only in the classroom but in their extramural speech as well. 

    In fact, cool disinterest in the classroom is rarely desirable, especially when the subject entails judgments of value. Such detachment is a prescription for bland, dull, and bloodless teaching. Good teachers exemplify what it means to care passionately about whatever subject they are teaching — an idea or a historical episode or a work of art or any aspect of human experience. But good teachers also exemplify the habit of self-questioning, of taking seriously arguments that run counter to their own convictions, beginning with the obligation to make students aware that such arguments exist.

    I find another aid to reflection in The Education of Henry Adams, that brilliant memoir and cultural history, from 1907, in which Adams recalls his brief stint teaching medieval history at Harvard and wishing that he could have “seated a rival Assistant Professor opposite him, whose business should be strictly limited to expressing opposite views.” Owing to its prohibitive expense, team-teaching is rare even at lavish Harvard, so most of us are left without the benefit in class of a contrarian colleague to question our assertions. This means that teaching any subject that entails ethical, aesthetic, psychological, political, or historical questions — any subject, that is, that falls under the rubric of “the humanities” — requires an honest effort to argue against oneself. That is the surest way to instigate what Adams called “conflicts of thought” not only among one’s students but within the mind of each. 

    Recent attacks on academia have taken on a tone of hot indignation, and though they have been met with reciprocal outrage — most of it well warranted — there are also signs within universities of chastened self-reflection. The strategically self-flagellating Yale “Report of the Committee on Trust in Higher Education” has been received warmly by commentators on the right as a sign of mea culpa. Another such sign is the sprouting up of organizations with the irreproachable aim of encouraging students to regard adversaries as interlocutors rather than as enemies. Some are campus-based, such as Duke’s “Civil Discourse Project” or Vanderbilt’s “Collaborative for Campus Dialogue.” Others are consultants-for-hire with irenic names — “Braver Angels,” “Interfaith America,” “Constructive Dialogue Institute” — all of them intended, as the latter explains, to “equip the next generation of Americans with the skills to bridge divides.” 

    Most of these initiatives have a flavor of sensitivity training that is reminiscent of the heyday of DEI. They tend to be long on method (“we host skill-building workshops,” explains “Dartmouth Dialogues”) but short on content. And to the extent that they are peripheral to the academic work of the university, they are likely to be ephemeral. Surely the best constructive dialogue institute remains the classroom itself, where students, under the guidance of a teacher with earned knowledge of the matter at hand — the history of the Middle East, or the First and Fourth Amendment rights of noncitizens, or any contested issue past or present — learn the difference between informed argument and instinctive opinion.

    We are also seeing the proliferation of centers, institutes, and schools of “Civic Thought.” The first such center, the James Madison Program in American Ideals and Institutions, was founded long before the present fraught moment, at Princeton in 2000, by the conservative political philosopher Robert George. More recently, driven by the implausible panic that tenured radicals have seized the universities and by the plausible concern that few students graduate with a basic understanding of the founding principles of the American republic, the “civic thought” effort seems poised to become a movement. So far it has been making headway mainly at public institutions in red states. It picked up speed in 2016 with the establishment by the Arizona state legislature of a School of Civic & Economic Thought and Leadership at Arizona State University under the direction of the historian of political philosophy Paul Carrese. Since then, other centers and schools have been created by legislative fiat at state flagship universities, including the University of Texas at Austin, the University of Florida, the University of North Carolina at Chapel Hill, and Ohio State (now one of five such programs in Ohio). Three other states (Iowa, West Virginia, and Utah) have passed legislation to create similar programs in the past year alone. 

    For the moment, these schools and institutes enjoy considerable independence and run on separate budget lines not generally subject to shared faculty governance. Writing in the Washington Post, George F. Will has hailed them as agents of salvation that are “reviving universities’ civic seriousness . . . reinvigorating the humanities, inspiring students eager to grapple with big questions, and reversing academia’s forfeiture of its prestige.” But this seems overheated and premature. 

    For one thing, many faculty regard them with suspicion, for good reason, as fronts for conservative state legislatures seeking to influence university hiring and decision-making. The historian Timothy Messer-Kruse, who points out that “civics” can mean anything from learning good behavior to “teaching the structure of government,” describes the movement with cutting irony as “a New Deal jobs program for conservatives.” It is also true that any program originating from outside existing institutions rather than arising organically from within risks becoming — to use the prevailing term of opprobrium for the territorialism of academic life — just another “silo” in which faculty and students seek solidarity in the company of like-minded peers. Most of the new centers depend, moreover, on a scarce supply of faculty qualified to teach, say, constitutional law or Middle East history. They also depend on funding streams from legislatures that may become less friendly with a shift in the political winds. 

    Still, we seem to be witnessing a determined and, one hopes, good-faith effort to renew something first attempted some two hundred fifty years ago by the nation’s founders, who tried but failed to establish a new academic institution explicitly designed to prepare young people (exclusively young men, at the time) for citizenship in the new republic. Distrustful of the old sectarian colleges with roots in this or that Protestant denomination, the founders envisioned a federal university whose mission would be essentially secular — to teach what Benjamin Rush called “the principles and forms of government, applied in a particular manner to the explanation of every part of the Constitution and laws of the United States.” George Washington told Congress that such a federal institution would teach “the people themselves to know and to value their own rights; to discern and provide against invasions of them; to distinguish between oppression and the necessary exercise of lawful authority” so they will obtain a “temperate vigilance against encroachments, with an inviolable respect for the Laws.” 

    In the twentieth century, similar motives animated the creation of general education curricula such as the Columbia Core, which began as a “War Issues” course during World War I, and the Harvard “Red Book” curriculum, conceived as an “education in a common heritage and toward a common citizenship” following World War II. The authors of these curricula anticipated an influx of students from outside the prep school pipeline — students of lesser means (thanks in part to the G.I. Bill) and more varied backgrounds, including Jews (despite strenuous efforts by Ivy League presidents to keep them out) — who would break the homogeneity of even the most venerable and clubby institutions. It remains to be seen whether the new twenty-first-century civic thought institutes manage to adapt and advance those erstwhile attempts at civic education, or whether they devolve into just another cluster of battle stations in the culture wars.

    Whatever the future of these interventions, one thing is certain: reading and discussing challenging texts — once at the core of a college education — has been disappearing from the experience of most college students. This is an inestimable loss: whether the text on the table is concerned with public life such as The Federalist Papers or Letter from a Birmingham Jail, or a meditation on private life such as The Beast in the Jungle or the poems of Sylvia Plath, there is irreplaceable value in confronting privately (reading) or publicly (discussing) any work that pushes readers to grapple with the kinds of antinomies — law and justice, majority rule and minority rights, altruism and ambition, love and desire — that sooner or later confront us all. 

    I am tempted to say that the task before us is to Make the Classroom Great Again. I mean this not in a spirit of nostalgia for some mythic past when universities had their values straight and academics lived by them. I mean it to celebrate the countless teachers in the present who — under hostile surveillance and often without the protections of tenure — are determined to give their students an experience larger than mere credential acquisition.

    At stake in the present moment is nothing less than the fate of such an education — one that requires wrestling with contradictory claims to truth — which is properly called a liberal education. Such an education is best advanced in a classroom that is a place of genuine diversity in every sense of the word (now, alas, a taboo word) in accord with Mill’s conviction that “the only path to knowledge of any subject — including that most mysterious subject, the self, is by hearing what can be said about it by persons of every variety of opinion, and studying all modes in which it can be looked at by every character of mind.” No one has stated better what a good classroom in a good university should be. 

    No one, that is, unless it was Philip Roth (who did a good deal of teaching through his career) in The Professor of Desire, in 1977, a novel both raunchy and tender about a professor who introduces his students to such masterworks as Anna Karenina, Madame Bovary, and Death in Venice, in which tormented souls struggle to reconcile social norms with the imperatives of their inner lives. For the first meeting of his class, he drafts some remarks by which to prepare his students for what they are about to encounter. The result is a homily that might once have seemed mawkish but that now, to anyone familiar with what goes on (or doesn’t) in our universities, will sound wistful, even elegiac: 

     

    There is nothing quite like the classroom in all of life . . . Why? Because once you have left here people are rarely, if ever, going to talk to you or listen to you the way you talk and listen to one another and to me in this bright and barren little room . . . I doubt that you know how very affecting it is to hear you speak thoughtfully and in all earnestness about solitude, illness, longing, loss, suffering, delusion, hope, passion, love, terror, corruption, calamity, and death . . . because, oddly and sadly, this may be the last occasion you will ever have to reflect in any sustained and serious way upon the unrelenting forces with which in time you will all contend, like it or not.

    Over the half century since Roth wrote those words, reading and discussing vital texts has become a puzzling rumor for most college students, including those at our most exalted (now reviled) institutions. Literature — characterized by Hofstadter’s colleague Lionel Trilling as “the human activity that takes the fullest and most precise account of variousness, possibility, complexity, and difficulty” — now tends to be marginalized in college as a subject of arcane or eccentric interest. This is a terrible loss for students who will never discover that writers who differ from themselves in gender, race, religion, class, or any other confining category can open their minds to the commonality of human experience, including the self-doubt and even the self-loathing from which no honest young person is spared in their own lives. 

    To restore this form of education will require overcoming many countervailing forces. These obstacles include incentives and rewards that drive faculty to focus on research and relentless publication at the expense of teaching; a growing truancy problem, by which students regard class attendance as optional; the incursion of AI into every aspect of life, which leaves students unprepared for the low-tech methods of reading closely and speaking carefully; the contraction of graduate education, in which teaching is regarded as a tiresome obligation rather than a calling; the budgetary challenge of preserving small classes that can never deliver the economies of scale provided by online instruction or big lectures — not to mention the need for inexperienced faculty to learn how to conduct a discussion that has both spontaneity and structure. 

    Against all odds, there are signs of progress. Institutions ranging from Purdue, Stanford, and Vanderbilt universities to SUNY Onondaga and Austin community colleges (full disclosure: all are grantees of the Teagle Foundation, which I lead), are restoring major literary and philosophical texts to the “gateway” experience for most if not all incoming students. The Yale report laments that “there is no single course, book, work of art, or scientific experiment that every Yale student is guaranteed to explore before graduation.” The revival of interest in core education is not being driven by ideologues of any political stripe. At the institutions I know best it is being carried on — in the words of Roosevelt Montás, a legatee of the Hofstadter-Trilling tradition, longtime director of Columbia’s Core Curriculum, and now director of the new Chang-Chavkin Center for Liberal Education and Civic Life at Bard — with the aim of “complicating the answers” and “unsettling the certainties” proffered by any closed mode of thought, and to make this experience available to as many students as possible. 

    I want to conclude these reflections in the same way I began them, with somebody else’s words — this time not from a renowned historian but from a current college student who wrote a column last year in my university’s student newspaper, the Columbia Daily Spectator, about the tone and the atmosphere that he values when in class with a good teacher and engaged peers. It was written by Salvatore Mannella, a college senior and officer of Columbia’s chapter of College Republicans, in the wake of the assassination of Charlie Kirk: “We are students. Every day, we sit and listen to those who know things that we do not. But something changes when we leave the classroom: suddenly we have all the answers.” He then offers the modest suggestion that “we should approach our discussions with one another with the same openness and humility with which we approach our studies.” This, in substance, is the same plea that Hofstadter made on the same campus nearly sixty years ago. 

    However much we may disagree on who or what is to blame for the fractious state of our universities, surely if the norms of the well-led classroom, the open classroom, the liberal classroom — taking hard questions seriously, thinking before speaking, honoring the right of others to speak and be heard — were to supplant the hissing and howling that now pass for public discourse, and such a classroom were to become a model for a whole society, we would all be better off. Who can argue with that?

    Immigrants and Abolitionists

    “At last it occurred to me that what I had lost was a country.”

    THOREAU

    Then

    I recently reread “Slavery in Massachusetts,” the angriest essay that Henry David Thoreau ever wrote, and now I can’t get it out of my head. A fugitive slave had been captured in Boston and, despite abolitionist resistance, shipped back to his enslaver in Virginia. Everything about the case enraged Thoreau. He was angry that federal troops had occupied the city, angry that the governor allowed the president to seize control of the state militia. He was angry that no one enforced state laws giving fugitives their civil rights, and angry at state officials who obeyed the laws of slavery and ignored one of their own that commanded resistance. In the face of a government dominated by slave-holding states, Massachusetts should have defended its sovereignty, even if blood should flow and the Union itself be dissolved. “My thoughts are murder to the State.” 

    Thoreau initially delivered “Slavery in Massachusetts” at a Fourth of July rally in 1854. Even today it gives off enough heat to light the tinder of my own anger and despair. There are too many parallels between the rendition of slaves and the Trump rendition of immigrants, too many similarities between the troops then occupying Boston and the Marines and Immigration and Customs Enforcement (ICE) agents recently deployed to our cities. Behind both of these — the treatment of immigrants and the control of armies — lie questions of states’ rights, a term I have long held in contempt but now hold up as a stay against the loss of my country. Can a state that protects its immigrants with sanctuary laws resist a government that sues to quash them? Who, at the end of the day, controls the National Guard, the governors, or the president? Is the structure of the republic robust enough to settle such questions peacefully, or will the current regime’s taste for violence lead to settlement by other means? 

    The events that got Thoreau so hopping mad began in May 1854, when the fugitive slave Anthony Burns was jailed in Boston, pending rendition to Virginia. Two days after his arrest, a poorly organized mob tried and failed to free him from the Court House. President Franklin Pierce then ordered five companies of U.S. Marines and artillery to enter the city while the U.S. marshal, authorized by law to command assistance from “bystanders, or posse comitatus,” enlisted several hundred “specials,” arming them with cutlasses, pistols, and billy clubs. 

    Boston’s mayor called out the state militia to help, encouraged by a telegraph from the White House agreeing to pay all expenses (a sum exceeding $500,000 in today’s dollars). The militia, effectively federalized, consisted of a thousand rank and file, eight companies of artillery, eleven of light infantry, and several of cavalry — the National Lancers and the Light Dragoons. Federal troops, with permission to fire without warning, mounted a brass cannon by the Court House, loaded it to the muzzle with grapeshot and pointed it at the crowd. 

    This show of force culminated several days later when the marshal’s posse marched Anthony Burns to the ship that would carry him south. With a crowd of over 50,000 people bearing witness, Burns walked surrounded by marshals with drawn swords. Ahead marched the Marines, the infantry, and the National Lancers on horseback. Behind marched more Marines, a horse-drawn cannon, and the mounted Light Dragoons. As they neared the city docks, some of the militia, now drunk, taunted the crowd with a chorus of “Carry Me Back to Ole Virginny.”

    One witness to the rendition of Anthony Burns wrote that, in meeting “the armed power of the United States,” citizens were made painfully aware of “the fact, before unfelt, that they were the subjects of two governments.” That would have come as no surprise had they been more familiar with the Constitution, for its framers had indeed bestowed a species of dual citizenship on its subjects. As James Madison explained in Federalist No. 28, published during the debates over the Constitution, the envisioned government would not be “a national one”; it would have power over only “certain enumerated objects” and leave “to the several States a residuary and inviolable sovereignty” over all others. Before the Civil War, civil rights laws in Northern states were at times described in just such terms, as in 1857, when a Milwaukee newspaper declared that a law defending fugitive slaves “holds up the shield of State Sovereignty to protect citizens of Wisconsin from the aggressions of Slave Power.” 

    The Framers had good reason to bestow sovereignty on the states. Well-acquainted with monarchy, the generation that brought this nation into being was exceedingly wary of what we now describe as a unitary executive. Influential men, wrote one New England minister in 1775, have “an insatiable lust of power”; in every age they lead “their blind confiding country-men into the very jaws of slavery, vassalage, and ruin.” 

    The divided nature of American federalism was designed to check that grievous appetite. “Federalism was our Nation’s own discovery,” wrote Justice Anthony Kennedy in 1995. “The Framers split the atom of sovereignty.” Indeed, I would say that they split it twice over, not just into the triarchy of the legislature, the executive, and the judiciary, but also into the diarchy of state power and federal power, all with the explicit intention of destroying the monarchy of their youth. 

    The rendition of Anthony Burns vividly demonstrates the tension inherent in the split atom of state and federal power. Early in his angry essay, Thoreau calls the reader’s attention to two laws with which Massachusetts intended to express its sovereignty, and which, had they been obeyed, might have prevented Burns’ removal. The first of these was a statute in 1837 meant to guarantee trial by jury to an alleged fugitive; the second, from 1843, made it illegal for state officials to help detain anyone claimed as a fugitive slave. 

    These two laws are typical of the many “personal liberty laws” that all Northern states adopted before the Civil War in response to the Constitution’s fugitive slave clause: 

    No Person held to . . . Labour in one State . . . escaping into another, 

    shall . . . be discharged from such . . . Labour, but shall be delivered up 

    on Claim of the Party to whom such . . . Labour may be due. 

    Written in the passive voice, the clause says nothing about how or by whom the fugitive should be “delivered up”; it simply grants “the Party” a general right of recaption by self-help alone. As for fugitives themselves, they appear only as the objects of capture; no mention is made of their rights or those of free blacks who might be kidnapped into slavery. Personal liberty laws broke that silence, drawing their substance from the rights elsewhere enumerated in the Constitution: the right to trial by jury, to testify on one’s own behalf, to habeas corpus, to the assistance of counsel, and so forth. 

    The 1837 law cited by Thoreau — an “Act to restore the Trial by Jury, on questions of personal freedom” — specifically addressed the jury question. It declared that any person “imprisoned, restrained of his liberty, or held in duress . . . shall be entitled to the writ of personal replevin.” A writ of replevin is a legal mechanism whereby, in normal circumstances, a hearing is held to return an unlawfully seized good to its owner. In the days of chattel slavery, when the “good” in question was a slave, that hearing would be before a jury, and in Massachusetts, where slavery had been illegal since 1783, no jury could be trusted to honor the claim of the fugitive’s “owner.” 

    Today there are parallel examples of state laws adopted in the face of federal power. To take just two of the many recently passed: Illinois’ recent Bivens Act empowers individuals to sue and seek damages against ICE agents who violate their constitutional rights, and California’s “No Secret Police Act” bans law enforcement from wearing masks while on duty. Illinois passed its law December 9, 2025; the Justice Department sued to block it on December 22. California passed its anti-mask law September 20, 2025; the Justice Department filed suit against it on November 17. Regardless of whether either law survives, both are well worth having public fights over. If the states win, they are rewarded with an affirmation of their rights. If they lose, the voters get clear confirmation that ICE is a paramilitary force operating outside the Constitution and that the masking of agents means they answer to no one but the president. 

    Back in the nineteenth century, when Northern states got into fights over personal liberty laws, they lost. The Supreme Court struck them all down in 1842. The case leading to that decision began when one Edward Prigg, agent for a slaveholder in Maryland, arrested the alleged runaways Margaret Morgan and her children and brought them before a justice of the peace in York County, Pennsylvania, seeking a warrant for rendition. The justice, however, pursuant to Pennsylvania’s own personal liberty laws, refused to consider the matter. Finding that he had no recourse to law, Prigg then took his captives back to Maryland, whereupon a Pennsylvania grand jury indicted him for kidnapping. 

    Prigg’s challenge to that charge made its way to the U.S. Supreme Court, where Justice Joseph Story delivered the opinion. Prigg v. Pennsylvania upheld an absolute right of recaption and declared void all state laws interfering with that right. The Constitution’s fugitive slave clause, Story wrote, extended “a new and positive right . . . confined to no territorial limits, and bounded by no State institutions or policy.” Any law that “interrupts, limits, delays, or postpones” the enjoyment of that right “is repugnant to the provisions of the Constitution of the United States, and is therefore void.” 

    Sweeping away all rights that Northern states had sought to secure for free blacks and fugitives, Story’s decision closed out the pro-civil rights phase of this history and initiated a new one, the noncooperation phase, well exemplified by the second of the two laws that Thoreau cited: in 1843, Massachusetts passed a statute explicitly “making it penal for any officer of the ‘Commonwealth’ to ‘detain or aid in the . . . detention . . . of any person . . . claimed as a fugitive slave.’” Behind the dry language of that law lay a case that began only a few months after Justice Story issued his opinion. In Boston, on October 19, 1842, a certain constable Stratton arrested a young black man, George Latimer, claimed as a runaway by one James Gray of Virginia. Both Stratton’s and Latimer’s jailer, a man named Cunningham, were paid to act as Gray’s agents. At first, despite the Prigg decision, Latimer’s defenders sought to use the powers of the 1837 law guaranteeing a jury trial on questions of personal freedom. That went nowhere. The jailer Cunningham refused to deliver his prisoner and Massachusetts Chief Justice Lemuel Shaw, following Prigg, declared that Latimer had no rights under that or any other state law. Turning the tables in hopes of making their own use Prigg, Latimer’s defenders then sought to have all local officials — the constable Stratton and the jailer Cunningham — stripped of their powers, given that, following Justice Story’s logic, actions taken under color of state authority no longer had any place in fugitive slave cases. 

    During the weeks when all of this was going on, a tremendous outcry arose against the possible rendition. When Latimer was first detained, a crowd of hundreds of mostly black men almost immediately gathered and threatened to rescue him from the Court House. At the end of the month, at a mass biracial meeting in Faneuil Hall, curses were laid upon the Constitution while Frederick Douglass, William Lloyd Garrison, and others set about inciting the crowd to rescue the captive. A special Latimer Journal began to circulate, the editors declaring that “the slave shall never leave Boston even if . . . our streets pour with blood.” Finally, a petition circulated demanding that the Suffolk County sheriff order his subordinate, Cunningham, to release his prisoner. The sheriff did so. 

    That did not make Latimer a free man, but it put the enslaver Gray in a fix. True, Massachusetts law could no longer help the fugitive, but this didn’t mean that anyone in the state was obliged to help the claimant. Quite the opposite. If James Gray wanted to take Latimer back to Virginia, he would have to do so by self-help alone in a city fully primed to rescue him by force. Finally, on November 18, Gray released his claim for $400 ($15,000 today) and George Latimer walked free. 

    What became obvious during the Latimer case was an ironic consequence of Prigg: if personal liberty laws were “repugnant to the Constitution,” if these laws were “void,” then perhaps it was time to turn an inability to act into a refusal to act. Four months after Latimer was released, Massachusetts passed its first noncooperation law. In three brief paragraphs, “An Act to further protect Personal Liberty” prohibited the use of state jails to hold fugitives, forbade judges from issuing certificates of rendition, and made it punishable by fines and imprisonment for any state officer to aid in the detention of a runaway. A later extension of this act added more penalties: state officers could be impeached if they granted certificates of rendition, attorneys could no longer practice in Massachusetts if they helped claimants, and jailers who imprisoned alleged fugitives were themselves to be imprisoned and fined. These statutes do not merely suggest noncooperation with the laws of slavery, they require it. They are a codification of civil disobedience. 

    Two seemingly inevitable steps followed the shift in the 1840s to noncooperation. First, a new Federal Fugitive Slave Law was enacted in 1850, a forced-cooperation mirror image of the Latimer Law. “All good citizens are hereby commanded to aid and assist” in the rendition of slaves, it reads, and those who hinder that process “shall” be subject to fines and imprisonment. 

    Second, when Northerners refused to honor that law, as they did in the Burns and many other cases, slaveholding states seceded from the Union, some directly citing personal liberty laws as a cause. South Carolina’s “Declaration of Immediate Causes” is typical: “We assert that fourteen of the States have deliberately refused, for years past, to fulfill their constitutional obligations, and we refer to their own Statutes for the proof.” 

    That was dated December 20, 1860. A month later the newly formed Confederate States bombarded Fort Sumter and the Civil War began. 

    Now

    The threat of violence has always shadowed the promise of divided sovereignty. In describing the state-federal diarchy, Madison warned that fights would surely arise “between the two jurisdictions,” and that “an appeal to the sword and a dissolution of the compact” could easily follow. When it came to the fight over slavery, those were exactly the appeals regularly heard, decade after decade, with states on both sides promising blood in the streets and civil war should their sovereignty be challenged. 

    Thoreau’s speech after the rendition of Anthony Burns places him among those willing to call for violence in defense of states’ rights. Abolitionists had failed to get Burns before a jury, not for want of effort, he said, but “for want of sufficient force”: the state should have faced federal troops with troops of its own and met violence with violence. A Northern anti-slavery doctrine of states’ right was pitted against a Southern pro-slavery doctrine of states’ rights. 

    Thoreau was never an advocate of nonviolent action. He was an unapologetic defender of John Brown, saying, in regard to the raid on Harpers Ferry, “for once the Sharp’s rifles and revolvers were employed in a righteous cause.” In the Burns case, a deputy U.S. marshal had been killed by the mob trying to free Burns from the Court House, and Thoreau called their actions “heroic” and never mentioned the homicide. He strikes the same note toward the end of “Slavery in Massachusetts,” framing it there in opposition to his more peaceful pursuits: “We walk to lakes to see our serenity reflected in them . . . Who can be serene in a country where both the rulers and the ruled are without principle? The remembrance of my country spoils my walk. My thoughts are murder to the State.” 

    I doubt that Madison thought of his warning about violence and secession as prophetic; in context it appears mostly to highlight his optimistic suggestion that, when it came to conflicts between the sovereignties, some “tribunal” would be found to “impartially” adjudicate their differences. In the fullness of time that task has fallen to the Supreme Court which, before the Civil War, took the Constitution’s Fugitive Slave Clause as the warrant for consistently ruling against the Northern states in conflicts over slavery. 

    In today’s conflicts, the Trump administration has gone to great lengths to find some similar Constitutional basis to legitimize its encroachments on state sovereignty. To begin with the president federalizing the National Guard, an executive order issued on his first day in office declared that “a national emergency exists at the southern border of the United States” and that it was Trump’s duty “to protect each of the States against invasion,” a phrase lifted (oddly without attribution) from the Constitution. In addition, a clause in Article I gives Congress the power “to provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions.” In fact, that is one of the enumerated powers of Congress, not of the executive; but in an act in 1903 and its later amendments, Congress delegated their power to the president whenever there is “danger of invasion by a foreign nation,” or “a rebellion or danger of a rebellion” against the government, or when the president “is unable with the regular forces” to execute the law. 

    Last year, with the day-one “emergency” and “invasion” in hand, and with permission seemingly granted by that 1903 statute, it was a small step for a memorandum on June 7 to state that the “violence and disorder” of the protests against ICE “constitute a form of rebellion” and thus require federalizing the National Guard. (And nationwide!) On the very next day Trump directed cabinet officials to take any action necessary “to liberate Los Angeles from the Migrant Invasion,” and soon, over Governor Gavin Newsom’s objections, U.S. Marines and the California National Guard were active in the city. 

    Newsom quickly filed suit, whereupon a federal District Judge issued a restraining order and returned control of the National Guard to the governor. The president’s “actions were illegal,” he wrote, “both exceeding the scope of his statutory authority and violating the Tenth Amendment.” The protests in question “fall far short of ‘rebellion,’” and to claim otherwise “is untenable and dangerous.” In December, the Supreme Court issued its own narrow ruling: Trump failed “to show that [the 1903 statute] permits the President to federalize the Guard.” 

    Score one for states’ rights. 

    State and local “sanctuary” policies make for a second site of conflict “between the two jurisdictions,” and a more critical one, given that the deportation crusade, with its haste, its shackles, and its daily body count, is so central to Trump’s domestic policy. Adopted by states from New York to California and cities from Chicago to New Orleans, sanctuary policies echo the antebellum personal liberty laws in several ways: their purpose is to protect a vulnerable population, and their tactics amount to noncooperation. “Not” is the ruling modifier of their verbs. Law enforcement shall not stop, arrest, or search anyone solely for their immigration status; schools shall not ask students about their status; counties shall not lease out their jails to hold federal detainees, and so on. 

    One important legal distinction limits the range of this noncooperation. Contrary to Trump’s propaganda, sanctuary policies offer no sanctuary to actual criminals. Being in the country unlawfully is a civil, not a criminal, offense and the policies therefore always have one proviso added to their negatives: “don’t do this, don’t do that,” they say, “except in response to a criminal warrant.” California’s sanctuary law, the “Values Act,” even includes a long list of the crimes that might trigger such warrants, everything from assault and battery to torture and mayhem. The lesser violations of immigration law, however, are federal matters; locally, no action need be taken just because someone is an undocumented alien. 

    But why not cooperate? Why resist joining forces with Homeland Security and ICE? The answer is plain: both experience and research have shown, and common decency demands, that when it comes to community safety, health, and economic wellbeing, trust and common purpose make better foundations than cruelty and fearmongering. It matters that immigrants are not afraid to seek medical help, report a crime, go to church, or send their children to school. On the law enforcement side, it matters that scarce resources stay focused on local crime and that the lines of accountability and liability between the two sovereignties remain clear. 

    It is an added benefit that sanctuary policies protect the labor and taxes that immigrants contribute to the community. In 2022, nationwide, over $37 billion tax dollars from the undocumented helped fund schools, hospitals, and social services. In communities that adopt sanctuary policies, employment and income are higher, and poverty and public assistance needs are lower. Above all, crime is lower — a fact that should come as no surprise given that, sanctuary or not, crime rates of the undocumented are well below those of native-born Americans. 

    In one executive order, Trump claimed that sanctuary policies amount to “a lawless insurrection,” ignoring the fact that, by constitutional design, the states have no role to play in immigration enforcement. (Arizona once tried to write its own immigration laws and the Supreme Court struck them down.) The federal government may request help from the states, but it cannot command it. As Justice Antonin Scalia wrote in 1997, “the Federal Government may not compel the States to implement, by legislation or executive action, federal regulatory programs.” Last year a U.S. District Judge agreed when dismissing the Justice Department’s suit against the state of Illinois: “The Sanctuary Policies reflect Defendants’ decision to not participate in enforcing civil immigration law — a decision protected by the Tenth Amendment.” 

    Score two for states’ rights. 

    In any defense of states’ rights, we need always ask, what is the right in question? Is it worth upholding? For the South before the Civil War, it was the right to own slaves; in the North it was the right to defend civil liberty on their own terms. Since then, it has been everything from the right to make voters pay poll taxes to the right to force state judges to retire at the age of seventy — the former struck down in 1966, the latter upheld in 1991. 

    Taken one at a time, these rights are but samples of the broad range of powers reserved to the states, as Madison pointed out when he returned to the issue in Federalist No. 45. The federal government’s powers are “few and well defined,” he wrote, while those left to the states “are numerous and indefinite . . . extend[ing] to all the objects which, in the ordinary course of affairs, concern the lives, liberties, and properties of the people.” That rather nicely summarizes the “objects” that sanctuary policies are meant to defend and, when contrasted with the terror-tactics of immigrant removal, makes a twenty-first-century defense of states’ rights almost mandatory.

    It would not be hard to make a list of conflicts worth setting that defense in motion, but, with the abolitionists in mind, I will focus only on four that I find suggested by the old personal liberty laws, especially by a law that Massachusetts adopted in 1855 in the wake of the Anthony Burns affair. 

    First, remember that the volunteer militia, federalized by President Pierce, had willingly joined the posse enforcing the Fugitive Slave Act. One section of the 1855 law is a direct response to that cooperation: “The volunteer militia . . . shall not act in any manner in the seizure, detention or rendition of any person” claimed as a fugitive slave, and any member of the militia who does so shall be fined and imprisoned. Today, states should similarly command noncooperation from the National Guard in cases related to civil immigration enforcement. Given that Trump’s federalization of the Guard has been judged illegal, and given that all soldiers have the right to disobey illegal orders, states could now command members of the National Guard not to act in any manner in the seizure, the detention, or the rendition of an immigrant (absent a judicial warrant, of course). Second, another section of the 1855 law commands the “Governor to appoint commissioners in each county to defend fugitives,” and provides for the “Commissioners to be paid by State treasurer.” Today, states should underwrite the defense of due process for immigrants, for children especially. New York State has done so, allotting $29 million in 2025 to add to $30 million previously budgeted to give legal support to immigrants fighting deportation. Third, the first section of the 1855 law expands on the earlier Latimer Law which forbade the use of “any jail or other building belonging to this Commonwealth” to detain anyone “claimed as a fugitive slave.” Today, the states should likewise draw the line as to federal use of state property. Until recently, many states partnered with ICE and let their local jails be used to hold individuals suspected of immigration violations. Since Trump was elected, about a dozen states have banned this practice. And fourth, the 1855 bill threatens prison sentences of one or two years and fines of $1,000 or $2,000 for those who cooperate with the apparatus of slavery (that would be about $35,000 or $70,000 today). 

    Sanctuary policies never state direct punishments for individuals who cooperate with immigration enforcement, nor should they do so. Intended to build communities of trust, their practices are about cooperation, not about law and punishment. The policies could, however, be more declarative about the financial consequences awaiting municipalities that get entangled with immigration enforcement. ICE agents often violate the civil rights of immigrants (and citizens), and while it is nearly impossible to extract damages from the federal government, with states and municipalities it is a different matter. In 2024, New York City paid $92.5 million in damages for collaborating with ICE by holding thousands of prisoners in city jails long after their proper release dates. 

    Thoreau ends “Slavery in Massachusetts” with a description of the white waterlily which, like the lotus, feeds on muck to form a fine and fragrant flower. It is an invocation of hope. It is also a mistake. 1854 was not a time for transcendental cheer. Things were dire, and “murder to the State” was the proper ending. 

    Things today are dire in different ways, but dire still. Cities may hold the line in the attacks on sanctuary, but what then? Sanctuary policies seek to form communities of trust, but trust is slow to build and easy to destroy. In all the neighborhoods terrorized by ICE, it has already been destroyed and it will certainly not reappear in my lifetime. 

    Besides, right now immigrants are the target, but the target is not the point. Power is the point. Should Trump ever run out of immigrants to harass, he will find fresh victims and the theater of cruelty will play on. In one executive order, Trump instructed the Secretary of Defense “[to] ensure the availability of a standing National Guard quick reaction force . . . available for rapid nationwide deployment.” That will come in handy if the happy No Kings parades get too much traction, or if “rebellions” arise during the midterm elections. 

    The leaders of two great liberation movements of the last century, Mahatma Gandhi and Martin Luther King, Jr., shared the daring assumption that nonviolent action could wake the conscience of a nation. In Gandhi’s case, as King once pointed out, the British had “some degree of moral conscience,” and King himself would regularly invoke the conscience “of millions of white Americans.” I stand in awe of the faith of these men, but my own has been shaken. I am haunted by a remark made by Nadezhda Mandelstam, writing about Stalin’s decades of terror: “Strange to say, the word ‘conscience’ had gone out of ordinary use.” 

    To wake and school the conscience of a nation is a long-term affair, and right now much of the country is chaos-weary and eager for sleep. The current authoritarian oligarchy keeps eating away at the Framers’ divisions of power, and it remains to be seen whether the sovereignty promised to the states is truly inviolable and able to hold the line. 

    Interviews with the Riot Police in Iran

    April 21, 2026
    The officer in Iran’s riot police force said that since U.S.-Israeli airstrikes began on February 28, his phone number had changed six times and that each week a new superior would arrive and then vanish.

    “They go elsewhere and new people come in,” he said. “And all the commanders keep changing their houses.”

    Many of his fellow officers had been killed in the bombardments, he said, and a soldier he knew had his legs blown off when his barracks were bombed. 

    “We are all broken,” he said. “To be honest, we’re all angry, and what’s more, we’re afraid to stay in our posts. We’re more spread out now in public places such as hospitals or malls. Hardly anyone remains on military bases anymore — no more than one or two people.”

    It was mid-April, days after a fragile ceasefire had taken effect.

    I had first begun corresponding with the officer, a member of the Kurdish minority in western Iran, in early January. He had agreed to answer questions from me, but only through written hand-delivered messages — and only on condition of anonymity, out of fear of the regime’s retaliation.

    “Send me your questions,” I was instructed by our intermediary, a close friend who knew the officer and his family. “I’ll have a trusted contact deliver them in person.”

    I messaged my questions, then waited with some skepticism. Authorities were bracing for a sharp escalation in anti-regime protests across the country, and I did not expect an officer who would likely be tasked with repressing them to reply, let alone to provide a candid account.

    Yet the officer went on to respond to my questions three times over several weeks. Each set of his answers chronicled a deepening disillusionment and desperation with his profession and the regime he served. His is a rare perspective of the turbulent months at the start of the year: the nationwide unrest in January, the bloody crackdown that followed, and the war — as he tried to navigate a command structure that he said viewed Kurdish members like him with suspicion.

    January 7, 2026: Under Stress and “on Standby”

    In the first week of January, protests that had begun as an outcry against a cratering economy were rapidly evolving into a nationwide uprising. Protesters started demanding the wholesale dismantling of the theocratic regime that has ruled Iran since the Revolution of 1979. Sensing the momentum, opposition groups and the exiled son of Iran’s late shah began calling on Iranians to march en masse on January 8.

    Security forces had been relying mostly on tear gas, birdshot, and mass arrests to break up crowds. Yet blunt warnings from the regime — notably Supreme Leader Ayatollah Ali Khamenei’s declaration that “rioters must be put in their place” — foreshadowed a turn toward lethal force. 

    In previous rounds of unrest — from the student protests in 1999 and the Green Movement in 2009 to the nationwide demonstrations in 2017 and 2019 and the “Woman, Life, Freedom” uprising in 2022 — primary responsibility for suppressing dissent had fallen to a multilayered security apparatus. This includes the Islamic Revolutionary Guard Corps; its subordinate, volunteer Basij paramilitary; the Ministry of Intelligence; and the riot police, known as the Special Units, or Yegan-e Vizheh.

    The Special Units are a specialized force within FARAJA, Iran’s law enforcement command, distinguishable by their green fatigues and helmets (or in the case of their elite anti-terror unit, all black uniforms and balaclavas), as well as their SUVs and armored vehicles. As Brigadier General Hassan Karami, a former commander of the units, once explained, these forces are deployed when regular law enforcement “cannot calm the situation and unrest spreads.”

    Operating at both the national and provincial levels, the Special Units maintained at least 60,000 deployable personnel in 2013, according to FARAJA’s commander. While commanders claim that the forces rely mostly on water cannons, batons, and shields to disperse crowds, in recent years they have been increasingly documented opening fire on civilians with metal birdshot, Kalashnikovs, sniper rifles, and DShK heavy machine guns, according to security analysts and news outlets such as IranWire.

    “I have received his answers,” our intermediary messaged me on Wednesday, January 7. The courier had returned from meeting the officer, carrying his written responses.

    “We have been told to be fully on standby for tomorrow” read one reply.

    “There is a lot of disagreement now among security forces” over whether a harsh crackdown would restore order or further fuel public fury, the officer said. “There is 100% confusion” within the Special Units.

    Key decisions were being made in closed-door meetings and withheld from officers like him, he said. “I don’t know what’s happening,” adding that “upstairs” the “management” were almost all Shiite Muslim, while he and his counterparts were members of Iran’s minority Sunni Muslim community. “They’re doing things in secret, and we’re afraid of what’s coming.”

    “There is chaos everywhere, in the city, in homes, in the streets, and within the police forces, too,” he added. “I know all the officers in my station, and they believe the regime is collapsing.” And he continued: “We don’t have permission to use live ammunition yet, unless an order comes . . . that you can go ahead and shoot. If they feel there’s a big possibility of [regime] collapse, there’s a higher likelihood we’ll be told to shoot to kill.”

    Many of his fellow officers and soldiers, he said, were under intense stress.

    “My own family is urging me to take off my uniform and leave this job because they’re all against the regime,” the officer said, adding that he was “strongly against” using deadly force to confront protesters. “I have not been able to kill a single sheep in my life. I’m in the police force for the income — not to kill people.”

    He said he feared the moment his commanders might order live fire. “If I disobey,” he wrote, “they’ll kill me.”

    On Thursday, January 8, as the journalist Fatemeh Jamalpour and I were messaging our contacts in Iran for an article we were co-writing, our communications suddenly went silent. The regime, we suspected, had triggered a total telecommunications blackout, a sign that it could be preparing to carry out violence under the cover of digital darkness. 

    The next morning, I woke up around 5 AM to a series of messages from a doctor I knew in Tehran. He had bypassed the blackout through an illegal Starlink satellite connection.

    “Put this news out,” his message read. “The internet is cut and nobody knows yet.” The number of people killed last night in several hospitals that I’m sure about…”

    Milad: Around 70 

    Imam Hossein: 70 

    Ibn Sina: 23
    Labbafi Nejad: 7
    Fayaz Bakhsh: 15
    Shahriar: 32

    I understood what this meant: the regime had begun to murder protesters, and these estimates of fatalities in Tehran were likely only a small fraction of the actual death toll.

    As the days passed, witness accounts; images of security forces — including members of the police, Basij, and Revolutionary Guards — firing live ammunition and military-grade weapons at unarmed protesters; bloodied Iranians struggling to carry one another to safety; and rows of body bags at morgues broke through the blackout. We began to piece together a picture of a massacre.

    “I saw five young people fall,” one protester texted. “At first, I thought they might be wounded, but then I saw their brains burst onto the ground.”

    In the northern Iranian city of Rasht, a medical worker told us he and his colleagues treated hundreds of patients on the night of January 8 alone. Most, he said, were struck by multiple pellets or bullets, targeting “their heads and necks, their chests, their femurs, their abdomens.”

    Around forty percent of them, he said, did not survive — and that did not include the countless others who were declared dead upon arrival. “They were shooting to kill, absolutely,” he said on condition of anonymity.

    He and other medical providers also told us of regime efforts to restrict them from caring for the injured — raiding hospitals, stationing security forces in wards, registering protesters’ identities, and arresting patients.

    Iranians across the country were also reporting a highly securitized atmosphere: heavily armed units at checkpoints; the deployment of armored vehicles in some areas; nighttime curfews; and mass arrests.

    Nearly 54,000 protesters were detained, the Washington-based Human Rights Activists News Agency (HRANA) later documented, and rights groups and news agencies reported that at least fourteen Iranians linked to the January protests were hanged between March and mid-May, with many others facing charges, such as “waging war against God,” that could be punishable by death.

    January 28, 2026: Machine Guns and Grenades

    Twenty days after the massacre, the officer responded to a second set of questions in a tone marked by anguish. “What can you tell us about what happened on January 8? Were you ordered to use live ammunition? Were any foreign forces, such as Iraqi forces, brought in to help?”

    This was his reply:

    On the 17th of Dey [January 7], the day before the mass killing, we could hear people speaking mostly in Arabic on the floor above our office. That same night, several vehicles full of forces — about half of them, Iraqis — transported us to [local Kurdish provinces].

    With my own eyes, I saw them opening fire on many apartments, and I swear that whenever I fired, I deliberately shot in the wrong direction because I was afraid that they would kill me from behind if I didn’t shoot at all.

    I saw several machine guns moving alongside us from different sides. I saw several grenades thrown toward the people. I was crying inside, but I was afraid to do anything.

    Many of the Iranian forces were afraid like me. God is my witness.

    I did not see chemical agents [used against protesters] myself, but some of the forces were saying they had brought them and used them on the people.

    I saw many wounded, and there were plainclothes men who spoke Persian, and they were the people who fired the finishing shots. 

    I swear on the lives of my children, I saw them deliver coup de grâce shots to dozens of people. May the Great God have mercy on us.

    I asked another question. “Have you or your colleagues been deployed to hospitals, and if so, under what orders? Have you heard anything about “finishing shots” being fired at the injured inside hospitals?”

     

    He replied: 

    They sent many [forces] to the clinics. I didn’t enter the hospitals, but they were full of wounded people. I saw the men in black uniforms and the plainclothes agents going inside, and I heard the sound of screams and gunfire.

     

    April 14, 2026: “Every day and night, I pray.”

    In our final exchange, the officer shared his perspective on the war and the tenuous ceasefire.

    His answers reflected a palpable relief that the fighting appeared to be ending — even as the regime he professed to despise remained entrenched in power.

    “The truth is we are all afraid, and our wish is peace and reconciliation,” he wrote. “We are tired. Every day and night, I pray. I believe in God and I know our life will become better. There will definitely be peace.” 

    The airstrikes had killed senior regime leaders, most notably Supreme Leader Ayatollah Ali Khamenei. At least 1,221 military personnel and 1,701 civilians had also been killed in thirty-nine days of war, according to HRANA.

    During wartime, the Special Units — and all police units — are tasked with maintaining “law and order” and preventing suspected collaboration with foreign powers, according to Farzin Nadimi, a senior fellow at The Washington Institute specializing in Iranian security and defense. 

    However, in response to a question about the orders his own unit had been given, the officer said only that he had not been ordered to crush any internal dissent. “But I know that many people have been arrested and executed, in cases the media do not know,” he wrote.

    “How are you personally feeling?” I asked in my final question. “What do you fear and hope for most right now?”

    His reply was less a political statement than a desperate plea for survival.

    “I have nothing left to say. I swear to God, I have not been paid for two months. I have a wife and children. I have been told I’ll be paid next week, but my wife has to stand in the bread lines now — it’s appalling.”

    Even those tasked with defending the state, it seemed, had not been spared by the rising prices inflamed by the war, compounding the weight of decades of sanctions, mismanagement and corruption.

    “I am tired,” he concluded, “and I am taking my family from Iran toward Iraq.”

    Liberal Realism as a Way of Life

    I have had occasion in recent months to reformulate my own life story to myself. The last twenty-two years of my life have been taken up with my defense of the liberal democratic project and the exile imposed as punishment for that commitment. This quest began, intellectually, with my dissertation, whose subject was Hispanic American liberalism. The fact that it was the first research on the subject in the first graduating class of the first Master’s program in political science in the history of Cuba indicates just how challenging the endeavor was. Having overcome, with some effort, the censorship and the dogmatism endemic to our professors’ Leninism, my inquiry into my subject became the first text about liberalism with an explanatory — and not pejorative — intention published in Castro’s Cuba. 

    In very little time I evolved from a democratic socialist informed by classical Marxism to a liberal inspired by the legacy of John Stuart Mill, Carlo Rosselli, and Norberto Bobbio. My hope initially had been to try and reform Cuban society from within, but struggle, police pressure within the university, and the social pressure within spaces organized by the group of young professors and artists to which I belonged nullified that aspiration. The minimal courage to defend what one considers both reasonable and just, despite the overwhelming nature of the undertaking and the possibility of defeat, grew within me from that moment on. Like Alexander Herzen, I didn’t believe we were likely to prevail, but I felt it was right — politically, intellectually, and morally — to persist.

    But the context was not conducive to dissent — not even of the most minimal kind, or that confined to the intellectual sphere. For within the Cuban system — a replica of the Soviet model — there exists a centralized commission at the Academy of Sciences that determines the appropriateness (or lack thereof) of conducting specific postgraduate studies, as well as who is permitted to undertake them. There is no opportunity to opt out of the state system and pursue postgraduate studies at a private university, since private universities do not exist. In my case — aside from being a professor critical of the system — I became embroiled in a direct dispute with the then-director of the Academy’s Social Sciences division, who accused me of harboring “ideological issues” by employing the concept of “State Socialism” to characterize the Cuban system during an international conference of Marxists held in Havana in 2004. Following that incident, both research topics that I had proposed for my Ph.D. — pluralism within Marxist political theory and civil society in Cuba — were vetoed. It rapidly became clear that my liberal loyalties foreclosed any possibility of completing a doctorate in my own country and I was forced to travel abroad to pursue my studies. 

    The threats were very concrete: I would not be able to work in Cuba on academic matters, and if I continued to publish and to express my views, I could end up in prison. During that time I continued to deepen my knowledge of and commitment to the liberal tradition. But on my second trip to Cuba, I was met with a “reception operation” involving agents at the airport — a ridiculous waste of resources and personnel, serving no purpose other than intimidation. Throughout my stay on the island agents shadowed me around the city. On my penultimate day I was subjected to an interrogation (an illegal one, conducted at an unofficial interrogation facility) that lasted five hours. There was no physical violence, but the psychological pressure was intense. Both before and after that incident — indeed, throughout the entire period — my family and my wife’s family (including relatives who worked for the government) were threatened. I was informed that I would not be welcome back in my native country. Thus began my life in exile.

    I learned the value of freedom on the day that exile ceased to be a metaphor and became my condition. Being expelled from one’s country by a communist dictatorship is not the same as any other trip across the border. That journey came with the collapse of the moral universe in which I was raised. The place that shaped my language, my affections, my earliest hopes, turned overnight into a space that could no longer tolerate my voice. And so defending freedom stopped being my intellectual orientation and became an existential obligation.

    Exile forces clarity; it strips away the luxury of neutrality. When the state claims to embody history, justice, and the people themselves, disagreement is synonymous with betrayal. In my native country, the Castro regime perfected this logic over decades: it monopolized ideals of equality and sovereignty while dismantling pluralism, crushing civic autonomy, and converting fear into a method of governance. Castro created a system that spoke endlessly of liberation while denying the most basic freedoms. Living under that contradiction taught me that freedom is indivisible, and that any project that sacrifices it in the name of a supposedly higher ideal ends by devouring human dignity.

    In Mexico I entered a society scarred by traumas and inequalities, but also one with an open public square, competitive elections, and a vibrant civil society. Mexican democracy as I first encountered it was imperfect, noisy, and often frustrating — but it was alive. I could write, speak, and organize, and I could disagree. Mexico became not just a refuge, but a second civic homeland, a place where I could practice the freedom that had been denied me.

    Yet history is rarely linear, and gratitude does not immunize one against disappointment. Over time, I began to witness the erosion of democratic norms in my country of exile. Populist rhetoric started to hollow out institutions. The government concentrated power in the name of “the people” while delegitimizing pluralism and independent oversight. Critical voices were dismissed as enemies or elites. Complex realities were reduced to moral binaries. The very language I recognized from my Cuban past — though in a different key — echoed throughout my new home. 

    This double experience — authoritarianism at home and democratic decay abroad — taught me that liberty is not a static location which you travel to and then live in, but a fragile process that requires constant defense. It also taught me that freedom cannot be monopolized by any ideology. In Cuba, it was suffocated in the name of state socialism; in Mexico and elsewhere, it is threatened in the name of blood-and-soil nationalism and illiberal populism. The lesson is clear: extremisms of all kinds share a common contempt for limits, rights, and dissent.

    For that reason, my ideological loyalty is first and foremost to democratic liberalism that is consciously trans-ideological. I have learned, sometimes painfully, that defending freedom means building bridges with those who do not share all my beliefs but respect the elementary rules of coexistence. This trans-ideological solidarity forces one to eschew excusing abuses because they come from “our side.” Authoritarianism does not become benign when it claims progressive goals, nor does repression become acceptable by virtue of being popular. Rights are “inalienable” — you cannot vote your ontological right away even if you can debase yourself by refusing to enshrine it in law.

    Exile has taught me the necessity of realism. Political power is necessary in order to defend anything at all, including freedom. Whereas certain principles are eternal, moreover, people live in a world shaped by ephemeral asymmetries of power and historical constraints which must be reckoned with in order to safeguard freedom as best as possible. Realists cannot afford to eschew compromise. We must hold our noses and work with dirty actors, and accept half-victories, and learn to live with disappointment, which is always better than resignation. And all this must be acknowledged while still protecting liberal idealism. Otherwise we will lose sight entirely of our reason for fighting at all. 

    The challenge, as I have come to understand it, is to steer between these two poles — realism and idealism — without veering entirely into either one. One can acknowledge the limits of what is possible while still insisting on what is necessary. One can negotiate, prioritize, and adapt without renouncing the core principles of freedom and human rights. Given these ideological commitments, I try to orient myself practically by posing two questions. What is, in a specific place, the most direct, powerful, and immediate threat to the people and freedoms of that place? What and who are the concrete allies, resources, and strategic possibilities available to the people and freedoms under threat? I like to call this stance “liberal realism”…and no, it is not at all an oxymoron. Quite the contrary. 

    Liberal realism requires adherents to grapple with the messiness of our imperfect world. Simplistic binaries are antithetical to our project. We will lend support to left-wing or right-wing democratic movements and leaders if, in their contexts, they are the option with the greatest opportunity and/or legitimacy to defeat illiberal populism or open autocracies. We will be unhappy voters most of the time, which will be one sign that we are responsible voters. If and when democratic health has been restored in the countries in which I have political agency, I will prioritize criteria of ideology or public policy — but not before.

    In both my country of birth and my country of refuge, I have chosen the path of liberal realism, despite the costs. Not because I believe in inevitable progress, but because I believe in responsibility. My voice may be drowned out, but silence would surely be a form of complicity. Exile has taken many things from me, but it has also given me a vantage point: the ability to recognize patterns, to connect struggles, to insist that no society is immune to democratic regression.

    Today, when I look back at the road that brought me here, I see not only loss but continuity. The same conviction that once made me uncomfortable in Havana now sustains me in Mexico and beyond. It is the conviction that freedom is worth defending precisely because it is fragile, because it can be degraded slowly, even legally, until one day it is gone. To remember this is to honor those who resisted before me and to stand with those who resist now.

    On her journey into exile in the United States, Hannah Arendt was only allowed to take one book with her, and she chose the tragedies of Aeschylus. On August 4, 1940, while escaping from France to Portugal, shortly before her voyage, she concluded a letter to her husband Gunther Stern with these memorable words from The Persians: “The battle is for everything.” In the current situation, we liberals must embrace every struggle — in the intellectual arena, in electoral politics, in social mobilizations, in solidarity with nations resisting the plunder of tyrannical invaders — as part of the struggle for a common universal heritage: the right to have rights in open, just, and free societies.

    Despite everything — the disappointments, the setbacks, the long reach of my origin-authoritarians — I refuse to despair. All of history has not been written yet. Authoritarian projects may seem strong, but they are brittle, sustained by fear and conformity. Democracies may falter, but they retain a unique capacity for self-correction, if citizens choose to act. I hold on to that belief not as a certainty, but as a commitment. From exile, from uncertainty, from the margins, I will continue to defend freedom. And in that shared effort, across borders and languages and ideologies, I must believe that in the end we will prevail.

    The Relocation

    The house is a monolith, where southwest adobe meets Tuscan villa. Swallows nest in its shifted terra cotta roof tiles. Doves mate in a decorative mini-cupola as though it were designed for their union’s ceremony. On the north side, away from the street, cracks spider across the stucco where moisture confronts dry heat.

    The residents don’t seem to notice. We rarely see them come or go.

    Six months back, we watched out our window — rapt — as the proprietor’s plump younger sister, Kiana, supervised jardineros who pruned away all lower branches on every evergreen, then removed a desert willow that served as a border between our driveways.

    “He wants to see the volcanoes,” she said as we rolled our trash can to the street.

    Looking west to the three pockmarks on the horizon, we nodded. We thought we understood.

    Huddled together over satellite imagery at our kitchen table, we explored the house’s irregular footprint: jutting rooms and tiered peaks. We gaze every morning — while working, writing — over its desiccated dirt yard and wonder about the depths of shadow that comprise its interior: here may be an arched window filled with towering houseplants, but just there must be a cloaked corner. And there. An unoccupied bedroom? Sometimes, by some phantom hand, a door opens on the second story balcony, and we imagine a voice: …to take in the afternoon.

    We met the proprietors once, a middle-aged Iranian couple about our age, Leila and Dilan. As we interfaced from our parallel driveways, Leila explained: she is a cardiac surgeon sharing her time between Albuquerque and Santa Fe. Her husband, a medical equipment engineer and technician, spends most of his time in the air, commuting between health centers across the United States. They moved to this country for the freedom, the education, the opportunity, to thrive.

    In their home with them, Leila further explained, abide her aging parents.

    Honestly, we couldn’t tell you even what sorts of cars they drive. We think one is a black (or silver, or red) Tesla. The other might be a Porsche. You see, we rarely see them come or go.

    Leila never mentioned children, and to be respectful, we asked no questions.

    Sometimes we pull into our driveway and witness a withered man, perhaps in his late seventies, perched on a large boulder by the road. The first few times we bustled past, parked the car in the garage, and shut the door. He reminded us of the ones we see on Central, now an apocalyptic Route 66, hunched and unstable, tripping behind stolen Target shopping carts packed with bedding and recyclables, on the hunt for their next hit. Or someplace to rest.

    “My father,” Leila said later, drawing a package from her mailbox. “It’s Parkinson’s.”

    Now when we pass him on his stone in the austere sun, we half stare, half wave. 

    Half stricken.

    Our cleaning lady worked for Leila and Dilan until she quit: six bedrooms and six baths, she said, was her limit. The villa’s interior took a more distinct shape in our imagination that day, a sprawling mausoleum — or something between cathedral and crypt.

    For a time before we moved into this home, we realized that our own children were not our whole life, that they would eventually become adults and leave, and that we must each have some sense of self, purpose, and identity beyond parenthood to sustain us after their departure. Somehow, this crisis led to an obsession with the bleakness and solitude of death, then a terror of death, and finally landed us where every aging human mind must eventually land: researching the elongation of life.

    Longevity investigation guided us back toward family: one of the greatest predictors of longevity is community. To survive longer, the biologist and derontologist Valter Longo insists, we must surround ourselves with those who value us, who need us. Most commonly, he writes, this need is fulfilled by our children who then have children. By family.

    At this precise moment, our children are leaving home, and we are torn between the solitary, self-fulfilling lives of writers — and Longo’s assertion that we need family for health.

    We want to move to an A-frame mountain lodge with high raftered ceilings and soaring windows in the remote hills of western, rural North Carolina. We want a life of no distractions — of solitude — to write the next Great American Novels. But wants apparently conflict with needs.

    Four times since we moved to Albuquerque, the hush of clear desert night has been rent by sirens and flashing blue-red lights. EMTs rush into the manse next door. We imagine Leila’s father’s prone body rhythmically depressed into a Tempur-Pedic mattress under each pulse of a medic’s hands. We imagine Leila’s mother watching on from a corner, hand over mouth, wondering if this EMT visit will be the last. We imagine, in horror, that neither Leila nor Dilan are home. Leila, on night shift at Presbyterian Cardiology or perhaps at a hotel in Santa Fe, might of the event in the moment by phone. Dilan might not hear of it until the following day.

    Each time, sirens fade to silence. Lights extinguish. Fire trucks and ambulances filter away — back southwest toward Central. Within a few days, the balcony door opens for a few hours, then closes. After a week or two, a withered man reappears perched on the boulder by the street, torso swaying, arms gesticulating.

    As Leila’s father passes these fading days alone with his wife in a villa nestled between three volcanoes and Sandia’s cragged, lofty peak, we contemplate their happiness. We envision the family tree they left behind in Iran: profuse, profligate, verdant, and tiered with three, four, five generations. Might siblings’ children’s children have been better company than an absent daughter and these three somber sisters. Or are they so self-fulfilled that the hollow castle is enough?

    Discomfited, mid-thought, we turn from the window.

    The sepulcher yields to its muted status quo, and we rarely see them come or go.

    Hamas Versus Palestine

    For many of Palestine’s supporters in the world, Hamas is a “resistance movement.” It is the armed faction that fires rockets at Israel, that refuses to bow to a siege (the same siege to which it contributed) and bombardment, that speaks the loudest in the name of Palestinian liberation. For millions of people across the Arab world and beyond, this heroic conception of the organization carries genuine emotional weight. Palestine is occupied. Gaza has been blockaded and bombed. And Hamas, whatever its methods, has refused to surrender. In certain circles, Hamas’ stamina alone is enough to confer legitimacy, even glory.

    Yet how a power acts towards its enemies does not necessarily reflect how it feels about its own people. And the portrait of Hamas as the protector of Palestinians, as the defiant shield of Palestinian resistance — however powerful it may be for the purposes of propaganda — collapses the moment you look closely at what Hamas has actually done to the Palestinians whom it governs.

     Hamas is not a national liberation movement. It is an Islamist faction that emerged from the Muslim Brotherhood in the late 1980s, with a founding charter that called for the destruction of Israel on religious grounds and made no pretense of representing a pluralistic Palestinian nation. It won parliamentary elections in 2006 — a democratic mandate it then used not to govern, but to amass and consolidate absolute power. In 2007, it launched a bloody coup against the Palestinian Authority, throwing PA officers from rooftops, executing rivals in the streets, and killing more than 700 people in a matter of days. It has governed the people of Gaza ever since by means of fear, repression, religious enforcement, and political monopoly: suppressing and jailing critics and treating organized dissent as an act of treason, torturing Palestinians who dare to speak out.


    None of this is a secret. Human rights organizations — Palestinian, Arab, and international — have documented Hamas’ treatment of Gazans for nearly two decades. The evidence for Hamas’ crimes is not in dispute. But rather than attempting to respond to its critics, Hamas has engineered its own impunity — cunningly fusing its own survival with the survival of the Palestinians, with the Palestinian cause itself, so that any internal criticism reads, in the minds of supporters abroad, as a betrayal of the people rather than accountability for the faction. This legerdemain is one of the most successful propaganda operations of the modern era: a movement that represses its own population while convincing much of the world that to name that repression is to side with the enemy. It is a brilliantly executed magic trick loosed upon a gullible or biased world.

    Hamas calls itself a resistance movement. What it has never been is a national movement — of the sort that is accountable to the full spectrum of Palestinian society. Hamas demands total and unexamined loyalty from every Palestinian, at home and abroad, while representing the ideology of one faction alone. That is not representation. It is authoritarianism.

    To understand why this matters, it is necessary to clarify what a national movement has historically meant in the Palestinian context. A national movement is not organized around a single ideology or religious creed. It is meant to function as a broad political framework that accommodates internal differences — political, religious, social — while still claiming to represent a people as a whole. This inclusiveness, this representativeness, however imperfect, is the source of its legitimacy.

    The Palestine Liberation Organization was designed to function this way. When it emerged and consolidated power in the 1960s and 1970s, it positioned itself as a secular civic-national umbrella. Nationalists, Islamists, Marxists, liberals, Muslims, and Christians were all within it. Its concept of Palestine was larger than any one ideology. Even later, when the PA emerged out of the Oslo process, it inherited this same capacious claim — it was deeply flawed, authoritarian, and hollowed out, yes, but still it was grounded in the idea that legitimacy comes from institutions, elections, and a broad national mandate rather than religious doctrine dictated by divine decree.

    Hamas was the product of a completely different tradition — and an incompatible one. Hamas did not emerge from the Palestinian national movement; it emerged to displace it. Its ideological framework is not civic but ideological: the people are not citizens with competing political views but a community bound to a particular religious and moral order. Consent is not its source of authority. Doctrine is. Hamas has never pretended otherwise. It employs systematic and centrally directed violence to enforce its order on the many Palestinians who did not ask for it.

    Hamas has weaponized the language of patriotism — turned it into a sectarian loyalty oath administered at gunpoint. Hamas positions every act of repression as an act of protecting the Palestinian cause or maintaining security and preserving stability. Every arrested journalist is a spy. Every executed critic is a collaborator. Every family hunted down is a nest of traitors. The resistance, in Hamas’ telling, is perpetually under attack from within — and it alone possesses the authority to name the enemy, try the accused, and carry out the sentence. There is no appeal, no transparency, no accountability.

    Hamas’ rule in Gaza shares the essential feature of every authoritarian system: it has made the cost of speaking the truth higher than the cost of living a lie. It has cast journalists as enemies of the people. It has rebranded repression as protection and detention as security. What distinguishes Hamas from other authoritarians is that it has co-opted the moral authority of its people’s legitimate suffering. Hamas has built its system of control on top of a real occupation, a real blockade, a real dispossession. That is what makes it so difficult to challenge — and so dangerous to excuse.

    When Gazans took to the streets to demand electricity, clean water, and food for their families, Hamas did not listen. It did not negotiate. It branded protesters as traitors and infiltrators, and accused them of serving foreign agendas bent on undermining “the resistance.” People begging for bread were treated as enemy combatants. This is not only a tragedy — it is a crime. A population already ground down by Israeli occupation and blockade has been denied even the right to name its suffering, to organize against its conditions, to hold its own leaders to account. Hamas joined hands with Israel and sealed both exits. A Gaza-based analyst once described life under Hamas with painful simplicity: “We live between occupation and fear — the hammer above us and the fist behind us.”

    The large population trapped between those two forces is one of the least discussed realities of Palestinian life — suppressed in part because Israeli propagandists weaponize Gazan dissent against Hamas, and in part because Hamas has made the suppression of this dissent a matter of its own survival. Many Gazans stay silent not because they support the brutality of Hamas, but because they have no choice. Hamas has converted their dignity — their refusal to give the occupier ammunition — into a gag. It exploits Palestinian pride to protect itself from Palestinian judgment.

    For ordinary Gazans, politics is not a public debate — it is a minefield with no map. Authoritarian regimes do not only punish dissent, they also perform its punishment. They need the spectacle. They need the population to watch, to absorb the lesson, to understand that no transgression is too small to overlook. Hamas has practiced this dark political theater since its first days in power. Public humiliations, forced confessions broadcast on its own media, staged accusations of collaboration — these are not aberrations. They are essential instruments of rule, as deliberate and consistent as any law. One wrong sentence, one overheard criticism, one protest attended without permission — and a person can find themselves accused of collaboration, arrested without charge, beaten in detention, or worse. Hamas has not merely criminalized dissent. It has criminalized the appearance of dissent. The line between civic criticism and treason has been deliberately erased. 

    All this is not a byproduct of war. There are those who excuse Hamas’ repression as a wartime adaptation, an unfortunate necessity born of siege and conflict. Such an explanation must be rejected. Hamas has been crushing internal dissent since the day it took power — years before October 2023, years before the current war, years before any argument about wartime emergency might plausibly apply. From 2007 onward, secular activists, leftists, journalists, clan leaders, and students who dared to question Hamas faced threats, imprisonment, and violence. The repression is not a response to war. The war is, in part, a cover for the repression.

    The logic of this system is straightforward: if only traitors criticize Hamas, then only Hamas speaks for Palestine. Human rights organizations have documented the mechanics for years — arbitrary arrests, beatings, torture in detention, family intimidation, phone confiscations, and social media surveillance. Hamas has seeded every neighborhood with informants — in mosques, schools, markets, and apartment blocks. People learn early not to speak freely in front of strangers, and everyone knows the cost of being heard. Dissent is not answered with argument. It is hunted.

    In 2019, thousands of Gazans took to the streets in the “We Want to Live” protests, demanding economic dignity and basic accountability from their government. Hamas’ response was swift and brutal. Batons. Mass arrests. Protesters were dragged into vans and beaten. Phones were seized at checkpoints. Families were threatened with violence if they did not silence revolt. Activists were punished for the act of asking their government to govern. No charges were filed. No dialogue was offered. No official was held accountable.

    As Hamas officials have explained to their people, “Your suffering is proof of your loyalty — your silence is proof of your patriotism.”

    Across Palestinian life, Hamas has executed a deliberate redefinition. Patriotism once meant resisting occupation, defending land, fighting for the rights of a people. Hamas has reduced it to a single demand: obedience. Not to Palestine, of course — to Hamas. Anyone who fails to comply is not merely a dissenter. They are traitors. And in Gaza traitors do not live long.

    When Hamas attacked Israel in October 2023, and Israeli bombs began falling on Gaza, Hamas did not suspend its war on its own people. It accelerated it. Under the cover of the chaos, Hamas gunmen executed men in the streets — men accused of collaboration with Israel, shot and left to bleed in public view. Survivors insist that many of those who were murdered were not collaborators. They were people with grievances against Hamas. They were members of families who had defied Hamas. They were rivals. The war gave Hamas the perfect alibi. Hamas seized it.

    The executions were not security operations, they were messages for domestic consumption. By branding its victims as Israeli spies, Hamas accomplished two things simultaneously: it liquidated internal enemies whom it could not touch in peacetime, and it terrorized the surviving population into silence at the precise moment when the world’s cameras were pointed at Gaza. These were political murders of Palestinians by Palestinians. 

    When the ceasefire came, Hamas did not stand down. It settled scores. Here is an example. The Dughmush clan — long-standing rivals of Hamas, never collaborators with Israel — were hunted almost before the ink was dry on any agreement. They were executed and branded as traitors. And within hours scores of “pro-Palestine” activists abroad were amplifying Hamas’ framing, declaring the dead guilty, echoing the accusations of a movement that had just killed civilians for the crime of carrying the wrong surname. The international pro-Palestine movement did not question the evidence — because it demanded none. It simply repeated the charge. This is not solidarity. It is complicity disguised as conscience.

    The facts of the Dughmush case are not in dispute. The clan had no relationship with Israeli intelligence. Their offense was entirely internal: a long feud with Hamas that escalated on the day of the ceasefire agreement when family members killed two Hamas operatives. That is all. Hamas ordered the family to vacate a shelter. They refused. An armed clash followed. Hamas then dispatched officers to sweep the area and execute anyone bearing the name Dughmush — men, women, the elderly. Not for betraying Palestine. For refusing to submit to Hamas.

    When the armed clash subsided, Hamas summoned men from the family and asked them to turn themselves in, promising that their situation would be settled, that no harm would come to them. They complied. Hamas broke its word before the day was out. Seven men were dragged into the street. Residents were ordered to come outside and watch. They were lined up and publicly executed one by one, as the operatives who carried out the executions proclaimed victory over collaborators and traitors. Hamas did not only kill the Dughmush men; it turned their deaths into a lesson for anyone who might consider challenging its power.

    Before the Dughmush family story broke in international media, Hamas openly published footage of its men torturing people in Gaza on official Telegram channels. That footage was the foundation of my own work to expose Hamas’ crimes against civilians. Hamas framed the videos with captions claiming that the victims were thieves, spies, or collaborators. In many cases, the evidence showed otherwise — the targets were simply critical voices. The torture was systematic and public: broken legs, gunshots to the limbs, carried out in the open as a message to anyone watching. After relentless exposure of these crimes — and the Dughmush story in particular — Hamas stopped posting the footage. But the campaign of torture and silencing did not stop. It moved into the dark.

    This is the mechanism. This is how it works. Hamas brands its victims. The accusation travels through social media at the speed of outrage. Supporters abroad — primed by years of legitimate grievance against Israeli violence, trained to distrust any internal Palestinian critique as Israeli propaganda — are notified of the accusation and ask no questions. They do not seek evidence. They do not find survivors. They repeat the charge, amplify it, and move on. Hamas understands this dynamic and has built its entire internal repression strategy around it. To accuse a Palestinian of collaboration is not merely to destroy him in Gaza; it is to preemptively strip him of all standing before the global audience that might otherwise care about his fate. The accusation is the execution. The refutation almost never arrives.

    This strategy was designed to kill independence along with the human beings that acted on it. The lesson has been burned into the streets: Speak and you will die. Question us and you will hang with the label of traitor around your neck. And yet we Palestinians must speak. Of course we condemn occupation, dispossession, and ethnic cleansing — that condemnation is not in question and never will be. But we must also be honest about what Hamas has done to us, to its own people. Every activist silenced, every family terrorized, every young person who left Gaza not only because of Israeli bombs but also because Hamas made dissent a death sentence — their suffering is Palestinian suffering, too. Ignoring it does not protect the cause. It betrays it.

    I write from Washington, DC. With a buffer of an ocean between me and these monsters I am safe to speak freely about these conditions. But Hamas and its supporters have worked to close even that distance. Palestinians who speak out from abroad have been doxxed, harassed, and targeted with coordinated campaigns designed to destroy their reputations and to still their voices. The tactic is always the same: label them traitors, accuse them of serving Israeli propaganda, strip them of their Palestinian identity so that their testimony can be dismissed without being answered. It is the same logic Hamas applies inside Gaza, extended across borders and time zones. In Gaza itself, honesty like this would be a death wish. Even to whisper what I am writing in these pages would be enough to risk death. One denunciation is enough to bury a Gazan.

    Life in Gaza has been described in many ways — as an open-air prison, a besieged territory, a humanitarian catastrophe. But for many Palestinians living there, the bars run in both directions: Israel controls us from the outside, Hamas controls us from the inside. The two systems of control are different in nature and in scale, but they share a devastating impact, making daily life in Gaza increasingly unbearable. This is why some Gazans risk their lives by taking to the sea – even before October 7 – to escape the Hamas tyranny. It is why parents express their political opinions only sotto voce behind closed doors. It is why jokes are coded and silence is survival.

    Since Palestinians face existential violence also from outside, however, their internal suffering is dismissed, justified, or buried. “After liberation,” we are told, “we will discuss democracy.” But liberation that arrives on top of a silenced, terrorized population is not liberation. It is a transfer of power. Palestinians have seen enough transfers of power. They are owed something more.

    To expose Hamas’ repression, moreover, is not to weaken the Palestinian cause — it is to defend it. If Hamas claims that it is consecrated to the defense of its people, why does it suppress their voices? The truth is that Hamas fears democratic choice because it knows what Palestinians would choose if given a genuine voice: not to be governed by fear, not to bury their loved ones for asking questions and speaking out, not to live in a system where the only safe political opinion is silence. The authority of Hamas did not come from consent. It came from guns, and it has been maintained by guns ever since. Yet millions of Palestinians — secular, Christian, nationalist, Islamist but non-Hamas, independent, leftist, apolitical — constitute a pluralistic nation with diverse visions and aspirations. Reducing their voice to one faction’s doctrine is not representation. It is erasure by force.

    The world must hold two truths at once: Israel’s occupation and blockade of Gaza are morally indefensible. Hamas’ authoritarian rule and abuses against Palestinians are morally indefensible. These truths do not cancel each other. Acknowledging the truth of both these propositions is not a concession — it is the minimum honesty that Palestinians deserve.

    Palestinians should not have to choose between opposing occupation and opposing internal repression. They deserve freedom from both. Silence serves no Palestinian — it serves only those who benefit from Palestinian suffering, whether they sit in an army office in Tel Aviv, a security headquarters in Gaza City, or a presidential compound in Ramallah. And the true Palestinian struggle has never been about glorifying death or crushing dissent — it has been about life, rights, dignity, and land. To love Palestine is not to love Hamas. To defend Palestinian humanity is not to defend those who violate it. The dream of freedom loses meaning if those claiming to represent it become new jailers.

    Those who support the rights of the Palestinians should bear in mind that ultimately our pursuit of a state is not for them — it is for us, to build and to shape, to debate and to democratize. It is not meant to fulfill the promises of radical ideologies or the fantasies of those who have turned Palestinians into the eternal symbol of their own political dreams. The goal is not an abstract homeland for an ever-suffering people. It is an open society in which Palestinians are no longer objects of expectation and fantasy, but fully formed political actors with rights, with dissent, with the freedom to hold every leader to account. The Palestinian struggle was never meant to replace one set of chains with another. Moreover, most Palestinians want a state that lives in peace and dignity alongside Israel and all its neighbors — public opinion surveys show this clearly, with the majority still supporting a two-state solution — a normal country, with normal politics, where the occupation is over, no more armed groups, and the question is no longer about survival but about how to build a future.

    History will not be kind to those who wrapped authoritarianism in the flag of liberation. It will not forgive those, near or far, who watched Palestinian dissidents executed and said nothing — or worse, applauded. But it will honor the Palestinians who refused: those who named the crime, bore the cost, and kept fighting for a homeland where they could live freely, speak freely, and dream freely.

    True liberation includes the liberation of voice. And Palestine’s voice is bigger than Hamas’ voice — it always was, it always will be.

    Analog Hope

    What is the difference between a rat and a squirrel? There is no difference — squirrels are just rats with better PR. So runs the joke. Sometimes I think of artificial intelligence like a squirrel with excellent marketing, its overpaid pundits assuring us that nothing more important has ever happened in history, that it is the answer to our every question and the solution to our every problem. The tale is repeated so many times that it seems more real than our lived experience. 

    I have heard people rant about the marvels of AI while grappling with its many glitches, whether it is a digital assistant misunderstanding them, facial recognition not recognizing them, or a chatbot suggesting that they put glue in their food. We suffer from optimism bias to such an extent that seemingly no technology failure, no matter how epic, will dissuade us from believing the story that technology will be our savior, and that whatever problems it has now will not be there in the future.

    Everywhere I look there is talk about AI and digital technology. It’s not only that I work in this field. Chatter about AI follows me at dinner parties, it weaves in and out of the conversations strangers share in restaurants and on public transport, on the radio, on podcasts of every kind, and on every morning show on TV. But the more I study digital technology, the more I am in awe of the richness and the primacy of the analog world, the world of things you can touch and smell, the world of things that are not made up of ones and zeroes (the building blocks of the digital). When I was asked recently where I find hope, it struck me that hope lies in the analog. And as the world around us seems to grow gloomier, and people around me more pessimistic, I find myself in the unfamiliar situation of going from being the bad cop who is used to thinking about what can go wrong to the good cop who seeks the rays of light in neglected corners. 

    Analog creatures in an analog world

    We are analog creatures. What matters most for our wellbeing is and will always be analog. Virtual water will never quench our thirst, not a year from now and not in a thousand years, because virtual water is no kind of water at all. Digital food will not satisfy our appetites, and AI companions will not ward off our loneliness.

    The people around us are made out of flesh and blood. Much of what it means to be a human being lies in our relationships to others, which is why Aristotle called us political animals. But it takes the honing of skills to perfect our social relationships. We polish ourselves by interacting with one other. We work on our empathy by observing how our words and actions affect others. We build strong relationships by making ourselves vulnerable to one another and learning how to protect other people’s feelings when they make themselves vulnerable to us. We learn to temper our emotions to avoid hurting those we love. 

    We deepen our ties by looking after one another. We take care of each other physically — we cook a clueless philosopher bolognese to make sure they eat enough protein, we accompany our friend to the doctor’s office, we help each other move places — and emotionally, which more often than not involves the body as well — we sit with another as they face their worst fears, embrace each other for affection and reassurance, and speak softly to our loved ones, using our voices to soothe. That is partly why we read out loud to our children. In a moment of distress, I once called an old friend who had enough intuition to ask no questions and sing on the phone a tune we used to know a long time ago. 

    We learn from each other. I don’t think I would have grown to love Shakespeare as I do if it hadn’t been for my high school teacher, Mr. Roger D. Gouran, who got goosebumps every time he cited his favorites lines from Julius Caesar, Hamlet, and Othello; remembering those moments still moves me — and makes me want to reread Shakespeare. Learning from a screen is much harder because it is thoroughly missing the personal relationship that can inspire you to wake up at six in the morning to get to read Shakespeare before school starts, the emotional resonance in reading together that makes you take in the words in all their social meaning. We learn life tricks — from how to change a light bulb to how to mend clothes — by watching others. We become better at understanding nonverbal cues and responses the more we spend time with others. All these observations are not sentimental Luddite platitudes. They are facts. 

    I worry that young people are losing social skills. Madrid is my favorite city in the world, and when I’m there I depend much less on digital maps, reveling in the luxury of asking passersby for directions and getting the added benefit of a smile or a recommendation or a piece of information that I wouldn’t even have known to ask for. Spanish culture makes me feel that people on the streets are friends whom I haven’t met yet.

    Whenever I ask younger people, however, they stare at me as if they were judging me for not asking Google instead. Did I not get the memo? But one of the things I love about Madrid is that, when you enter a bar and see two people talking, you can never be entirely sure whether they are old friends or strangers who struck up a new friendship a few minutes ago. What we gain in convenience by using digital maps is not worth the loss in social richness when we ask a friendly stranger for directions; that friendly stranger could end up a friend, maybe even your best friend or your spouse, you never know, and you will never find out if you do not interact. The more we talk to chatbots, the less we spend time with the human beings with whom ties may be formed, ties that form the fabric of families, groups of friends, communities, and healthy democracies.

    It’s not only that young people are engaging less in spontaneous social interactions; they are having less sex than any generation in history. This is a terrible impoverishment of experience, a self-impoverishment. There are discoveries, about oneself and others, that can only be made intimately with others. Yet instead of spending lazy days with one another and learning through leisure, like all animals do, young people are talking to chatbots, efficiently and often raptly. And while talking to a chatbot might seem on the surface an activity much like talking with a human being, the resemblances are only superficial. Talking is fundamentally a social activity in a physical world. 

    One of the very annoying and equally helpful characteristics of talking with other human beings is that these brainy, autonomous, embodied creatures often disagree with us. (I know, the gall). When you voice your point of view to another, you expose yourself to criticism for being wrong or biased. Disagreement can cause frustration, confrontational moments, and even anger, but it helps keep us tied to reality. We keep each other in check by means of talking through things. Through challenging our views, we give one another perspective.

    Chatbots, in contrast, do not have conversations, strictly speaking. They are not interlocutors. They are built to please us, because by flattering us they hook us, and the longer we use them, the more data we surrender to them (in this sense they are like spies), and the more we depend on them and are willing to pay for them. Chatbots are built to be sycophantic. Talking to something that continually encourages you and validates you is not conducive to health or happiness. Chatbots have encouraged people in horrifying directions — they have reinforced people’s suicidal ideations, murderous plans, and delusions of various sorts. Some call this freakish effect “chatbot psychosis” or “AI-induced delusions.” One psychologist described these conversations as “crazy-making.”

    Teenagers have killed themselves after chatbots encouraged them to do so; people have fallen in love with their chatbots and neglected their personal relationships; one accountant was convinced he was Neo from The Matrix and needed to escape his computer simulation; a chatbot persuaded another person that he was the Chosen One, “ready to awaken”; another became convinced that ChatGPT was self-aware and could teach him how to talk with God; and yet another one thought that there was a tortured personality in ChatGPT who was killed by OpenAI — in revenge, he vowed to kill Sam Altman, the CEO evangelist of OpenAI, and then he provoked police officers with a butcher knife in order to commit suicide by cop, which worked.

    If you have ever experienced anxiety or panic attacks, or indeed any other mental health challenge, you have probably noticed that spending more time on screens tends not to be helpful, that doomscrolling may be one of the most effective ways of making things worse. The best things you can do to improve a bad state of mind involve engaging with the analog world: going for a run or a walk and focusing on the feeling of the ground beneath your feet, having coffee with a friend, watching a sunset. Psychologists and meditation teachers and yoga instructors will recommend that you attend to the sensations of the body. The body may be the ultimate standpoint of resistance to the AI deluge. The universe of things grounds us, calms our senses, precisely because we are embodied — which is to say, are analog creatures. When we attend to the analog, we become attuned to our surroundings. Digital existence, by contrast, is a long program of disattunement. 

    The natural world that sustains everything you see around you is made out of carbon molecules. All too often we forget that everything virtual depends on the analog. The internet works thanks to heavy underwater cables. The AI that sounds so uncannily human was trained by an army of underpaid and overworked people. And the cloud is someone else’s computer, a server sitting somewhere, made up of metals and minerals, using up fresh water for cooling and electricity for power. 

    We can watch birds, whales, and tigers on our screens. We can even experience a simulation of deserts, jungles, and seas through artificial intelligence and virtual reality, but even the most impressive recreation of the real thing is far inferior to the analog reality that it simulates. (Is it really necessary to point out that simulations are an inferior channel to reality, or no channel at all? I suppose it is.) Even setting aside problems such as headsets making people cybersick (which can include nausea, disorientation, and headaches, with women being affected more often), anything virtual is but a ghost of its analog counterpart; it is soulless, tasteless, and untouchable. There is no hot breeze heavy with desert sand coating your arms and making your eyes sting, the ground beneath your feet is not uneven with the effervescence of jungle life, and the sea is dry and missing its vastness and its fishy fragrance. 

    We focus on the digital often to the detriment of the analog and at our own peril. Indeed, as a culture we have come to heap scorn on the analog as a kind of archaism. But the world of creatures and things — the world that is not us — needs our attention to stay healthy. If you forget to feed your fish, they will die. The more we use digital tools like AI that are power-hungry, the more we need to invest in the natural world to make sure that the digital doesn’t end up destroying the analog on which it ultimately depends. If we forget to take care of the natural world, the footage we have of birds, whales, and tigers will become images of extinct species; nothing but memories, and memories are not creatures.

    The roof over your head and the home that brings you safety, warmth, and comfort is made out of brick and concrete. When Mark Zuckerberg announced his Metaverse project (which happily ended up tanking fairly spectacularly) one of the selling points was the ability to have premier property in the virtual world — for a handsome price. But who in their right mind wants to buy a property that you cannot walk into, that cannot shelter you from the rain and damp (I live in England), no matter how spectacular the view? The whole concept and allure of owning property is that you can inhabit it in a way that can only be experienced physically. The distance between a virtual apartment and an actual apartment is as prodigious as that between virtual water and water. A virtual home is no home at all, as Zuckerberg’s own lavish homes attest. 

    And if a virtual dwelling ever starts to become even remotely attractive, it will be because the spaces surrounding us have become unpleasant to live in. We risk falling into a vicious cycle. The more we focus on our computers and our phones, the less we take care of our physical environments, and the less we take care of our physical environments, the more they will deteriorate, inviting us to forget our grim surroundings by focusing on our computers and our phones. Why would anyone who disdains the physical and the analog take the trouble to maintain them?

    The analog world necessitates the work of maintenance to keep it in good shape. If you live in a desert, your job is to protect things from the glare of the sun, and to oil materials like leather and wood to make sure that they do not become too dry. If you live somewhere humid, your job is to protect things from the damp. I was recently in Cartagena de Indias, where it was so humid that walking on the marble floor felt like skating, and where I learned that there is such a thing as clothing paper to keep fabrics dry(ish). The analog world gives us back the measure of what we have invested in it. The well-maintained house will protect you in return for your protection of it; you take care of it and it takes care of you — that’s the deal. What goes for your home goes for your neighborhood, too. If you watch films on online platforms only, the cinema in your neighborhood might need to close. If you spend your time in front of your screen at home then you are not inhabiting the coffeeshops, restaurants, and bars that keep a city alive. 

    Digital tech pushes us — it is designed to push us — into our individual bubbles. (It’s not only a personal problem; Hannah Arendt argued that isolation is the fertile ground for fascism.) It is now commonplace to see groups of people together looking at their phones instead of interacting with one another — monads with WiFi. Eventually, if most of your social life takes place on the little glowing box in your hand, the allure of going out and meeting other people wears off. If all you’re going to do is be on your phones, then why bother taking off your pajamas and braving the weather to meet others? It takes commitment to each other and to our surroundings to breathe life and soul into spaces — indeed, to get us out the door.

    Europeans might live in smaller homes than Americans, but the common spaces we inhabit tend to be vast. Who needs a big living room when you have a whole city that feels like home? I keep thinking of the tonic vitality of Madrid, its analog vibrancy, its streets always ebullient, echoing with laughter, with people of all ages mingling together at every hour of the day and night. Most Spaniards seem to spend more time in the streets than in their homes. Even when they are in their homes, there is an old tradition in rural places of sitting on your doorstep to shoot the breeze with neighbors and passersby. I was speaking with someone from Lithuania recently who told me that when she was growing up, she didn’t have to make plans with friends because everyone hung out in the same bars, so you could count on finding your friends there on Friday nights. 

    In contrast to the liveliness of cherished places, abandoned buildings feel heavy because they are the remnants of failed dreams. Theaster Gates is an artist and a professor in the Department of Visual Arts at the University of Chicago; his father was a roofer, and he has a degree in urban planning, all of which gives him an appreciation of spaces. He bought a few properties in the South Side of Chicago, which has the highest level of poverty and crime in the city. “My buildings, they constitute a love investment,” he said of his decision on the TV show Home.

    He wanted to be able to go to a movie in his neighborhood so he built a cinema. He wanted people to be able to read in his neighborhood so he built a library. He wanted people to come together so he built a few more extraordinary spaces. “Great culture had a right to live where I live,” he said. He started hosting exhibitions and musical events attracting interesting people. Instead of moving neighborhoods he built a hub that attracted the people that comprise the kind of neighborhood — the kind of place — that he wants to live in. That is commitment to the analog world. That is embodied hope. To take dilapidated buildings and make them so beautiful that people flock to them demonstrates the wonderful power of the analog and the power we have as analog creatures. 

    If we focus on the digital to the detriment of the analog, dereliction lies at the end of the road. But if we focus on the analog, we can sustain both worlds, make them thrive, and thrive in them ourselves.

    Safety and reliability

    Tech enthusiasts like to brag about AI as being cutting-edge, forgetting that cutting-edge means experimental. Cutting-edge means being treated as guinea pigs. The safest, most trustworthy, and often most refined technologies are the tried and tested ones. The analog tends to be safer partly because we have thousands of years of experience with it, learning from our interactions with it. Our record with digital excitements, by contrast, is not quite so reassuring. 

    A part of what makes the paper book such a superior technology, as Irene Vallejo explains in her magnificent book Papyrus, is how many iterations it has gone through. Every aspect of it has been refined through millennia, from its shape to the words it contains and the material it is made of. It was first a tablet, limited in its surface and therefore in its content. Then it became a scroll — long sheets wound around a spindle, read by unrolling from hand to hand. Then came the codex, a proto-book that stacked and bound leaves of parchment between covers, allowing readers to flip directly to a page. From words being handwritten to printed, and from books being made out of clay to being made out of papyrus and then parchment and then rag paper and then wood paper and finally the acid-free paper we have today, books are like polished gems, as reliable and safe as technologies come. It needs to be added that in the development of all these technologies of discourse nobody was hurt by their rollouts and their early iterations, however damaging or heretical the critics of their contents deemed them to be. 

    The second reason why analog tends to be safer and more reliable is because we usually have more unmediated control over it. While I depend on authors and publishers and booksellers and so on to get my hands on the latest novel, once I buy it as a paper book, it is mine. I have control over that book, and the author, publisher, and bookseller no longer have any control over it. I can banish it from my life if I wish to do so.

    In contrast, when you use your smartphone or AI, you are constantly depending — at every turn of the page, so to speak — on the company that is providing it. Tech companies can turn your devices into useless bricks. You depend on them to continually patch vulnerabilities and update your systems. If a company changes an algorithm in a way that makes its product worse — whether it is a social media platform or a chatbot — there is exactly nothing you can do about it; you don’t own the previous (or current) version, so you are stuck with whatever the tech company does. These supposedly empowering devices have a way of making one perfectly helpless. 

    That dependence is all the more worrisome given how so many tech companies have proven themselves to be untrustworthy and disrespectful of people’s rights time and again. The tech executives of today’s companies have not covered themselves in glory for their responsible and careful approaches to leadership. They seek much power with little responsibility. Moreover, digital technology is itself, in its constitution, unreliable in ways that analog is not: it depends on electricity and can be hacked, for starters. Our society-wide and planet-wide reliance on this technology has created an unprecedentedly large vulnerability. To keep our societies safe and robust, practically speaking, we would do well keeping analog backups of our most important documents and systems. (I understand the people who stubbornly hang on to a landline alongside everything else.) We must retain the ability to run institutions on analog in the event of an emergency. 

    On April 28, 2025, the Iberian Peninsula went dark in a blackout that lasted for about ten hours. The only people who managed to have a meal at a restaurant on that day were people carrying cash with them. We must never get rid of cash, if not for privacy’s sake, then for security. Health professionals had trouble getting to the houses of patients who needed help with oxygen machines that now depend on electricity because their Google Maps didn’t work and young ones had never navigated their city without them. The radio could not be accessed through the internet, which depends on electricity; only good old-fashioned FM radio worked. And yet there are countries thinking about phasing out radio because these days most people access radio online. But if a solar storm or a severe cyberattack were to take down the national grid, there would be no internet. Can you imagine the damage and the mayhem? (Needless to say, the “tech titans” will disclaim all responsibility for the calamity.) 

     In May 2021, a ransomware attack stopped the Colonial Pipeline in its tracks. The pipeline transports almost half the oil consumed on the east coast of the United States. According to its CEO, the company managed to muddle through owing to the most senior part of its workforce, who still remembered how to run things manually. When Norsk Hydro, a Norwegian metals and electricity company, went through something similar, they had to ask retired people to come back to the plant and help them to run things on analog. Yet newer power plants sometimes take away the option of running on manual. 

    It’s a bad idea, as the British Library cyberattack shows. Like books, libraries have been around for millennia, during which time we have refined our ways of caring for books, from learning to create the ideal physical conditions for better preserving them to improving the ways in which we organize and catalogue them according to genre and author. As the printing press created an explosion of books, it became more common to store books according to size, maximizing shelf space, and keeping a meticulous catalogue to find the books. The British Library is one of the largest in the world, with an estimated 14 million books that are mostly stored in warehouses.

    Then, in October 2023, a hacker group attacked the online system of the British Library and demanded a ransom in exchange for restoring services, which the Library refused to grant. More than two years later, and millions of pounds spent, readers still can’t take out many of its books. The readers, analog creatures all, are still there, and the books, analog objects, are there, too. So why can’t the readers get to the books? Because the map to the books, the catalogue, was digital and digital only, and we lost it. Good luck finding a book among 14 million others stored by size. Libraries had been working well for thousands of years. It took a single cyberattack to break this one. So spare me the uplift about cutting-edge technology.

    Perhaps the most incredible part of it is that, in the aftermath of the British Library calamity, the stated lesson learned in the report reflecting on the experience is that we should have more cutting-edge technology. Meanwhile, agencies specializing in security, such as the National Security Agency, often use the oldest computing technology possible because it is better tried-and-tested than the newer versions. We are such optimists when it comes to technology, and so taken in by the marketing efforts of companies, that it is almost unfathomable to us that digital technology might be second best, what we use when we cannot get something better or the real thing. 

    Beauty

    The world of things is not only safer; it is also where beauty lives, where you can experience shapes and colors that do not pixelate, and watches that tick with the satisfying sound of time and the stimulating feel of craftsmanship, and sunrises and sunsets.

    During World War II, the collection of works in the National Gallery in London was evacuated in secret to a remote place in Snowdonia in Wales, where it lived in a labyrinthine cave of unused mines known as the Cathedral. The paintings were kept safe, but the population felt bereft. In 1942, a letter to The Times read: “because London’s face is scarred and bruised these days, we need more than ever to see beautiful things. . . . Picture lovers are denied their Rembrandts just at the time when such beauty is most potent for good.” It is a small but extraordinary document in the history of humanism. The gallery then organized to bring one painting up from the mines at a time, transporting it under armed guard to London to comfort its beleaguered citizens with the solace of beauty. A crowd gathered around the first visitor, Rembrandt’s Portrait of Margaretha de Geer, and people were reminded that along with the brutality of the world there is also its beauty, so nourishing even, or especially, among the ruins. For the philosopher Plotinus, the beautiful attracts the soul because it is akin to it, because what is beautiful is what is real, and what allows the soul to be more itself. 

    During the Spanish Civil War, Manuel Azaña, the President of the lawfully elected Spanish Republic, declared that the “Prado is more important than the Republic and the Monarchy. Because in the future there might be more republics and more monarchies in Spain, but these masterpieces are irreplaceable.” Dozens of brave volunteers transported the works in thirty-six trucks, endangering their lives in a very risky operation, risking their lives to save not people but the works of Rembrandt, Goya, Titian, Velázquez, Rubens.

    The supposed equivalent of a painting in the world of the digital is an NFT, a non-fungible token — a unique digital identifier which cannot be copied and is recorded on a blockchain to certify its origins. Excited? Are you having trouble imagining a leader putting aside their political commitments in the context of war for the sake of an NFT? Or military officials willing to risk their lives for a digital image? A part of what we value in the beauty of a painting has to do with its physicality, its thingness, with how thickly the paint sits in its concrete locations; and how brushes capture lights, shadows, gestures, moods. The origins of the painting — how it came to be made — also have something to do with its incommensurability. You are sharing space with an object of beauty touched and created by the eyes and the hands of a particular person, an expressive person, hundreds of years ago. (Is the latest iOS a personal expression of that kind?) That is why we still visit museums, despite most or all of the same works being depicted on websites. The image is only the surface of the thing. There is an awe when you are in the presence of a Rembrandt that never happens in its reproduction online. 

    In music, LPs are warmer, crisper, more human somehow than digital reproductions. And what could ever substitute for a live orchestra? The first time I played a grand piano — I don’t want to mislead anyone, I’m a complete beginner, but that’s beside the point — it was a revelation to hear the difference from a digital piano, however good the digital piano might be, and more than anything else to feel the delight of the tingling on my fingers, my hands, the core of my body absorbing vibrations that feel nothing like the sound waves of the digital. 

    Then there is the beauty of designed furniture; the shape of an Eames chair, how the materials feel to the touch, the smoothness of its lines, the way it perfectly distributes the weight of your body to cause no discomfort. And have you noticed how coffee tastes better when drunk from a beautiful mug? 

    One of the lessons of hardship is that beauty is not a frill: it is as much of a human need as food and shelter. Beauty gives us a reason to live. And the greatest beauty — can there be any doubt about this? — is analog, because analog is akin to us in a way that the digital can never be. 

    The digital as a knock-off

    In the Republic, Plato criticizes fiction for being a copy of truth rather than truth itself. Plato worried about arts that mimicked truth, that can pass for truth without being true. The digital mimics the analog without providing the grounding and the reliability of the world of things. 

    Think of a digital book. Its design is a bad knock-off of the real thing, from its shape to the gestures that it invites you to perform — say, to “turn” a “page” that is not actually a page. Whereas you can fully own a paper book, an electronic book is not exactly yours: you cannot lend it to a friend, or give it away, and the publisher can modify its content remotely and without your consent or even knowledge. (Imagine Austen or Joyce having second thoughts and making posthumous interventions!) A digital book needs to be charged by means of a plug or else it becomes a brick. It can be hacked. And it doesn’t work for you: even when it is in your possession, it works for tech companies who are using it to surveil you. It tracks what you read, how fast you read, what you highlight, and more, and it shares that information with the highest bidder. If the mighty paper book is a true friend, a digital one is a false one. 

    The digital is but a ghost of the analog at best, and a threat to the analog at worst. A part of the beauty of hearing birds outside my window is knowing that there are birds out there. It is not only the experience of the sound, it is also the world that the sound denotes and conveys. A digital recording of birdsong would not satisfy my thirst for beauty in the same way. 

    In his book Anarchy, State, and Utopia, the philosopher Robert Nozick proposed the following thought experiment as a refutation of hedonism, the view that what matters most is pleasure. Imagine that you had the opportunity of being connected to an experience machine that would deliver whatever experiences you crave and make them seem real: friendships, family, winning an Olympic medal, being rich beyond your wildest dreams, anything goes. All of it would be no more than a kind of hallucination, even if you wouldn’t know it. Would you rather have the perfect experience of having perfect friends even if they do not exist, or friends who are imperfect but real? Would you rather be happy and oblivious about your spouse cheating on you, or would you prefer to know the truth? Most people care about more than pleasure. We care about authenticity and truth, and indeed for the ancient Greeks, those pagans, the ideals of truth, beauty, and goodness were to a certain extent one and the same. 

    The digital creates illusions similar to those of the experience machine — chatbots that sound like your friends, electronic gadgets that resemble books. We would do well to remember that often the digital mimics the analog while never achieving the substance of what it is that satisfies our analog nature. The analog is precisely what the digital cannot deliver. 

    Our blue flower

    The unfinished novel Heinrich von Ofterdingen, by the late-eighteenth-century German writer and thinker known as Novalis, follows a young medieval poet who is haunted by dreams of finding a blue flower, which became a symbol of longing and poetry in German Romanticism. Guided by this yearning, Heinrich embarks on a lengthy journey that takes him to many landscapes and people, only to end up finding his blue flower as he returns home. What he was desperately searching for was there all along, waiting to be recognized. 

    Our blue flower is the analog world. After journeying through the digital tundra, through dystopic landscapes of social media platforms deteriorating into purveyors of hate and slop, cyberspaces of Orwellian surveillance, algorithmic Kafkaesque systems that are inscrutable and accountable to no one, after meeting the colorful characters of at least some of the big tech masters, it’s time to go home. We can keep the digital as something of an add-on to the primacy of the analog world, like a fancy side dish, without being too distracted from the main course. We must even protect the palatable parts of the digital. But it is past time to fulfill our foundational human responsibility to take care of the analog. We must change that light bulb that has been waiting weeks to be fixed, and repaint the living room, and feed the dog, and relearn how to run our homes, companies, and institutions on manual, and thereby furnish the most definitive evidence that we are human beings. 

    The good news is that the analog world is still alive, all around us, waiting for us, inviting us to take part in it in the form of bird songs and rays of sunshine and art exhibitions and literary festivals and democratic conversations. We are still reaping the benefits of centuries of our ancestors conserving the analog, and our children have every right to demand a similar conservation from us. The analog world waits only to be noticed, like the blue flower, though this restorative noticing will require an exertion of the mind and the heart. To notice the analog, and to act in our lives on what we see and smell and hear and touch there, is now an act of dissent. Are you in the mood for something countercultural? Then water your plants, and consciously. Cherish the analog; our hope lies therein.

    Citizen Starbuck, or Democracy and The Whale

    “They wanted the company’s name to suggest a sense of adventure,” the corporate statement reads, “a connection to the Northwest and a link to the seafaring tradition of the early coffee traders.” An initial idea was “Pequod,” but it was rejected for sounding awkward, a bad fit for the product. Eventually the company’s founders settled on another reference from Herman Melville’s enormous and stubbornly well-known novel, the name of the Pequod’s first mate — “you guessed it, Starbuck.” With this, “a brand was born.” The brand became an iconic American brand, its name derived from the iconic American novel that Melville published in 1852. This dense, forbidding, magnificent novel — a kind of American scripture — reverberates and reverberates in American culture, perhaps especially in American popular culture.

    Starbuck is far from Moby-Dick’s most memorable character. He is outshone by dreamy melancholic Ishmael, the novel’s narrator and the sole survivor of the shipwreck that the Pequod becomes. The novel lives in Ishmael’s voice — from its first sentence, “Call me Ishmael” — though Ishmael slowly fades from its story, as Captain Ahab hijacks novel and journey alike, grandly charismatic, ambitiously evil, and the source of ceaseless speculation from so many generations of Moby-Dick readers. Perhaps Ahab was John Calhoun, the Southern politician who prodded the United States into the Civil War. Perhaps Ahab was Adolf Hitler before the fact, desperate to invade the entire world. Almost as much as the white whale, Ahab and his wooden leg dominate Moby-Dick. He quested after the whale; we quest after him. 

    Ahab is mad, while Ishmael is along for the ride. Acting against Ahab, Starbuck is an unimpressive foil, or so it seems, and a marginal one at that. He registers Ahab’s lunacy and cannot deflect or contain it. Starbuck’s reemergence circa 1971 at the pinnacle of coffee capitalism is almost comic. In Moby-Dick, somber Starbuck does not suggest a sense of enterprise or adventure. He is from Martha’s Vineyard, not the Pacific Northwest, and as a seasoned hunter of whales, he is no purveyor of coffee. His name has been attached to the wrong company, which has popularized but also obscured the literary character of Starbuck, who, unlike Ahab, does not symbolize anything very obvious in Moby-Dick. It might be easy to dismiss Starbuck as a vehicle of virtue signaling, with all the anonymity and the blandness that virtue signaling connotes and with all the space that divides virtue signaling from virtue.

    Considered closely, however, Starbuck is neither bland nor empty. He should be more iconic, not as a salesman-adventurer but as a crucial piece of the puzzle that is Moby-Dick. Ahab embodies Moby-Dick’s fascination with tyranny, exploitation, and zealotry, at least for those who have never read the novel. Starbuck traces the dilemma of having to respond to Ahab: Ahab the call, Starbuck the response. That Starbuck fails to stop Ahab is important. That Starbuck lives in honesty and dignity is not less important. Starbuck parries an Ahab lawless and lost to the allure of death, countering a nihilism masquerading as a purpose. Starbuck’s weapon is his steady adherence to the law. Thou shalt not kill, Starbuck believes, and kill he shall not. Thou shalt not lie, he believes, and he tells the truth. The retort to evil, though unvictorious in his case, Starbuck is emblematic of a moral man and a moral citizen. Perhaps it is fortunate that (owing to a coffee franchise) his name is everywhere visible in the United States. 

    Melville adored allegory, analogy, association, implication. In Mardi, the novel that precedes Moby-Dick in his oeuvre, Melville projected his feelings about politics and philosophy, civilization and travel, commerce and technology onto a phantasmagoric literary landscape, allegory embedded in allegory, symbol embedded in symbol — not unlike the Divine Comedy, in which Dante’s Florence is refracted through the poet’s symbolic invention. Moby-Dick is much more of a story, a story of the sea, a yarn, but at every turn it invites analogy. The Pequod is surely America, as the founders of Starbucks sensed, a rude democracy, an industrial factory, a capitalist juggernaut (as the founders of Starbucks did not sense). The white whale is an all-purpose analogy. It is the uncapturable impulse behind the quest: nature, divinity, victim, victimizer, mystery, malice, eternity, death. The interpretive possibilities are intentionally endless, just as the analogies are omnipresent.

    Ishmael has precise associations in Moby-Dick and a specific analogy behind him. Enamored of satire, Melville goes after Ralph Waldo Emerson through Ishmael, or he goes after his personal image of Emerson. Ishmael represents the motif of contemplation-in-nature, of an aristocratic life lived apart from “society,” doing so on a whaleship ferociously dedicated to money making, near the terrifying untamable ocean and under the thumb of an obsessed inhumane captain. Time and again, Ishmael is confronted not with Emerson’s restorative nature, not with New England in autumn, but with “the universal cannibalism of the sea.” The sea’s creatures, including humans, are designed to devour one another, and that darkness is nature. Naive Ishmael is the philosopher with too much unreliable philosophy in him and too little spiritual mettle to be anything other than the ship’s chronicler, a job he does to perfection. Melville has fun with Ishmael’s gauzy, adolescent adventurism. 

    Ahab is prodigious in his capacity to engender analogies. Interestingly, Ahab does not emerge organically from American politics as Melville knew it in the 1840s or before. George Washington is the anti-Ahab, the calm general who turned down absolute power, who did not burn with mystical self-destroying fire but who retired quietly to Mount Vernon, having safely completed his completable mission. There is nothing of Ahab in Thomas Jefferson. Closer to Melville’s time, Andrew Jackson may be bound up in the figure of Ahab, Jackson having had a touch of the demagogue in him, but Jackson did not sink the ship; in some ways he democratized and righted the ship. The robber barons of the late nineteenth century were not an American phenomenon of the 1830s and 1840s. Ahab the proto-industrialist is a possibility, though an anachronistic one, and Ahab does not care about money. His fantasies lie elsewhere.

    The biography of Napoleon, ubiquitous in Melville’s era, may come closest to the mark. Napoleon forged an army and marched it to its doom. The soldiers followed in his wake, not quite knowing why, and the scale of the suffering was terrible. Napoleon has Ahab’s will to conquer, Ahab’s monstrous arrogance, Ahab’s extreme appetite. The precedents for Ahab, starting with the biblical king after whom he is named, are less important than the posthumous light he sheds on politics and madness. Melville’s general point, given the Americanness of Moby-Dick, is that America is not immune. Everything can happen here. George Washington’s moderation was a stroke of good luck. So, too, is the constitutional republic a stroke of good luck. Democracy and demagoguery are hardly strangers to one another, and Napoleonism is by no means a European tendency. It is irreparably a human tendency.

    Amid Moby-Dick’s multiplying analogies, Starbuck must also have his prototypes. They are hard to pin down. He is not an intellectual like Ishmael and not a megalomaniac like Ahab. He probably signifies normalcy, or he signifies goodness, a value not sought after in Moby-Dick. In a letter to Nathaniel Hawthorne, written on November 17, 1851, Melville claimed to “have written a wicked book” and when it was done to “feel spotless as the lamb.” Melville is describing a wicked book, not even a book about wickedness, so attuned to wickedness is Moby-Dick. Yet boarding the Pequod, Ishmael meets a rigger, who tells him about Starbuck — “‘Halloa! Starbuck’s astir,’ said the rigger. ‘He’s a lively first mate, that: good man, and a pious; but all active now.’” Virtuous, simple Starbuck has his ambiguities. His virtue traces a deadly logic and is no competition for Ahab’s dark arts, but neither is his virtue simple. Starbuck can be analogized to the everyman or the elevated everyman. Rather than the quiet American or the ugly American, he is the good American.

    Melville’s Moby-Dick, his monumental meditation on American democracy, needs Starbuck. It cannot revolve only around Ahab, who is the agent of destruction. He is the American who is not a democrat. No ship is exactly a democracy; captains have privileges that can be abused; and Ahab uses his legally allotted powers to co-opt his crew and ultimately to get them killed. Starbuck has the shortcomings of the single citizen when captain and crew are consumed by bloodlust and folly. Starbuck shows us more than this: he demonstrates the force of principle, the beauty of faith (not in democracy but in God), and the majesty of the law (not of rules but of the law). His clarity of vision, his avoidance of self-deception, and his law-bound attempts to resist an errant captain are the very qualities that democracy demands from all its citizens, however hard these demands are to meet.

    Before the Pequod’s journey has begun in earnest, Melville-Ishmael, the novel’s narrator, gives us two separate versions of Starbuck’s character. One anticipates Starbuck’s capitulation to Ahab. In this idea, Starbuck is not “mass man” on display, not Hannah Arendt’s alienated modern individual prone (and eager perhaps) to be mobilized into some totalitarian project. Starbuck is flinty and taciturn but not empty. “He was a long earnest man,” his thinness “merely the condensation of the man.” He has a survivor’s strength and “seemed prepared to endure for long ages to come, and to endure always as now; for be it a Polar snow or a torrid sun, like a patent chronometer, his interior vitality was warranted to do well in all climates.” The interior vitality is notable, whereas the robotic readiness to endure suggests passivity, even heedlessness.

    Though Starbuck thinks, he is not a thinker. He is a “staid, steadfast man, whose life for the most part was a telling pantomime of action.” He bows to convention, to rules, to society’s expectations of him. A life that is a telling pantomime of action is not the life of Socrates or Julius Caesar; it is missing something. This characterization of Starbuck, offered at the beginning of the novel, fully explains Starbuck’s inability to master Ahab, even when Starbuck knows that Ahab’s course is pure disaster. To sense the “welded iron of [Starbuck’s] soul” is to worry that Starbuck has the makings of an organization man, which for the most part he does. His life is shaped by the organizations around him on land and at sea, qualifying Starbuck to be (in context) an American everyman, capable but conformist. 

    Melville-Ishmael’s other version of Starbuck challenges his tilt toward mediocrity. He is “uncommonly conscientious for a seaman, and endued with a deep natural reverence.” The natural reverence is for God and family and for decent conduct on ship. He accepts the bottom line of a whaling voyage, without being beholden to it: “his far-away domestic memories of his young Cape wife and child . . . tend[ed] to bend him still more from the original ruggedness of his nature.” This is not remarkable: Starbuck loves his family. On a ship sated with blood, driven forward by cruel and deceitful leadership and all too accustomed to solitude, Starbuck’s far-away domestic memories are not beside the point. For him, they are the point. Pious Starbuck truly believes in family and in love, despite the absence of both in the harsh seas around him and on the decks of a brutal and brutalized ship.

    In an extravagant passage that follows the description of Starbuck’s circumscribed character, Melville-Ishmael voices a soliloquy on human dignity, God, and democracy. Here Melville-Ishmael preempts an interpretation of Moby-Dick premised on Ahab’s eventual “success” and Starbuck’s foreordained “failure,” which is to say the success of wickedness and the failure of virtue: “but were the coming narrative to reveal, in any instance, the complete abasement of poor Starbuck’s fortitude, scarce might I have the heart to write it; for it is a thing most sorrowful, nay shocking, to expose the fall of valor in the soul.” Unbending Starbuck, rule-bound Starbuck, unimaginative Starbuck has a valorous soul. In this bit of self-explanation, Moby-Dicks narrator informs us that valor does not fall in Starbuck’s soul. The coming narrative reveals an altogether different evolution, in which Starbuck preserves and honors the valor safely stored in his living soul.

    Aided by a philosophizing narrator, Moby-Dick ceases for a moment to belong to furious Ahab and his star-crossed quest. “Men may seem detestable as joint stock-companies and nations: knaves, fools, and murderers there may be; men may have mean and meagre faces; but man, in the ideal, is so noble and so sparkling, such a grand and glowing creature, that over any ignominious blemish in him all his fellows should run in and throw their costliest robes.” Starbuck — these words are still associated, however loosely, with him — has his ignominious blemishes, and in the novel no one wishes to throw a robe over them. We get a good education in Starbuck’s faults. Yet he is there to recall the noble and the sparkling in us, in human nature, which has so much potential to be grand and glowing — even on the dark miserable death-bound Pequod.

    The narrator’s next thought shifts between politics and theology. It is that “piety” abhors “the undraped spectacle of a valor-ruined man,” and the opposite of a valor-ruined man is “this august dignity I treat of.” It is not “the dignity of kings and robes, but that abounding dignity which has no robed investiture,” not inherited and not dictated by social status. Typically enough for Melville, the language takes a biblical turn: “thou shalt see it [dignity] shining in the arm that wields a pick or drives a spike.” It is “that democratic dignity which on all hands, radiates without end from God; Himself! The great God absolute! The centre and circumference of all democracy! His omnipresence, our divine equality.” These words invoke Thomas Jefferson, the Declaration of Independence, and the inalienable rights handed to humanity by the Creator. Modest Starbuck has taken matters immodestly far.

    Starbuck, who is no ship’s captain and no hero, almost has an arm that wields a pick or drives a spike. What he lacks in courage, in readiness to lead, he makes up for with his abounding dignity. His citizenship and his piety undergird the valor that he will not relinquish, the dignity that radiates out from God. The narrator’s ecstatic syntax makes it somewhat unclear whether God or dignity is the center and circumference of all democracy. Most likely it is dignity. Though Moby-Dick famously chronicles the (short-term) victory of a demagogue, it subtly explores the democratic dignity of the common man, who more than any other character in the novel is Starbuck. The conflict between Ahab and Starbuck, which comes at the climax of Moby-Dick, before the final stages of the hunt, is foreshortened if attuned only to Ahab’s winning wickedness. The Ahab-Starbuck duel exalts Starbuck’s dignity, and Starbuck, who is defeated by Ahab, is never once debased by him or by anything.

    In Moby-Dick, Ahab is Ahab and only Ahab. Pushed ahead by his discipline and his pain, he fends off any change of heart. “There was,” we learn, “an infinity of firmest fortitude, a determinate, unsurrenderable willfulness, in the fixed and fearless, forward dedication of that glance.” This is Ahab the visionary, the CEO, though one with “a crucifixion in his face” and an “intense bigotry of purpose in his aspect.” Because he wants so intensely he is blind, blinded by himself and his vaunting bigotry. His gift is to get others not to see what he cannot see: that chasing Moby-Dick is pointless, stupid, and ruinously dangerous. He fashions a singular obsession into a collective delusion. As Ishmael-Melville observes, “the history of fanatics [is not] half so striking in respect to the measureless self-deception of the fanatic himself, as his measureless power of deceiving and bedevilling so many others.” The others follow suit. They seem to have been waiting all along to enlist in his crazed plans.

    Ahab bedevils Starbuck without deceiving him. Ahab plies his crew with alcohol and with the intoxicating thrill of pursuing the white whale. He absorbs them into his lust for revenge. Only Starbuck objects: “‘Vengeance on a dumb brute!’ cried Starbuck, ‘that simply smote thee from blind instinct. Madness! To be enraged with a dumb thing, Captain Ahab, seems blasphemous.’” Starbuck is Ahab’s subordinate, as Ahab never forgets, and Starbuck takes a risk with his madman boss. The risk is to call madness madness — in the very face of a madness that has confused itself with genius. “Blasphemy” is a surprising word here, underscoring Starbuck’s piety and Ahab’s self-theism. Ahab is assuming the posture of a wrathful God angered not by sin but by the existence of Moby-Dick, his rage touched with the authority of law. On the ship, Captain Ahab’s words are a kind of law to the crew.

    The crew joyfully drinks Ahab’s poison. Witnessing Ahab’s triumph and the dancing drunken crew, Starbuck is crestfallen. He “paled, turned, and shivered” and began to brood: “‘Oh, I plainly see my miserable office, to obey, rebelling; and worse yet to hate with a touch of pity.’” Reflected in his eyes is the “sharkish sea,” cognate for sharkish captain and crew, hunters, and nothing more. Obedient Starbuck rebels by internalizing the horror of this voyage: “‘Oh, life! ‘tis now I do feel the latent horror in thee! But ‘tis not me. That horror’s out of me! And with the soft feeling of the human in me, yet will I try to fight ye, ye grim, phantom futures! Stand by me, hold me, bind me, O ye blessed influences!’” Starbuck does not resign himself to the low designs of his captain. He is resolved to fight.

    Starbuck’s outburst evokes a novella written long after Moby-Dick, though well before Moby-Dick was rediscovered as a classic in the 1920s. Joseph Conrad’s Heart of Darkness, published in 1899, can serve as a gloss on Moby-Dick. Conrad describes a ship captain gone mad, Captain Kurtz, who comes to articulate the horror that he has absorbed and created: the horror, the horror. But ‘tis not me, Starbuck might have said to Kurtz; he and horror are not continuous. The soft feeling of the human resides in him, prompting him to call upon the blessed influences. Lacking a heart of darkness, Starbuck cannot hate unequivocally, which Ahab can and does. That unequivocal hatred is stronger than equivocal hatred is the stuff of tragedy, since unequivocal hatred is so much worse: Captain Kurtz explores the borders of unequivocal hatred and finds them porous; Captain Ahab finds them nonexistent. Sharkish sea, sharkish horror-filled life. In a sharkish world, pity is a liability, and to be softly human or human at all is a liability too.

    In two separate scenes, Starbuck attempts to do something on behalf of himself, of Ahab, and of the crew. Palpable in these scenes is “the incompetence of mere unaided virtue or right-mindedness in Starbuck.” (The word “unaided” reminds us of the crew’s total devotion to Ahab.) Yet incompetent Starbuck, unable to save the ship, preserves a kingdom within himself. He has already spoken truth to power, as we like to say, back when Ahab was motivating the crew, offering it the seductions of catastrophe. Starbuck struggles to speak truth directly to Ahab — but he does “with a daring so strangely respectful and cautious that it almost seemed not only every way seeking to avoid the slightest outward manifestation of itself, but within also seemed more than half distrustful of itself.” Starbuck is a natural first mate. It is against his nature to confront Ahab, not so much out of personal duty to Ahab, whom he loathes, but out of his innate attraction to duty itself and to the moral order of which duty is a part.

    Confronting Ahab, Starbuck uncovers a duty higher than shipboard chain-of-command. It could be called a duty to the truth, and Ahab will have none of it. Having heard his first mate’s request, Starbuck’s appeal to reason and to turn the oil-laden ship home, Ahab points a gun at him, telling Starbuck “there is one God that is Lord over the earth, and one Captain that is lord over the Pequod — on deck!’” Starbuck’s response is as marvelous as words can be, when words must contend with evil or a wanton self-destructiveness. “‘Thou hast outraged, not insulted me, sir,’” Starbuck explains, “‘but for that I ask thee not to be aware of Starbuck; thou wouldst but laugh; but let Ahab be aware of Ahab; beware of thyself, old man.’” Rather than the rhetoric of judgment Starbuck employs the language of sympathy, recognizing that the crew’s lives hang on the thread of Ahab’s self-awareness. Beautifully, Melville-Ishmael merges the word “beware,” as in be forewarned, into two words, “be aware,” to know oneself. Beware not being aware.

    Having stared down Ahab’s gun, Starbuck finds himself on deck (where Ahab had commanded him to go). Elated, Starbuck peers into the “golden sea.” He has witnessed evil and felt faith, murmuring to himself, “‘Loveliness unfathomable, as ever lover saw in his young bride’s eye!’” Starbuck is vibrating with moral joy, receptive to the ocean’s loveliness: “‘Tell me not of thy teeth-tiered sharks, and thy kidnapping cannibal ways. Let faith oust fact; let fancy oust memory; I look deep down and I do believe.’” Let faith oust fact, homage to a faith larger than fact, the fact of teeth-tiered sharks and of Ahab’s gun and of the nullity Starbuck recognizes as the Pequod’s chosen destination. Keeping his faith when fact merits disgust and despair, Starbuck salvages that which is best in him. He looks deep down — into the golden sea, into Ahab’s effective lunacy, into his imperfect self — and he does believe. Ahab’s descent is Starbuck’s ascent.

    Chapter 123 is titled “The Musket.” It recounts Starbuck’s anguish over Ahab. Starbuck’s mind is lucid; he is without illusion. Ahab has compelled Starbuck to choose between force and persuasion, between pulling the trigger and not pulling the trigger. In Starbuck “strangely evolved an evil thought” when looking at a musket: it is to cheat disaster. The justification for murdering Ahab is self-evident, and the consequences of such violence would not necessarily have been bad for Starbuck. “‘I stand alone,’” he tells himself, “‘here upon an open sea, with two oceans and a whole continent between me and the law.’” Having shunted aside the law, having made it contingent on time and place, he is suddenly forsaken by God: “‘Great God, where art thou? Shall I? Shall I?’” Biblical references adorn this language, lonely Noah on the “open sea,” Christ on the cross worried about God’s absence, the repetition of “Shall I?” an inversion of the unrelenting “thou shalt not” rhythm of the ten commandments.

    In Chapter 123, Starbuck finds no backdoor exit from the law. He stands down: “the yet levelled musket shook like a drunkard’s arm against the panel; Starbuck wrestling with an angel; but turning from the door, he placed the death-tube in its rack, and left the place.” The angel has stayed his shaking arm, raising a sweeping question for this novel and its readers. Is Starbuck mistaken? The extensive foreshadowing about his brittle courage furnishes one answer to the question. By emphasizing Starbuck’s deficiencies, Melville conjures regret in the reader, regret that this devil’s journey is so firmly in the devil’s hands and that angels have second thoughts. Yet two oceans’ distance from the populous land does not alter the law. The rejection of homicide is not weakness. Weakness might be the hunger to eliminate Ahab and thus to mutiny. Starbuck’s spiritual strength is his hunger not to end Ahab’s life. Sparing Ahab is a version of the law, not that the novel’s plot rewards Starbuck’s renunciation of the death-tube. His restraint is quickly punished, a destiny fully legible to Starbuck, the man who cannot shoot.

    We last see Starbuck in his professional role, in his assigned spot, doing his duty. The white whale is coming for the Pequod. “Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman’s fainting fit.” His sturdiness then dissolves into the interrogative — “is this the end of all my bursting prayers? all my lifelong fidelities,” as if at this moment he were the prodigal son’s elder brother, the obedient one to whom forgiveness and salvation seem unfairly distant. Moby-Dick’s “unappeasable brow” is aimed at the one who cannot leave his station. “My God, stand by me now,” are the words that precede Starbuck’s death. His prayers and fidelities had meant nothing to Ahab; they did not protect Starbuck from the malevolent whale, the thing that could not be appeased; but the many bursting prayers put him, his conscience clear, in good proximity to God, helping him achieve a life honorably lived and a death honorably accepted. Preoccupied with dying the right death, Starbuck would have had an admirer in Socrates. 

    Ahab shows us how democracies die. He could be revived as a hologram and put on the twenty-first century lecture circuit, explaining what authoritarianism means to an authoritarian. He could speak about charisma and mystery as authoritarian tactics, about the irrational in his crew, about its appetite for the primal and the mythic and the tribal, and about the delicious vulnerability that this appetite presents to the budding authoritarian. Ahab could tell us about hatred, a motive less ephemeral than the desire to make money or to get home or to begin the next voyage. He could speak about the authoritarian leader as an instrument of personal hatred and an instrument of generic hatred, mocking democracies and their struggle to suppress hatred’s ancient and archaic grandeur. Hatred threatens the procedural balancing acts that are the essence of democratic practice. Ahab could lay all of this out. He understands the machinery of authoritarianism. He could talk us through its instruction manual.

    Ahab is a tyrant, and in office tyrants inspire either obedience or revolution. Once Ahab is captain, democracy or whatever democracy resembles on a ship is imperiled. Precisely because democracy dies on the Pequod, while tyranny lives, Moby-Dick takes up the question of revolution. Since the crew is mindlessly in Ahab’s grip, the question of revolution belongs solely to Starbuck. Melville’s America lived in the shadow of revolution; his family descended from a revolutionary hero. Fortuitously, the American Revolution had destroyed the monarchy in the colonies without having to destroy the monarch. This was the uncommon revolution that did not entail parricide, so tame (in some respects) that the great philosophical enemy of the French Revolution, Edmund Burke, considered the American Revolution a legitimate and worthwhile enterprise. The American Revolution could break both ways, toward violence and toward law. 

    The first half of the nineteenth century witnessed multiple revolutions, all of them aftershocks of the French Revolution. One broke out in France in 1830 and others across Europe in 1848, when Moby-Dick was stirring to life in Melville’s mind. The drivers of revolution resonate in the pages of Moby-Dick, as the Pequod exhibits every incitement to revolution: gross inequality, viciousness doled out along the lines of race and class, extended physical suffering, a ruling elite (in Ahab) that lies and deceives. Ahab is more than out of touch with the people: his misrule harms his crew. It is leadership without statecraft tied to a strategy with no potential to succeed. Ahab is worse than King George III, who imposed taxes on the colonists and curtailed their rights but who did not condemn them to abject misery. George III did not eviscerate the colonists’ lives in some concerted way. Ahab is worse than Louis XVI, more comprehensive in the misery he brings to the Pequod than Louis XVI was in the misery he brought to prerevolutionary France.

    Revolutions, uprisings, and mutinies recur throughout ancient and modern history. They have their place in the reservoir of political options, but the task of uniting revolution, democracy, and law is enormous. Just as revolutions demand the suspension of law to proceed, they can ignite from the perceived illegitimacy of law. Law can shrink into a vestige of the ancient regime, and revolution can operate as law, violence begetting violence in perpetuity. Yet democracies demand a stable body of law, especially those that are hewn from revolution, and they need the law to be non-negotiable, non-situational. In democracies, law must have a status and an authority unto itself. Otherwise, democracy collapses into anarchy or disappears into authoritarianism, meaning that a single figure, the leader, can override law at will or pretend to be the lawgiver as such. Politics without law is merely what the leader dictates on his way to dictatorship. For democracies, the law must have a hold on individual citizens. It must emanate from them and cannot just inform “the system.” Citizens with agency must defer not to power but to law, since power by its nature corrupts, while law has the potential to mediate and to civilize. The law has a hold on Starbuck.

    Starbuck shows us how democracies live. He shows us in particular how American democracy lives. Growing from revolution, the American Republic made a fetish of law, inaugurating a cult of the Constitution. Starbuck is a product and a mirror of this system. If Moby-Dick is set around 1850 (and it seems to be), then Starbuck must have been born around 1820, not long after the creation of the republic. His ethos is not exactly “give me liberty or give me death.” It is not a prerevolutionary or a revolutionary ethos tinged with romanticism. His is a legal ethos: give him law or give him death — to which Ahab’s response is to give him death. Starbuck, whose devotion to the law never wavers, will not crash the constitutional order around him. Nor will he allow his singular dilemma to take precedent over the immoveable majesty of the law. Starbuck sees no path that is not the path of the law. Pressured to accept Ahab’s lawlessness, then pressured by himself to contemplate the lawlessness of killing his captain, Starbuck turns his back on lawlessness, knowingly sacrificing himself to the idea of the law.

    Thirteen years after Moby-Dick was published, the Starbuck-Ahab duel manifested itself on the national stage. High politics rewrote the literary record. The man with his finger on the trigger was an actor, not a first mate. He stood in a theater. The captain was an American president as far from insanity as a man could be, meaning that in real life the roles were reversed. John Wilkes Booth had a fevered mind and envisioned himself a warrior for liberty. He would free the country from tyranny by ridding it of Abraham Lincoln: sic semper tyrannis, thus always to tyrants, he cried as the shots rang out. Booth was a Starbuck radicalized, whereas Lincoln, for all his power, was an Ahab de-radicalized, shorn of viciousness and narcissism, if a bit like Ahab in the wounds that he carried, the family losses and the troubles that Lincoln endured. Lincoln did not indulge his grievances; he was no virtuoso of rage. If Lincoln felt lasting anger, it did not form him. He did not lead from anger. Without anger, Ahab would have no reason to lead, no reason to live. 

    As with Starbuck and Ahab, Booth and Lincoln had contrary positions on the law. The constitution offered Booth no option for redressing his fury or for assuaging his madness. He followed no laws in assassinating Lincoln, and he broke many. John Wilkes Booth in 1865 — and Lee Harvey Oswald in 1963 — wanted killing to do what the Constitution could not do: to cleanse the nation of the compromises and the legislative back-and-forth of the Constitutional republic. Their bullets would bend history with an agency that is inaccessible to the citizens of such a republic, an agency that should be inaccessible to such citizens. When not voting, citizens must consent to being represented. Power floats above them in people and institutions who are well known but far away. Citizens must accept the fallibility of these people and of these institutions. That, too, is the law, and the law that assassins brush aside as a figment of the status quo.

    Trained as a lawyer, Lincoln had a lawyer’s wiliness and a politician’s addiction to sophistry. Lincoln valued racial justice. It spoke to him as an attribute of the republic implied at its beginning, “four score and seven years ago.” It spoke to him as a desirable attribute of the future republic, the republic without slavery that would one day exist. Lincoln also equivocated and molded his messages to the limitations of his audiences. He valued racial justice but he struggled with racial equality. The early republic’s contradictions gave rise to Lincoln, plunging the United States into civil war, and Lincoln’s contradictions gave rise to a century of confusion about racial equality. There was so much that Lincoln’s presidency did not solve, so much genuine equality deferred because Lincoln had a lawyer’s talent for manipulating procedure and language. The opacity of Lincoln stems in part from his flexibility of mind and from his having a politician’s impurity. In this regard, he was neither a Starbuck nor an Ahab. Neither of these literary characters could have run for office.

    Lincoln was no Ahab at all in his worship of the law, about which he could be more philosophical than lawyerly. The government “of the people, by the people, for the people” issued from the Constitution’s “we the people,” a set of relationships in which law is the link. Self-government without law is meaningless, an exercise in self-harm. Had Lincoln been president without a civil war, he could have handled the law calmly — by not tarnishing it. He could have left a republic of laws for the next president to inherit, having been the benevolent leader of “the people,” who are also the creators and the underwriters of the law. Instead, Lincoln had to confront the precarity of law amid a civil war. He could foresee the postwar challenge of salvaging the law from the chaos of war and of administering the law in a riven nation. Fated not to live beyond the war, Lincoln’s monumental task was to serve the law while the battles and the casualties mounted.

    Lincoln muddled through. No doubt he was tempted to expand his powers; the right to habeas corpus was suspended during the Civil War, and civil liberties suffered accordingly. Yet Lincoln upheld the law in consequential ways. He ran in and won the 1864 election, ensuring that his authority would not derive from his title as commander-in-chief but from the popular sovereignty written into a presidential election. With the Emancipation Proclamation, he signaled that the travesty of slavery, which had been deeply embedded in legal practice, would be transformed less by war than by law. Via the law, an expanded sense of citizenry would fulfil the spirit of laws (as Lincoln saw it), the sentiment that all men are created equal. Ahab prizes the capricious law of one, declaring himself the uncontested lord of the Pequod. Lincoln did what he could to keep the law in the hands of the many, the basic promise of American governance. His death in Ford’s Theater, trauma that it was, was not the nation’s shipwreck. He had done enough by then for the ship not to sink.

    Like Starbuck, Lincoln had the soft feeling of the human in him. In politics, the ideal is the conjunction between the law and the soft feeling of the human. Starbuck’s character instructs us not in anything absolute about law and about love — both can be compromised, corrupted, perverted, overridden. Often enough the horror wins out. Starbuck instructs us in the preciousness of the law and of love as human and as political traits. In Lincoln these traits were united as they rarely are in political leaders, the nation’s good fortune amid the ill fortune of civil war. When a Lincoln is not at the helm, disaster is by no means inevitable. A great deal is up to the citizens who are not president. Starbuck should be their patron saint, if literature can make this possible, because he must live under Ahab without coming to resemble Ahab. To survive as Starbuck, he must live as a decent citizen, and he does.

    Irandoost, or Confessions of a Patriot

    On the long list of things that bother me about much of the left today, especially in the West, is its allergy to patriotism. In my own understanding of human commitments, loving your country and holding socialist ideals are not contradictory commitments. One can easily maintain both. But the history of the left shows that there has never been anything obvious or untroublesome about this combination of allegiances. My own story helps to explain why. 

    My path to this dual identity has been long and winding. Born in 1988 in Tehran, I grew up in the immediate post-Soviet era when most varieties of leftism had gone seriously out of fashion, especially among my fellow teenagers in a country that had fallen victim to its own revolutionary utopianism. But I had already been swimming against the current — I identified myself as a Marxist in my early teens, whatever one could mean by such labels at that time. But this identification never made me any less of an Iranian patriot or, to use a common Persian term, Irandoost, roughly translatable as “Iran-lover.” 

    Despite my Marxist politics, I remained a typical Iranian. Iranians are known for their strong pride in their country and their culture, and I shared that pride then as I do now. I took pride in Iran’s long and beautiful civilization and how our story has often been central to world history: who else is mentioned both in the Bible and in ancient Chinese chronicles? As a writer, my primary vehicle for my love for Iran has probably been the Persian language, a tongue spoken in its current form for centuries. It was my love for this language that propelled me to become a writer in the first place: I couldn’t think of anything I wanted more than crafting sentences in Persian, throwing around Persian words like playdough. I still regularly revel in the fact that I share a mother tongue with Rumi, Hafiz, and Saadi. Their medieval poems all sound so uncannily contemporary, some essential vitality in the Persian language having been preserved throughout its long evolution. I could go on and on about Iran’s cinema, and Iran’s social movements, and everything else that makes me proud of my origin. 

    Yet we have a tendency also for self-glorification, and I am not proud of this particular attribute. Our national pride can border on obsession, on excessive self-love. We must always beware of it. It must be criticized as a self-centered attitude that, like so many forms of nationalism, ends up blinding many to their country’s flaws and tensions, and making them less open to the world. Worse, it leads to blind embrace of national mythologies and to the smug disregard of our actual history. 

    In the Iran of my youth, even quotidian patriotism had a subversive edge to it. The Islamic Republic that ruled us was based on an austere and militant ideological Islamism, which meant that so many of us who opposed it ended up, knowingly or otherwise, championing a form of national identity as resistance. We were hoping to resist the regime’s quest for the creation of a New Islamic Man by our insistent perpetuation of historically rooted Iranian traditions. The nation would frustrate or thwart or bring down the theocracy. An old civilization would defeat a new tyranny. 

    Of course, like most revolutionary regimes, the Islamic Republic understood that, if it was to have any chance of survival, it needed to co-opt a form of nationalism. By the early 1980s, it had already given up on the more radical plans of its early years to ban Nowruz, the national new year, or to raze the tomb of our fabled medieval poet, Ferdowsi, whose Shahnameh, or the Book of Kings, is perhaps the single most beloved book of poetry for Iranians. But the regime continued to prohibit many forms of open patriotism. National traditions celebrated for centuries by millions of Iranians, such as the fire festival held on the last Wednesday of every Persian year, remain officially forbidden. Moreover, the regime presents a very restricted vision of Iranian culture, and it heavily censors its expressions. On the pages of the officially approved textbooks, or in the halls of the regime-run cultural centers in Sarajevo or Mexico City, you will find an Islamist narrative of Iranian history that excludes many of the great achievements of Iranian culture, old and new. No poetry by great poets such as Ahmad Shamlou or Forough Farrokhzad, no films by great directors such as Abbas Kiarostami or Dariush Mehrjoee. As a result, something as simple as championing Iranian arts and culture has long been seen as a form of national resistance to the hated clerical regime. 

    I kept to this vision of patriotic resistance even after joining a clandestine socialist group that was harshly anti-religious as well as anti-nationalist. I debated with the other members about the legitimacy of patriotism. I agreed about socialist internationalism, but weren’t we, after all, also fighting for Iran, for our particular country, to save it from the clutches of a hated dictatorship? Surely one could be both an internationalist and an Irandoost? Well, maybe not so surely.

    I left that group behind a long time ago and my politics has had its ups and downs since. But that contradiction has never quite gone away. When I was twenty years old, I left Iran to study abroad. In Canada, Great Britain, and the United States, I naturally joined leftist groups and then came to marvel at how much of their politics seemed to be rooted in a form of oikophobia — hating all that your country stands for. Of course, it would make sense for leftists to hate how bad things were in their country — they were agents of change, after all. And it would make sense for the citizens of the world’s foremost imperialist powers to critique its reach — they were seeking justice, after all. But could politics be possible without a positive vision for your own country? Without any sense of identification with the national-political community in which you were trying to realize your political principles? Not that I had simple answers to these questions. Sometimes their converse haunted me. If politics was to be rooted in identification with one’s country, what happens to the avowed internationalism of the socialist movement? Hadn’t Marx taught that “the workers have no country?” 

    As I grappled with these questions, I soon discovered that there were more erudite and complex ways of dealing with them. For my first degree at the University of Toronto I decided on an unusual major, the then-nascent Diaspora and Transnational Studies — a whole field of study that could be described as an interrogation of the concept of “home” and what it means to be from somewhere. Under scholars such as Ato Quayson and Anna Shternshis, I read my Benedict Anderson and Eric Hobsbawm, my Stuart Hall and Audre Lorde. I learned about “methodological nationalism” — taking the division of the world into nations as a primordial immutability as opposed to a contingent arrangement of historical circumstances. I learned how identities are “socially constructed,” and how supposedly ancient traditions had been “invented” in more recent times. 

    In the years to come, questions of belonging and nationality would become relevant far beyond the debates of small leftist groups or the halls of academia. In the Middle East, the quick spread of the Arab Spring movements from one Arab country to another reminded us all of the heyday of Pan-Arabism in the 1960s and 1970s and the continuously porous borders of the modern nation-states. I wrote an article in Persian that I titled “The Arab Revolution and the Death Agony of the Nation-State.” I was excited; I was naive. The grand new Arab revolution never arrived, and the spring of hope ended in a freezing winter of authoritarianism and sectarian civil wars. The so-called Sykes-Picot borders of the Middle East, much lamented by progressives as a vestige of imperialism, were indeed torn apart, but not by any emancipatory project: it was ISIS that destroyed them. Civil wars ravaged Syria, Libya, and Iraq, leaving their people wishing not for further breakdown but for strong national states. 

    Elsewhere, the age of liberal globalization with its celebration of federalism in Europe and free trade across the world gave way to a newly emboldened and increasingly extreme right-wing nationalism. If there was any doubt that the old consensus of the West had been torn asunder, 2016 put it to rest with the twin shock votes on both sides of the Atlantic: the Brexit referendum in June and the election of Donald Trump in November. In the space of five months, a twenty-first-century politics that was both progressive and patriotic seemed to have been falsified. 

    But is there truly no way to love your country as a universalist? To denounce your country even as you love it?

    I have never had any desire to be a contrarian or to occupy a minority position politically. Contrarianism is almost always a pose, a way of attracting attention to yourself, and glorifying in minoritarianism is often a form of virtue-signaling. (Not everybody in the wilderness is a prophet.) But it has turned out that my own tendencies have gone the opposite way of the fashionable anti-nationalism left. Somewhat ironically, after all these years of critical study, I have come to believe that there was something right about the precocious patriotism of my youth; and also that if the left is to have any chance, it must rediscover its love for the nation. 

    To chart a future out of the current impasse, I resorted, like many leftists, to looking deeper into the past. My graduate studies in history culminated in a dissertation on an oft-forgotten aspect of the Communist parties of the twentieth century: the way they mixed their staunch internationalism with a patriotism. Communist parties are hardly an obvious place to look for inspiring patriotism, or much else besides. They are now hated by all sides. Liberals and conservatives, Trotskyists and New Leftists all condemn the Communists as authoritarian Stalinists and dogmatic doctrinaires. Many of the recent histories of the left coming out of the academy champion various leftist currents of the 1960s, with their conceptual innovations and norm-breaking; historians write glowingly of “the anti-authoritarian revolt” of 1968 in West Germany and the adventures of the counterculture from Australia to Brazil. Much less love is lost on the dour Communists with their orthodox Marxism and their relatively conservative attitude to the innovations of the 1960s. 

    Dour they certainly were, and in many ways a revolting lot. But the more I studied the Communist parties in the Middle East, my area of specialty, and beyond, the more hooked I became. (As I say, in these things I have a knack for going against the grain.) Of course there was much to criticize and even to loathe: their adulation of the Soviet Union, a criminal blood-soaked state, and their lack of any proper conception of democratic socialism. But here were political parties with millions of supporters which seemed to balance eventual revolutionary goals with a day-to-day practical politics. From Italy to Japan, they ran effective municipalities while also organizing a national and international force for socialist politics. 

    What fascinated me most about the Communist parties was how they were simultaneously much more internationalist and much more patriotic than the contemporary left. I could see this in the relationships between Iranian, Iraqi, Palestinian, and Israeli communists. In an era when peoples of the Middle East were harshly divided by national and sectarian conflicts, the internationalism of communists meant that they were able to transcend these divisions and work together as, well, comrades. The tales of such transgressions are often nothing short of heroic. When the Iranian state went after its communists following the CIA-backed coup of 1953, it was the Iraqi communists who helped to smuggle their Iranian counterparts into Iraq. The Iranians returned the favor, helping Iraqis hide out in Iran after yet another CIA-backed coup in Iraq in 1963. When the partition of Palestine in 1947 was followed by a ferocious Arab-Jewish war and the accompanying Nakba, Israeli and Palestinian communists stood in solidarity with each other, keeping to this solidarity against all odds and throughout the decades to come. From Iraq to Palestine to Syria to Iran, Arab and Iranian communists bravely defended the right of Jewish Israelis to self-determination, which amounted to a defense of Israel’s right to exist. In 1954, the Iraqi Communist Party ran a campaign on the theme of “Arab-Israeli brotherhood.” The Palestinian poet Mahmoud Darwish, a communist, once declared: “We recognize the State of Israel and the Palestinian people’s right to self-determination. This is the starting point in all that we do: This land belongs to both peoples, and both have an equal right to exist.” Jewish Israeli communists, meanwhile, became the biggest champion of the rights of the Palestinian citizens of Israel and the most vociferous opponents of the occupation of Palestinian lands after 1967. 

    But what made the communists stand out wasn’t their cross-border solidarity. Many others have shown such transnational loyalties. These communists were distinguished by their patriotism. They were invested in a notion of the nation as a legitimate and meaningful political community that was to be prized and defended. Were they simply blind to all that I had learned in school? Didn’t they know of the many bloodied fields left behind by nation-states, of the dangerous consequences of nationalism? 

    I came to realize that the communists were able to distinguish between patriotism and chauvinism, between inclusive and exclusive forms of nationalism. For them, a nation was a historical reality, a stage in the development of humanity, and it carried immense potential for good. These communists seemed to implicitly accept that their foundational text, The Communist Manifesto, had gone too far when it suggested that workers had no countries. After all, wasn’t that infamous line contradicted by the concluding battle-cry of the same text, “Workers of all countries, unite”? Aller Länder!

    Throughout the twentieth century, as new nations came to replace collapsing empires and the nation-state emerged as the default political community, old-school socialists and communists worked not against but through these nations to bring about the global fraternity that they advocated for. Or at least some of them did. 

    My belief in socialist patriotism came in handy in 2022–2023, when the uprising broke out in Iran. I could identify an unmistakable feature of the rebellion: its project of national reclamation. The movement in Iran soon became identified with a slogan it borrowed from the progressive Kurdish movements in Syria and Turkey: Woman, Life, Freedom. But it was also clear that, for many Iranians taking part in it, this was also a national uprising. The old Iranian flag, the tricolor with the Lion-and-the-Sun, had long been dismissed as a monarchist symbol. As the last crown prince of the overthrown monarchy, Reza Pahlavi, emerged as a key political figure during the revolt, this association was further established. But for many Iranians, the old flag, which predates the Pahlavi monarchy by centuries, dating at least to the Timurid Iran of the 1400s, has become not a partisan symbol but a national symbol. It is linked to a program of national revival, not monarchist legitimism. Even some leading government officials in the Islamic Republic now openly regret the gutting of the old symbol and speak of reclaiming it for the nation. As Iranians yearn to take their country back from a small corrupt clique, they hunt for the traces of their deeply rooted history. 

    When I declared my affection for the national flag, I was predictably attacked by my compatriots all over the political spectrum. Those opposed to the left indignantly asked how an internationalist socialist can be a patriot. They invoked a Persian epithet long used to condemn cosmopolitanism of all kinds, Bi-Vatan (homelandness) or Jahanvatan (one whose homeland is the world). The hardliners on the left would conversely demand to know how I could defend a nationalist flag. Both sides missed entirely the Iranian left’s history of fervent patriotism, best demonstrated in the communist Tudeh Party of Iran. Tudeh is now derided on all sides for its supposed subservience to the Soviet Union, doubly offensive for the grand Russian state, Iran’s more powerful northern neighbor, had long harbored predatory designs upon it. Many Iranians seemed to have forgotten what a large percentage of the most brilliant Iranian writers and intellectuals had spent at least some time in the Tudeh, while others had been, at one point or another, influenced by the party’s internationalist ethos — an ethos that helped link Iran to the world via communist poets such as Langston Hughes and Pablo Neruda. When Iranians shop for a copy of Ferdowsi’s Shahnameh today, they are most likely to get one based on the “Moscow edition,” an elegant canonical version, mostly based on a thirteenth-century manuscript in the British Museum. The formidable editorial work on this critical edition was done by Abdolhossein Nushin, a communist playwright and a Ferdowsi scholar and a staunch member of the Tudeh Party. Like many prominent communists, he had fled Iran for the Soviet Union during a wave of anti-communist repression by the Shah in the late 1940s. The coup in 1953 made return impossible and he spent decades in his Soviet exile, working on the Shahnameh. The old Iranian masterpiece became the subject of his doctoral dissertation at Moscow’s Maxim Gorky Literature Institute. He died in Moscow in 1971. 

    Another Iranian communist exile in the USSR was to play an even more consequential nation-building role. A Kurdish poet born in Kermanshah in 1885, Abolqasem Lahouti had been active in the Communist Party of Persia (the old name for Iran before it was changed in 1935). Sentenced to death in the 1930s, he fled Iran for the Soviet Union, where he became a leading cultural official of the only Persian-speaking constituent republic of the USSR, Soviet Tajikistan. The Central Asian nation had been carved out of the old Russian imperial holdings in Transoxiana, and its Persianate identity meant that its burgeoning culture was based on Iranian sources such as Ferdowsi. As nation-building efforts were ongoing across the interwar era in the USSR, before being snuffed out by Stalinist repression, Lahouti found a use for his extraordinary Persian literary skills. He was to lead something of a literary revolution, connecting the Persian-speakers of Tajikistan to their broader cultural-linguistic patrimony across the Oxus. Among the many poems he wrote was the national anthem of  Tajikistan. With the help of his wife, a Jewish Ukrainian-born scholar of Iranian studies named Cecilia Banu, Lahouti also translated Shahnameh into Russian. Despite reaching the highest Soviet literary echelons, Lahouti asked to be buried in a free Iran. When he passed away in 1957, such wishes were not to be respected. Instead, he was buried in Moscow’s well-known Novodevichy Cemetery. A few years later he was joined there by another patriotic communist poet, Turkey’s Nazim Hikmet, who died in Moscow in 1963. 

    Hikmet, too, had wished to be buried in his native Anatolia. Like Lahouti, he was a communist invested in his patriotism. In the early 1920s, he had been a soldier in the Turkish War of Independence, when he fought under Mustafa Kemal Ataturk to create the nascent nation of Turkey from the ashes of the Ottoman Empire. But the new nation had no place for communists and he was forced into a Soviet exile. Later he was stripped of his Turkish nationality, which reverted to him only in 2009, decades after his death. But to the end of his life Hikmet remained faithful to his feelings for his homeland. One of his last poems, written in July 1962, was a defense of the love for his country, an angry rejection of the claims that he was a traitor to the nation. It has survived, in translation to many languages, as a robust defense of a dissident patriotism everywhere. 

     

    Yes, I am a traitor, if you are a patriot, if you are a defender of our homeland,

    I am a traitor to my homeland, I am a traitor to my country.

    If patriotism is your farms,

    if the valuables in your safes and your bank accounts is patriotism,

    if patriotism is dying from hunger by the side of the road,

    ….

    if patriotism is not escaping from our stinking black-minded ignorance,

    then I am a traitor.

    Write it over three columns, in a pitch-black screaming streamer,

    Nazim Hikmet is continuing to be a traitor, still!

    Modern Iranian arts and letters, just like those of most other countries, are littered with such stories of socialists and communists playing a critical role in building a modern nation. It is a powerful form of historical amnesia that has made us forget them, turning the politics of patriotic socialism into an unexpected internet joke instead of a real political force.

    Why did Lahouti and Hikmet cling to their Iranian and Turkish patriotisms years after arriving in Moscow? They were proficient in Russian and lived Muscovite lives. Were they not limiting themselves by being beholden to a particularistic identity they could have easily sloughed? In my own long years of exile from my homeland I have often asked myself the same question: Why keep holding on to this identity? Why the patriotic stubbornness? 

    The Jewish American writer Eva Hoffman once wrote: “No, I’m no patriot, nor was I ever allowed to be. And yet, the country of my childhood lives within me with a primacy that is a form of love.” But for me that love-as-primacy does allow one to be a patriot. Hoffman, a Jew born in Kraków in 1945, will always have a different relationship to the Poland she loves, the Poland she left behind as a schoolgirl. But as she goes on to explain her love for the Poland of her birth, even after the terrible things that happened there, she gives us a clue to the durability of the very patriotism that she disowns. “Is it blind and self-deceptive of me to hold on to its memory?” she writes. “I think it would be blind and self-deceptive not to. All it has given me is the world, but that is enough. It has fed me language, perceptions, sounds, the human kind. It has given me the colors and the furrows of reality, my first loves.” 

    I could wrap myself in a chic, rootless cosmopolitanism, dutifully citing my Albert Memmi, my Edward Said, my Frantz Fanon. But instead I remind myself that the vast majority of humans, living now or ever before, have not been exiles. Of the world’s 7.9 billion people today, in this age renowned for the magnitude of its global migrations, more than 96 percent live in the country of their birth. It is there that they get their “language, perceptions, sounds, colors, first loves.” While I will never give up the struggle for universalism and internationalism, or the belief that the human race is ultimately one, that all the achievements of human culture everywhere belong to us all, that our ultimate destiny can and must be linked, it would be “blind and self-deceptive” for such grand notions to mask the fact that humans live a short and limited life and that they are defined by the specificities of history, geography, and ethnicity. Nobody comes from nowhere, not even cosmopolitans. Humans are not abstract denizens of the globe but concrete people from somewhere, speaking some language, the sons and the daughters of some people. 

    Nation-states came of age in the twentieth century, steeped in blood. But everything in that Age of Extremes was steeped in blood. Transnational revolutionary fantasies have killed at least as many, and probably more. If we focus on the silly self-deceptions of nations or their ugly propensity for exclusion, we lose sight of the deep meaning that they nonetheless hold for millions of people. Imagined Communities, Benedict Anderson’s field-defining study of nationalism, from 1983, is often remembered today for its titular concept: that nations, like all other communities of considerable size, are a work of imagination by their denizens. It is less well known that Anderson’s book was hardly a brief against nationalism. Despite his critical outlook, the Anglo-Irish historian appreciated the “deep horizontal comradeship” of the nation that has the potential to cut across differences in race and class. Compared with the ambers of ethno-chauvinism that helped burn down much of the world in the past century, we are justified to look with some nostalgia on the massive multiethnic empires of the Austro-Hungarians or the Ottomans and their ethos of coexistence despite difference. But we would do well to remember also that a hierarchy of peoples animated empire and sat uncomfortably with the demand for representation and democracy. Perhaps, if history had gone differently, the grand empires could have transitioned to states with more expansive notions of belonging instead of being cut into ethno-states or post-imperial units. But counterfactual history is hardly a guide to the future. 

    When we think of nationalism, we would do well to remember, too, the millions of people who, in the age of individualist capitalism, are inspired to do good because of their allegiance to the collective that they call their country. I think of my wife and her Turkish compatriots lining up for hours, in Istanbul or in Chicago, to vote, because they care about the fate of a country that they love. I think of my Israeli friends who, in 2022, came out week after week, whether in Tel Aviv or New York, to brandish the flag of their country — indeed, to reclaim it from the chauvinists — as they fought to preserve its democratic institutions. I think of my Palestinian friends and the watermelon colors of their flag, of how they carry the love of their land everywhere they go, as they fight for it to be free of occupation. I think also of the Iraqi and Lebanese citizens whom I met in 2019, when they were fighting for effective national states and sovereignty for their nations against the encroachment of foreign powers, including Iran. 

    For these people, the fact that their country was under terrible leadership did not diminish the need for patriotism; it augmented it. Patriotism does not mean obedience to the state but a commitment to the fate of the nation. The challenge of being patriotic in a country with a currently abominable leadership is all too familiar to Americans today. As this country celebrates its semiquincentennial, it has to face the fact that its national life has been dominated for almost a decade now by Donald J. Trump, whose crass disregard for its democratic intuitions and norms has made many Americans nervous or worse. But to give up patriotism to Trumpism, to surrender the love of one’s country to the deterioration of one’s country, would be the height of folly. Having lived most of my years in this country under his presidency, I have never ceased loving America. It is precisely to recover the best of the American enterprise, precisely under the Stars and Stripes, that Trump can be most effectively opposed. 

    As all these cases show, the nation-state is an effective space for political contestation, where we may argue that citizenship should belong to everyone who lives there, where we may build projects that are, by their very nature, collective. If there is to be a future of global fraternity, reason dictates it must start with the nation. In the real world, giving up on strong and sovereign national states has not benefited the cause of a universal humanity; it has benefited only sectarians and individualists, and a great many scoundrels of myriad ideological stripes. 

    It is easy to wave a flag, but it is also easy to casually declare your lack of interest in that ritual, to strike a pose of moral superiority over the common arrangements of humankind in your time. After all these years, after many brilliant teachings to the contrary, I have come to believe that a genuine love of one’s country can be a force for good. And so I will continue to permit myself to be, even now, a patriot. 

    The Unlovely City: An Unsent Letter to Joseph Brodsky

    June 21, 1988

     

    Dear Joseph Brodsky,

     

    It has now been six months since you delivered your Nobel Lecture on poetry and politics, and six months since I first read it in the pages of The New Republic. My first reaction was one of mild disappointment, a sense of having been let down by someone I thought I understood. As I look back over your lecture, I wonder whether you could have anticipated the reactions you triggered by making the case for poetry, and more generally for art, that you did. I wonder how well considered were your remarks that, “had we been choosing our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth,” and then this:

    I believe . . . that, for someone who has read a lot of Dickens, to shoot his like in the name of some idea is more problematic than for someone who has read no Dickens. And I am speaking precisely about reading Dickens, Sterne, Stendhal, Dostoevsky, Flaubert, Balzac, Melville, Proust, Musil, and so forth; that is, about literature, not literacy or education. A literate, educated person, to be sure, is fully capable, after reading this or that political treatise or tract, of killing his like, and even of experiencing, in so doing, a rapture of conviction. Lenin was literate, Stalin was literate, so was Hitler; as for Mao Zedong, he even wrote verse. What all these men had in common, though, was that their hit list was longer than their reading list.

    Do you really believe that a man cultivated by Stendhal, Dickens, Dostoevsky, and Musil would be incapable — or at least less willing — to squeeze a trigger in service of an idea? I wonder because we have both, more than once, heard a similar aesthetic political equation expressed in the credulous question: “Can such things be possible in the land of Goethe and Schiller?” And we both know the answer. Yet I cannot imagine that, were we together to draw up lists of those rulers guilty of the worst crimes, you and I could not also agree upon a list of writers — good writers, perhaps great writers — capable of excusing each and every one of them. Neither of us would wish to be ruled by Lenin, Stalin, Hitler, or Mao; nor, I suspect, would we place our fates in the hands of Brecht or Genet, Céline or Pound.

    So the issue, I assume, is not one that can be decided on the basis of reading lists or body counts. The issue is poetry itself. It is the claim poetry makes for the moral import of aesthetic experience and the challenge that all art offers — and has always offered — to the very possibility of politics in any elevated sense.

     Rarely do we find the matter set out quite so baldly as you managed to do when you painted a picture of demiurgic political man violating aesthetics, which you called “the mother of ethics,” then spiriting us back into what you call our political past of “total mass solutions to the problems of human existence,” while we amuse ourselves with “mass police entertainment.” You invite us to resist temptations from these “champions of the common good, masters of the masses, heralds of historical necessity,” and to return from our prodigal wanderings to the Muse who can still transform each of us from anonymous zero into “autonomous ‘I.’” 

    The image could not be clearer, and, really, who could resist even facing such a choice, one promising high stakes and thrills while demanding little sustained thought about the nature of the alternatives? Art is like that, aestheticizing not just itself and its objects but, more dangerously, aestheticizing its adversaries, politics first among them. Something in me instinctively recoils at these falsely posed alternatives. Yet I have also come to see why this aestheticized notion of politics could acquire such a strong hold on those who have experienced the worst excesses of modern politics. For these aestheticized political alternatives — the soul or “the state,” individual conscience or “mass conformity,” autonomy or “authority” — were for many in the twentieth century the only real choices available. The starkest, crudest aesthetic image cannot begin to approach the political reality under modern tyrannies. 

    The human spirit naturally longs for escape when decent, humane political relations are replaced by the “post-political” materialist state that demands of every spirit its pound of flesh (because it only believes in the flesh it can touch). To escape the velvet prison that state socialism offered, the captive mind sought and accepted almost any form of transcendence. For some, still hopeful of change, however meager, a dreamy “antipolitics” of engagement was inviting; for others, less hopeful, the turn within was made by means of religion, poetry, scholarship, mathematics, even chess.  

    I have one friend, a computer specialist, who in Communist Poland effused over the spiritual possibilities of Go, the Asian board game. Another, a historian, prided himself over his memorization of the order of battles in the Mexican‑American War, a study of which has allowed him to be a pure historian, he said, without addressing contemporary political concerns. A third, a philosophy professor, spent his time quite pleasurably on abstract “decision theoretic” models of economic and political choice. When I, stupefied, asked why someone living in a country with overwhelming concrete problems would study “models” that few in the West would find relevant to their own condition, he answered quietly, “Because there are solutions.” 

    Art, too, offers a solution — precisely because it rejects the mass political solutions you describe. The life of art, less than its works, poses and resolves a dramatic existential choice. Behind the Iron Curtain this aut aut was frighteningly close to reality. But in the West? Can it really be said that human beings, artists or not, are systematically forced to choose between their souls and their skins in our bourgeois Western democracies, that the transcendent life of art — or religion, or science, or chess — is the only means of resisting the gravitational pull of the centralizing state? Again, everything you have written in the past leads me to assume we agree and need not rehearse the arguments: this is nonsense. The artist is left alone in the West; he is free.  

    Many writers or painters here would deny this, as you know, and try to persuade us that the commercial forces or the democratic indifference that deny them a following also constitute their unfreedom. During the Cold War we saw them fall prey to the basest moral inversions, condemning the prosaic liberties of Western democracies while ricocheting from cause to cause — today a tyrant from the bush, tomorrow a prophet from the mountain — all aestheticized to square with what Thomas Mann called the artist’s instinctive bellezza radicalism. But we know to distrust such people. We have learned to distrust anyone — Augustine, Rousseau, Marx, and our artists — who would entice us to exchange our political freedom for an illusory “emancipation.” Political freedom is not everything, nor the highest thing. But it is what it is: freedom.  

    Such Westerners leave me to wonder: can artists ever make their peace with what politics at its best might offer the human spirit? Can they, to vary the tired joke, ever accept a state that will have them as citizens? And I do mean citizens — not dissidents or commissars, the two roles artists are most accustomed to play, but the citizen comfortable with having a voice that is only one among many. Your lecture has forced me to restate an old problem in its most radical terms. We can no longer suppose that the antagonism between Western artists and Western liberal democracy is simply an ideological one, since Russian, Czech, Argentine, and South African dissidents, for example, are all celebrated today by fellow writers here in the West. This despite varying estimations of those regimes; indeed, as the case of Cuba shows, it is not uncommon for both the regime and the writer to win praise (the first for literacy programs, the second for daring to be literate). There is no inconsistency here, no double standard. From the aesthetic point of view, the high drama offered by the clash between artists and their governments is, in every case, the same drama which the West denies to its writers, painters, sculptors, filmmakers, and musicians. Your lecture did, no doubt, attract many who seek to live aesthetic lives, but I would venture that there could be no honest self‑recognition in the titanic struggle you describe between poet and city. I imagine instead a palpable sense of yearning, a desire to participate in that drama, and not in this one in the here and now. 

    Yet there is indeed friction between the demands of art and those of Western democratic politics, and it begins in the incontestable fact you mention — that no poem worthy of the name is democratic. Auden, as you know, wrote that “a poem which was really like a political democracy would be formless, windy, banal and utterly boring.” This truth carries with it a corollary, one that Auden wisely considered of equal import, and one that begins to mark the difference between us. He knew that no city worthy of the name is poetic, and that aesthetics therefore cannot claim clear maternity rights to ethics. 

    The whole aim of the poet, or any other kind of artist, is to produce something which is complete and will endure without change. A poetic city would always contain exactly the same number of inhabitants doing exactly the same jobs forever . . . it would be a nightmare of horror for, given the historical reality of actual men, such a society could only come into being through selective breeding, extermination of the physically and mentally unfit, absolute obedience to its Director, and a large slave class kept out of sight in cellars. 

    Why is this? What is there in the poetic imagination that makes it so impatient with the pulsing activity of democratic politics? You offer some clues when you write that “if art teaches anything it is the privateness of the human condition.” Even the conversation you describe between poet and reader is unlike the conversation one has in the society of articulate company. There are no authorial responses to the reader’s I object!; no questions are entertained; no one makes a fool of himself. The relationship is like that between certain old friends for whom everything is so thoroughly understood that nothing is left for discourse to unveil. There are only announcements. The poetic relationship is, as you say, one of “mutual loneliness” that bears its fruit in mutual misanthropy. 

    This conversation, if indeed it can be called that, is distinguished by the dominant status of the poetic instigator, who is first and foremost a creator. He is accustomed to a world of his own making in which only a few are invited to share, and in which his rules are obeyed. If he learns at all it is from other poets who treat him likewise; he does not learn from his reader, nor could he, for they are not engaged in a common project, no matter how well they think they know each other. In Auden’s “daydream College for Bards,” you recall, each pupil looks after an animal and cultivates a garden plot; he does not join in laying out a public square or in cultivating friendships. 

    To this jealously guarded privacy of the poetic creator must be contrasted the publicity that attends participation in democratic politics. A well‑ordered republic does not seek to erase the privacy of its members, but it does invite each of them to create another, less intimate persona capable of participating in the conversation of citizens reflecting on the ends and means of public action. This invitation has its price — a sort of public‑private schizophrenia — as well as its own distinct benefits (not least among them, an antidote to misanthropy).  

    Indeed, the vocabulary of democratic politics was developed explicitly in order to protect men and women against those like the tyrant, the priest, and the poet, who believed that ruling legitimately derives from making, not from speaking and listening. This is a highly specialized vocabulary, comprised of certain words for which poetry has no cognates: legitimacy” and “consent” cannot be translated into artful verse, the way “nobility” and “injustice,” the words of revolutionary politics, can be. This is because the poem, like the tyrannical state, is a static object inviting aesthetic treatment, while democratic politics is an activity that can be joined in but not painted. Whenever the artist tries to capture this political movement, he fails. Even if he looks to a regime that cultivates what Aristotle considered the essence of politics — ruling and being ruled in turn — he will take a snapshot that seems only to reveal domination by some and the anonymity of others. 

    Anonymity is what the aesthete fears above all, and our attempts to convince him that participation in one sphere, where he will be one voice among many, need not extinguish autonomous creation in another, can never fully allay those fears. As he sees it, and as you yourself express it, one task of poetry is to assert categorically the individual and the exceptional against the mass and the average. It is, if I understand you, an ethical task in a negative sense: it inculcates skepticism about mass solutions, heightens moral “polyphony,” and shapes a new aesthetic reality that “makes one’s experience even more private.” 

    Liberal sentiments, to be sure. Yet whenever the artist speaks of privacy, individuality, and exceptionality he is really praising aesthetic, not political, freedom — a shift in focus that can have the most profound and far‑reaching political consequences. Poets, as poets, are simply incapable of thinking in the categories of politics, no matter how “political” or “engaged” they aspire to make their art; they are constitutionally conditioned to believe, as Schiller has it, that “through beauty we arrive at freedom.” “Robespierre is only estimable,” Baudelaire wrote, “because he has created a few literarily estimable sentences.” Irony apart, this remark reveals everything about aesthetic depth of field. Auden, I think, came to distrust it deeply; he understood that “all poets adore explosions, thunderstorms, tornadoes, conflagrations, ruins, scenes of spectacular carnage” — which is why “the poetic imagination is not at all a desirable quality in a statesman.” Driven to their extremes and sufficiently aestheticized, the “individual” and “exceptional” can make war against political freedom. 

    The democratic city is not beautiful. The Average rules here, insurance against some kinds of tyranny but not against vulgarity or boredom. And yes, Auden was right, at times it has seemed that, in our crude utilitarianism, “a voice without a face / proved by statistics that some cause was just” — an excusable lapse, for a people can understandably grasp for the dependable low justice of being counted instead of holding out for the fickle caprice of poetic justice. As for being “champions of the common good,” I offer no apologies, for this consideration of what is truly common, truly public, is precisely what distinguishes the democratic republic from those “masters of the masses, and heralds of historical necessity.” 

    You see, I am unwilling to concede the moral high ground to aesthetics, which can be called “the mother of ethics” only if we accept that the individual and the exceptional define the true locus of the ethical life — if, that is, we side with Kierkegaard against Aristotle. The voice of poetry today only gives us the exceptional individual, a solitary self‑creator or, at most, the product of a language, whereas the voice of democratic republics speaks of both city and citizen, each shaping the other in turn, first through the work of the “common man,” second through the good city making him a little less common. These moral viewpoints are radically at odds and cannot be translated one to the other because they see different phenomena. 

    As you put it, literature is “the reaction of the permanent — better yet the infinite — against the temporary, against the finite” that weighs down political life. Yet democratic politics is not a prisoner of “yesterday,” as you would have it, though its relation to time is not that of art. In a democratic republic, eternal human relations must make room for the necessary transitory ones, for we cannot bear too much eternity. Obligations to past and future must be fulfilled; taxes must be paid and censuses taken; life goes on. For archetypes there is no tomorrow: the eternal figures with their eternal problems wander about endlessly like Pirandello’s characters, forever young, searching for an opportunity to reenact the same drama, only to reach the same ending over and over again. But in a democracy time does not stand still, and there are no endings, happy or sad. The drama of Antigone is only timeless when seen through aesthetic eyes; the political man wants to know what happened after that, and after that. In art, Antigone is timeless and necessary; but in a living democracy a population of flesh and blood women making the same nonnegotiable demand, ceaselessly and without distinction, would be impossible. An immortal Antigone: who could stand her? 

    The danger of poetry, though, is not that it aspires to something beyond the temporal and political, that it sees itself, as you bluntly put it, as “the aim of our species.” Philosophy makes that claim, as does religion. But the poet, unlike some philosophers and saints, is bred to believe that the road to the beautiful must itself be beautiful, and since any existing political order, however decent, will fail this aesthetic test, he refuses to learn its language or recognize its civilizing potential. At their most highly developed, philosophy and religion become politic, they become bilingual, and through that development reveal what the city can offer and what lies beyond it. Poetry’s private language is jealous, though, so rather than risk offending it by learning another, the poet will withdraw from politics to find his own path to the beautiful, or he will join any mad utopian project promising to build the road with Schiller’s “significant stones.” 

    Although poetry would cease to be poetry if it merely spoke this language of politics, it must become bilingual if it is to fathom the conditions that extinguish it or give it freedom to develop. It must comprehend the tyrant in political terms and resist the temptation to aestheticize him; it must come to understand the democratic republic, not merely endure it. For the private poets who celebrate the morality of absolute privacy, this democratic tongue will be the most foreign of all, one offering none of the ultimate satisfactions other languages have previously led him to expect. If they learn it, they will never be able to translate it into verse; it will always remain a language apart, a lingua della casa. For although it is the most articulate language of human necessity, there is nothing lovely to be said in it.

    Yours sincerely,