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    Numbers and Humanity

    In the final weeks of World War I, Oswald Spengler published Der Untergang des Abendlandes, tamely translated as The Decline of the West. Its almost a thousand pages of turgid Teutonic prose swept over mangled Europe like a tidal wave, becoming the still-young century’s best-seller. (A second volume was published in 1922, to less rapturous…

    The Modernization of Duties

    The conventional belief about the well-known dichotomy of duties and rights is that the former are premodern and the latter are modern. Some have celebrated “the age of rights” while others express concern that modernity takes “rights talk” too far. There is a human rights movement, as if duties require none. The last American secretary…

    Between Leah and Rachel

    Osip Mandelstam’s Conversation About Dante is the major Russian work on the great Florentine poet. Ever since it appeared, and perhaps even before it did, we have known that this conversation would turn out to be about something different: about “time and the self,” as another poet wrote. Dante’s optical devices, his mirrors and his…

    The First Virtue: On Ambedkar

    The great historian C. Vann Woodward, author of The Strange Career of Jim Crow, a book that Martin Luther King, Jr. described as the “historical bible of the civil rights movement,” recount not just as an icon for ‘untouchables’ bus in his autobiography how the writing of the book came to be shaped by an…

    Losing Our Religion

    What Fiddler on the Roof is for most American Jews — an emotional bull’s-eye on any family’s saga that began in a shtetl and wound up in the United States — The Lehman Trilogy is for me. My family, like the Lehmans, came here from Germany in the early nineteenth century. Both families left the…

    How Long Could I Have Been Weightless?

    After the smooth up-pull the car dove fish-efficient in the tractor-trailer’s wake. By then the thick wheel cuts had tapered down the long, curved grade then vanished, leaving undulations in the drifts. All the way from Montreal through French-toned Vermont we’d held to mostly all alone through night-time Massachusetts, the Berkshires rhythmic now, the rise…

    Roots

    Then, the future was glaucomic, the bore through mangrove in the dugout slow. I recall the water in its color tannic. I see now an olive wake dissolving from the churn work of the screw. A time would come — it seems it has — to redecipher, understand again the meaning of the motor’s open…

    Bedazzled

    Air an instrument of the tongue / The tongue an instrument / Of the body … — Robert Pinsky “Burro Banton a di only veteran artist that go Europe and open the festival and close the festival. Him get two pay.” — Peter Metro, dancehall reggae legend Hearing Burro trace the sky in couplet, the…

    In Fuguing Wake

    (Amy Clampitt, for you) Casual. Flitting skin off cucumbers over a wide metal bowl, catcher for the harvest from the summer market, that cosmos of virtue — jug bands, frailed banjos, picked mandolins, tomatoes as a toddler sees them, mitts of stars — I feel a comet trail of shiver where my sternum is, that…

    The Rise of Decline

    Encompassed with domestic conspiracy, military sedition, and civil war, they trembled on the edge of precipices in which, after a longer or shorter term of anxiety, they were inevitably lost. EDWARD GIBBON, THE DECLINE AND FALL OF THE ROMAN EMPIRE In a widely noted coincidence, the Declaration of Independence and Adam Smith’s The Wealth of…

    Birthrights

    One morning in tenth grade, my Bible teacher started class by holding up a copy of The New York Times. He was the one we called Little Adler, to distinguish him from his older, taller brother, Big Adler, who also taught at the school. Little Adler was a good guy, at a place that was…

    Soloism

    “You are the music/ While the music lasts.” Whatever these words mean in Eliot’s Four Quartets, they have often been given new meaning in dance, and nowhere more so than in the solos choreographed by Merce Cunningham. He is the choreographer whose most radical, controversial, and profound contribution to choreography was to separate it from…