The Conservatives and The Court

    Earl Warren’s retirement in June 1969 ended his run as Chief Justice of the most progressive Supreme Court in American history. Richard Nixon appointed Warren Burger to replace Warren, and Republican presidents selected the next five Justices over the seventeen years that Burger presided as Chief Justice. And yet the Burger Court, while tacking a bit to the right, continued to embrace activist interpretive method-ologies and to issue progressive decisions. The most famous example, but a typical one, was its decision in Roe v. Wade in 1973. There the Court discerned in the Fourteenth Amendment’s due process clause a “right to privacy” — a right that appears nowhere in that clause — that gave a pregnant woman the prerogative to abort a fetus until viability. The opinion was written by Harry Blackmun, a Nixon appointee, and joined by Burger and another Nixon appointee, Lewis Powell. In 1983 the title of a book by Vincent Blasi, a professor at Columbia Law School, summed up the state of affairs at the time: The Burger Court: The Counter-Revolution That Wasnt. 

    When I entered Yale Law School in the fall of 1986, the conservative legal movement born in reaction to the Warren and Burger Courts’ makeover of American life was in its infancy. In mid-September, the Senate confirmed William Rehnquist, a hard-conservative voice on the Court since 1972, to replace Burger as Chief Justice. That same day it voted 98-0 for Antonin Scalia to replace Rehnquist as an Associate Justice. Scalia was little known outside conservative circles, but he was famous in them for his attacks on jurists who departed from the text of statutes and the Constitution when interpreting them. The Federalist Society, the now-dominant conservative legal organization, had been founded a few years earlier but was still a fledgling force. Conservative ideas were not taken seriously in law schools or the legal culture at the time. Robert Bork, who had left Yale five years earlier, observed that his colleagues found his conservative text-based approach to constitutional interpretation “so passé that it would be intellectually stultifying to debate it.” 

    After Reagan nominated Scalia, Republican presidents chose seven of the next eleven Justices on the Court that is now headed by a George W. Bush nominee, Chief Justice John Roberts. Three of those Justices, Neil Gorsuch, Brett Kavanaugh, and Amy Coney Barrett, were chosen by Donald Trump. And yet despite the fact that Republican presidents have appointed fifteen of nineteen Justices since Warren, and despite undoubted successes, many conservatives are still waiting for the counterrevolution. Roe has not been overruled. The Court has recently recognized new constitutional protections for gay rights, including a right to gay marriage. Affirmative action, another constitutional solecism for conservatives, still lives. And in June 2020, in a case called Bostock v. Clayton County, the Court, in an opinion by Gorsuch, ruled that the ban on “sex” discrimination in employment in the Civil Rights Act of 1964 made it unlawful to fire an individual merely for being homosexual or transgender. 

    Gorsuch reached this conclusion in reliance on “textualism” — the method of statutory interpretation championed by Scalia, and for decades a rallying cry of the legal right alongside originalism. Many conservatives were shocked that a Trump appointee invoked Scalia’s method to recognize categories of discrimination that conservatives have long sought to deny legal recognition. It was especially shocking since textualism seemed to serve the very judicial activism in the recognition of novel rights that it was designed 

    to foreclose. Bostock represents “the end of the conservative legal movement, or the conservative legal project, as we know it,” said Senator Josh Hawley, a Yale-trained lawyer and former Supreme Court litigator for conservative social causes, in a fiery speech on the floor of the Senate. 

    Hawley was exaggerating for political effect. On issues other than the social conservative ones such as abortion and gay rights that he cares most about, the movement has been hugely successful in changing the legal culture and the composition of the federal judiciary, and in moving public law sharply to the right. And that was before Trump replaced the very liberal Ruth Bader Ginsburg with the youthful and very conservative Barrett, four months after Hawley spoke. The Court’s conservative majority is now larger, younger, and more conservative than it has been in a century, and maybe ever. And yet it remains unclear whether the Court will transform American life as the conservative legal movement hopes, and as progressives dread. 

    The conservative legal movement developed two methodological responses to the perceived excesses of the Warren and Burger Courts. Both purported to be value-neutral mecha-nisms that were designed to restrain judges. 

    The main target of conservative legal jurisprudence was progressive interpretations of the Constitution. The Warren Court (1953-1969) recognized a right to marital privacy, including the right to use contraceptives, in the “penumbras” of the Bill of Rights; up-ended the settled understandings of the Fourth, Fifth, and Sixth Amendments to foster a defendant-friendly revolution in criminal procedure; issued many progressive rulings on race, most notably Brown v. Board of Education; practically eliminated prayer in school; and dramatically reorganized redistricting and apportionment rules governing elections under the guise, mainly, of equal protection of the law. The Burger Court (1969-1986) continued the progressive trend. It decided Roe, temporarily invalidated the death penalty, blessed affirmative action in education, and practically eliminated structural constitutional limits on congressional power. 

    Laurence Tribe of Harvard Law School, a progressive icon, captured conventional wisdom in the academy when he justified these and similar decisions on the ground that the Court’s job in constitutional interpretation is to discern “the contemporary content of freedom, fairness, and fraternity.” As Justice William Brennan, an intellectual leader of the Warren Court, explained, “The genius of the Constitution rests not in any static meaning it might have had in a world that is dead and gone, but in the adaptability of its great principles to cope with current problems and current needs.” The problem with these views, conservatives maintained, was that they had “almost nothing to do with the Constitution and [were] simply a cover for the Supreme Court’s enactment of the political agenda of the American left,” as Lino Graglia of the University of Texas put it. 

    Originalism was the right’s response. It maintained that Justices should aim to discern the original meaning of provisions of the Constitution (including the amendments) at the time they were adopted. Ideas akin to originalism had informed judicial theory and practice since the founding of the nation, but “originalism” became the organizing term and principle of conservative constitutional interpretation in the 1980s — due primarily to a series of speeches by Attorney General Edwin Meese that drew national news coverage and responses from two sitting Supreme Court Justices; to Scalia’s powerful writings on and off the Court; and to the left’s disparagement of originalism during Bork’s failed confirmation for a slot on the Supreme Court in 1987. 

    The basic argument for originalism was that the Constitution is a form of law that should be interpreted consistent with its fixed meaning when ratified. Any departure from that fixed meaning is an illegitimate and unconstitutional arrogation of power by the unelected judiciary. “The truth is that the judge who looks outside the Constitution always looks inside himself and nowhere else,” Bork maintained. Originalism, conservatives argued, promoted democratic decision-making by giving priority to the decisions of the polity that ratified the Constitution rather than the preferences of unelected judges. The theory also purported to ensure decisions “would not be tainted by ideological predilection,” as Meese put it, by restraining judges to application of neutral principles traceable to the Constitution itself. Originalism thus rested on two types of argument: a positivist claim about what counted as constitutional law, and a pragmatic institutional claim about securing judicial restraint. 

    The political and academic left subjected originalism to withering criticism because of its supposedly retrograde implications (which contributed to the sinking of the Bork nomination), and because originalism in its early guise was analytically deficient in a number of ways. Even Scalia acknowledged that originalism is “not without warts,” and he justified it partly on pragmatic grounds as a “lesser evil” to progressive constitutional interpretation. 

    But originalist judges and scholars developed more sophisticated and defensible accounts in response to the critics. And over the succeeding decades, as the number of conservative judges and scholars committed to the method grew, it became influential in constitutional interpretation. The method has many important variations, and it is not universally applied even by conservative judges. Yet there is no doubt that constitutional interpretation across the run of cases now focuses more on constitutional text and original meaning than it did during the Warren and Burger courts. And in political debate, confirmation hearings, and the legal culture generally, originalism has had an even bigger impact. 

    Originalism rose to legitimacy for many reasons. It appealed to ordinary intuitions about what lawyers are supposed to do. The widespread academic attacks on it gave it an implicit legitimation. Progressive scholars failed to generate an equally compelling and accessible justification for their preferred constitutional method, which is often called “living constitutionalism.” Scalia’s brilliantly crafted and forceful originalist opinions often won the argument even when he was in dissent. And a massive conservative juggernaut (about which more in a moment) successfully promoted the doctrine. 

    Perhaps the best evidence of originalism’s influence is its imitation by progressive scholars. Akhil Amar of Yale Law School deploys ingenious readings of Constitutional text and structure, deeply informed by history, to reach a range of contrarian progressive conclusions about the Constitution, especially the Bill of Rights. Jack Balkin, also of Yale, is even closer to conservative originalism in relying on the original meaning, but he does so at a much higher level of abstraction that allows him to generate progressive interpretations. More generally, courts and scholars across the board now take constitutional history, and especially the history of the adoption of the Constitution and its subsequent amendments, much more seriously than before originalism’s ascendance. Originalism has not won over the courts in all constitutional cases — no legal or interpretative methodology has done that. But today it is a legitimate, widely practiced, and growing form of legal argumentation, a remarkable accomplishment since the 1980s.

    The second conservative focus was the Warren and Burger Courts’ progressive approach to interpreting statutes. This approach tended to de-emphasize the text of the statutes and to be guided instead by Congress’ aims in enacting the statute, as discerned, for example, in legislative reports, hearings or floor statements, and other forms of “legislative history.” The departures from statutory text almost always served progressive ends. 

    A classic instance came in 1979 in a case called United Steelworkers of America v. Weber, which ruled that affirmative action to favor black employees did not violate the Civil Rights Act’s ban on employment discrimination based on “race.” The Court rejected a “literal construction” of the statute because a ban on affirmative action was “not within its spirit, nor within the intention of its makers,” which was to promote employment among blacks. 

    Textualism, a cousin of originalism, was a response to cases such as Weber. Conservatives — most notably Scalia — argued that the singular “spirit” of a statute was practically impossible to discern, and that often-tendentious legislative reports written by staffers and speeches by individual members of Congress were not reliable guides to such intention. The role of the judge is to interpret the text of the statute — the only words subject to the constitutionally prescribed lawmaking process of bicameral approval and presentment to the president. Except in rare instances, judges who went beyond the text were usurping legislative authority. 

    This approach sought to ensure judicial restraint and promote democratic decision-making for reasons akin to originalism: by constricting the legitimate sources of interpretive meaning, it curtailed judges’ discretion to import their own values into the statute that Congress enacted, and helped to ensure that the people’s representatives, not unelected judges, made the law. And like originalism, this theory purported to be neutral about ends. The stated aim was not for judges to achieve particular conservative outcomes, but rather to follow the dictates of Congress in whatever direction that led. 

    Textualism, like originalism, has been subject to a fierce academic debate during the past few decades. In courts, it has proven even more consequential than originalism. “Scalia’s textualist campaign was tremendously influential,” noted Jonathan Siegel of George Washington University Law School. “He changed the way courts interpret statutes,” and his influence “is visible in virtually every Supreme Court opinion interpreting statutes today.” The Bostock decision about sexual orientation and transgender rights was basically a fight over the meaning of Scalia’s undoubtedly victorious textualist legacy. Not every jot and tittle of Scalia’s textualism governs in every Supreme Court statutory decision, but the Court’s approach to statutes now always begins and often ends with statutory text. Few if any methodological victories in the Court have ever been so complete.

    As this sketch makes plain, no one is more responsible for the rise of conservative legal thought than Antonin Scalia. His “interpretive theories, communicated in that distinctive, vivid prose, have transformed this country’s legal culture, the very ground of our legal debate,” as Justice Elena Kagan noted in an introductory essay in a volume about Scalia’s legal thought. “They have changed the way all of us (even those who part ways with him at one point or another) think and talk about the law.” And yet the Scalia revolution, as the modern conservative legal movement could aptly be called, did not take place in a vacuum. It was the fruit of a larger political movement that began meekly in the Nixon administration and then caught fire in the Reagan administration. The movement and its associated network had many nodes, but at its center was the Federalist Society. 

    The Federalist Society began as a response to the ideologically one-sidedness of American law schools like the one I encountered at Yale in the 1980s. (The University of Chicago Law School was an exception to this one-sidedness; it had numerous prominent conservatives on its faculty in the 1980s, including Scalia, who helped the Federalist Society get off the ground.) In 1982, law students at Yale and Chicago convened a conference at Yale as a one-off counterpoint to “law schools and the legal profession [that] are currently strongly dominated by a form of orthodox liberal ideology.” 

    The conference was a wild success, and demonstrated the appeal of a forum for conservatives to discuss their legal ideas. The students quickly organized, got funding from conserva-tive donors, and began to open chapters in law schools and (for practicing lawyers) in cities around the nation. “Conservative law students alienated in their home institutions, desperate for a collective identity, and eager for collective activity provided a ripe opportunity for organizational entrepreneurship,” the political scientist Steven Teles remarks in his important study of the movement. Almost by accident, they tapped into and helped organize a larger conservative political demand for changes to the federal judiciary. 

    The Federalist Society was and remains, at heart, a debating club. (I was briefly a member in the 1990s, and I informally supervise the local chapter at Harvard Law School.) Its founders believed that the best way to develop and spread conservative ideas was to host intellectual exchanges between conservatives and progressives. The emphasis on argument exemplified the intellectual seriousness of the group, and its confidence that the best way to legitimate its ideas was to see how they stood up to the ones that prevailed in the classroom and the bar. It also, as Teles aptly describes it, “made the organization open and attractive to outsiders, moderated factional conflict and insularity, and had a tendency to prevent the members’ ideas from becoming stale from a lack of challenge.” The main factional conflict then and now — and one that has flared up in recent years — is between the deregulatory libertarian wing that was most interested in judicial efforts to reduce the size of government and the social conservative wing that abhorred (and sought to stop and to reverse) judicial recognition of progressive rights such as abortion. 

    Yet the Federalist Society evolved into much more than a debating society. It quickly became a focal point for conservative networking for political appointments in the federal government and for clerkships in the federal judiciary. Conservative students thronged to its popular annual convention in Washington, D.C. to watch marquee debates and rub elbows with icons in the movement that the Federalist Society helped to form — Supreme Court Justices, prominent lower court judges, Attorneys General and other Cabinet Secretaries, Senators, and other famous lawyers. It is hard to think of a more important annual conservative gathering, except perhaps the Conservative Political Action Conference meeting. 

    Through these and related mechanisms the Federalist Society flourished in its influence — especially as its student members grew up and began to populate the federal bench through appointments in the George W. Bush administration and especially the Trump administration. It also grew in its attractiveness to young conservatives, especially as a mechanism to advance one’s career. There is no formal pipeline between membership in the Federalist Society and law clerk jobs or executive branch appointments. But membership signals a commitment to conservative legal principles to potential conservative employers and opens many informal channels to them. 

    Despite its prodigious impact on conservative networking, the Federalist Society has sought to maintain neutrality on legal issues and judicial politics. It accurately claims that it does “not lobby  for legislation, take policy positions, or sponsor or endorse nominees and candidates for public service.” Its only formal principles are the ones it announces at the outset of every gathering: “that the state exists to preserve freedom, that the separation of governmental powers is central to our Constitution, and that it is emphatically the province and duty of the judiciary to say what the law is, not what it should be.” 

    And yet its careful efforts at broad-mindedness and political detachment have not stopped the Federalist Society from growing more political over the years. At its annual conventions the organization has increasingly showed off its connections to, and influence over, the legal decisions of Republican administrations. And while it has always had senior Republican officials speak at its conferences, these speeches have grown to be less about judicial politics and more about just politics. In a self-consciously partisan speech at the annual convention in 2019, for example, Attorney General William Barr was interrupted with extended applause after he claimed that “the Left” is “engaged in a systematic shredding of norms and undermining the rule of law.” He added that “so-called progressives treat politics as their religion,” are on a “holy mission,” and are “willing to use any means necessary to gain momentary advantage in achieving their end, regardless of collateral consequences and the systemic implications.” 

    The Federalist Society has also grown intellectually narrower and more homogenous. When I began teaching a quarter of a century ago, many conservative legal theories competed for supremacy among Federalist Society members. But in the last decade especially, originalism and textualism have risen to become the society’s (and the larger movement’s) orthodoxy. “Tonight I can report, a person can be both a committed originalist and textualist and be confirmed to the Supreme Court of the United States,” said Justice Gorsuch, seven months after he joined the Court, at the Federalist Society’s annual convention. Gorsuch received wild applause for this statement, which everyone in the room understood to be the core of what the Federalist Society is about. He also mocked the Federalist Society’s critics, thanked the crowd for its “support and prayers through that process,” and vowed to 

    maintain its principles on the Court. Politico described the surprisingly political speech as a “victory lap at the Federalist Society dinner.” 

    Gorsuch’s pledge of fealty underscored the Federalist Society’s astounding impact on the federal bench during the Trump presidency. “We’re going to have great judges, conservative, all picked by the Federalist Society,” said Trump in 2016. He followed through on that promise by turning over judicial selection to White House Counsel Donald McGahn, a committed Federalist Society member, and Leonard Leo, who for decades served in senior positions in the Society and who remains on its board. Leo took a leave of absence during the George W. Bush administration to help with judges (and was influential in the selection of John Roberts and Samuel Alito), and then did the same during the Trump administration, where he has had an even bigger impact. 

    The Federalist Society accurately maintains that Leo did this work in his personal capacity. But he was the public face of the Society even if he was formally disconnected from it when he working for the White House, and he drew on his deep relationship to its members in that process. After Leo introduced Vice President Pence as “one of us” at a Federalist Society event in 2019, Pence at the outset of his speech stated that the Trump administration and the nation owe Leo — whom Pence identified as “the Vice-President of the Federalist Society” — a “debt of gratitude” for his “tireless work,” a reference to Leo’s judge-picking. 

    Leo is merely exemplary of the deep and multifarious conduits between the Federalist Society and the Trump White House. The organization is so constitutive of the conserva-tive legal movement, and has such a strenuous grip on its imagination, that it would have been enormously influential in Trump’s judicial selection even if Leo had not been there. And its influence has been historic. In one of the defining accomplishments of his presidency, Trump placed Gorsuch, Kavanaugh, and Barrett on the Supreme Court, and over two hundred judges on the lower courts. The vast majority of these judges are proud long-time members of the Federalist Society who had been nurtured by it and absorbed its values over the course of their careers. These judges are on the whole immensely well-credentialed and qualified — a tribute (among other things) to decades of Federalist Society-facilitated clerkships on the increasingly conservative Federalist Society-influenced Supreme Court. 

    This success has invited controversy and pushback consonant with the high-stakes battle for control of an unelected judiciary that has steadily expanded its policy-making writ for a century. The Federalist Society that then-Harvard Law School Dean Elena Kagan said she “love[d]” in 2005 for its commitment to debate and its contributions to intellectual diversity is now widely despised on law school campuses and on the political left more generally. Federalist Society members at many law schools are today often shunned or put down in strident personal terms, inside and especially outside the classroom. They have gotten the message and speak up less often in class than a decade ago on issues such as affirmative action, gay and transgender rights, immigration, and criminal justice. With rare exceptions, top law schools have throughout my lifetime lacked intellectual diversity on a left-right axis in public law, but the attacks there on disfavored conservative positions have never been more open or vicious. The main impact of these attacks is to make law schools even less interesting intellectually, and to drive conservative students deeper into the Federalist Society cocoon.

    Outside of law school, the Federalist Society is often subject to stinging political reproach. Typical is a report in May 2020 by three Democratic Senators that described the Federalist Society as “the nerve center for a complex and massively funded GOP apparatus designed to rewrite the law to suit the narrow-minded political orthodoxy of the Federalist Society’s backers.” The Federalist Society is no more narrow-minded or political than the dominant legal establishment institutions it was created to challenge. If anything, it is less so, since it continues to operate more thoroughly in the world of ideas and argumentation than its rivals. But it is a political organization, and not just the debating society it holds itself out to be. This is so by default if not by design, since it is the intellectual nerve center of the enormously consequential fight for judicial dominance.

    In January 2020, the Judicial Conference of the United States’ Codes of Conduct Committee circulated a proposal to ban federal judges from being members of the Federalist Society or the American Constitution Society (ACS), the progressive organization founded in 2000 as “an explicit counterpart, and counterweight” to the Federalist Society. ACS never achieved nearly the influence of the Federalist Society, and the proposal clearly sought to hurt the latter. The ostensible reason for the proposed ban was that membership in these groups raises questions about judges’ impartiality. The Committee’s true aim was revealed when it declined to propose a ban on membership in the American Bar Association, a group that, unlike the Federalist Society, is heavily involved in legal advocacy — primarily for progressive causes. The proposal was dropped a few months later. But it, as well as the Senators’ report, are signs of the Federalist Society’s enormous political success. 

    The conservative legal movement’s original aim was to separate legal interpretation from personal values in the hope of quell-ing judicial activism. The rising influence of originalism and textualism, many on the right believe, accomplishes this. On this view, Gorsuch’s deployment of textualism to reach a progressive result in Bostock is evidence of success, not failure, since it shows that the methodology is value-neutral enough to produce outcomes contrary to a judge’s personal wishes. The same is true, for example, of Justice Scalia’s occasional originalist opinions that expand criminal defendant rights, and of Justice Thomas’ attacks on qualified immunity — a bête noire in progressive circles for shielding bad cops from liability — as lacking any basis in Congress’ textual commands. To many conservatives these examples illustrate the integrity of their principles. One rarely sees progressive Justices deploying their favored methodology to reach politically conservative results — especially since most lack constraining methodological commitments.

    But despite the packaging, conservative methodologies are not value neutral, and they have not always been deployed consistently or in value-neutral ways. Originalism as understood by most conservatives is oriented toward constitutional meaning in 1789 and the post-Civil War period (when the Reconstruction Amendments passed), and away from the progressive gloss put on constitutional provisions from the 1930s through the 1970s. The politically liberal results produced by originalism are the exception, not the rule. Bostock is also an exceptional instance of textualism, which on the whole leads to politically conservative results. One of many examples is the Court’s reversal of its prior tolerance of plaintiff’s suing for relief under federal law absent explicit congressional authorization — a change that has dramatically curbed the scope of federal rights.

    The rise of originalism and textualism is one reason why the recognition of new constitutional and statutory rights has slowed in recent decades (the Court’s recognition of a robust Second Amendment right to bear arms is an exception), and why American public law generally has moved sharply to the right. On issues ranging from voting rights to structural federalism to free speech and religion to many issues of court access, the Court has curtailed or reversed Warren and Burger Court precedents, and not always through close adherence to originalism or textualism. The Court has also grown aggressively pro-business across a wide range of issues in ways that are often disconnected from judicial philosophy. 

    As conservatives’ power on the Court has grown, judicial restraint — the original justification for originalism and textualism — has diminished. Many conservatives now abjure the deference to democratic enactments that was once the hallmark of conservative legal philosophy, and argue for a more assertive stance to strike down modern state and federal laws based on distant understandings of constitutional meaning. They are also more inclined to reject progressive precedents that conflict with the originalist Constitution. Justice Thomas is a leading proponent of this view on the Supreme Court. As he explained in 2019 in Gamble v. United States: “When faced with a demonstrably erroneous precedent, my rule is simple: We should not follow it.” 

    In many contexts, however, conservative disrespect for precedent is not based on a return to original meaning. A good example is the conservative turn on the First Amendment. In 1971, Bork stated the traditional conservative position in a famous article that argued that the First Amendment should be narrowly construed to protect only political speech. When the Court, in 1976, recognized First Amendment protections for “commercial speech,” Rehnquist was the lone dissent. Yet in recent decades conservatives have embraced the view that Bork and Rehnquist rejected. They have repurposed the First Amendment as a libertarian sword to strike down all manner of disfavored laws, ranging from business regulations to campaign finance restrictions. 

    An extraordinary decision in this vein came in 2018, when the conservative majority overruled a four-decade precedent to rule that the First Amendment prohibited the state from forcing public sector workers to pay for union activity when they did not join the union — a long-standard labor practice. The majority, in an opinion by Justice Samuel Alito, barely glanced at the original understanding of the First Amendment. Justice Kagan in dissent charged it with “weaponizing the First Amendment, in a way that unleashes judges, now and in the future, to intervene in economic and regulatory policy.” It was a fair critique.

    But the main targets of conservative libertarian activism are the federal agencies that, with little concrete guidance from Congress, control policymaking in the United States. “The greatest threat to the rule of law in our modern society is the ever-expanding regulatory state, and the most effective bulwark against that threat is a strong judiciary,” Donald McGahn, the Trump White House judge-picker, told the Federalist Society in 2017. Conservative scholars and judges have in the last decade developed new arguments for achieving this end, including imaginative uses of the First Amendment. But none is more remarkable, or revealing, than their flip on an obscure but consequential doctrine about judicial deference to agency rulemaking. 

    At the dawn of the movement, in the 1980s, the then-very-progressive District of Columbia Circuit — the federal appellate court charged with reviewing most agency decisions — regularly invalidated Ronald Reagan’s deregulatory efforts. As a law professor, Scalia had criticized the D.C. Circuit for imposing its values on agencies in defiance of what Congress had prescribed. During his tenure on the D.C. Circuit from 1982 to 1986, Scalia witnessed this trend up close, viewed it as illegitimate, and deployed several tools to fight it. 

    The main one he settled on was the Chevron doctrine, which took its name from a Supreme Court case in 1984 about the scope of the Environmental Protection Agency’s regulatory power over air pollution. Scalia was not on the Court when that case was decided, and the case was not a big deal when it was announced. But when Scalia joined the Court in 1986, he became its main intellectual champion and began to develop and deploy the Chevron doctrine aggressively. 

    The Chevron doctrine requires courts to accept reason-able agency interpretations of statutes that they are charged with administering. It makes it harder to second-guess agency rules — progressive or conservative — except in cases where they defy clear statutory directives. Scalia argued that this deference comported with Congress’ wishes, acknowledged agency expertise, constrained judges, and promoted account-able decision-making, since agencies were part of an executive branch headed by an elected official, the president, while courts were unelected. The doctrine also dovetailed with conservatives’ infatuation with executive power in the 1980s. (Before then conservatives for six decades had been skeptics of broad executive power, but that is another story.) During Scalia’s time on the Court, the Chevron  doctrine became “a central pillar of the modern administrative state,” as Michael McConnell of Stanford Law School has observed. 

    But then something unexpected happened. About a decade ago, the conservative legal movement started to flip on Chevron and related doctrines of administrative deference. Several factors led to the flip. The conservative view of Chevron had, remarkably, discounted a statutory requirement that courts reviewing agency decisions “decide all relevant questions of law [and] interpret constitutional and statutory provisions,” which some argued — the point remains contested — rules out deference to agencies on many legal questions. Administrative agencies began to use the cover of Chevron deference to make administrative rules that to conservatives seemed to depart more and more from the authorizing statutes for agencies. 

    It was no accident that the conservative turn picked up steam during the Obama administration, which promulgated legally super-aggressive regulations such as net neutrality, the Clean Power Plan (an ambitious environmental initiative), university sexual assault rules, and the implementation rules for Obamacare and Dodd-Frank. For conservatives encountering such rules that seemed to rest on doubtful congressional premises, agency deference seemed lawless. And so they reversed course. Scalia appeared to be backing away from the doctrine at the end of his life. And most younger conservative jurists — including Gorsuch, Kavanaugh, and many conservative legal scholars — are deeply skeptical of Chevron. Court watchers predict that the Supreme Court will overturn or weaken Chevron in the next few years.

    For many religious conservatives, the conservative legal movement’s extraordinary accomplishments are belied by the movement’s failure to reverse Roe, to prevent the rise of constitutional and statutory gay and transgender rights, and to give sure protection to religious freedom in the face of these judicially developed rights. This was the thrust of Senator Hawley’s complaint after Bostock. Social conservatives, he argued, had for decades gone along with the Republican Party’s neo-liberal agenda on trade and taxes in exchange for the promise of “pro-Constitution, religious liberty judges” — a shorthand for judges who will vote the right way on religious social issues. 

    And yet since the Reagan administration, religious conservatives have watched as Republican appointees refused to embrace the social conservative agenda. Two Reagan appointees, Sandra Day O’Connor and Anthony Kennedy, and one George H.W. Bush appointee, David Souter, refused to overturn Roe when that issue was teed up in 1992, on the grounds of “institutional integrity” and respect for precedent. Kennedy — Reagan’s appointee after the Bork nomination failed — was also the architect of the Court’s gay rights jurisprudence, which culminated in his opinion in 2015, joined by the Court’s four liberals, to recognize a constitutional right to gay marriage. More recent conservative appointees seemed to continue this trend. Gorsuch wrote Bostock and Roberts joined it. A few weeks after Bostock, Roberts shocked conservatives when he joined the Court’s four liberal justices to invalidate a Louisiana abortion restriction. Roberts also voted with the liberal wing in the summer of 2020 to deny churches exemptions from state restrictions on worship during the pandemic. 

    Religious conservatives are embittered that, despite the other successes in the conservative legal movement, and despite Republicans appointing over 79% of the Justices since Warren retired, they cannot find five Justices to embrace their agenda. Hawley attributed the failure to originalism and textualism which, he claimed, produce results that are “the opposite of what we thought we were fighting for.” (In 2014, one of the founders of the Federalist Society, Steven Calabresi, argued that the original meaning of the Fourteenth Amendment guarantees a right to same-sex marriage.) Others, such as Adrian Vermeule of Harvard Law School, argue that ostensibly conservative Justices are “educated urban professionals” whose commitments to liberalism dominate their conservative sentiments. Another argument is that the elite press, controlled by progressives, draws conservative Justices leftward through manipulated news coverage. Ed Whelan, a former Scalia law clerk and the president of the Ethics and Public Policy Center, speculates that the type of judicial candidates who have the best chances of being nominated and confirmed — ones good at “charming senators, trotting out a list of liberal friends and admirers, and neutralizing a leftist media” — are ones that are least likely to overrule Roe.

    Ruth Marcus’ book on the Brett Kavanaugh confirmation hearings, Supreme Ambition, contains a different explanation that has infuriated religious conservatives, and that was at the base of Hawley’s critique of the bad bargain they made with the Republican Party. At the first White House meeting on who should replace Scalia after he died — a deliberation 

    that ended in the selection of Gorsuch, who wrote Bostock — White House Chief of Staff Reince Priebus noted that major Republican donors cared little about abortion and same-sex marriage but a lot about chopping down the regulatory state. White House Counsel McGahn, in Marcus’ paraphrase, added that conservatives’ “emphasis on social conservatism and its associated hot-button issues ended with Scalia,” and that now judge-selection is “all about regulatory relief.” McGahn stated that on that criterion, Scalia himself “wouldn’t make the cut.” 

    Episodes such as these — which confirm religious conservatives’ suspicions about the priorities of the Republican elite — have led to a growing split within the conservative legal movement. One intellectual leader on the social conservative side is Vermeule, who argues that “originalism has now outlived its utility, and has become an obstacle to the development of a robust, substantively conservative approach to constitutional law and interpretation.” He believes that reversing the progressive moral agenda in the Court cannot be achieved by faux-value-neutral methodologies, but rather requires an overtly “moral reading” of the Constitution and laws to advance a conservative social vision that he calls “Common Good constitutionalism.” Vermeule also points out that originalism is, ironically, untrue to the Founding since it ignores the classical legal tradition (including natural law) that the Founders’ embraced in creating the Constitution and understanding its terms. Many of my most conservative students and advisees, at law schools around the country, are increasingly disillusioned with originalism and are energized by Vermeule’s critique of it, and his approach to constitutional interpretation. And yet originalism remains dominant. 

    This brings us, finally, to the confirmation of Amy Coney Barrett to replace Ruth Bader Ginsburg. Senate Republicans pushed Barrett through on a short fuse in an election year just four years after they delayed Barack Obama’s election-year selection of Merrick Garland to replace Scalia, and then confirmed Gorsuch after Trump won. These hardball tactics to gain control of the Court enraged Democrats, but they were perfectly legitimate from a constitutional perspective and not terribly surprising. Since the stakes have grown so large, the judicial confirmation process has suffered a three-de-cade downward spiral of diminishing restraint by both sides: Democrats’ unprecedented attacks on Bork, which killed his nomination, followed by their unprecedented filibuster of many of George W. Bush’s appellate court nominees and their elimination of the filibuster for Barack Obama’s appellate court nominees—actions that Republicans reciprocated by eliminating the filibuster for Supreme Court nominees beginning with Gorsuch, before their maneuvers to put Kavanaugh and Barrett on the Court. Norms have been rendered ineffective in this context because the exercise of hard constitutional power promises huge short-term victories.

    It is unclear how Barrett will impact the Court. She is a brilliant jurist who clerked for Justice Scalia and she acknowledges that Scalia’s “judicial philosophy is mine, too.” Social conservatives are hopeful that regardless of judicial philosophy, Barrett is one of their own and will vote their way. They have had this hope before, of course, and have been disappointed. But Barrett’s elevation gives the conservative legal movement a 6-3 majority on the Court for the first time, which means that in every case it can absorb a defection and still win.

    This historical conservative dominance on the Supreme Court has led many progressives to propose dramatic reforms to regain control of the judiciary, including stripping the Court of jurisdiction over cases that might lead to conservative rulings, or “packing” the Court with Justices to give liberals a majority. Conservative charges that these lawful tactics would violate norms ring hollow in light of the tit-for-tat pattern of events related to judicial politics since the 1980s. But for the foreseeable future, conservatives need not worry. Joe Biden has held his cards closely on the judicial makeover project. And the project is dead on arrival in the Senate in light of the Republicans’ strong performance in the recent Senato-rial elections, and of the opposition of Senator Joe Manchin of West Virginia, a moderate Democrat, to court-packing and to the elimination of the Senate’s 60-vote threshold to break a filibuster. For at least two years, and almost certainly longer, Democrats lack the votes to diminish conservative judicial power through structural reform.

    Still, it would be premature for social conservatives to celebrate revolutionary judicial victories on the issues that they care about most. The recognition of gay and transgender rights is practically complete and—unlike abortion rights—is not really legally contested. The most that social conservatives can hope for is that the Court will recognize religious accommodations to the enforcement of these rights. Affirmative action may be on the chopping block, but the practice is deeply entrenched socially, and colleges and other recipients of public funding have developed imaginative ways to use facially neutral identity proxies to achieve preferred outcomes. And Roe will be much harder to kill than many conservatives believe. Roberts has noticeably shied away from overruling the nearly five-decade-old decision. And whatever her first-order views on abortion rights may be, Barrett has staked out what the Princeton political scientist Keith Whittington calls a “moderate” position on overruling decisions and “has urged giving precedents more weight than some originalists would prefer.” The likely course on Roe is a narrowing of the abortion right but not an elimination of it.

    Whatever happens, the Court is destined to become a more politicized and controversial institution. When all is said and done, the Court has only itself to blame. Beginning in the 1960s it reached far beyond its proper jurisdiction to grab enormous control over public policy away from democratic institutions, which sparked a conservative counterrevolution in the 1980s that has now won power and on many issues is doing the same thing in the other direction. It is a sign of advanced constitutional decay that so many important decisions in our democracy are made by five or six unelected Justices, and that confirmation battles have become the most consequential political episodes in the nation after presidential elections.

    The Trouble with China

    In the summer of 2020, otherwise a time of maximum disunity in the United States amid intersectional upris-ings, rioting, and widespread institutional deliquescence, a rock-like national consensus emerged from the political waves: Americans from Nancy Pelosi and Joe Biden to Donald Trump, who vehemently disagreed on everything else, fully agreed that it was urgent to confront the People’s Republic of China, technologically as well as politically, within the United States, in Europe, and strategically across Asia and beyond. Within that consensus there were only stylistic differences, from Pelosi’s quiet assertion of the incompatibility of the regime with human rights anywhere on the planet to Trump’s truculent trade demands. 

    The break with the past is very sharp: from Nixon in 1972 to quite late in Obama’s presidency, the United States did much that accelerated China’s rise to wealth and power from the miserable poverty I saw everywhere in that country in 1976, while doing very little to oppose China, aside from resisting its claim to rule Taiwan. By August 2020, by contrast, the Administration and the Congress were competing in finding new ways of limiting Chinese power, from human rights’ legislation specifically related to Tibet, Xinjiang, and Hong Kong, to the compulsory sale of a China-based social media platform excessively popular with the young and exception-ally intrusive in its tracking. 

    With the Chinese navy engaged in threatening exercises off the coast of Taiwan even as the United States reiterated its promise of defending the island, all is set for rancor to explode in an armed clash. It is therefore urgent to try to understand what has happened, and why. 

    But to proceed one must first toss out any American-centered explanation of what has happened to US-China relations — of which there are many, from America’s hegemonic jealousy complete with ancient parallels (alas, no Thucydides Trust protects the brand) or American-white racial jealousy at the rise of the Han, or an American switch to geo-eco-nomics (the logic of conflict in the grammar of commerce) in response to the loss of plain economic primacy. The usual suspects blame the arms merchants and Pentagonal lobbies. The problem with all these accounts is that they monocausally attribute the new cold war, if that is what it is, to us. The reason why all American-centered explanations must be wrong as a matter of elementary logic is that relations between China and every other country remotely in its league (except Russia) have undergone exactly the same inversion, from amity to weary suspicion to increasingly vigorous defensive reactions, and it mostly happened on the same timetable or near enough. What we should be studying is not American behavior, but Chinese behavior.

    I will give four cases.

    I

    I was once engulfed in a Chinese wedding party in a vast Melbourne hotel whose inebriated celebrants noisily spilled out onto the main casino floor, handing out little boxes of assorted delicacies such as chicken feet to all and sundry, along 

    with cute little bottles filled with wolf-head kaoliang far more alcoholic than vodka. Suburban housewives turned from their slot machines to grimace comically at the chicken feet and 

    laughingly try the kaoliang, and everyone I saw at the hotel was just as indulgent with the invasion of tipsy Chinese that blocked the waiters and interrupted conversations at every table. My local friend, unbidden, explained the bonhomie: “They flew 5000 miles to hold their party in Australia and the least we can do is to be nice about it.” 

    In those days there was a lot of good feeling between Australia and China, as Australian exports to China rose every year to reach 30% of Australia’s total — and that 30% was also some 90% of the growth in total Australian exports. Not only were wedding parties warmly welcomed but also Chinese purchases of Australian firms, some in high-tech, as well as of Australian housing and land mostly unwanted by other foreign investors. Chinese tourists were also uniquely valuable, and not only because they accounted for much of the total growth in tourism but also because most other tourists were headed for the Great Barrier Reef, which was already under excessive pressure from tourist vessels, while the Chinese came for harmless sightseeing, lucrative shopping, and gambling. Crucially, the Australian welcome extended to the Hanban, China’ premier soft propaganda agency, which operates the “Confucius Institutes” of Chinese language and culture. It opened branches in most Australian univers-ties, operated by Chinese personnel who not only provided Chinese language teaching but also helped university administrators to handle the ever-increasing inflow of students from China. In the meantime Australian travel to China was facilitated by the opening of consular offices in six Australian cities (the United States has four), which also provided services for the increasing number of Chinese immigrants — numerous enough to sustain their own newspaper.

    In Australia’s ascending curve of advancement as well as prosperity, China and the Chinese played an ever increasing role, and there was substance as well as symbolism in the elevation of Kevin Rudd to the premiership in December 2007, the first and still only head of a Western government who spoke Mandarin easily and well. It was in Mandarin that he used to explain to Chinese interviewers that the “slight” political differences between the two countries — he quantified the differences at 15% — should not impede ever broadening cooperation. 

    Everything is different now. If Chinese gamblers still travel they will still be welcomed, and China can still import all the Australian raw materials it wants, but government scrutiny of Chinese investments is now much stricter than in the United States. All the Confucius Institute programs in New South Wales, Australia’s most populous state, have been closed outright, while others persist under very tight scrutiny, in the wake of ample evidence that they were operated as a coordinated propaganda arm of Chinese diplomacy, while their staff compelled Chinese students to function as their operatives, individually to spy on fellow students and together to harass any speaker critical of China or supportive of Taiwan or Tibet. As for the leaders of the Chinese immigrant community, they too are under close observation after some were exposed as Beijing’s agents in lobbying Australian politicians. 

    Most dramatic is the changed strategic attitude to China, from Kevin Rudd’s confidence in its leaders’ willingness “to make a strong contribution to strengthening the regional security environment and the global rules-based order” to the rising sense of insecurity that in 2011 persuaded the Austra-lian government to invite American combat troops to train in Australia, not once but on a prolonged basis with increasingly permanent base facilities. Off-duty Marines are now to be seen every day in tropical Darwin, that most movie-typical and of course wildly untypical of Australian cities, with leather-hatted Crocodile Dundee look-alikes in their high-riding jeeps, and seriously dangerous crocodiles lurking just outside town, which do worry the Marines practicing amphibious landings among them.

    That is the most visible evidence that Australia now views China as an outright threat, but the least visible is very likely the most important: Australia’s “strategic dialogue” with Vietnam, China’s favorite bullying target (Vietnamese fishing boats are regularly sunk by Chinese coast guard vessels) but also the most resilient of all its neighbors. Yes, it is true: the Vietnamese are highly confident that they can again defeat the Chinese, just as the French and the Americans were defeated. The most recent of the Chinese invasions — they started some two thousand years ago — occurred in 1979, a full-scale affair intended to force the Vietnamese to withdraw from Cambodia before they could defeat China’s ally, the mass-murdering Khmer Rouge. The Chinese failed: they withdrew after taking heavy casualties and the Vietnamese finished off the Khmer Rouge. 

    So what is the Australia-Vietnam dialogue about? Historical reminiscences of Australia’s part in the Vietnam war, with 61,000 troops and advisors serving over ten years? Hardly. The clue is that in this case “strategic” is a euphemism for intelligence. Australia is one of the “Five Eyes” countries, along with Canada, the United Kingdom, New Zealand, and the United States, which share deciphered signals and electronic intelligence — the only part of Winston Churchill’s dream of a permanent, all-encompassing Anglo-Saxon alliance that was fully realized. Vietnam’s long and porous border with China’s Yunnan province and its daily observation of the Chinese navy (including its Hainan submarine base) mean that it needs no ground intelligence or marine surveillance, but insofar as its Five Eyes partners allow it, Australia can supply electronic intelligence, crucial information about Chinese radars, communications and whatever signals can be deciphered. 

    That is how things now are between the Australians and the Chinese: instead of the optimism exemplified by Kevin Rudd, there are weary preparations to protect Australia by strengthening China’s Asian antagonists. In other words, without either Obama or Trump, and regardless of the posture of the United States toward China, Australian relations with China devolved on the same descending path, from hopeful and even enthusiastic amity to intense suspicion and active security measures.

    II

    In Japan, the reversal was far more abrupt. 

    On March 20, 2009, Japan’s Minister of Defense Hamada Yasukazu was in Beijing at the invitation of his Chinese counterpart Liang Guanglie. Footage shows the relaxed body language of both — of course everything had been agreed beforehand, and there was so much of it, all good, starting with a return visit to Tokyo by Liang within the year. The information-sharing arrangements they set up were remark-ably extensive and much beyond anything routine: the two sides agreed to coordinate anti-piracy operations off the Somali coast, while an overall “maritime contact mechanism” was to function between the defense ministries of China and Japan. There were to be mutual naval visits in the respective ports with shore activities to broaden their effect on the public: warships would advance China-Japan amity instead of being symbols of hostility. The uniformed military were to broaden and deepen the dialogue of the two ministers with an annual defense exchange plan that might progress to regular inter-service staff officer dialogues involving all services and the Joint Staff of Japan. In addition, the military area commands of the Chinese People’s Liberation Army (PLA) and armies of the Japanese Ground Self-Defense Force were to maintain a dialogue, to add another dimension. And to top it all off, China’s National Defense University and its Academy of Military Science would conduct joint programs with Japan’s National Institute for Defense Studies, while PLA University of Science and Technology and Dalian Naval Academy would cooperate with Japan’s National Defense Academy

    I was startled to read all this in the next day’s Japan Times in the metro. What had happened to the US-Japan alliance ? Why were the Japanese suddenly going to share all that military information with the Chinese? I was in Japan for other reasons, but a friend arranged a meeting with the leading opposition politician Ichiro Ozawa of the Democratic Party, who seemed very pleased at the government’s convergence with China. “I do not like Americans,’ He said. “They are too simple — everything is black and white.” The time had come for Japan to disengage from the military alliance, to become more neutral. 

    At the American embassy the foreign-service officer  I talked with said that Japan’s Liberal Democratic Party, long the country’s “ruling party” and until recently the firm upholder of its alliance with the United States, was declining. This political change had thrown everything into turmoil, he explained, and if Ozawa’s Democratic Party came to power anything was possible, including the expulsion of the United States Marines from their favorite base in Okinawa, the closure of the small mainland facilities, and even perhaps the departure of the US Navy from Yokosuka, the home port of the Seventh Fleet. Obama, in their view, was turning to the Chinese to help out in the American financial crisis, and he did not seem much interested in military alliances anyway. 

    And so it seemed that a neutral Japan might indeed emerge, especially if the American market for Japanese exports declined irremediably because of the financial crisis, forcing the country to increase its reliance on China. In September 2009, as the American diplomat had feared, Ozawa’s Democratic Party did come to power, and while Ozawa did not become Prime Minister he was the real power behind the government headed by Yukio Hatoyama, who would be followed by two more Democratic politicians who lasted about a year each, including the unfortunate Naoto Kan, who resigned on September 2, 2011 after a disastrous premiership that spanned the catastrophic March earthquake and tsunami. Ozawa’s serious interest in revising Japan’s national strategy was not shared by Hatoyama, but still it seemed that the United States was on its way to losing perhaps its most important ally in the world, with China gaining at least an economic partner that might become a strategic auxiliary over time.

    This prospect was welcomed by significant Japanese figures, including former Prime Minister Nakasone, once Reagan’s happy counterpart. He argued that Japan did well in the past by sending poor presents to Chinese emperors who chose to view them as humble tribute, and who would send much richer presents in return to his imaginary Japanese vassals. With this historical analogy Nakasone was implying that Japan could switch from its American horse to a Chinese horse to keep riding for free. For other Japanese, the shift was simply a matter of business: the United States was plunged in a deep financial crisis that was cutting American demand for Japanese cars and everything else, while Chinese demand for Japanese goods kept increasing. Even in the Gaimusho, Japan’s Foreign Ministry, the official keeper of the alliance, there was a growing number of converts to neutrality, with some even leaning towards China, so much so that those who resisted the drift became known as the “the Okazaki boys” (though some were women), a reference to the enlightened semi-hard-liner Hisahiko Okazaki, a charismatic rarity among Japanese diplomats who believed in a more vigorous foreign policy.

    That was what the future looked like, but what ensued was the very opposite of the China-Japan convergence that would end the American alliance. And the reversal happened entirely because of a unilateral Chinese decision to revive long dormant maritime claims all around China, which in many cases extended very far from China proper. There can only be theories about why these provocations started, because the Communist Party decides everything in the strictest secrecy. (This opacity has become even thicker now that Xi Jinping decides everything and Politburo meetings are reduced to a formality). But on the question of how it happened, there is no uncertainty: very quickly and very sharply. 

    Coincidentally, I was in Beijing in September 2009 as the guest of a strategic forum run by China’s most elevated military officers at the so-called Academy of Military Science, which is nothing like West Point and more like a military-corporate headquarters (with hotel-sized guest quarters of extraordinary luxury). My hosts were friends of long standing in some cases, including the charming and notoriously hawkish retired Admiral Luo Yuan, but I was also looking forward to the participation of the elegant Vice Foreign Minister Fu Ying. No sooner did she arrive than I noticed that she had changed: her tone had become peremptory and her gestures angular, in the brusque manner of a drill sergeant. America down! China up! It was only later that an explanation occurred to me: since the Obama Administration had urgently asked for China’s help earlier in the year — it sought, and obtained, massive public expenditures to help relaunch global demand in the usual Keynesian manner (I saw the road-building myself in Yunnan) — the significance of the financial crisis was grossly over-estimated in Beijing. Some must have viewed it as the start of the long-forecast “general crisis of capitalism” that Soviet leaders had awaited with growing impatience since 1945. 

    When I was startled by Fu Ying’s abrupt change (she is still around, in an even higher if largely honorific position), I did not know that some months earlier, on May 7, 2009, China had sent a map to the United Nations that marked its enormous maritime claims — most of the South China Sea’s three and a half million square kilometers — with nine dashes in lieu of an actual perimeter, thereby allowing room to extend the claim. But this completely outlandish map did not make the news, and neither did the joint protest of the Philippines, Indonesia, and Malaysia (Vietnam did not bother) of claims to waters within sight of their coasts and very far away from China. That is how the leaders of the Communist Party of China abandoned Deng Xiaoping’s famous injunction to “keep a low profile and bide your time” and suddenly challenged the entire world order, because they mistook the tumble in American finances for the downfall of the United States. As of this writing, the crisis thus opened continues, only it is worse.

    But back in 2009 nobody paid much attention when China advanced a maritime claim against Japan as well, in part because everybody ritualistically expected more amity in Beijing, and in part because China had revived an especially feeble claim to an exceptionally trivial territory: the uninhabited Senkaku islets and rocks, whose combined dry surfaces amount to some four square miles. Of course even the smallest islands can bring vast exclusive economic zones with them, but in this case any fishing value was irrelevant because Chinese fishermen were already allowed free access, while vague rumors of oil and gas under the seabed were ridiculed by the industry. The Japanese government did not respond to the sudden turn in Chinese policy. With the new Democratic Party in power for the first time, there was no eagerness to take on a new problem, which moreover seemed at most a minor irritant. As compared to Beijing’s claims to the three and a half million square kilo- meters of the South China Sea, outlined in hand-drawn dashes on a map from 1947 with about as much legal value as a child’s drawing, the Senkakus drawn to scale would amount to a dot. 

    Then, on September 7, 2010, the Chinese trawler Minjinyu 5179, one of many fishing vessels in Senkaku’s waters, collided with not one but two Japanese Coast Guard patrol vessels. The Japanese boarded the trawler and immediately discovered the cause of the incident: the skipper was drunk. He was detained along with his boat. That same day Japan’s ambassador in Beijing was summoned to the Foreign Ministry to be told that Japan should stop operating in the Senkaku archipelago. Two days later, the foreign minister announced that China was asserting its jurisdiction over the area, and Japan’s ambassador was again summoned to the Foreign Ministry to be told that Japan had to release the trawler and crew immediately. In Japan a routine investigation was underway, for which the skipper of the Chinese fishing vessel was remanded on September 10. Two days later, Japan’s ambassador in Beijing was again summoned, but this time by Dai Bingguo of the Council of State, a figure far above the foreign minister, to urge the Japanese government to be wise, and release the fishermen and the trawler immediately. Concurrently, a slew of China-Japan meetings designed to advance the new era of cooperation were delayed, even though Japan announced that the trawler and its crew members were about to be released, with only the skipper detained for the judicial process already underway. The local court, following normal procedure extended his detention till September 29.

    That is when the fishing incident stopped being an incident about fishing. A nation-wide campaign of incitement lead by the Chinese Foreign Ministry itself via its daily press briefings started in a matter of hours after the incident, so that already on the next day there was a major protest outside the Japanese embassy with flag-waving and loudspeaker demands for Japan’s withdrawal from the islands. More protests followed on a much larger scale, with many demonstrators wearing brand-new “Oppose Japan” shirts, and this time the mob became so menacing that police arrived in great force to block the entire area. Attacks on individual Japanese were reported in several cities, and after an attack on a Japanese school in Tianjin all Japanese schools in China were closed, as mobs formed in front of any Japanese office — while Foreign Ministry spokesmen continued to add to the incitement as incidents spread through China’s cities. For good measure, four Japanese corporate employees were arrested and accused of filming military targets, while a rumor was circulated that China would strangle Japan’s high-tech manufacturing by stopping the supply of rare earths — cerium, dysprosium, erbium, europium, gadolinium, holmium, lanthanum, lutetium, neodymium, praseodymium, promethium, samarium, terbium, thulium, ytterbium, and yittrium — both obscure and indispensable for high-tech, and at the time produced only in China. 

    In Japan, there was no clear response by its prime minister, its foreign minister, or indeed anyone in government, except for the duty official at the very small branch office of the Okinawa prosecutor in the remote island of Ishigaki. Finally, on September 22, Chinese Prime Minister Wen Jiabao issued a formal threat: “If Japan persists willfully and arbitrarily, China will take further actions…with dire consequences.”

    The threat worked: instead of being tried for the damage he inflicted, the captain of the Japanese fishing vessel was released two days later. But the Foreign Ministry spokesman in Beijing who had led the incitement campaign against Japan (even some Toyota drivers were harassed ) did not relent, and gleefully demanded in triumphalist tones an apology from Japan and compensation for holding the skipper, ruling out any compensation for the damage that he had inflicted on the Japanese patrol vessels. 

    In Japan, most people concluded that the country had been humiliated by a weak government, but the resulting crisis of confidence was still unresolved on March 11, 2011, when a powerful earthquake and a uniquely severe tsunami inflicted enormous damage in the northeast of the country, released radiation from a damaged reactor at Fukushima nearer to Tokyo, and traumatized much of the population. Prime Minister Naoto Kan and his government were conspicuously outmatched by events. A little over a month later, the Prime Minister of Australia, Julia Gillard, came to Japan on a long-scheduled visit that she refused to cancel, at a time when nobody else would travel to Japan because of radiation dangers from the Fukushima reactor, wildly exaggerated as usual. In a joint press conference with Japan’s prime minister, she replied to a question about China: “We do have a longstanding defense cooperation between our two countries and a trilateral defense cooperation between our two countries and the United States. We’ve taken the opportunity of our discussions today to talk about furthering the bilateral defense cooperation between us and of course we will be working on a trilateral basis as the United States works its way through its Global Force Posture Review.” That technicality was a nice touch, for it underlined what China meant for Julia Gillard in the wake of the Senkaku boat incident, when the exuberant amity of the defense minister’s encounter was suddenly replaced by outright hostility. China had made itself into a defense-planning problem, a potential threat to be confronted, and not just an economic partner, no matter how much coal, gas, iron ore, and beef it was importing from Australia. In retrospect, Gillard’s visit to Tokyo in the aftermath of Fukushima can be recognized as the foundational act of the “maritime alliance” that now connects and cross-connects Australia, Japan, Vietnam, and India with the United States, an alliance in which Singapore is a tacit member, and of which Taiwan is at least a beneficiary.

    All was set for change in Japan, but it was not until the follow-ing year that the electoral calendar allowed the Japanese public to express its views of the Democratic Party, and of China in effect. In December 2012, Shinzo Abe’s Liberal Democratic Party won 294 seats out of 480 in the Lower House of parliament, with additional seats controlled by allied parties much more than enough to become the “ruling party” once again, with the slogan  “take back Japan” and clear promises of a strong line on the territorial dispute with China, as well as of monetary easing and even higher public spending. The grand-son of one of Japan’s most important prime ministers and the son of a top political leader who died before he could follow in his father’s footsteps, Abe did not double defense spending or issue strident declarations but nevertheless he changed Japan’s entire stance on the world scene. He enacted a sharp attitudinal change in the government, and also a reorganization, both very small in scale and very important. Within the Foreign Minis-try, the “Okazaki boys” became decisively stronger without any need to purge the shrinking number of “panda-huggers,” and within the armed forces there was an upsurge of morale as the protection of Japan’s national territory would no longer be impeded by political timidity.

    But it was a seemingly minor reorganization completed within a year that really set the new course: some diplomats, some military officers, and some intelligence officials were re-assigned to a new National Security Secretariat. That obscure bit of bureaucratic engineering was actually a large break from the past. Until then, Japanese diplomats had coordinated important matters with their American counterparts, and the Japanese military of the different services had coordinated with their uniformed American counterparts, but there was no need for inter-Japanese coordination because it was the Americans who decided strategic matters and managed any crisis. Yet as soon as the new National Security Secretariat started operating, it became clear that Japan had become its own crisis manager and could forge its own foreign policy as an active ally of the United States instead of just a passive follower. 

    The Chinese had issued a demand for negotiations over the Senkakus but did not even obtain a denial — it was simply ignored, because the islands were Japanese and there was nothing to discuss. And there matters stand until today, as Japan also completed its trajectory from optimistic amity towards China to weary suspicion, accompanied by both self-strengthening and a reaching out for allies. That meant the United States, of course, and Australia, whose government had taken the initiative, but it also meant India, with which Shinzo Abe had an unexpectedly strong connection. It had started as an inheritance from his grandfather Kishi’s visit to India in 1957, which achieved almost nothing but was nonetheless important because no Japanese political leader had shown his face outside Japan since 1945, and none would have been welcomed in a long list of countries, especially those that had suffered from Japan’s wartime conduct. India, too, was invaded by Japan, but it was then British India, and Prime Minister Jawaharlal Nehru told Kishi that Japan had been the great inspiration for himself and his colleagues in the struggle for independence, because its self-made modernization and its defeat of Russia in 1905 gave them confidence that they, too, could be independent of imperialist tutelage. So in one country at least Japan was held in high esteem; and from that bit of family history Abe developed a serious interest in India, which developed into a personal connection with his natural political counter-part, Narendra Modi, the leader of the center-right Bharatiya Janata Party and Chief Minister of Gujarat. When Modi became Prime Minister of India in 2014, all was set for a rapid intensification of India-Japan cooperation, in everything from intelligence sharing to road-building. Multiple encounters between Abe and Modi, marked by genuine cordiality, were followed by action on the ground, none of it explicitly aimed at China but all of it driven by China’s new posture, and all of it bound to increase India’s ability to withstand China’s power and to cooperate strategically with Japan — for example, in support of Vietnam. The maritime alliance launched by Australia and taken up with enthusiasm by Japan now embraced India as well. With Abe now gone owing to poor health, his hand-picked successor Yoshihide Suga is set to continue the same policies, including prioritizing India in Japanese economic aid. 

    III

    It was not supposed to be that way. 

    For India’s post-independence elite, exemplified by the elegant Jawaharlal Nehru, China was a fellow Asian country that had also emerged from foreign domination; there was little contact with it, but even less conflict. Then very soon, in the winter of 1950, China became the major Asian protagonist in the Korean War, earning much respect as it stood up to the Americans, undeterred by their immense power.

    India-China relations were codified through the negotiation of an unusually elaborate friendship treaty in 1954 in which much was made of “The Five Principles of Peaceful Coexistence,” which included “respect for each other’s territorial unity integrity and sovereignty” and an agreement on trade and pilgrimages between the “Tibet Region of China” and India, which was signed on April 28, 1954. With that settled, Prime Minister Nehru visited Beijing in October 1954, with Mao at his most friendly: “The United States does not recognize our two countries as great powers.” he said “Let us propose that they hand over their big-power status to us, all right?” In the Nehru entourage there was an overflow of enthusiasm, now remembered by the slogan Hindi Chini bhai bhai, “Indian, Chinese, brother, brother” — the motto of a new era of solidarity between the two most populous nations on earth. The potential for collaboration seemed immense, especially because India’s economy was supposed to be centrally planned like China’s, so joint projects would not have to depend on the whims of short-sighted businessmen out for quick profits. 

    The era of good feelings lasted almost five years, even though the two governments did not actually collaborate on anything much, while some of India’s many communist parties were either “pro-Chinese” or Maoist, and also dabbled in terrorism. But it was over Tibet that India said bye-bye to bhai bhai. On March 30, 1959, with Tibet having exploded in a widespread uprising after Chinese troops entered the country in great numbers to impose Beijing’s rule in earnest, the Dalai Lama and his retinue fled through precarious high mountain tracks across India’s border into remote Tawang, the seat of a vast Lamaist monastery and the terminus of an interminable track down to the lowlands with their passable roads.

    Nehru and his government were not sentimental about the Dalai Lama, though they could not drive him back across the border, not with waves of refugees testifying to the brutal repression underway, and so they were forced to host him, provoking Chinese protests. Yet it was something much more fundamental that changed Nehru’s and India’s attitude to China: so long as Tibet retained its autonomy, it remained a buffer that kept Chinese troops a long way from India, so securely that there was no particular reason to patrol the very long and scarcely accessible Tibetan border segments from the Kashmir cease-fire lines to Nepal, in Sikkim, and then east of Bhutan to the Burmese border.

    When oblivion gave way to scouting, patrols, and ground surveys, the Indians made a startling discovery that started a border quarrel which has been dormant for long periods but is still unresolved, and periodically explodes in acts of violence: the Chinese had seized the northern edge of Kashmir’s Indian side, the vast 15,000-square-mile Aksai Chin plateau, and built a Xinjiang-Tibet highway across it. They had also intruded in the high-altitude vastness of Ladakh nearby, and also at the opposite end of the Tibet-India frontier in what was then the North East Frontier Agency and is now the state of Arunachal — except that these were not intrusions for the Chinese, who claimed not merely those extremities as their own but almost all of Arunachal till the edges of the Brahmaputra river valley. 

    Having belatedly decided to monitor the northernmost segments of their British inheritance, the Indians started running into Chinese patrols that disputed their maps, with numerous incidents and some shooting, until — in October, 1962 — the Chinese launched major offensives with tens of thousands of soldiers both in the west against Ladakh and in the east against Arunachal, advancing fast and deep after surprising and overrunning the thinly spread defenders, with thousands of Indian troops killed and captured. Having demonstrated their vast military superiority, the Chinese withdrew from their new conquests within the month, but not from their prior gains in the Aksai Chin. Nehru was utterly humiliated, and his closest associate, the “progressive” firebrand V. K. Krishna Menon, who had served as a peculiarly anti-military defense minister since 1957 (he favored officers who had eschewed combat in World War Two), was driven from office amid public opprobrium that lasted until his death. Mao Zedong would later tell people that his aim in attacking India was not to start a wider war but to end the border incidents and to persuade the Indians to negotiate seriously over what China needed, which oddly enough is still the Chinese position today, because in Beijing they truly, honestly, cannot understand why “poor and dirty” India wishes to defy China. 

    Notwithstanding all this, India’s ruling Congress Party retained an anti-Western core and wanted good relations with China no matter what, all the more so when China’s great economic advance seemed to offer opportunities for India  as well. With the humiliation of 1962 receding ever more into the past, and with some Congress leaders and officials openly indifferent about exact borders in the trackless and useless high Himalayas, relations gradually improved to the point that by 2011 the new slogan “Chindustan” emerged, amid mutual congratulations, to replace the old bhai bhai. There were again heady promises of vast cooperative projects, and also hard-headed calculations that good relations with India would persuade the Chinese to stop giving all their support, and weapons, to Pakistan. Very serious people in India were respectfully heard as they argued that India had to wean itself from American temptations and finally throw its lot in with China, first of all by inviting its vast “Road and Belt“ infrastructure projects instead of spurning them. 

    But that is not how things turned out. Just like Japan before it, India was forced into an anti-Chinese stance by China’s irrepressible territorial expansionism, which Xi Jinping only intensified when he came to power in November 2012, posturing in uniform whenever possible. Instead of the renewed hopes of amity of 2011, by the time the BJP won the elections and Modi became Prime Minister in 2014 India was already committed to a pan-democratic alignment with the United States, Japan, and their more operational allies, including Israel in the West and Vietnam in the East (with both of which Indian military relations were intense and important). And this is how matters stand in the wake of the fighting last year in the Galwan Valley and on the edge of Aksai Chin, as India completed its trajectory from hopeful friendship towards China to weary suspicion, ready for outright hostility. 

    IV

    In spite of the clear meaning of all that has happened elsewhere, even now many in Washington provincially take it for granted that American relations with China have been shaped, and will be shaped, by Americans, by the plans of the Biden presi-dency, by the doings and undoings of Donald Trump, by the Obama Administration before him (whose NSC advisor Susan Rice once declared that she could “shape” China), and indeed by their predecessors going all the way back to Nixon. 

    It is now a commonplace to assert that American policy-makers have been culpably naïve in believing that China’s increasing wealth, and the rising standard of living of the vast majority of the population, would necessarily compel the regime to liberalize, eventually leading to insurmountable demands for political self-expression, leading to decentraliza-tion and even democracy. At some level the complaint is valid, but it overlooks the vast reality that the regime did liberalize, and to an extent unimaginable when I first visited in 1976, when Mao was still alive, and then again in the aftermath of the violent repression in Tiananmen Square in 1989, until the wholly unexpected reversals that followed the long-expected rise of Xi Jinping in November 2012. 

    In 1976, Chinese men and women in the countryside could freely wear whatever rags they possessed, but in the cities almost everyone I saw was in blue Mao suits, men and women alike, with no trace of make-up allowed. Ordinary people scrambled along looking neither right nor left, as if on their way to urgent missions. (The most urgent of all was to secure some cabbages to dry on balconies for the winter, without which teeth would fall out on a diet of rice, millet, and sorghum.) Day after day I would wander around Beijing without seeing one person smiling, not even parents with children, and this was true of the other cities I visited, including almost tropical Chengdu and breezy Shanghai, not to speak of Lhasa, where the Tibetans freezing in cotton uniforms walked silently among the Chinese troops who were watching over them. I had been warned that I would have trouble breathing in Lhasa because of its altitude, but the real problem was in Beijing: in Maoist economics, “the night soil” of human excrement was a precious resource collected in buckets all over Beijing and then hand-carted across it on the way to the surrounding farmed fields, so the entire city smelled like a toilet. 

    By traveling in China I was already exercising a freedom unimaginable for the officials I was meeting: no travel whatever was allowed for them or indeed anyone else, unless under orders, and that was a real hardship for educated couples because the Communist Party preferred to assign husbands and wives to different cities. It also meant that there was no such thing as tourism, no recreational trips to the Great Wall not far from Beijing or the Ming tombs even closer. When I visited those places, they were deserted. As for entertainment, there were occasional Beijing Opera performances and there were color television broadcasts, but in the former the traditional hyper-colorful historical melodramas had been replaced by the grim class-struggle operas imposed by Jiang Qing, Mao’s ex-actress wife and one of the Gang of Four then ruling China for the moribund Great Leader. As for television, it offered political tirades against Party enemies (mostly the “capitalist roader” Deng Xiaoping, then under house arrest), more Jiang Qing operas, and brief looks at world news unlike any other version thereof, including Soviet television, which seemed almost normal by comparison. In fact there was no television for most Chinese: color sets were very few and even black and white sets were unimaginable luxuries for single families — they were communal if they were present at all. 

    In 1989, by contrast, on the eve of the Tiananmen Square demonstrations and massacre, China was a festival of freedom as compared to 1976. In a mere thirteen years, along with the opening of all parts of China to travel and of large parts of the economy to foreign business (even the American defense industry was engaged in joint ventures), there had been liberalization across the board. People could dress as they liked, couples went around holding hands, and there was the beginning of foreign travel, with business types already on jets to London, New York, and Tokyo and Cantonese more modestly riding trains to Hong Kong. Academics invited by foreign universities could and did visit them, and then return and talk of their experiences of academic and political freedom, in some cases lecturing to that effect in universities across China. The opening to China by Nixon and Kissinger in 1972 had been a strictly geopolitical move, and was much needed at a time when the Soviet Union was rising and the United States was sinking into the Vietnam war, but if any of the protagonists had entertained fantastic hopes that liberalization would also follow, they would have been vindicated by 1989.

    What happened next, however, was that Beijing’s students started demonstrating for democracy and freedom — even as many Sinologists in Western universities were insisting that there was no “Chinese” concept of freedom. To leave no doubts, the students famously built the ten-meter-tall white statue of the Goddess of Democracy and Freedom, whose features were unambiguously European, and placed it in Tiananmen to face the Mao photo on the outer wall of the forbidden city. It was destroyed on June 4, 1989 by the Army troops sent by Den Xiaoping and his Politburo subordinates to drive off the students, with some thousands shot dead, so as to regain control of Tiananmen Square, of Beijing itself, and of China at large, because by then there were student uprisings in many places around the country. In the grim aftermath of the regime’s nation-wide intimidation, some things ended that were never resumed, notably American and European arms sales to China; but after the most prominent student leaders were caught or escaped to the West, most aspects of liberalization resumed, notably foreign travel for the ever-increasing number that could afford it — the substantive achievement  of a freedom that had been absolutely denied to the citizens of the USSR.

    While there was widespread repression after the Tiananmen uprising, there were also limits to the crackdown that were previously unknown. Deng Xiaoping, who had himself been kept under house arrest, and whose son was crippled for life after he was thrown from a third-story window onto the street, was determined to have supreme power in the Party and to keep the Party under control, but he did not murder his rivals as Mao had done, and there were limits even to the punishment of dissidents. Ding Zilin, for example, the Beijing philosophy professor who started the “Mothers of Tiananmen” group together with her professor husband after their son was killed by troops on the square, eventually lost her job (as did her husband), was held under house arrest at times and imprisoned briefly after holding one more protest, and was forced to take a holiday away from Beijing during the 2008 Olympics, but she was not stripped of her pension or thrown out of her university-allocated apartment, and it was not until the ascendancy of Xi Jinping that she was prevented from speaking with foreign journalists. 

    More broadly, after the regression in 1989, progress in all directions resumed with increasing energy, starting with the economy of course but also culturally, with a rising interest in the Western classics, as testified by the appearance of successive translations of the Iliad and the Odyssey, both literal and poetical, by commercial publishers out for a profit, who evidently found enough buyers for such books. Hebrew was the other classical language of increasing interest, and this spilled over into Yiddish literature (I saw multiple translations of Sholem Aleichem’s tales in the Wangfujin bookstore!) to the extent that there are courses in Yiddish in more than one Chinese university, alongside many more in Hebrew for evangelicals and techies alike.

    By 2004 the liberalization of Chinese life had spilled over into foreign policy, with the enunciation by Zheng Bijian, the regime’s policy guru then and later, of the “Peaceful Rise” policy, according to which China would become ever more prosperous and more powerful but would nevertheless respect internal norms, starting with international law itself. China would not threaten any foreign country. Taiwan, always a special case, was to “rejoin” the mainland peacefully, and on its own timetable. In retrospect, many view Zheng Bijian’s proclamation as deceptive, but I do not: having known Zheng for years, I am quite certain that he was sincere, and all the more so because when I confronted him in 2012 about the multiple intrusions and territorial claims that had disillusioned countries from Japan to Sweden, his answer to my complaint was “Shīkòng de mâ,” or “runaway horses.” He was referring to the dangerous arrogance I had seen in Vice Foreign Minister Fu Ying’s body language in the wake of the financial crisis in 2009, misinterpreted as the final crisis of Western capitalism and a license to expand China’s power in all directions. Zheng Bijian’s remark was significant, because some backtracking soon became evident, with a lowering of the temperature on the Senkakus and other territorial claims and a general pulling back that was articulated in a 7,000-character (that is, very long) article by Dain Bingguo, the head of the State Council, which squarely reaffirmed the “Peaceful Rise” doctrine. 

    In that period there was also a genuine political liberalization, exemplified by the rule of Hu Jintao, who had all three top jobs as Chairman of the Central Military Commission, General Secretary of the Party, and President of China, but who nonetheless interpreted his role as a primus inter pares, not another Mao or even Deng Xiaoping, conferring important roles on his colleagues. Hu also allowed provincial bosses wide leeway to develop their provinces — which is how Bo Xilai rose to be the all-powerful boss of Chongqing and its thirty million people, beautifying it very successfully, and frog-marching its municipal employees into obligatory party-hymn singing, while his wife Gu Kailai accumulated wealth until her clumsy murder of a British helpmate. Other provincial bosses were less colorful, but they too went in different directions, and this decentralization, too, was a form of liberalization.

    Thus the belief that China would liberalize with increasing prosperity, and thereby become an increasing accept-able participant of international society, was not all a foolish delusion. Even in the administration of justice there was considerable liberalization, as I discovered in backhanded fashion when driving on a long journey with a Chinese friend of a friend. He was a policeman, and soon started complaining about the judges in his city: “my men chase a thief, they finally catch him, and then a few months later he is walking around again, released for good behavior!” Western-style law degrees and lawyers having become important with the opening of China to foreign investors; the Party started appointing lawyers as judges, and they could not help but introduce legal principles, such as better evidence than the confessions of badly bruised defendants. Fortunately, as my companion said, we still execute drug smugglers, and as for foreign spies (he looked directly at me) the Guoanbu still takes them away, that being the Ministry of State Security, the Chinese KGB. 

    And then, in December 2012, Xi Jinping became the party boss in Beijing, a year later rising to become President of the Republic and Chairman of the Central Military Commission. It was if a locomotive operator simply put the train in reverse, in a process of de-liberalization that has yet to end. The outrages are everywhere: the loss of Hong Kong’s erstwhile freedoms, the mass imprisonment of Xinjiang’s Uyghurs and Kazakhs in dozens of massive re-education centers, and in foreign affairs a coarse and undiplomatic arrogance (“wolf diplomacy”) and a revival of China’s territorial quarrels with Japan, Vietnam, and India. As for the United States, Xi Jinping’s visit to the United States and to Obama’s White House in September 2015 was supposed to resolve the most acute problems — the Chinese theft of American technology and the seizure and militarization of the Paracel islets and the Spratly coral reefs; but Obama discovered that his NSC advisor Susan Rice had been over-optimistic to the point of delusion, and reacted by ordering the first of a series of “freedom of navigation” patrols by American warships that continues still. 

    Xi’s regression had started within the Party itself. The local potentates who had risen under Hu Jintao’s deliberately relaxed rule — he had sought locally appropriate polices — were all placed under investigation, with most found guilty of improper enrichment and stripped of everything they had, their families thrown out of Party housing and they themselves detained for long periods if not actually sent to prison or even executed. (The especially egregious Bo Xilai and his wife were given life terms.)

    Nor did Xi tolerate the influence of the previous generation of party bosses, as Hu Jintao had done. While Hu himself was not arrested, he was silenced, very visibly so when Xi brings him along for decorative purposes, which happens less and less. As for the non-Han nationalities of China, their very limited rights of self-expression were altogether withdrawn, because Xi is not content with the Party formula that was originally Stalin’s: “nationalist in form, communist in content.” He wants Tibetans, Uyghurs, Kazakhs, and all the others — most recently including Inner Mongolian Mongols — to stop using their native languages except in domestic settings, and therefore he sees no need for state education in those languages. They are to become Han-Chinese in form as well as Communists in content. Xi Jinping’s highest priority is to reaffirm the primacy of the Communist Party’s ideology, starting with Marx and Engels (in countless re-enactments and anime showing them in mid-Victorian suits with anatomically correct beards and mustaches) and ending with Mao, whose works are now obligatory reading once again. Mao’s very long speech “on protracted war” has been revived as a manual for defeating the United States. 

    Xi Jinping’s very particular devotion to Mao and his all-out attempt to revive Mao’s Party is the very last thing I would have expected from him. Since he was parked at the Central Party School before his elevation, Xi received a number of foreign visitors, including a former finance minister of Italy, Giulio Tremonti, once my co-author on a book, and he did converse at length with a faculty member whom I also know well. I heard much about Xi Jinping that was unfiltered. Nobody came right out and said it, but knowing the basic facts of Xi’s life it seemed self-evident that he would strive to add legal protections to the Party rules, and would also press for more humane policies, at least within the Party. Those facts are as follows: Xi Jinping’s father, Xi Zhongxun, was a very senior party official, who was abruptly purged by Mao and sent to work in a remote factory in 1963, when Xi was ten. Three years later the Red Guards unleashed by Mao’s Cultural Revolution closed his middle school, looted the family home, beat up his mother, and treated his half-sister Xi Heping so violently that she was driven to suicide. His father was recalled from exile to be paraded, shoved, and beaten as an enemy of the revolution, while Xi’s mother Qi Xin walked alongside him, herself beaten whenever her denunciations of Xi’s father were not loud enough. His seventeen-year-old sister Qiaoqiao was sent off to Inner Mongolia to work on a desolate farm where there was no food, and was saved from starvation by the daughter of her father’s friend, the Inner Mongolia party boss. 

    In 1968 Xi’s father was sent to prison, and the next year, when Xi was sixteen, he himself was sent to work and “learn from the peasants” in the remarkably primitive village of Liangjiahe, Wen’anyi district, Yanchuan county, in Shaanxi province, whose capital Xian, of terracotta soldiers fame, is now highly developed but still contains much abject poverty — though not the raw hunger and freezing cold that Xi encountered when he arrived to live in a cave house. Xi was utterly miserable. He ran away, he was caught, he was sent back. But he had one object with him that was his only consolation: the Chinese translation of Goethe’s Faust, the story of the savant who made a bargain with the devil. Xi read it again and again, learning it by heart. This edition of Faust was the only one available in Chinese, translated by Guo Moruo, an eminent writer and high party official, who was himself persecuted by the Red Guards in 1966, escaping worse harm by abject self-criticism, the repudiation of all his previous books, and the denunciation of all his former friends and colleagues as counterrevolutionaries. With that he survived, but both of his sons were tortured until they committed suicide. Aided by a fawning celebration of the genius of Mao’s talentless wife Jiang Qing and his utter loyalty to Mao, Guo Moruo was eventually readmitted to high party status, complete with his own luxurious manor house, a staff of servants, a state limousine, and a large collection of antique furniture — a Faustian bargain indeed. 

    There is no evidence that Guo Moruo himself influenced Xi Jinping, though Guo found his salvation in total devotion to Mao in spite of everything done to him, just as Xi Jinping 

    would do. But Faust certainly left a very deep impression. When Xi said as much upon meeting Chancellor Angela Merkel, she probably dismissed it as a bit of cultural flattery, but Xi’s devotion was given physical form in 2015, when his own power was fully consolidated: the Shanghai International Studies University was granted funds to translate the immensity of the complete works of Johann Wolfgang von Goethe, novels, poems, plays, memoirs, letters, diaries, treatises, and shorter writings of literary and aesthetic criticism — an ocean of words. The entirety of Goethe is set to appear in Chinese in some fifty volumes containing some thirty million Chinese characters; eighty scholars from six universities and two Chinese state academies are hard at work. And this same Goethean has established concentration camps — one is reminded that Goethe’s oak tree stood on the grounds of Buchenwald.

    Dealing with Xi’s China as a geopolitical threat is proving to be less difficult than anticipated, because its aggressive stance has evoked vigorous responses from allies declared and undeclared, from Australia to India. Dealing with China as a technological competitor is also emerging as a less fearful prospect, because the reverse side of the immense amount of technology theft by China in the last two decades is the weakness of basic science in China, which leaves it bereft when the flow of technology is abruptly cut off by American security measures. But dealing with Xi and his Faustian reversion to a Maoist interpretation of Party rule will be far more difficult, especially if the destruction of Hong Kong’s liberties presages a heightened threat to Taiwan, the one place in the world that the United States must defend by statute. Only one thing can avert greater dangers: China’s reversion to the Peaceful Rise policy of 2004, which was very successful while it lasted. We may yet see this, but only after Xi Jinping’s fall, which we cannot ourselves bring about, because the fate of China lies in Chinese hands. 

    The Review Years

    “You ask me how Commerce began… One day, all of a sudden, Valéry said: ‘Why couldn’t we continue our meetings by publishing our discussions in a review? As a title I suggest 

    Commerce, the commerce of ideas.’ That idea delighted all of us there. The editors (Larbaud, Valéry, and Fargue) were appointed immediately. Adrienne Monnier and I took respon-sibility for putting everything in motion and we started straight away.” These are the words of Marguerite Caetani, describing events in 1924. She was born Marguerite Gilbert Chapin, an American who had arrived in Europe in 1902 and married Roffredo Caetani, Prince of Bassiano. In Paris they called her “the Princess,” though she signed herself Marguerite Caetani. 

    Of the three editors, Paul Valéry was the authority, Léon-Paul Fargue a writer admired above all by other writers, and Valery Larbaud a great literary go-between, a mercurial ferryman whenever one spoke in a certain way about literature (as Italo Svevo and James Joyce could testify). Neither Marguerite Caetani, who financed Commerce, nor the three editors had anything to proclaim. There was never any question of drawing up a program for the review, nor was it ever raised in conversation with friends, however distant or occasional.

    Before the first issue had appeared, Valéry wrote to Larbaud: 

    I’m in receipt in Rome of your esteemed letter of the  12th which takes me back somewhat to the atmosphere of our lunches, infrequent though friendly. The fruit of this union is Commerce … The tedious thing is writing. … I would have been very pleased if we had founded a review where there was no need to write. You realize what advantage! Reader, author, everyone happy. 

     “Without pressing so far into the perfection of the genre, it would have been possible to fulfill what I had thought up when I was 23 and had a phobia about the penholder.

    I wanted to do a review of 2 to 4 pages. 

    Title: The Essential. 

    And nothing more than ideas, in 2 or 3 lines. None other than the lean… 

    It could be signed with initials, for economy

    Marguerite Caetani’s name never appeared in the twenty-eight issues of Commerce. The review’s symbol was a pair of old Roman scales, an image of which appeared opposite the frontispiece of the first issue, beneath the indication of the print run (1,600 copies). Recognizing the proper weight: this was the essential premise of the review. Everything not in this balanced spirit was rejected.

    It has to be remembered that reviews were those that had spines (not the same, therefore, as general periodicals such as The New York Review of Books, The New Yorker, or the Times Literary Supplement). They are now largely a matter of the past, since literary reviews are among the considerable number of cultural forms that have gradually disappeared over the last fifty years. Their golden age, it is now clear, was between the two world wars, with notable early examples in the years straddling 1900 (La Revue Blanche, The Yellow Book, Die Insel).

    Marguerite Caetani was too elegant not to shun like the plague any semblance of a literary hostess. She was a Guermantes, not a Verdurin. This is also why she has generally escaped the attention of many rough and rapacious academics who continue to fill their mouths with “modernism” and “avant-garde.” Marguerite Caetani has not been detected by their narrow radar. Perhaps this is why little of importance has been written about her. All the more conspicuous, therefore, is  the magnificent portrait of Marguerite (or Margherita, as she calls her) that Elena Croce left us in her memoir Due città, or Two Cities. 

    It is a portrait of Marguerite Caetani’s years in Italy, when she ran the journal Botteghe Oscure between 1948 and 1960 in Rome, a journal much vaunted by Anglo-American expatriates of the time, an excellent review, but which gives the sense of a disaster that has already struck — and can only be read as a colonial version of Commerce. To see this, it is enough to put a copy of Commerce next to one of Botteghe Oscure. The comparison is entirely unfavorable to the latter: poor paper quality, less appealing format and page layout, too many contributors (this was the review’s main defect, which risked straying into the realms of well-meaning amateurishness). And yet, as the Italian critic Pietro Citati observed in an interview, “Botteghe Oscure was the finest Italian literary review of that time, infinitely finer than Politecnico, Paragone, etc. etc., which are much better known.”

    The writer and poet Georges Limbour wrote an ode to the index of Commerce, which began with “Artaud” and ended with “Zen.” This was the peculiar wonder of Commerce: almost all the names there resonate, they still have something to say. Or at least they stir curiosity. The same cannot be said about Botteghe Oscure, where one runs through the names in certain parts of the index as in a telephone directory (there were over seven hundred published writers in five languages). Midway in its lifespan the golden age of reviews came to an end, and no one realized that it had happened. The very idea of the literary review — of the little magazine, as Americans used to call it — had come apart. And Botteghe Oscure already seemed more like a weekly almanac than a review.

    “Regal” was the word used by Elena Croce — who was generally austere in her use of adjectives — to describe Marguerite Caetani, explaining that “Margherita had alone occupied her almost sovereign role,” along with Bernard Berenson, the only possible king in the intellectual geography of an Italy that was now remote and almost undecipherable in the years immediately after World War II. She was bound to him by a friendship that was “almost the emblem of discordant harmony.” They were well practiced at exchanging friendly barbs. Berenson said of her: “She is always looking for a new art more ugly than the one before,” touching a rather sensitive point about his friend, who lived always “in wait for a completely new ‘new.’”

    Berenson, a Lithuanian Jew who had emigrated to America and masterfully integrated into the most Waspish part of Boston society, said of himself: “I have spent too much time and money making myself a gentleman” — and he had no intention whatsoever of giving up what he had achieved. Marguerite Caetani, by contrast, had grown up in Boston and her social 

    rise had required no effort. During the years of Botteghe Oscure, when a friend observed that the title of the review might be easily misinterpreted, since botteghe oscure, which means “dark shops” and refers to the ancient Roman market that once occupied the street on which the review was located, brought to mind, for Italians, the headquarters of the Communist Party far more than the address of Palazzo Caetani, her reply was: “But we have lived here for a thousand years.”

    Although he rigorously avoided all contact with the world each morning to write his Cahiers between five (or four) and seven, when faint noises began to be heard around the house, Paul Valéry was nevertheless a consummate literary strate-gist and knew perfectly well that associating his name with a review was a delicate operation and bore heavy consequences. This is clearly set out in the letter that Valéry wrote to Margue-rite Caetani in April 1924, two months before the first issue of Commerce went into print:

    If I had been able to take part in the sittings of the Secret Committee, I would have asked that our program should be stated and all provisions taken to absolutely distinguish this publication from all possible reviews. For there are now so many reviews that there is certainly no need to add another.

    It would be essential to acquire an authority, occupying in the World of Letters, or in the confines of this horrible world, a singular strategic position — that of people of absolutely free spirit, who no longer have a need to make themselves known and fire revolver shots at streetlamps, and who moreover are not connected to some kind of system… I think we will have time to talk about it again on my return, in a few weeks. I will do my best to give you a Letter, on Letters, since it is your wish, even if I don’t know where to find the time to write, considering the engagements (that I don’t keep), the inconveniences, etc. 

     I don’t think it necessary to announce the review in the press with a great fuss and to describe it in advance. I take the view that it is pointless mentioning the name of the “editors” on the front cover… It would be my view that we shouldn’t have the air of addressing the public, and as if standing on a theater stage, but that we should appear as if among ourselves, with the public authorized to watch from the window… But all of this would need to be discussed orally and in person — I kiss your hand, dear Princess, charging you with all my Roman sentiments for the Prince — and to remember me to Fargue, Larbaud, Léger — if you happen to see them these days.

    We open the first issue of Commerce and read the table of contents: Valéry, Lettre; Fargue, Épaisseurs (Densities); Larbaud, Ce vice impuni, la lecture (Reading, This Unpunished Vice); Saint-John Perse, L’amitié du Prince (Friendship of the Prince); Joyce, UlyssesFragments. The first three pieces are by the editors, and the fourth is by the review’s poet in residence (and constant advisor). The fifth is the only opening by the “Secret Committee” to the outside world — but it is Joyce’s Ulysses, and might be enough in itself.

    Let us now look at what comes first in this issue, the place usually reserved for programs, manifestos, declarations of intent — the position for all that might be most public and declared far and wide. Here, however, we find the most intimate, private, and secret of forms: a letter. It corresponds to that Letter, on Letters previously announced by Valéry to Caetani, but it appears without the clarification “on Letters.” Why? And to whom is the letter addressed? To Caetani herself, one might think, seeing that it was she who had asked for the letter. But we find this text reappearing three years later, now with the title “Letter to a Friend,” in an enlarged edition of Valery’s Monsieur Teste. So it was addressed to Monsieur Teste, the totemic forebear, emblem, and cipher for Valéry himself. And Monsieur Teste was the model — the only one, by definition — for an extreme solipsism. Writing a letter to him meant creating a dialogue inside Valery’s own head. It was a task for his double. From all of this it is already apparent that the opening Lettre in Commerce was an example of mental dramaturgy, a literary genre invented and practiced by only one author: Valéry himself, on the basis of Mallarmé.

    At the same time, Valery’s Lettre, via a contorted and specious route, is also — when we read it in the pages of the review — the equivalent of a programmatic declaration, directed at the “World of Letters,” at that “horrible world” within whose confines Commerce ought to occupy a “singular strategic position.” But how is this to be construed? The Lettre is presented as though written on a train, on a long night journey toward Paris, “this paradise of the word.” The noise of the rails, rods, and pistons mingles with an incessant mental activity. It is the “metal that forges the journey in the darkness” — and it follows that “the brain, overexcited, oppressed by cruel treatment, necessarily generates, of itself and without knowing it, a modern literature…” This serves to keep at a distance all the avant-gardisms that fire revolver shots at streetlamps.

    But there is a more important target: as the train gradually approaches Paris, the city where “verbal life is more powerful, more different, more active and capricious than everywhere else,” the “harsh murmur of the train” seems to turn into the “the buzzing of a beehive.” It is not just the World of Letters that comes into view, but the whole “western bazaar for the trading of phantoms.” And at last Valéry’s real target appears: “the activity that is called intellectual.” At this point he embarks on a game somewhere between persiflage and sarcasm. Valéry claims, in all seriousness, not to know the meaning of the word intellectual as an adjective. And he explains to his interlocutor: “You know that I am a mind of the darkest kind.”

    Yet a sudden clarity emerges when he refers to the noun intellectuals. They are the followers of opinion: “Motion-less people who cause great movement in the world. Or very lively people, who with the quick actions of their hands and their mouths demonstrate imperceptible powers and objects that were by their nature invisible […] This system of strange acts, of productions and of wonders, had the all-powerful and empty reality of a game of cards.” A diabolical hallucination was gradually taking form, wherein the author of the letter recognized a feeling of being captured as in a web. But at the same time he was implying that one could never be sufficiently far away and separate from it. It was on this intent, suitably disguised, that Commerce was founded.

    Valéry’s inaugural Lettre in Commerce could be regarded as an apologue, a kind of fable to signify that certain pages, having appeared in a review on a certain day and in a certain company, always have a different significance from that which they assume inside a book. Anyone today, on reading the Lettre, which then became Lettre d’un ami in the final version of Monsieur Teste, would find it difficult to recognize the highly strategic intention that this letter had toward the surrounding world when it appeared one day in the summer of 1924 at the start of the inaugural issue of Commerce. Reviews serve this purpose, too: to multiply and complicate meanings.

    The moment, for a review, is an essential factor. While Paul Valéry was making his night journey toward Paris, Andre Breton was writing the Manifeste du surréalisme. Commerce made its debut in August 1924, whereas the Manifeste would appear in October of that year — and the first issue of La Révolution Surréaliste in December. The covers of the two reviews seem to belong to incompatible worlds: Commerce in pale beige, its lapidary title with no explanations, accompanied only by the date and place of printing; La Révolution Surréaliste in bright orange, with three group photos, the members of the “surrealist headquarters” photographed by Man Ray, as in a school photo, and then the names of a throng of contributors in the summary, and in the middle a striking sentence: “A new declaration of human rights has to be reached,” about which there was no corresponding piece in the first issue. Benjamin Péret, the Surrealist poet who was one of the two editors, had wanted the graphics to resemble a popular science review called La Nature. The printer of La Revolution Surrealiste generally produced Catholic publications.

    Two faraway worlds, one might say, with little in common. And yet, starting from Cahier II, or the second issue, of Commerce, important texts by the surrealists are included among not many other pieces: Louis Aragon, Un vague des rêves (A Wave of Dreams), in Cahier II, which is also an account of the birth of surrealism, and Andre Breton, Introduction au discours sur le peu de réalité (Introduction to the Discourse on the Inadequacy of Reality) and Nadja, in Cahier III and XIII — and also writing by such reprobates as Antonin Artaud, Fragments d’un journal d’enfer (Fragments of a Journal of Hell), in Cahier VII and divergent figures such as the surrealist and ‘pataphysical writer Rene Daumal, Poèmes, in Cahier XXIV. Viewed retrospectively, one might say that these texts are filtered through a close mesh, as well as being among the few still fresh works in the plethora of largely vacuous writings of the group. Surrealism was a spice added to the Commerce marketplace, purified of dross and of any fanciful ambition to shoot at the streetlamps.

    What happened in 1924? According to Aragon, who was its visionary and astute chronicler, that year was swept away by “a wave of dreams” (the title of his long essay in Commerce): “Under this issue [1924] that holds a net and drags a haul of sunfish behind it, under this issue adorned with disasters, strange stars in its hair, the contagion of the dream is spread across the districts and the countryside.” This explains the fact that La Révolution Surréaliste, making its debut at the same time that Aragon’s piece was published in Commerce, would aim everything, even in the most childish manner, at this word: rêve, rêve, rêve — dream, dream, dream — as though it were heightened through repetition. 

    But Aragon himself was a shrewd cultural politician and he immediately compiled a list of “Presidents of the Dream Republic” where — alongside the writer Raymond Roussel, the anarchist assassin Germaine Berton, Picasso, De Chirico, and Freud — were the names of Léon-Paul Fargue and Saint-John Perse, founding members of the “Secret Committee” of Commerce. Even though they were surrealists, these literati did not forget the old ways. There was a subcutaneous circulation from the start between Commerce and La Révolution Surréaliste at the very moment of their launch. The proof? The phrase on “human rights,” which dominated the cover of the surrealist review, was taken from Aragon’s Vague des rêves, which appeared in the autumn of the same year in Commerce, where only there is a hint of explanation found. “All the hope that is still left in this desperate universe will direct its last delirious looks toward our pathetic stall: ‘It’s a matter of reaching a new declaration of human rights.’” The road toward that “new declaration” must have been long indeed, since nothing more was heard about it.

    Fifteen surrealists met on two evenings, in January 1928, to conduct an “Inquiry on Sexuality,” the results of which would appear two months later, with the same title and in the form of a multiple conversation, in issue number 11 of the group’s review La Révolution Surréaliste. The conversation was begun by Breton with a question: “A man and a woman make love. To what extent does the man take into account the pleasure of the woman? Tanguy?” An old question. Puzzled responses. Yves Tanguy: “To very little extent.” Others intervene. Breton steers and comments: “Naville considers therefore that materially the pleasure of the woman and that of the man, in the event of these happening simultaneously, might be translated into the emission of confused and indiscernible seminal fluids?” Pierre Naville confirms. Breton replies: “It’s impossible to verify it, unless one entertains highly questionable verbal relations with a woman.”

    Nothing more is explained: we will never know what these “highly questionable verbal relations” are. They then move on to homosexuality (here called pederasty), about which Raymond Queneau ventures to say that he has “no moral objection whatsoever.” Protests. Pierre Unik declares: “From the physical point of view, pederasty disgusts me in the same way as excrement and, from the moral point of view, I condemn it.” Queneau comments that he has observed “among surrealists a particular prejudice against pederasty.” At this point Breton has to intervene, to put things in place: “I accuse pederasts of proposing a mental and moral deficit to human tolerance that tends to form systematically and paralyze all the enterprises that I respect. I make a few exceptions, a separate category in favor of Sade and one, more surprising so far as I’m concerned, in favor of Jean Lorrain.” (The latter was an openly gay writer and dandy of an earlier generation.) Doubts over these exceptions: “Then why not priests?” Breton explains: “Priests are the people most opposed to this moral freedom.”

    And they move on, from point to point. Jacques Prévert says he would not be interested in making love in a church “due to the bells.” Péret, always extreme, says: “This is my only thought and I have a great urge to do it.” Breton agrees and explains: “I would like it to include all possible refine-ments.” Péret then reveals how he would intend to behave: “On that occasion I would like to desecrate the hosts and, if possible, defecate into the chalice.” But on this Breton makes no comment. They move on. It is established that “no one is interested in bestiality.” Breton takes over, asking: “Would it be pleasant or unpleasant for you to make love with a woman who doesn’t speak French?” Péret and Prévert have no objection at all. But Breton exclaims: “Unbearable. I have a horror of foreign languages.”

    Almost a century later, one cannot avoid noting the unfortunate lyrical affectation of all the surrealists in what they were writing then, as if a dull screen were preventing them from recognizing the childishness of their excessive imagery, as well as their wild aspirations — a kindergarten bordering on a charnel house, from which they had only just emerged, while another was being prepared.

    Still, all that — and more — on the first evening. We could easily continue with the second, which followed four days later. But the point would be the same: certain things are discovered only if a journal is established.

    T. S. Eliot, who was Marguerite Caetani’s cousin, launched The Criterion in 1922 in a situation that was the opposite of what was happening in Paris. For him, in London, it was not a question of too many literary reviews but of too few, especially those with a cosmopolitan character.

    The first person he turned to — not surprisingly — was Valery Larbaud: “I am initiating a new quarterly review, and am writing in the hope of enlisting your support. It will be small and modest in form but I think that what contents it has will be the best in London […] There is, in fact, as you very well know, no literary periodical here of cosmopolitan tendencies and international standards.” The first piece Eliot requested was Larbaud’s lecture on Joyce. The next day Eliot wrote to Hermann Hesse asking him for “one or two parts of Blick ins Chaos.” And he added: “You don’t know me: I am a contributor to the ‘Times Literary Supplement’ ” as well as “English correspondent […] for the ‘Nouvelle Revue Française’; lastly, the author of several volumes of verse and a volume of essays.”

    The Criterion also had a patroness, Lady Rothermere, of whom Ezra Pound disapproved (as moreover he scorned everything else about England): “Do remember that I know nothing whatever about Lady Rothermere, save that she, by her name, appears to have married into a family which is not interested in good literature. I am interested in civilization, but I can’t see that England has anything to do with any future civilization.” What a shame that in the same letter Pound indicated that the “real voice of England” was the Morning  Post, a newspaper that attributed all kinds of evils to Jewish conspiracies.

    When, in January 1926, The Criterion became The New Criterion, moving from the administration of Lady Rother-mere to that of the publishing house Faber & Gwyer, Eliot felt he had to show his cards and wrote an essay that began with these words: “The existence of a literary review requires more than a word of justification.” It is rarely wise to ignore Disraeli’s maxim “never explain” — nor was it in this case. Like a diligent schoolboy, Eliot set out along the path of good sense. The number of contributors should never be too many or too few. Another error to avoid would be “including too much material and representing too many interests, which are not strictly literary, or on the other hand by sticking too closely to a narrow conception of literature.” There should not be a “program” but rather a “tendency.” Authors should follow that tendency, but they should not be in too much agreement either.

    So far, it is hard to disagree. But cracks suddenly start to appear in the sensible and fair-minded approach. One notices an oblique swipe at Commerce, without naming it, which Eliot would condemn as a “miscellaneous review,” whereas the review that Eliot has in mind “should be an organ of documentation. That is to say, the bound volumes of a decade should represent the development of the keenest sensibility and the clearest thought of ten years.” At this point it becomes ever clearer that Eliot is no longer playing the role of an unbiased director but, on the contrary, is anxious to show exactly where he stands — above all that there are those whom he wishes to exclude from his review: “I believe that the modern tendency is toward something which, for want of a better name, we may call classicism.” A tendency that, under that awkward and inappropriate name, was certainly not about modernity but was about Eliot at that moment in his life.

    And he did not stop there. He had to declare who was to be followed. With a sudden candor, Eliot draws up two lists, of good and bad. The bad ones are humanitarian liberals: H. G. Wells, George Bernard Shaw, Bertrand Russell. Fairly predict-able. But who are the good ones? We discover that the first two approved books are Réflections sur la violence by Georges Sorel and L’avenir de l’intelligence (The Future of Intelligence) by Charles Maurras, and they are followed approvingly by Julien Benda, T. E. Hulme, and Irving Babbitt. The striking name is Maurras, since he was synonymous with Action Française, the political movement of the extreme right in France. It was a very peculiar version of “classicism,” then, that Eliot was advocating. 

    In the opening lines of Barbarie et poésie, published a few months earlier, Maurras had written: “We have had to add to literary criticism action in the public square. Who is to blame? It was no one’s fault that the barbarian realm was founded outside the Spirit, in the very structure of the City. The Barbarian down below, the Barbarian of the East, our Demos flanked by its two friends, the German and the Jew, made an ignoble yoke weigh heavily on the intelligence of the nation.” As for the Jew, “the right word seems to have been spoken at a famous meeting between Catulle Mendès and Jean Moréas: — To take Heine for a Frenchman! said the Jew, scandalized. — There’s nothing French about him, replied the Greek, delighted. — But, Mendès observed, neither is he German!The truth…, Moréas began, hesitating somewhat. — The fact is that he’s Jewish, Mendès exclaimed. — I didn’t dare say it to you, replied Moréas.”

    Eliot certainly was not proposing, like Maurras, to “add to literary criticism action in the public square.” But about the Jews he agreed with Maurras. For his part, Valéry, whom Eliot regarded as a “profoundly destructive, even nihilistic mind” (though this did not prevent him from thinking that Valery was also “the symbol of the poet in the first part of the twenty-first century — not Yeats, not Rilke, nor anyone else”), would continue to steer the miscellaneous Commerce without falling into the trap of taking a position. Even “classicism” was not an appropriate formula for him. But until its end in 1939, when taking a position became obligatory, The New Criterion continued to “illustrate, in its limits, the period and its tendencies.”

    One might wonder when and how the numinous and ominous figure of the female surrealist first appeared. A starting point is found on page 17 of the first issue of La Révolution Surréaliste: a series of small square photos of twenty-eight young men, without their names and in alphabetical order. At the center, larger and once again in square format, there is a photo of a woman with no name. Below, in italics, are the words: “Woman is the being who casts the largest shadow and the brightest light in our dreams. Ch. B.,” indicating Charles Baudelaire, first among the prophets.

    Who are the twenty-eight men? The surrealists of the moment, together with their chief patrons: Freud, De Chirico, Picasso. In second place, in sequence, Antonin Artaud “handsome as a wave, likeable as a catastrophe,” according to Simone Kahn, Breton’s wife. And then René Crevel, “the most handsome of the surrealists”; Jean Carrive, the youngest surrealist (sixteen); toward the bottom Man Ray and Alberto Savinio. But who is the woman in the middle, in a police identity photograph, with the sad piercing gaze?

     She is Germaine Berton, described in modern encyclopedias as a “worker, trade unionist, anarchist.” On January 22, 1923 she killed Marius Plateau with a shotgun at the headquar-ters of Action Française, where he was a secretary. He was killed by mistake. The assassin had someone more important in mind, Charles Maurras or Léon Daudet — both political leaders who started out as influential men of letters. During Berton’s trial for murder, Aragon wrote in defense of the accused that it was legitimate “to resort to terroristic methods, in particular to assassination, in order to safeguard, at the risk of losing everything, that which appears — wrongly or rightly — more precious than all else in the world.” Germaine Berton was acquitted, and in 1924 she gave a series of tumultuous anarchist lectures that led once again to her arrest. Not much is known about her life after that, until her suicide in 1942.

    So the female surrealist’s star rose with an aura of blood and death. But there was an alternative image. In the first issue of La Révolution Surréaliste there was also a magnificent photo on page 4, taken by Man Ray, of the naked headless torso of Lee Miller shaded with zebra stripes. The female surrealist would comprise the alarming gaze of Germaine Berton and the recognizable torso of Lee Miller.

    Breton’s Manifeste du surréalisme came off the press on October 15, 1924, and three days later a jointly written pamphlet titled Un cadaver appeared with a text by Breton. What had happened in the meantime? The funeral of Anatole France. Janet Flanner, the most effective and chic of Paris news reporters with her pieces for The New Yorker, noted: “I recall that at Anatole France’s funeral procession, the first of these official honorary ceremonies that I had ever seen, the cortege was followed through the streets by a group of disrespectful Surrealists, who despised his popularity and his literary style, and who shouted insults to his memory (‘Un cadavre littéraire!’) in unison every step of the way. This was possibly the first of their sadistic street manifestations and was considered a scandal, since Paris has so long been noted as a great appreciator of its intellectual figures.”

    Breton contributed to the surrealist pamphlet a short piece of which he must have been proud, since it reappeared a decade later in his book Point du jour (Break of Day), where he wrote that the year 1924 could be considered fortunate because it had seen the death of Pierre Loti, Maurice Barrès, and Anatole France: “the idiot, the traitor, and the policeman.” And he did not stop there: “In France a little human servility has gone. Let there be celebration on the day when cunning, traditionalism, patriotism, opportunism, skepticism, realism and heartlessness is buried! Let us remember that the lowest comedians of our time have found a stooge in Anatole France and we won’t forgive him for having adorned his smiling inertia with the colors of the Revolution. To close up his corpse, why not empty — if anyone wishes — one of those shacks on the quais with those old books ‘he loved so much’ and throw the whole lot in the Seine? Once dead, this man ought not to produce any more dust.” Such a miserable point had perhaps never before been reached in the highly complex history of the avant-garde.

    In contrast with the commotion during the funeral of Anatole France, five years later, as the decade and a whole way of life was drawing to a close, there was silence at the funeral of Hugo von Hofmannsthal, perhaps the only writer who could be rightly called European, among the many who claimed to be. Rudolf Kayser gave an account of it in Bifur, which sought to vie with Commerce: “We attended the funeral of Hugo von Hofmannsthal. In a small baroque village church, we were there, black and silent before that casket, around which the incense, the music, the Catholicism reigned funereal and heavy. Then we went out into a hot summer day. The dead poet and friend guided us, a small procession of people dressed in black. But along the edges the people were lined up, there were thousands of men, women, children who flowed with us into the cemetery. They knew nothing about him, nothing other than his destiny, nothing other than his name. At the graveside, beside the priests, there were some film cameramen. This was our goodbye.”

    What was there before the word “revolution” inevitably thrust itself into the title of the surrealist journal, which in 1929 became Le Surréalisme au service de la Révolution, and finally insisted on being served? There was Littérature, a monthly review, first issue in March 1919, with unremarkable graphics, title underlined, poetry in italics, prose in roman. Looking back, Breton claimed that the title ought to be construed “antiphrastically, in a spirit of mockery.” After the shock of Dada, recently arrived from Zurich, nothing could be treated with proper respect, especially literature.

    But this was not the case. Indeed, here everything has the air of transition, of a judicious blend of established powers and emerging powers, of notables and new recruits. It is enough to glance through the names on the contents page of the first issue: Gide, Valéry, Fargue, Salmon, Jacob, Reverdy, Cendrars, Paulhan, Aragon, Breton. They are all there, those who would continue on for another twenty years, old men and subver-sives, neoclassicists and presurrealists. And there is, in the table of contents, a deft game of precedence. Heading them all were Gide and Valéry, who were now established names. Then the others in random order, to Breton, who was already hoping to call the shots. It is bewildering to read the issue from start to finish, skipping nothing. At the start Gide produces fragments of his new Fruits of the Earth, with an epigraph in bold, imperious, that will be cherished by lovers of bonheur, an ideal motto for future Gentils Organisateurs of the Club Méditérranée: “Que l’homme est né pour le bonheur, / Certes toute la nature l’enseigne” (All of nature teaches that man was born for happiness). Then comes Valéry’s poem Cantique des colonnes, “Song of the Columns,” which now sounds fairly vacuous.

    But try looking through the rest of this issue of Littérature and an embarrassing feeling is gradually confirmed: it is as though everything has been sketched out by the same hand — and a hand with no conspicuous talent. Even writers such as Fargue or Cendrars, who could hardly have been confused with others, are flattened, toned down, as though they were wearing a regular uniform. All of them make improvident use of jumbled images and have a shared incapacity to explain what they are talking about. Exactly a century later, little remains of that Littérature about which they write. Yet we are still struck by the diplomatic aspect: the group photograph, a fleeting convergence of certain names that would soon vanish from the scene, with a canny game of swapping, adding in and taking out.

    The rule of the good neighbor does not apply just to books in libraries, but also to pieces in literary reviews. Indeed, it could be a criterion for testing their nature or quality. Every issue of a review can be seen as a whole, where different voices are intersected and superimposed within a pre-established landscape, with its hedgerows, avenues, fountains, and wild areas. And over time the physiognomy of the place can radically change, as if in a grotesque game. Littérature, which some of its authors regarded as a rash and ruinous enterprise, proved in the end to be a collection of bland lyrical texts, where the factor of novelty ended up almost stagnant and certainly tedious.

    It was the age of plaquettes, those slim volumes, no more than a hundred pages, sometimes less than fifty, often graphically elegant, printed in few copies, generally numbered, by publish-ers who did only that (Au Sans Pareil, K, GLM, L’Âge d’Or, among others), a dust wafting around normal books, which were very often published by Gallimard, or by the N.R.F. as it was still called. Writers could be authors of various plaquettes and of no book. There were already collectors of plaquettes and of autographs. Max Jacob was caught diligently copying out several examples of his poetry which were then to be offered as original versions for various expectant collectors. And they were searching above all for grands papiers, rare copies on special paper. That was the final period of a parallel and morganatic publishing trade, on which various antiquarians-of-the-new lived for a long while, in whose shops, in paper wrappings, there was much to explore. Those plaquettes then re-emerged, as if embalmed, in the windows of the great Parisian bookshop and gallery La Hune, well displayed, when month after month, year after year, someone was rediscovered, Artaud or Crevel or Desnos or Vaché or Cravan. It was a long paper-trail that remained in evidence until the end of the 1970s.

    Commerce came to an end in 1932. But its model, especially typographical, continued to spread throughout the 1930s. The format generally square, the title evocative and alone on the frontispiece, the absence of any preface, the names of the editors opposite the frontispiece, the predominance of new texts blended in each issue with something from the past, as well as something exotic or “oriental”: those are the characteristics of Commerce, which reappear in Bifur and Mesures. Both Bifur, which was founded in 1929, and Mesures, which was founded in 1935, would rely, as Commerce did, on foreign writers previously unknown in France, who became a sort of emblem for the review: Gottfried Benn for Bifur, in the first issue, and Constantine Cavafy for Mesures, introduced by Marguerite Yourcenar as “one of the most celebrated poets of modern Greece, and also one of the greatest, as well as the most subtle, and perhaps the most singularly new, and at the same time charged with the richness of the past,” followed immediately, by fortunate coincidence, by a part of Mount Analogue, a novel by René Daumal. And the cosmopolitan nature of the enterprise is declared in the list of “foreign advisors” for Bifur: Bruno Barilli, Gottfried Benn, Ramón Gomez de la Serna, James Joyce, Boris Pilnyak, and William Carlos Williams (only the last of these made a recognizable contribution). The list is varied and outstanding, but it isn’t easy to be cosmopolitan.

    The film critic Nino Frank, the real inventor of the review along with the artist and poet Georges Ribemont-Des-saignes, was thinking about spending some time in Berlin, for sentimental reasons, when news broke of the burning of the Reichstag. It was a good excuse to get the “Paris Journal” to commission a series of articles. But — Frank explained — by the morning of his departure “I had already forgotten the official reason for my journey.” He found that he was the only passenger in the plane. At Tempelhof he was immediately stopped and questioned, abruptly and politely. Berlin seemed to him like a city of people who “passed without looking, except for certain women, still forlorn and nervous,” while he noticed a sound in the background: metal boxes rattled by the SA, who expected donations. 

    Before leaving, Frank had one more visit to make, also connected to Bifur. He recalled: “A few years earlier, a respect-able and portly, bald-headed man, his eyes shielded by gold-rimmed glasses, rang my doorbell. I am always ill-dis-posed to such intrusions. We couldn’t understand each other since he spoke only his language, and I spoke everything apart from German. It was Gottfried Benn, with whom I had exchanged letters and with whom, in the absence of anything better, I exchanged firm handshakes.” Frank knew only that Benn was “the only poet in his country who had, toward the start of the 1930s, some density, who published little, and things of a fairly glacial incandescence. Untranslatable, they told me, and the same was said, more or less in the same years, about Boris Pasternak.” 

    Invited to his house, Frank found himself “in a poor street where on the door I read that I was about to ring at the office of Doctor Gottfried Benn, a specialist in venereal diseases. A nurse took me to his room, where I met him again, dressed in a long white coat, the man with the gold-rimmed glasses: his manner was friendly and vaguely formal and, between one patient and the next, we had an unusual conversation.” Frank wanted to know something about the state of things in Germany, but Benn spoke about his “poetical itinerary.” He stopped from time to time, “casting a rather cloudy gaze, then began talking again about Dehmel and Hofmannsthal: 

    ‘Pessimisme héroïque’ he said in French, with a heavy accent. Since I took the opportunity immediately to mention once again Hitler and the Reichstag, he shrugged these off with a gesture of slight irritation. Then, seeing my surprise, he hinted that it was a question of leaving things alone, of accepting without censure, of seeing whether these might manage to do better than the others.” But something about the conversa-tion didn’t add up. “With a pirouette unexpected in a person so solemn,” Benn suddenly started talking about gonococcus and treponema. Syphilis, he said, was no great problem, whereas gonorrhea was. Meanwhile “the windows vibrated heavily at the hum of the engines at the nearby airport.”

    Politics was pressing. Hitler had already appeared in Bifur in December 1930, in the form of a misspelling. “On the one hand, the multiplication of bourgeois parties and their collapse, on the other the expansion of the Hittler movement, were the characteristics of the Reichstag elections”: this was reported, at the beginning of the issue, in Franz Carl Weiskopf’s article on the recent German elections, the review’s first intrusion into current affairs. Weiskopf was a member of the Association of Proletarian Writers and his article was most probably imposed by Pierre G. Lévy, the review’s financial backer, a prosperous bourgeois and follower of modernity who “was leaning ever more toward militant Marxism” (in the words of Ribemont-Dessaignes) — but at the same time, in his indefatigable snobbery, had launched the journal to emulate in some way the Princess of Bassiano who ran Commerce.Others were also chomping at the bit, thirsting for political trouble. A few lines after Weiskopf’s article there appeared twenty-five-year-old Pierre Nizan, who described himself as a “philosopher, traveler and communist,” and wrote: “But why should I hide my game? I say simply that there’s a philosophy of the oppressors and a philosophy of the oppressed.” The 1930s were now in the air. There was a shrillness about everything. A great contest was under way to find the worst oppressor, always in furtherance of some oppression suffered. The next issue of Bifur began with the religious scholar and thinker Henry Corbin’s translation of Heidegger’s “What is Metaphysics?” which Alexandre Koyré introduced with these words: “In the philosophical firmament of Germany, the star of M. Heidegger shines with supreme radiance. According to some it is not a star but a new sun that rises and with its light eclipses all its contemporaries.” A whole variety of games was being played all at once. 

    There was also the announcement of a Great Game that is still open. “Le Grand Jeu is irremediable; it is played only once. We want to play it at every moment of our life. And moreover ‘he who loses wins.’ Because it’s a question of losing. We want to win. Now, Le Grand Jeu is a game of chance, namely of dexterity, or rather, of ‘grace’: the grace of God and the grace of gestures.” These are that words that Roger Gilbert-Lecomte used to launch the first issue of Le Grand Jeu in the winter of 1928 — words that escaped the Surrealist web. The words “grace of God” were unthinkable elsewhere, and also “grace of gestures.” This was the point that most irritated Breton and Aragon, who in their response to the new journal were temporary reincarnations of Monsieur Hommais. In their view, those words transformed the youngsters of Le Grand Jeu (Daumal was twenty, Gilbert-Lecomte twenty-one) from potential allies into certain reprobates. The most serious charge against the new journal was “the constant use of the word ‘God’ further aggravated by the fact that one of the articles states that it is referring to a single God in three persons.” To this charge was added “a blunt remark that declared the preference given to Landru [a French serial killer of women] over Sacco and Vanzetti.”

    Here was the sound of something radically divergent, ready to strike out in a different direction. This was no longer a literary dispute or a clash between avant-garde sects. The new review was interested in identifying a “fundamental experience,” as Daumal would call it, from which everything else had to follow, including Scripture. And of course the review itself. Only three issues of Le Grand Jeu appeared; the journal closed in the autumn of 1930. But from its very first lines one sensed an “air of other planets.” It was a review that was taking its leave from the world of reviews. And in particular, before even being expelled from it, it was distancing itself from the Surrealist atmosphere that now pervaded everything (an everything that broadly coincided with the Sixth Arrondissement). The definitive sign of that separation can be found, perhaps, in two pages by Daumal that appeared in the second issue of the journal, called “Once More on the Books of René Guénon.” One reads there that Guénon, “if he speaks of the Veda, thinks the Veda, he is the Veda.” More than describing Guénon, a French mystic and esotericist who wrote about Hinduism and converted to Islam, those words foretold what Daumal himself would become, as a writer and an interpreter and translator of Sanskrit texts, right to the end.

    Why did the season of the reviews come to an end? Mainly because the irresistible attraction of the new fell into decline, steadily fading and vanishing. “Au fond de l’Inconnu pour trouver du nouveau,” to the depths of the Unknown to find the new:  it is always a line or a phrase of Baudelaire that signals the essential features of modernity. The new that Margue-rite Caetani was seeking, and that she found at the start of Commerce, was not the same new that she sought and failed to find twenty-five years later when Botteghe Oscure began. Every-one continued to pose as new, but this was now only a sign of social recognition. And even when the new was really new, it was not always what it claimed to be. Around a century later, it is striking how all the avant-gardes were weighed down by what was already old. Everything was sustained by an amalgam of art and snobbery. But the formula gradually fell apart. Every-thing proceeded “carrying its own corpse on its back,” in the words of Roger Gilbert-Lecomte, the poet who was one of the founders of Le Grand Jeu, and the most lucid of the mutants. They had to “change level,” said Daumal, the first who managed to do so, and devoted himself to steering toward Mount Analogue, the inaccessible summit of his spiritualist novel of that name, whose subtitle is A Novel of non-Euclidean and Authentically Symbolic Adventures in Mountaineering. Having reached that empyrean, there was no more talk of literary reviews — and no need for them.

    Obviously during those years, between 1920 and 1940, some notable reviews flourished in other countries, too — in Germany, England, Italy, the United States. But in Paris there was a concentration of journals that found no equivalent elsewhere. It all happened inside the boundary of the Sixth, with occasional forays into the Seventh and the Fifth. It was said that the editors of Bifur had only to spend each day at Café de Flore and Les Deux Magots to fill the table of contents of their journal. The Paris reviews had spawned other significant offspring during the 1930s. Each was a variant of the classic format of the Parisian review: anthropological (in the style of Marcel Mauss) with Documents, edited by Georges Bataille; militant-de-lirious with Acéphale; smugly modernist with Minotaure (based in Geneva with Albert Skira, though still Parisian); the progeny of Commerce and Mesures. But the concept and the intent of the review remained unquestionable: it was created by a few and for a few, yet its ambition was absolute and limitless. This aspiration was gradually lost, until it more or less disappeared after 1945. A common thread tended no longer to be there. Literature was preparing to become what it would be in the new millennium: a matter for individuals, stubbornly separate and solitary.

    In the first issue, in March 1964, of Art and Literature, which described itself as an “international review,” and indeed was, there appeared a piece by Cyril Connolly called “Fifty Years of Little Magazines,” which reads like an epicedium, a dirge, to literary reviews:

    Little magazines are the pollinators of works of art: liter-ary movements and eventually literature itself could not exist without them. Most of the poetry of Yeats, Eliot, Pound and Auden appeared in magazines, as did The Portrait of the Artist and Ulysses, Finnegans Wake, and nearly all of Hemingway’s short stories. A good magazine brings writers together, even the most isolated, and sets them influencing their time and, when that time is past, devotes a special number to them as a funeral. 

     Little magazines are of two kinds, dynamic and eclec-tic. Some flourish on what they put in, others by whom they keep out. Dynamic magazines have a shorter life and it is around them that glamour and nostalgia crystallize. If they go on too long they will become eclectic, although the reverse process is very unusual. Eclectic magazines are also of their time, but they cannot ignore the past nor resist good writing from opposing camps. The dynamic editor runs his magazine like a commando course where picked men are trained to assault the enemy position; the eclectic editor is like a hotel proprietor whose rooms fill up every month with a different clique. 

     To give some examples: The Yellow Book was eclectic, The Savoy dynamic, The Little Review dynamic, The Dial eclectic, Transition dynamic, Life and Letters eclectic (also The Criterion and The London Mercury), Les Soirées de Paris dynamic, La Nouvelle Revue Française eclectic, […] Verve eclectic, Minotaure dynamic, etc. 

     An eclectic editor feels he has a duty to preserve certain values, to reassess famous writers, disinter others. A truly dynamic editor will completely ignore the past: his magazine will be short lived, his authors violent and obscure. The eclectic will be in constant danger of becoming complacent and middlebrow: he lasts longer and pays better. Most quarterlies are eclectic: they have so many pages and are less agitated by the time-clock.

    There is very little to add, almost sixty years later, except that it has now become unlikely that there could exist a magazine that would even publish a eulogy such as this, which was after all solidly based on facts, since Connolly himself had edited Horizon between 1939 and 1949, which is to say, during the closing years of this short history that has the advantage of a clearly defined beginning and an end, like certain short stories by Nathaniel Hawthorne.

    Chorus of the Years

    Why won’t you let me be glory, standing
    there in the mountainous half-bright shadow,
    fallen step-by-step down the staircase where
    a bad smell, urine and something else,
    unarguably an ultimate flaw,
    good to ignore years before but now not,
    not with you there above me, looking down,
    hardly clear, hard silent, except for cricks
    on the landing I strain to count, losing
    each, for what, for glory and motion,
    which can’t be claimed, neither can—I know it,
    this frowsiness we ascend by, descend
    fast to register but not recognise,
    being that it is a malevolent malice
    I left behind in brackish St Thomas,
    that ash earth place, where dark glares in vials
    and parchment with names are put in shoes to
    turn minds spider (it happened to mom),
    where speartips of cane-flags pointed at hearts
    set whole hills in tears, and rage, Jesus, rage
    evening after evening drags—let me stop
    now, halfway up the stairs; the arc’s broken
    like an hiatus at fresh water gapes
    back at the chorus of early days
    when, of course, you were the only singer,
    lifted up, granted, like fire in coal
    broken through, at last, one black ice nugget.

    Crowns

    i.m. Donald Rodney (18 May 1961 – 4 March 1998) 

    Emblems of countless martyrs
    devoured by the Atlantic,
    who remembers that slavery was monarchical,

    that historical atrocity
    came directly from the divine head,
    that gravity cannot be numbered.

    Do not seek to be venerated
    or to win the appraisal of civic awe,
    like for instance Basquiat’s crowns.

    Estimates have been made – “about 15 million” –
    but you didn’t allow your body
    to conform to that illness;

    you transformed that. But into what?
    Emblem of power and of savage mockery?
    Vehemence yet no vengeance? And yet,

    ever at the fulcrum
    like that ocean, bleak plain ink which echoes
    the aftermath of your rage

    which achieved the most difficult
    grace in the election of urgency (which is grace).
    Turbulent saccharum officinarum: you transformed all that.

    Obsessive sketching of that.
    The immense, miserable aftermath of that.
    Concentric abyss that your crowns

    turning wheels within time
    inexhaustible after a splash opens
    the death clinic chasm, turning

    the aftermath of surgery and slavery,
    growing irrepressibly without end, blood’s
    real provenance of what survives. And what survives

    is diaspora. (Braced, sotto voce, in this
    parenthesis, is your perpetual rage.)
    All else constitutes a lived fable.

    Zungguzungguguzungguzeng

    All me sparks fly all night;
    all my mouth axle bright, wheel
    the true guillotine serpents’ fleck
    amber sweat off my waistline,

    sibilant as touch-me-nots’
    shuttered leaves rattling Death
    in the Arena. Honey Blight
    and Armageddon. I am Thorn

    Tongue, bare sprite-child nerved
    against neon slush and ants trap,
    I squeal, bitten, “Mother O mother…
    come!” No one but echo and ice.

    Day fevers dusk a Midas
    wisp. Torched corona. I am adagio,
    brisk, cool and deadly onstage;
    my visible black flares yellow,

    speckled lava. All me manna
    chrome, stigmata’s tingling
    rush turns the purging
    cassia spokes ripe, ripe music.

    After Covid

    Paleontologists disagree about whether dinosaurs were thriving or had already entered a long decline when an extinction event finished them off sixty-six million years ago. Depending on who is right, the asteroid that struck Earth either radically changed the direction of evolution or merely accelerated an established trend. Disasters that target the currently dominant species invite similarly divergent interpretations. Their capacity to jolt us out of our complacency is not in doubt. But in so doing, do they truly redirect the course of human history, or do they merely act as catalysts of ongoing change? Covid19 is just the latest in a long series of crises that have raised this perennial question.

    And how it has been raised! Since the pandemic began, journalists, pundits, scholars, and pundit-scholars speak as if the pandemic will itself periodize history, into the “Before Time” and the new world that we have entered. They have fallen over each other predicting all manner of dramatic change. But what kind of change, exactly? A big divide separates the realists and the continuationists from the aspirationists and the disruptionists. The former prefer to view the coronavirus crisis as an amplifier of present shifts and enhancer of familiar structures. The latter consider it a transformative force, a crisis that is an opportunity, a source of novel remedies for assorted societal ills thought to be in urgent need of correction. 

    The continuationist position has much to commend it. After all, a great many of the crises highlighted by the pandemic were already underway. Nationalism and anti-glo-balist sentiment were on the rise. International indices of freedom were declining. Digital tracking and surveillance had become ever more invasive. Economic inequality was already unprecedented. Corporate debt had already reached record highs, and central banks had already begun to drive more of the economy. Tensions between the United States and China were already mounting. Iran had long been in trouble. China’s strategic ambitions were already obvious, and its growth had already begun to slow, as had India’s. Oil prices were already too low to sustain the bloated budgets of the petrostates. The European establishment was already eager to go green even before the EU’s covid-recovery package unleashed a torrent of funding for salient projects. Online shopping had long been eating into retail’s market share, and remote instruction and telecommuting had been expanding for many years. Millen-nials had already been dealt lousy cards by the Great Recession and austerity. African-Americans led shorter and unhealthier lives even before they succumbed in disproportionate numbers to the coronavirus. And even the “novel corona-virus” is not as novel as it has been made to sound: multiple outbreaks of SARS and MERS have been recorded since 2002.

    In all these and many other respects, the crisis has served as an accelerator and an amplifier. Sometimes the push was felt to be sudden and hard: the head-over-heels transition to remote work and teaching is a prime example. But even that apparent rupture was firmly rooted in technological shifts that had long prepared the ground. This kind of historical acceleration has a long pedigree. The World Wars and the Great Depres-sion spawned unprecedented mass mobilization (for war and revolution) and economic shocks. Taxes soared, the right to vote spread, colonial empires trembled, and welfare states bloomed. Capitalism was temporarily tamed, suspended, and sometimes even abolished. Yet none of this came out of nowhere: well before 1914, there had already been pensions, progressive taxation, labor unions, public schools, suffragists and suffragettes, and independence movements. What these crises did was give an enormous boost to initiatives that were already in progress.

    The dramatic empowerment of the masses was rooted in the modernizing institutional and economic transformations of the previous century or two. Even purposely radical communist regimes built on nineteenth-century ideas and embraced generic schemes such as industrialization. Genuine detours from the modernizing script — such as the Khmer Rouge’s murderous evacuations of urban residents to the countryside — remained exceedingly rare and unsuccessful outliers.

    Nor had historical pandemics been genuine game-changers. It is hard to imagine disasters more disruptive than the Black Death of the late Middle Ages and the pandemics of smallpox, measles and influenza that ravaged the Americas after European colonizers introduced these pathogens after 1492. Yet even the medieval plague frequently intensified earlier trends, from urbanization and the erosion of serfdom to challenges to Catholic unity and papal supremacy. In the New World, the decimation of the indigenous population greatly assisted the Spanish conquests, but even that process was ultimately a mere acceleration, however monstrous in scale and style. The ultimate outcome had hardly been in doubt: witness the wide and rapidly expanding disparities between the fiscal-military states of Europe and the largely Copper Age societies of the Americas, the fissions that had already opened within the most powerful American empires of the day, and the conquistadors’ zeal to out-colonize their fellow European competitors.

    Nothing quite as dramatic has happened since, even as epidemics remained common. When bubonic plague intensified one more time in seventeenth-century Europe, the most dynamic economies — most notably Britain and the Nether-lands — weathered it quite well. In the nineteenth century, massive outbreaks of cholera and yellow fever famously raised support for ambitious public health measures but cannot rightly be viewed as their root cause. After all, the counter-factual of ever richer and more knowledgeable societies persistently failing to invest in sanitation is hardly a plausible one. However much repeated health scares shaped the pace and scale of intervention, it was economic growth and science that made it possible in the first place.

    A century ago, the Spanish Flu was as global in its reach as Covid19 is today, but it turned out to be much more lethal. It targeted not only the elderly but also infants and, most crucially, people in their twenties and thirties — workers in the prime of life who often had just started a family and who left behind spouses and small children. Vast numbers of people died: perhaps forty million, or 1 in 50 people on earth, equivalent to more than 150 million today. Yet in the end, little tangible change resulted from this catastrophe. Improved coordination of international health monitoring was well in line with the overall consolidations of the League of Nations period and fairly unremarkable.

    This is not to say that crises never reroute trajectories of develop-ment. But such outcomes are made all the more noteworthy by their extraordinary rarity. A few years ago I was able to identify a clear example: the attenuation of income and wealth inequal-ity through major disasters. I found a pattern that has held true across recorded history: massively violent ruptures were the only events that have ever greatly shrunk the gap between rich and poor. Those events, I found, came in four flavors: the collapse of states, catastrophic pandemics, mass mobilization warfare, and transformative revolution. The latter two were especially characteristic of the twentieth century.

    State collapse was the most ancient leveling force, dating back to Old Kingdom Egypt. It was also the most dependable. Early states were designed as powerful engines of inequality: whenever they unraveled, they took elites and their accumulated wealth and power down with them. While most people ended up worse off, the rich had the most to lose. Pandemics, by contrast, equalized by different means, administering a harsh Malthusian solution to demographic pressure. When they carried off a sufficiently large enough share of the population, labor became scarce and wages rose, while demand for land fell, reducing its value. The masses who sold their labor found themselves less poor while the rich who controlled capital lost some of their income and wealth. 

    There occurred, in these cases, a kind of egalitarian intermission in history. Such shifts are faintly discernible during the first pandemic of bubonic plague at the end of Roman antiquity, are amply documented in Western Europe in the wake of the Black Death, and have also been observed in seventeenth-century Mexico, where real wages increased once indigenous population numbers had dropped to record lows. But these violent levelings — these adjustments by catastrophe — never lasted. As states were rebuilt, greedy elites returned. As plagues faded, population recovered, wages fell, and fortunes grew. Even so, the egalitarian intermissions could go on for generations, providing rare relief from plutocratic dominance. At the very least, they proved to the world that life did not always have to be the way it usually was.

    The unique ruptures of modernity drove home that message with even greater force. In the World Wars — especially the second one — returns on capital plummeted, and governments launched aggressive interventions in the private sector and raised taxes on large incomes and estates sky-high. Conscription and the war effort boosted the bargaining power of workers and unions thrived. After the war, social solidarity and the newly grown fiscal and organizational capabilities of government underwrote welfare states. During the 1950s and 1960s, and occasionally even the 1970s, economies grew, middle classes expanded, and inequality was kept at bay.

    Those societies were the lucky ones. Others experienced violent upheaval that led to far more dramatic change, as in Russia after World War I and in China after World War II. Communism actively pursued economic equality by the bloodiest of means. But that grand and grotesque experiment merely created new social hierarchies. The compression of wealth and income distributions persisted only as long as violent regimes survived or remained committed to that goal. The moment restraints were relaxed, material inequality soared to previously unknown heights, from Russia to China and beyond. In the West, where equalization had been less radical, its reversal was also more muted, but it has proven equally persistent. Since the 1980s, large economic policies and processes such as globalization, deregulation, financialization, and automation have rewarded some more than others, to put it mildly. In the United States, this process has gone further than among its Western peers, creating economic disparities not seen since the 1920s. Seemingly impervious to political preference, this process has continued under Democrats and Republicans alike.

    So will the pandemic prompt a change of course? Recent history gives us little reason to think so. Although the Great Recession of 2008 battered the One Percenters, they soon recovered, while many others continued to struggle. This time does not look notably different. Inequality has gone up, in the United States and elsewhere. Job losses have disproportionately hit the young, the poor, the less skilled, and traditionally disadvantaged groups. And economic inequalities have been replicated in other domains, from worse health outcomes for the least protected and inferior learning opportunities for poorer students.

    Meanwhile, at least so far, the super-rich have recovered with astonishing speed. Bloomberg’s index of American fortunes among the world’s top 500 reveals the most V-shaped of recoveries: in 2020, a steep plunge between mid-February and the third week of March followed by an almost complete turnaround by early June. Jeff Bezos, the leader of the pack, is richer than ever before. To the relief of non-billionaires, the S&P 500 has closely tracked this plutocratic V. Yet while that has been good news for portfolios of all sizes, key indicators of economic health and general welfare, such as GDP or employment, are lagging far behind.

    Taken together, these developments fit the continuationist template: existing inequalities have been brutally exposed, or have grown, or have made themselves more painfully felt, or all of the above. But there has been no change of direction. What does this mean for the future of inequality — or climate change, or “late capitalism,” or the “neoliberal world order?” What, in other words, are the odds of seizing progressive change from the jaws of … more of the same?

    A genuine re-direction, a bold new course for society, may be accomplished by peaceful or violent means. Aspirational disruptionists hope for the former. Their message is simple: this is the time. At long last, the coronavirus crisis will make it impossible for us to avert our gaze from society’s ailments. It will shake us out of our customary stupor and jolt us into action, ready to combat inequality and systemic racism while shoring up health care and worker protection and infrastructure and the environment. This perspective, popular in large parts of punditdom, involves a bold leap from trigger (virus) to outcome (transformative change). The proximate mechanisms that are supposed to generate such sweeping change tend to be rather less well defined. During the Democratic primary, Bernie Sanders’ vague allusions to a “movement” that would somehow ensure implementation of far-reaching programs were emblematic of the magical thinking employed to bridge that chasm. The path to a grandly upgraded social contract or a Green New Deal seems similarly obscure. Yet the more ambitious and game-changing the goals, the more clearly formulated the way to reach them needs to be. At least for now, the needed clarity is absent.

    The current buzz of progressive energy in politics may prove deceptive. The election of Joe Biden was a relief of historic proportions, but with mainstream politics stuck in crisis-management mode, drastic re-directional change would seem less plausible than ever. The results of our recent election, which highlighted persistent polarization and all but guaranteed a prolonged stalemate, confirm this impression. (Old news alert: Democrats and their allies enjoyed a 26-seat margin in the Senate when the New Deal got underway, and a staggering 63-seat margin when FDR’s Supreme Court packing plan failed. Obama dropped the “public option” from the Affordable Care Act when his side in the Senate was 18 seats ahead. Enough said.) American institutions have focused on keeping everything afloat, as have the leaders of European countries and others elsewhere. If such efforts bear fruit, the prospect of radical transformation will once again recede.

    That would not come as a surprise. Historically, transformative change has been born of extraordinary violence. Yet Covid19, for all its terrors and mortality rates, is not particularly violent at all. Worldwide, the 1.25 million or so lives lost as of this writing equal about a week of normal mortality (which averages 165,000 per day) — or rather a few days more, allowing for undocumented deaths; and they were for the most part gleaned from among those already well advanced on their journey to the sweet hereafter. This is a far cry from the fall of ancient Rome, which set back civilization by centuries, or the Black Death, which took one in three Europeans, or the world wars and communist takeovers, which ruined entire countries and killed many tens of millions of all ages.

    Looked at from that angle, the notion that we might achieve re-directional change without comparably massive dislocations seems more wishful thinking than realistic strategy. At the very least, it is squarely at odds with what history teaches us. There is no historical precedent and no obvious contemporary mechanism for making that happen. While we cannot rule out anything — what if the 2020s are different after all? — this should certainly give us pause.

    But what of the alternative? What is the potential for ruptures dramatic or violent enough to upend the established order and open up space for transformative change — for upheaval so severe that it cannot fail to force us off the beaten path?

    My answer will be sobering for those who crave radical change. Conservative forces are more powerful than they have ever been. The four violent leveling mechanisms that have been operating in the past are now kept at bay by four robust stabilizers of the established order. Mass affluence is the most basic one. It is hard to find societies with a per capita GDP of more than $5,000 or $6,000 (measured in 2011  standardized dollars to ensure comparability) that have experienced societal breakdown or revolution. By some measures not even Yugoslavia in the 1990s cleared that fairly modest threshold of prosperity.

    While this lack of precedent does not rule out truly violent dislocations in Western countries or their peers, it strongly suggests that the likelihood is low. Moreover, economic achievement tends to lower fertility and age populations: the resultant paucity of desperate young men — the most plausible agents of revolutionary struggle — imposes a pacifying constraint. Those concerned about secession, armed conflict, and collapse will have to cite the likes of Syria, Yemen, and the two Sudans rather than the United States.

    Such outcomes are qualitatively different from the anti-government protests and riots that have become more common in the United States and some European countries over the last decade. Rooted in the Great Recession and its social consequences, these protests have mobilized growing numbers against austerity, globalization, and more recently climate change. The wave of activism and unrest that started in May 2020, while triggered by particularly jarring instances of racial injustice, would likewise seem hard to disentangle from the Covid19 lockdowns and the sudden economic downturn that disproportionately hurt the young. Once again, the pandemic amplified existing discontent.

    It is true that this need not be the whole story. In pioneering work that seeks to identify regularized patterns across history, Peter Turchin has argued that these events are not merely responses to acute crises, but are meaningfully correlated to gradual shifts in destabilizing variables from political polarization to immigration and inequality over the long term. He envisions a cycle moving from relative stability after American independence to a peak of destabilizing factors from the 1860s to the 1910s, and then on to another minimum in the 1950s followed by a renewed and ongoing rise. At least so far, however, the overall intensity of unrest has been much lower than it was in the past, when society was poorer and less well buffered against privation. The United States seems a long way from the riots of the late 1960s, let alone the bloody labor conflicts of the 1910s and 1920s — not to mention the Civil War. This will come as bad news  to radicals. 

    This is not an accident. Other stabilizers have been contributing to this striking attenuation. The social safety net has helped tame the fallout from crises. Europeans woke up to the virtues of welfare when the mobilizations of the Great War and the Bolshevik revolution shook the foundations of the old order. Although America briefly lagged behind, the Great Depression quickly forced it to follow suit. Support schemes have been expanded ever since, from Johnson’s Great Society to the second Bush’s prescription drug benefit and Obama’s Affordable Care Act. Threadbare though this system may seem to admirers of the most generous European welfare states, it largely manages to stave off mass immiseration and serious social unrest, especially as ad hoc patches — such as the $600 weekly supplement to unemployment benefits this spring — can be applied as needed.

    The third and fourth great stabilizers — the other impedi-ments to cataclysm — are more recent in origin. Quantitative easing — whereby central banks expand the money supply by buying government securities — has come to play the role of a miracle drug that promises to shore up businesses and markets without the need for austerity or punitive taxation. Thus far, this torrent of keystroke money has been good news for investors and bad news for progressives. The aforementioned V-shaped recovery enjoyed by the former would not have been possible without this intervention. And the final stabilizing force is science, and its particular potency in the face of a pandemic. During the Spanish Flu, there was no flu vaccine and DNA was unknown. A century later, the SARS-CoV-2 genome was sequenced mere weeks after the first report in Wuhan, and its mutations are now carefully tracked around the globe. Within months, more than a thousand drug and vaccine trials were underway, fast-tracking has cut development time to a fraction of the usual slog, and pharmaceutical production capacity was ramped up on spec.

    Of course we still do not know how all this will work out, especially as the efficacy — and the popular acceptance — of new vaccines and treatments remain uncertain. Yet a measure of cautious optimism seems warranted. The sooner science delivers the goods, the better are our prospects of a return to some version of normal, if indeed that is, or should be, our goal.

    Yet modernizing development is not a one-way street toward greater resilience. At the same time as it buttresses the established order with growth, welfare, finance, and science, it also undermines the status quo, rendering it more socially and economically fragile as a direct result of progress. Governance is the main exception. In rich countries, the state and its agents are firmly entrenched. If push came to shove, we would soon realize just how far their instruments of surveillance and repression surpass anything available in the past. The only restraint resides in the political will to employ these means.

    Welfare matters even more. States that capture and redistribute between a third and half of GDP cannot be dislodged, at least not without bringing down everything else. There is no plausible alternative. Bloated in their bureaucratic complexity and persistent in their insinuation into every conceivable aspect of our lives, they are hard to capture, harder to restructure, and impossible to overcome. 

    Fragility lurks elsewhere now, above all in the economic domain. Advanced economies have become vulnerable in new ways. Three principal reasons stand out, all of them direct consequences of development and progress. First, there is globalization in the broadest — and most de-politicized — sense of the term: the interconnectivities and interdependencies that govern production and exchange. This is, empirically, how economies now work. A chain with many links has many vulnerabilities. Yet despite initial worries about vulnerable supply chains, this intricate web seems to have passed the latest test.

    The second is the growing importance of the service sector, which expands at the expense of farming and manufacturing as societies grow richer. In normal times, retail, hospitality, and entertainment account for a tenth of America’s GDP. The greater the role played by these services, the more lockdowns and social distancing drag down the overall economy. When the Spanish Flu struck, there was far less to shut down than there is now, from airlines to resorts.

    But this time we also caught a lucky break. Fully a third of official economic output is generated by finance, insurance, the real estate business, and all manner of financial and business services. Well suited to remote work, these crucial white-collar sectors were spared major devastation. Had Covid19 appeared twenty years ago, they would have been much harder hit, with dire consequences for economic life more generally. (All we got was the pathetic Y2K scare.) This in turn underscores the stabilizing potential of science and technology well beyond virology. Information technology has truly been a savior.

    Overall, these vulnerabilities have been rather well contained by some of the same technological and economic innovation that has brought them into being. This leaves a third and altogether different source of fragility: our valuation of life and our attitude to risk. Given short shrift in current discourse, it deserves far more attention. All other things being equal, a society more inured to morbidity and death would be considerably more resilient in the face of a pandemic, and so would be its economy.

    To be sure, humans have always feared disease and the end of life. Yet no matter how fundamental and invariable such attitudes might seem to be, they are sensitive to overall development. For most of history, life was short. Two centuries ago in the West, and a century ago or even less elsewhere, average life expectancy at birth was a third of what we now take for granted. Perhaps one in three babies did not survive their first few years. The ranks of adults were whittled down in a steady drain of attrition. And even as some lasted to a ripe old age, they were vanishingly few in number. No one thought that odd or even remarkable. Much of the underlying suffering was frightfully mundane, driven by childhood diarrhea and dysentery and typhoid and tetanus. Epidemics merely added further uncertainty to the mix.

    When great plagues struck ancient civilizations, there was nothing to be done. The basics of infection long remained a mystery. In Europe, the Black Death of the late Middle Ages inspired early experiments with quarantines. An improvement over helpless laissez-faire, those early lockdowns nevertheless failed to solve the problem: waves of plague pounded Europe for more than three centuries. In the 1720s, when Marseille was sealed off from the outside world for two years to prevent a plague outbreak from spreading inland, half of its residents perished. And the disease slipped through anyway: not even the seventeen miles of actual stone walls that had hastily been thrown up cross-country managed to stop it. When Yellow Fever swept Philadelphia in 1793, the federal government shut down and almost one in ten residents lost their lives. Residents blamed a variety of causes from rotting coffee and lightning rods to that old mainstay, divine punishment.

    But then the world finally changed. In the centuries that followed, successive breakthroughs in epidemiology gradually rendered human life more predictable and less vulnerable. Modernity’s crackdown on smallpox and typhus, on cholera and typhoid, on tuberculosis and yellow fever, on polio and measles set us free us from much misery and early death. This was without precedent. Science did not restore a better world we had lost. It cleaned up and increasingly secured a world that had always been a dirty, dire, deadly mess.

    It has been all too easy to get used to the blessings of that epochal clean-up, and to take them for granted. Now is the first time they are slipping from our grasp, and the first time we count on science to retrieve them. Gone are the low expectations of even a hundred years ago. When the Spanish Flu appeared back in 1918, global life expectancy at birth was only half of what it is today, and the Grim Reaper was still a constant companion in ways we now find hard to fathom. Vaccines for tuberculosis, typhus, tetanus, measles, and polio had yet to be developed. Viruses raged largely unchecked. In that world, a new strain of influenza was simply one more refugee from Pandora’s well-stocked box. And when that pandemic departed as abruptly as it had arrived, scientists could not take credit.

    2020 was very different. Cradled by the comforts of peace, penicillin, Prozac, and prosperity, we have grown far less tolerant of hazard than our toughened ancestors. Economies wither under anxious distancing even as case fatality rates fall far short of those wrought by historical pandemics and greatly favor those with most of their lives still ahead of them. This makes our pandemic above all an economic crisis, with all the social, psychological, and political repercussions that entails. Economic activity hinges very much on perception — not just on bare needs (long met by modernity) but on the confidence that has us demand and consume all those superfluities that prop up employment and GDP. But now, unlike in the past, that confidence has been shaken.

    Every year about 2.8 million Americans die from all causes. As of this writing, Covid19 had raised this tally by a little  over 8 percent, or a bit more if all likely deaths are included. And these bare numbers inflate the pandemic’s overall impact. In the United States, the mean age of death of or with Covid19 has been around 75 years, an age at which remaining life expectancy averages 12 years (or rather less for those with pre-existing conditions, which are overrepresented among those who do die). This is very much worth putting in perspec-tive. Recall the morbid excitement of the media when, last spring, Covid19 fatalities passed the toll of the Vietnam War of a little over 58,000 — a false equivalence if there ever was one. Average age at death among those soldiers was 23 years, at which point the average man could expect to live another 48. A total of 2.8 million years of life were lost. The official Covid19 toll did not reach that mark until around Election Day. And even that calculation ignores the fact that these young soldiers were cut down with their whole lives ahead of them and before most of them had a chance to start a family. If we found a way to factor that in as well, the weight of loss would appear even more staggering.

    And yet our response is different, our fear more palpable. How would we feel today if 2.7 million young Americans were drafted to go fight overseas, as they were then? (Or rather 4.5 million, adjusting for today’s larger population.) Would that even be possible? Yet just fifty years ago they mostly went, even if some claimed bone spurs or went to Canada. Over 26 million Americans served in the two World Wars and in Korea, without major resistance at all. In the Civil War, 1 in 50 Americans was killed. The shift away from treating lives as expendable and fellow citizens as cannon fodder is a fairly recent one.

    Good riddance, we might say: few if any of us will pine for that bygone age. But our growing commitment to safety, and our ability to honor it, have come at a price. Some economists have cooked up an unappetizing concept known as the Statis-tical Value of Life. Working from dubious premises, they inform us that an American life is currently worth close to ten million dollars. Government agencies eagerly seize on this number to impose costly safety regulations on private industry but conveniently ignore it when compensating the families of service personnel killed in action, who are usually fobbed off with a million or two in lifetime support. Callous as it might seem, that latter approach at least has the virtue of being more realistic than the high-end price tag that signally fails to align with other metrics: equivalent to twice average lifetime per capita GDP in the United States, it values all Americans, who account for a paltry 4 percent of humanity, at more than 3 quadrillion dollars, or close to ten times total global wealth.

    Such absurdities are but a pale reflection of a broader revaluation of values. We no longer fight fear, we promote it. We seem transfixed by our fragility. Summary school closings, which wreak havoc on countless working parents, are hard to reconcile with the minuscule health risks faced by the very young. Let us grant that they are designed to protect those parents and not just unionized teachers. But plenty of parents have also been wary of letting their children return to college, despite the fact that only 0.1% of Covid19 deaths have occurred between the ages of 18 and 22. One cannot help wondering how the families of the 26 million Americans who served in the two World Wars and in Korea would have felt about that.

    During the Spanish Flu in the fall of 1918, male college students trained for the war in France. And even as this pandemic took more than half a million American lives, its economic consequences were ultimately minor. Shutdowns were haphazardly imposed and retail was not greatly affected. For the most part, people just plowed on — partly because working from home was not an option and welfare was almost non-existent, and partly, perhaps, because it did not actually occur to them not to. The notion that the preservation of life justifies almost any cost —widely if unevenly embraced by a citizenry ready to pull back regardless of government fiat — had not attained its present dominance.

    This collective anxiety, and the open-ended distancing and recession it spawns, places an especially heavy burden on the fourth great stabilizer. Well beyond warding off mass mortality and morbidity, science must now restore the sort of confidence that governments cannot decree. Our trust in the blessings of modern medicine has eclipsed traditional religious beliefs as well as faith in government — at least in much of the population. Last year, a Pew Research Center survey found that more than twice as many Americans had confidence in scientists than in elected politicians. And why wouldn’t they? Unlike the uneasy compromise of life with rampant Covid19, the renewed freedom of life after — or rather alongside managed — Covid19 is entirely the gift of the high priests of science. And the more we value life, health, and safety, the more we rely on that gift to get everything back on track.

    This is all the more true as reactions to containment measures vary, driven by factors as diverse as vulnerability, political preference, and class. The pandemic has even provoked a new know-nothingism, an unembarrassed hostility to science, that reached all the way into the White House. This variation in responses to the crisis fosters acute tensions — between young and old, between red and blue, between rich and poor. The longer the viral threat lingers, the more corrosive these tensions are bound to become. Government must help us stay afloat while the pandemic rages. It also has a crucial role to play in subsidizing and distributing medical remedies. At some point it might even have to mandate their use. In the end, however, only science can deliver us.

    The coronavirus shock has been both amplified and checked by modernity: by global connectivity and fragilities on the one hand, and by financial relief, Zoom, and medicine on the other. It bears within it both boost and restraint. This is something it has in common with a greater crisis to come. Neither the Paris Accord nor Greta Thunberg will save us from climate change. Geneticists, physicists, and engineers are our only credible line of defense.

    Much has already been accomplished, from drought-re-sistant genetically modified crops to the ever more effective harnessing and storing of renewable energy. Nuclear power, an even more powerful redeemer, has been at our disposal for almost eighty years, even as misguided politicians around the world are doing their craven best to snuff it out. But more will be needed to sustain mass affluence in the First World and to spread it elsewhere. If nuclear fusion remains a pipe dream, geoengineering may well have to come to the rescue. Yet whatever the precise configuration of techniques that will keep us on track, all of them will share the same source: science.

    We can argue to our heart’s content whether the twenty-first century will be America’s or China’s. But that debate is moot. We already know that this will be the century of science. For the first time in history, it will not be enough for scientists to make the world smarter and richer. Now they will be called upon to make sure that it does not slide back into the dark days when germs held humanity hostage, and to enable us to square the circle by reconciling environmental protection with ongoing growth.

    Modernity has long struggled to contain the forces it unleashed. Smog had to be tamed. Nuclear war — the ultimate genie-out-of-the-bottle hazard of modernity — had to be averted. HIV, Ebola, and the SARS outbreak of 2003 had to be contained. The current challenge has not introduced a new dynamic: it is simply the latest in a long line of challenges brought forth by progress. As a challenge, the coronavirus crisis ought to be manageable enough to be overcome even as it accelerates ongoing shifts and trends, not all of them equally worrisome. Yet this need not be true of the next “novel” virus, be it natural or man-made — let alone of the much more complex and daunting process of environmental degradation.

    It may seem strange, even a little morbid, to marshal an ongoing crisis to ponder future ones. But that is exactly what we must do, once we appreciate that Covid19 is unlikely to serve as that rarest of agents, a genuine historical disrupter. But the post-Covid19 continuities, for better and for worse, should not make us complacent about the volatility of late modernity. The most positive spin we might put on our epidemiological calamity is that it has provided us with an invaluable trial run for the more enormous crises that await us. Just as corona-virus outbreaks in the early 2000s and the financial crisis of 2008 taught us lessons that have come in handy (or would have come in handy had they been heeded), the more we are willing to learn from the present pandemic the better equipped we will be to deal with worse travails down the road.

    In the end, this might well turn out to be the most important legacy of Covid19: an enlargement of our imagination of disaster, a sober preparedness for the perils that surely await us. Do not expect the virus to re-make our world. It will not force us to solve our most pressing problems; only we can force ourselves to solve them. There was a touch of wisdom in Michel Houellebecq’s sardonic prediction that the post-Covid19 world “will be the same, just a bit worse.”

    Strangering

    According to Wallace Stevens, “Every poem is a poem within a poem: the poem of the idea within the poem of the words.” We often put “the idea” in a brief phrase: “the evils of war.” We rarely talk about the poetry of the idea. By itself, the theme, the idea, is always banal: it has to be recreated by the poet’s imagination into something animated. (And since the poet at hand is male, I’ll call him “he” in what follows.) And then, how is he to arouse a glow of personal vividness within the language, and create “the poem of the words”? 

    Suppose the poet wants the “idea” of his poem to be “the disparity of cultures.” What might “the poem of the idea” be? This particular poet’s imaginative move is to locate his two cultures in cosmic space, on two different planets, one of which is Planet Earth. And how will the words be made into “the poem of the words?” An answer occurs to him. What if a visitor from outer space had studied English, but could not escape mistakes in using it for the first time? At this initial stage, there remains a great deal to be done, since both the poem of the idea and the poem of the words are still sketchy and unfulfilled. But at least the poet now has the two poetries to work with. And the poet, Robert Hayden, an Afro-Amer-ican (his preferred term), is convinced that a poem written by a minority poet has to be as strong in the poetry of its words as in the poetry of its idea. In “Counterpoise,” a group-mani-festo that Hayden published in 1948, he declared emphatically, “As writers who belong to a so-called minority we are violently opposed to having our work viewed, as the custom is, entirely in the light of sociology and politics.”

    Let us suppose that it is 1978, and in a new book of poems a reader is seeing an odd entry, bizarrely bracketed fore and aft to show that the title is an editorial addition: “[American Journal].” Who, the reader asks, kept the journal; for whom was it intended; who attached the subsequent title implying, by its non-authorial initial capitals, an editor familiar with written-English usage? The answer is suspended. As the poem opens, the reader sees a series of totally unpunctuated sentiments flowing down the page in hesitant and unequal paragraph-stanzas halted intermittently by pauses. The journal-speaker is fluent, but not error-free, in English. The reader is in fact encountering the internal stream of conscious-ness of an extraterrestrial, dispatched by his rulers (“The Counselors”) to spy on, and report on, a group of brash new planetary invaders calling themselves “americans.”

     We see that the spaceman has learned only oral English, and knows none of the conventions of written English such as punctuation, apostrophes, and upper-case letters; but there must exist in his own native language some sort of honorific distinction reserved for the rulers, “The Counselors” (the honorific is translated in his journal by its sole and singular use of capital letters). In the poem’s prologue, the extraterrestrial muses on his new situation:

    here among them     the americans     this baffling
    multi people         extremes and variegations     their
    noise        restlessness       their almost frightening
    energy                  how best describe these aliens in my
    reports to     The Counselors

    disguise myself in order to study them unobserved
    adapting their varied pigmentations          white black
    red brown yellow       the imprecise and strangering
    distinctions by which they live     by which they
    justify their cruelties to one  another

    charming savages     enlightened primitives     brash
    new comers lately sprung up in our galaxy     how
    describe them       do they indeed know what or who
    they are         do not seem to             yet no other beings
    in the universe make more extravagant claims
    for their importance and identity

    The spy, disguised and passing as a fellow-citizen, studies the unfamiliar new tribe, noting its heterogeneity, its “strangering” distinctions, and its repellent moral justifications. Little by little the inner voice of the spy reveals his burden: he must compose a report for The Counselors, and he feels inadequate to the task. Although the planet of the “aliens” belongs to the same galaxy as his own, he knows no group in the entire universe who regard themselves so insolently, so proudly, as these “savages” do. So far, the extraterrestrial voice has offered relatively little information about its own powers and intentions; only later — during a visit to a rough tavern — does it reveal that it has masked itself (at least in the tavern) as male. I am calling the voice “he,” but it has the power to exist in different genders and can adopt local skin-pigmentation at will. 

    Since the planetary visitor is addressing himself, we can only guess, from his own categories and judgments, what sort of person is generating these words. We learn that he is fright-ened by lawless energy, by noise, by unpredictable restlessness, by multiple skin-colors: in disguise he has “adapted” — but he means “adopted” — various pigmentations depending on his social context. “Adapted” is one of his linguistic falterings, like “strangering” (in lieu of “strange”). He has strong moral views, and is revolted by the cruelties he sees among these “savages” (however charming); he has equally strong intellectual views, judging the newcomers as “primitives” (however sophisticated their technology). To him, the “americans” are aliens incapable of introspection or self-analysis yet ever-boastful in their claims to importance and to a unique identity.

    Hayden’s 141-line “[American Journal]” has attracted a good deal of contemporary attention, but its imaginative swirls of inconsistent “american” ideologies and behaviors have provoked more critical observation than its equally imaginative flights of language. I want to reflect here on Hayden’s imaginative interest in creating a spaceman’s mind and forms of expression. “The Counselors” on the spaceman’s planet apparently maintain a training laboratory for spies, providing language-tapes of any culture they intend to investigate. Two sets of these tapes are labeled “English,” one transmitting British English and the other American English, and the spy has been afforded both sets for his diligent preparatory study. One of the most entertaining aspects of this nonetheless serious poem is its presentation of the verbal and interpretive blunders that any visitor to a foreign land is bound to commit when he finds himself embedded in a bewildering unknown culture. Hayden must have taken intense pleasure in thinking up, all through, the multi-faceted “poem of the words” used by the alien.

    “[American Journal]” presents itself as a quasi-symphonic poem, advancing with the fluidity of musical movements in the spaceman’s successive choices of aspect: scenes, emotions, distinctions of pacing, degree of self-distancing. After the opening prologue, the voice (perhaps to reassure The Counselors) begins to liken this brash new species to his own tribe; “like us,” he says, they have advanced technology and have traveled to the moon (grossly leaving their “rubbish” behind); and apparently they too worship “the Unknowable Essence” (but how do they define their Unknowable?). In lieu of shamans they have “technologists” (a native speaker might have said “scientists”). The observer tallies geographical and meteorological earth-features that he recognizes from his own home-planet, including the temporal feature of the sun by day, the moon by night:

    oceans deserts mountains grain fields canyons
    forests           variousness of landscapes weathers
    sun light moon light as at home

    Nostalgia for “home” has made him begin his observations with familiar perceptions, but he is as yet a novice in English pronunciation: he separates the word “sun” from “light” and “moon” from “light,” as though his overarching category “Light” has separate subordinate categories, that of the sun and that of the moon. With him, the light has not, as in native English voicing, been absorbed almost silently into the polysyllabic “moonlight” and “sunlight.” 

    The observer, we are pleased to see, has an aesthetic sense resembling our own, responding instantly to “red monoliths” like those of his remembered “home”:

                                     much here is
    beautiful     dream like vistas reminding me of
    home       item         have seen the rock place known
    as garden of the gods and sacred to the first
    indigenes     red monoliths of home

    For the first time, an actual American name has at this point made its way into the spaceman’s report: the so-called Garden of the Gods in Colorado Springs is a stark terrain of red monoliths held sacred by Native Americans. The name points us to an incident in the life of Robert Hayden. In 1975, five years before his death, the day after his reading at Colorado College, Hayden visited the Garden of the Gods at the invitation of a young MFA student whom he had met the night before. A few years afterwards, that student — Yusef Komunyakaa, later a distinguished poet himself — recorded their walk:

    Hayden had to be assisted closely along the rocky paths up the beautiful hills.  He seemed nearly blind. . . .  Soon we were in the heart of the Garden of the Gods, beside a formation called Balanced Rock—a smaller stone supporting a larger one, massively depicting a visual mathematics too subtle for words.  Hayden stopped, looked around, and said, “I love this country.”

    In “[American Journal]” Hayden bestows his own warm response to the grandeur of the scene on his extraterrestrial, fusing himself and the surreal cosmic visitor. 

    A reader aware that Hayden is African-American may suspect that he is satirizing, in the response of the technically sophisticated alien contemplating the americans, the discourse of a “civilized” white gazing, with simultaneous denigration and envy, at a “primitive” Black culture. But by now enough ink has been spent on the poem to discourage any idea that its “message” is without subtlety; a number of identity-determi-nants — national, linguistic, gendered — populate the poem. Although the spy celebrates the landscape so like his own, he is not free to mention in his report the sensuous appeal of the americans themselves. After his search for the right adjective to describe them—”i am attracted to / the vigorous americans   disturbing, sensuous”—he becomes ashamed, adding “never to be admitted,” meaning, surely, not even to himself.

    The next movement of the poem is a scherzo, in which the alien-in-disguise has a conversation in a tavern with an american. When he asks what is meant by “the American dream” the “earth-man” answers in ignorant colloquial language (with its crude “irregardless,” its unthinking alliance of “sure” and “i guess”). The alien, never having read written English, is mistaken in substituting two words for the proper English single word, as in “night mare” and “every body”), and he is baffled by the redundant insertion of the all-purpose American linguistic filler, “okay.” The “earth-man” says, of  the American Dream:

                 sure
    we still believe in it i guess. . . irregardless of the some
    times night mare facts we always try to double
    talk our way around                 and its okay the dreams
    okay and means whats good could be a damn sight
    better            means every body in the good old u s a
    should have the chance to get ahead or at least
    should have three squares a day          as for myself
    i do okay      not crying hunger with a loaf of
    bread tucked under my arm you understand

    The alien‘s dutiful previous listening to the tapes of spoken English does not equip him to understand the torrent of incorrectness, slang (“double talk,” “three squares”), and abbreviations (“u s a”) uttered by the “earth-man.” He puts forth, in reply to this barrage of American dialect, his courteous British reply (deriving from his alternate set of language-tapes, the British one): “i / fear one does not clearly follow.” His tavern-mate becomes suspicious:

    notice you got a funny accent pal        like where
    you from he asked       far from here I mumbled
    he stared hard I left

    The tavern-dialogue teaches the alien that his linguistic mimicry is still imperfect:

    must be more careful    item     learn to use okay
    their pass word              okay

    After the comic interlude of the tavern scene, however, “[American Journal]” suddenly turns savage, as a street riot erupts, alive with new unintelligibility. The alien sees people he characterizes as “sentinels” — a literal translation from some word in his native tongue, since he hasn’t learned the correct English word for “police.” The “sentinels” are disturb-ingly re-characterized by the crowd — “pigs / i heard them called”–as the police retaliate “with flailing clubs”:

                  unbearable decibels      i fled lest
    vibrations of the brutal scene do further harm
    to my metabolism already over taxed

    A biological fact about the alien — that under the rule of The Counselors the capacity to tolerate violence has been genetically bred out of his metabolism — leads him to side with the police, as with the primary authoritarian decisions that have created and socialized him. His voice becomes that of a repressed creature unconscious of his own victimization, incapable until now of any mental act not channeling the opinions of The Counselors. Yet his equilibrium has been so shaken by the violence of the riot that the very word “serenity” shatters into linguistic fragments over a line-ending:

    The Counselors would never permit such barbarous
    confusion          they know what is best for our sereni
    ty          we are an ancient race and have outgrown
    illusions cherished here          item       their vaunted
    liberty

    His (temporary) identification with The Counselors allows the alien to parody the earth-men’s truculence:

        “no body pushes me around i have heard
    them say             land of the free they sing          what do
    they fear mistrust betray more than the freedom
    they boast of in their ignorant pride     have seen
    the squalid ghettoes in their violent cities

    (Nowhere does the alien sound more like a white supremacist than here: he has learned, and uses, the abusive word “ghetto.”) And he wonders, returning to the word “paradox” from an earlier summary:

    paradox on paradox       how have the americans
    managed to survive

    After the deafening street riot there arrives a louder scherzo than the earlier tavern-interlude: now it is the “patriotic” spectacle of the Fourth of July. As “earth-men / in antique uniforms play at the carnage whereby/ the americans achieved identity,” the alien reveals that on his own planet they indeed do study American history in its origins:

                                                        we too recall
    that struggle as enterprise of suffering and
    faith uniquely theirs

    But what has happened in the vulgar modern era to the noble independence celebrated on the Fourth? With mockery the alien sees its debasement into a craven nationalism:

                                                         blonde miss teen age
    america waving from a red white and blue flower
    float as the goddess of liberty                            a divided
    people seeking reassurance from a past few under
    stand and many scorn

    “A past [that] few understand and many scorn”: in these high-minded words the alien exhibits his own superior wisdom as he judges American ignorance and political decline. And hearing contemporary skeptics dismiss the Fourth of July parade (“why should we sanction / old hypocrisies”), the alien returns to his “native” moralizing and irritated scorn. Yet his anxiety exhibits itself afresh as the revered word “Counselors” breaks into pieces at a line-end:

                                          The Counse
    lors would silence them

    a decadent people The Counselors believe         i
    do not find them decadent     a refutation not
    permitted me

    The Counselors, we begin to understand, do not countenance objections to their views. The alien’s irrepressible mixed feelings about the americans throw him into a violent mixed diction as he ends up siding with the Counselors’ stereotypes of raw crude “earthlings”:

                   but for all their knowledge
    power and inventiveness not yet more than raw
    crude neophytes like earthlings everywhere

    With the subsiding of his unresolved responses to the Fourth of July, the alien wonders how his report on america will strike The Counselors. Since he is, himself, delighted by the ingenuity of his multiple disguises, he reminds himself sotto voce to induce approval in The Counselors by describing his stratagems. But even while reassuring himself that The Counselors will admire his powers, he still worries about their eventual estimation of his work. Hoping to curry favor, he describes his spy-costumes in a cascade of nouns and idioms learned, we feel, rather on the street than from the bland tapes of his language-lab):

    though I have easily passed for an american   in
    bankers grey afro and dashiki long hair and jeans
    hard hat yarmulke mini skirt               describe in some
    detail for the amusement of The Counselors   and
    though my skill in mimicry is impeccable        as
    indeed The Counselors are aware        some thing
    eludes me      some constant amid the variables
    defies analysis and imitation               will I be judged
    incompetent

    In his next, most analytical moment, the extraterrestrial rises to the philosophical diction natural to his culture — a discourse technologically supreme, wholly rational, but emotionally repressed. The minor role of america in the cosmic scheme of things (“an iota in our galaxy”) is evident to him, but he is disturbed by its problematic existence as a conceptually insoluble entity, resistant — in its mobile lability of science and fantasy, logic, and imagination — to the analytic reason that is the pride of his civilization. He sighs in frustration:

    america           as much a problem in metaphysics as
    it is a nation earthly entity, an iota in our
    galaxy           an organism that changes even as i
    examine it     fact and fantasy never twice the
    same     so many variables

    As the spy ponders the unintelligibility of america, its antagonism to all he has valued, he realizes that he is in physical danger from its natives: already his presence has been rumored in the newspapers. While the papers laugh at those “believing” in the existence of “humanoids,” the “humanoids” in their spaceship laugh back at the scoffing newspapers. Quiet in his withdrawal from the company of his “crew,” the alien reflects on all he has seen and heard: the gaudy Fourth of July parade, blonde miss teen-age america, the suspicious “earth-man” in the tavern, the street-riot between citizens and “sentinels,” the awful decibels of both celebration and violence, the confluence in the streets of dashikis and yarmulkes. Lost in his memories, the alien, tensely frustrated, cannot define what the americans are: he knows only that the american personality confounds his own schooled, careful, sexless, logical self. He cannot, now, return unthinkingly to his own sterile planet, submit to The Counselors’ rules, and censor his speech. Once home, he will ponder the “variegations” of his past journey — his adroit disguises of body, skin-color, gender, and manner of speech — but for all his wide-ranging observation, he will remain forever unable to solve the “quiddity” — the “thisness” — of this paradoxical population, this exuberant and savage rebel-tribe.

    Hayden’s science-fiction is doubly dystopian. His spacemen are like Swift’s whinnying Houyhnhnms, inhuman, chilly, fastidious, rational; and their representative courier flinches at the americans’ untidiness, their boasting, their costumed mimicry of the carnage of 1776, their cruelty, their childish “floats,” their veneration of the “Goddess of Liberty” in the person of a teen-ager in a toga, their incoherent “metaphysics,” their elusive essence.

    Behind the agitated monologue of the visiting “humanoid” lies the implied story of his former life: he was born, he was schooled, he was reprimanded for any excess of act or emotion, he was indistinguishable from others of his tribe. Passionless, he needed no human relations (family, wife, children); he worshipped “technologists,” and excelled in scientific observation, memory, and analysis. Posted to another planet to spy on the brash new tribe of “earthlings,” he is disposed at first to dismiss their childish “civilization,” but eventually, as he moves among them, he discovers in their “variegated” pigments and “various” behaviors much that he has lacked in his artificially rational former life. And what will his future be? He will be sadder, and wiser, forever alienated from his compliant fellow-citizens, unable to convey to them the extravagance of emotion and action, free from punitive supervision, that the americans, for all their faults, possess.

    Hayden made room in his poem for his extraterrestrial’s implied past and presumably alienated future to sharpen the contrast of the two cultures, the governed rational and the unbridled free. Both are insufficient, both are incomplete. The rational and disciplined one sees the unbridled one as ungovernable; the unbridled one would see the alien’s author-itarian Counselors as intolerable. Neither culture is really admirable. The chief difference between them is that one is subjugated, the other free (in both virtue and vulgarity). The free culture has no stable government; its people are unruly, as likely to sponsor a riot as a parade. The governed culture has the dark stability of its euphemized “counseling” — coercive, repressive, severe, implacable. 

    Hayden invented from scratch the unusual sensibility and the “faulty” English of the alien, his innocence as to punctua-tion and spelling, his nervousness intermittently betrayed by his words’ falling into pieces (not syllables), his complacent moral judgments, his intellectual scorn of the “earthlings” who have gotten to the moon but no further, his horror at the sheer noise of the american streets in parades and riots — all the while showing his opinions being put into question by that elusive “something” for which he has no words. It is, of course, freedom, both in creation and in destruction.

    We can, if we choose, read this conflict of cultures as embodying on the one side technologically schooled and hierarchically socialized America and on the other side that supercilious America’s view of African-American life. There is something to that reading, but not everything. Hayden repudiated the narration of victimhood as the chief resource of a minority writer, just as he repudiated despair at the racial division of his America. His “God-consciousness” (as he named it) led him to an unshakeable conviction of human brotherhood and enabled him ultimately to join his wife Erma’s church, the Baha’i, which exists without a hierarchical structure and affirms belief in the unity of all humankind.

    And yet Hayden had, by his own acknowledgment, periods of profound depression as well as periods of strenuous belief that relations between the races could not only improve but become harmonious. He incurred the wrath of the Black Power movement in the 1970s because of his conviction that the literature of organized protest movements tended toward propaganda, not art. Nor could he bring himself to refuse Emersonian symbolism in favor of literal statement.

    When an interviewer asked him why he wrote poetry, he said — disarmingly and wittily — because he liked it better than prose. He thought “confessional” poetry too naked to attain universality. He never stopped revising his poems in the direction of greater concision, greater symbolic power, and greater objectivity. Famous for his powerful sequences of African-American history — “Middle Passage,” “John Brown”— he is justly remembered in most anthologies for the inexpressibly moving “Those Winter Sundays,” an elegy for his laborer foster-father. “Sundays, too, my father got up early,” it begins, with all the emphasis on the accented “too”: — “got up early” as a kindness to the sleeping family in the cold house, “making banked fires blaze.” “Nobody ever thanked him”: that is the line of the poem that nobody can ever forget.  

    Once Hayden learned to read — by himself, at three — he read intensely and passionately in the major British and American poets. One can see him, over a lifetime, experimenting with nearly all poetic genres: nature lyrics, elegies, sequences, allegories, ballads. When he looked to African American predecessors, he saw some of them writing in dialect, others creating new folk ballads, still others choosing the high language of the canonical English lyric. He would learn from them, but equally from Whitman, Crane, and Auden (who taught Hayden at Michigan). Just as Elizabeth Bishop would not allow her poems to appear in single-gender anthologies because she took herself to be an American poet, not a “female poet,” so Hayden always believed himself to be an American poet among other American poets. For him, the democracy of literature could not countenance partisan hostilities, nor could the brotherhood of human beings conceive of exclusions within the company of artists.

    Born in Detroit in 1913 and named Asa Sheffley by his birth-parents, the poet was given away, but not abandoned, by his mother when she moved to find work. He was raised (but never adopted) by a neighborhood family, the Haydens, and subsequently went by the name Robert Hayden. He came to feel that his foster-family meant well by him; his father did not obstruct his intellectual desires, and saved to help him through college, but it was a teacher, a librarian, and a social worker (assigned to the Haydens when they were on welfare), who saw something unusual in him and encouraged him. In his prose, he was candid about his group difficulties in school; with his thick glasses, his poor sight, and his love of poetry, he was called “nigger, Four-Eyes, sissy.” In view of the violent racial divisions of American life, which he experienced from childhood with unavoidable pain, he thought that an artist had to cultivate a strict objectivity in social observation. He supported himself all his life by teaching. For twenty years he remained at Fisk (teaching fifteen hours a week, a taxing load for a conscientious teacher), and thereafter he closed his career at the University of Michigan. In 1976, the Bicentennial Year, he was appointed Consultant in Poetry to the Library of Congress (a congratulatory post now renamed, more accurately, Poet Laureate). The final triumph of Hayden’s personal and impersonal objectivity was “[American Journal],” composed in 1976 as the Phi Beta Kappa poem for the University of Michigan and placed as the final work in his Collected Poems. You can hear Hayden read it in his quiet and musical voice on a tape he made for the Library of Congress in 1978, two years before he died, early, at 66, of cancer.

    Lolita Now

    After almost three-quarters of a century, how are we now to think about Lolita? It may well be the most commented on novel written in English in the past hundred years, alongside Joyce’s Ulysses. In the case of Ulysses, the imperative for commentary is chiefly a consequence of the invitation to exegesis generated by that novel’s dense network of allusions and the multiple complexities of its structure. In fact, Alfred Appel, Jr., in the introduction to his splendid Annotated Lolita, has observed certain affinities between Lolita and Ulysses in the centrality of parody for both novels, in their resourceful deployment of popular culture, and, of course in their shared elaborate mobilization of literary allusions. Nabokov, we should recall, was a great admirer of Ulysses, and Lolita has its own formal intricacies, which have been duly explicated by much apt criticism ever since its initial American publication in 1958.

    Yet the more obvious reason why Lolita has elicited so much commentary through the years is the moral questions raised by its subject. The crudest notes of the discussion were first struck by readers who imagined that the author must be a pervert and that the novel he wrote was altogether a sordid thing. In more sophisticated guise, some conservative critics, 

    such as Norman Podhoretz, have contended that Lolita may corrupt morals and must be approached with caution by right-thinking people. Inevitably, the novel has also been excoriated by the feminist Left. In her diffuse but influential article “Men Explain Lolita to me,” Rebecca Solnit seems to classify Lolita (her meaning is a bit opaque) as one of the books that “are instructions as why women are dirt or hardly exist at all except as accessories.”

    Serious considerations of the novel have properly dismissed all such views, and, indeed, many of the earliest critics recognized it as a literary achievement of the first order of originality (but not Nabokov’s erstwhile friend Edmund Wilson, who thought it regrettable). Indeed, powerful and persuasive arguments have been made for the moral character of the book, and these need not be repeated here.  

    What may be at issue for readers of Lolita in the twenty-first century is how to regard the book in an age when our culture has become so conscious of the sexual exploitation of children and of women in general, young or otherwise. This is, of course, a social problem that is alarmingly widespread and deserving of urgent reform, but it must be said that the public exposure of certain especially egregious cases has led much of the public to hair-trigger responses to any activity that is even obliquely related to such appalling exploitation. It is a sign of our confused and simplified and sanctimonious times that Dan Franklin, the editor-in-chief of the esteemed London publishing house Jonathan Cape, has declared that he would not publish Lolita if it were submitted to him now. His judgment stems from an acute nervousness about how thirty-year-olds on his company’s acquisition team would respond if he proposed publication, as he himself has said.

    Is the new awareness of sexual harassment likely to make it altogether uncomfortable to read the first-person narrative of a middle-aged male who repeatedly, extravagantly, and at times brutally commits carnal acts with a pubescent girl who is quite helpless to free herself from him? Novelists, of course, have not infrequently chosen to write books about deviant, criminal, or murderous characters — Humbert Humbert is all three — but the sexual exploitation of a child surely touches a raw nerve, especially now. (One highly intelligent reader, recently reading Lolita for the first time, told me that he could see it was a brilliant novel but found it difficult to stick with it because of the subject.)

    I would like to suggest that the way Humbert’s story is constructed anticipates this sort of discomfort, in a sense even aligning itself with the discomfort. Devoted as he was to the supreme importance of art, Nabokov had been concerned since his Russian novels with the phenomenon of the perverted artist, the person who uses a distorted version of the aesthetic shaping of reality to inflict suffering on others. Humbert Humbert is only his most extreme representation of such distortion. The perversion of the artistic impulse is a vital subject for Nabokov precisely because art matters so much to him.

    The first thing that should be noted about the treatment of this subject in Lolita is that Humbert Humbert clearly regards himself as a monster, repeatedly emphasizing his own monstrosity. This goes along with the fact that he is insane, as he frankly admits, and that he has been several times institutionalized in asylums. Humbert’s assertions of his own moral repulsiveness abound in the novel. “I am,” he says of himself early in his story, as a boarder in the Haze home, “like one of those pale inflated spiders you see in old gardens. Sitting in the middle of a luminous web and giving jerks to this or that strand.” With Lolita tantalizingly sitting in his lap on the Haze davenport, he invokes a familiar fairy tale that here will have no happy ending as he wriggles in order “to improve the secret system of tactile correspondence between beast and beauty — between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.” Humbert’s framing of this allusion altogether reduces the man to his imperious sexual member. And as we shall see from other citations, he has a clear awareness that his absconding with Lolita is bound to have dire consequences for both. 

    When he finally consummates his lust for Lolita, he declares that it was she who seduced him, not an altogether improbable claim given her sexual precociousness, but she on her part says, fearing that he has torn her internally — though it is unclear whether she might be merely joking — that she ought to report him to the police for rape. At least in a moral sense as well as in the statutory one, this could be quite right. The year-long frenzy of sexual gratification with a sometimes reluctantly submissive, sometimes resistant, twelve-year-old has its particularly sordid moments beyond its intrinsic sordidness, as when Humbert insists on sex when Lolita is running a high fever or in his repeatedly bribing her with magazines and treats to make herself available to his insatiable desire. Humbert’s admission of all this repeated abuse culminates near the end of the novel in his often cited recognition, as he watches school children at play, that he has deprived Lolita of her childhood. But a summarizing assess-ment of what he has perpetrated in the throes of his obsession occurs earlier, as he and Lolita head back east in his car:

    We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, truthful, dreamy, enormous country that by then, in retrospect, was no more than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night—every night, every night—the moment I feigned sleep. 

    Here the defiling of America and the defiling of Lolita are virtually interchangeable. This self-revelatory moment, coming at the end of a chapter, is very telling in two ways — first the invocation of slime, cognate with the earlier image of the spider, to indicate the repulsiveness of this sexual odyssey, and then, at the end of the little catalogue of the detritus of the journey, interwoven with it and constituting Humbert’s first report of this wrenching fact, Lolita’s sobbing through it all, night after night.

    If Lolita were nothing but this, it would merely be a riveting and also unappetizing representation of a sexually obsessed madman. Yet what is enacted in the novel is more complicated and more interestingly ambiguous. In the afterword that Nabokov wrote to Lolita in 1956 to accompany the Ameri-can publication of excerpts in The Anchor Review, he offers a curious origin for the idea of the novel. When he was laid up with illness in Paris in 1940, he came across a newspaper story about a caged ape in the Jardin des Plantes that had been given charcoal and paper and produced a sketch of the bars enclosing him in. (One thinks of Rilke’s famous poem about the panther, “Au Jardin des Plantes,”: “It seemed to him there were a thousand bars / and behind those bars no world.”) The ape inspired Nabokov to write a Russian story with a plot roughly like that of Lolita, but, unhappy with the piece, he destroyed it.

    What does an ape in a cage drawing his prison have to do with Lolita? The obvious answer is that Humbert Humbert’s predicament is of a man hopelessly imprisoned by his obsession. The narrative he produces is the representation of his prison, which is not an enclosure of vertical bars but rather an alluring and also vulnerable girl whom he has desperately fixed as the object of his desire. This transformation of a cage into a sexual obsession has a double effect: Lolita as its object is repeatedly celebrated in radiant prose as a thing of beauty, and the reader is led to perceive Humbert not only with horror but also with a qualified kind of sympathy, as a man hideously trapped in his own impulses that inflict grave harm on someone he comes to love and that in the end destroy him. It is relevant in this connection that the Russian story Nabokov discarded ended with the suicide of its perverted protagonist. The central paradox of Lolita, and one of the effects that makes it a great novel and not just the story of a psychopath, is that one simultaneously recoils from its narrator and is drawn into both the anguish and the lyric exuberance of his point of view.

    Especially in regard to the second of these contradictory responses, the extraordinary style of the novel surely takes the book well beyond the fictional case-study of a madman. Nabokov himself characterized the book as his love affair with the English language, and there are few other novels since Joyce that deploy its resources with such pyrotechnic virtuosity. In the famous first paragraph, which is a spectacular prose poem, Humbert ends by saying, “You can always count on a murderer for a fancy prose style.” Humbert, with his inventor standing firmly behind him, is wonderfully having it both ways: the extravagance of the musical prose might push to the brink of excess, and Humbert is perfectly aware of this, yet the prose is glorious and is surely a part of the reader’s enjoyment of this troubling story. This is the narrative of a man repeatedly doing something morally ugly conveyed in language that is often quite beautiful. The contradiction between subject and style poses a certain moral dilemma for readers, who may well relish the novel and at the same time feel uneasy about the delight they take in it. Perhaps that double-take was part of Nabokov’s intention.

    For a characteristic instance of this tricky balancing act, let us return briefly to Humbert on the davenport in the Haze home with Lolita, who is evidently unaware of his sexual excitement, sitting in his lap. As he approaches climax, deliberately prolonging the pleasure, he says, in a phrase that shrewdly defines his relationship with the pre-pubescent girl, “Lolita had been safely solipsized.” He continues in his habitual extravagant style:

    The implied sun pulsated in the supplied poplars; we were fantastically and divinely alone; I watched her, rosy, gold-dusted, beyond the veil of my controlled delight, unaware of it, alien to it, and the sun was on her lips, and her lips were apparently still forming the words of the Carmen-barman ditty that no longer reached my consciousness. Everything was now ready. The nerves of pleasure had been laid bare….I was above the tribulations of ridicule, beyond the possibilities of retribution. In my self-made seraglio, I was a radiant and robust Turk, postponing the moment of actually enjoying the youngest and frailest of his slaves. 

    This entire scene is the most explicitly sexual moment in the novel — after this, Nabokov pointedly refrains from explicit representations of sex — but it is also something rather different. The murderer’s fancy prose is exquisitely orchestrated in a virtually musical sense, the passage beginning with a spectacular set of alliterations that also incorporates a rhyme: “The implied sun pulsated in the supplied poplars.” The sun is “implied” probably because Humbert, totally focused on Lolita and his pleasure, is not directly observing the sun and the “supplied” poplars on which it is shining, though he does notice the sunlight on her lips. Beyond that detail, Lolita’s presence, radiant for Humbert, is evoked only in the brief phrase “rosy, gold-dusted” because Humbert is completely concentrated on his own sexual excitement.

    The verbal pyrotechnics of the kind one sees here, which are abundantly deployed throughout the novel, are surely a source of delight for readers, perhaps even eliciting a certain sense of admiration for Humbert’s “sensibility” or his inventiveness, though the acts he performs trigger moral revulsion. The novel’s perverted protagonist is manifestly a man of high culture — and, at the same time, following the precedent established by Joyce, avidly attentive as well to popular culture — and so this passage, like so many others in the book, spins a web of allusions in its very representation of sexual arousal. The invocation of Carmen, one of several in the novel, probably refers to Merimée’s novella rather than to the opera based on it, as Alfred Appel, Jr. plausibly suggests, thus conjuring up from fiction a young and sexually alluring woman, here appearing in a silly ditty. Humbert as a Turk in his seraglio, depicted in still another alliterative chain (“In my self-made seraglio, I was a radiant and robust Turk”) taps into an old cliché of Western culture in which the Orient is figured as a theater of exotic sexual license. Leopold Bloom plays more than once with this same Orientalist notion.

    Again, I think that the articulation of Humbert’s fantasy produces a double effect. A reader may enjoy the exuberance of his inventiveness, but surely what the fantasy reveals about his intentions is repugnant. What is especially telling is the phrase “enjoying the youngest and frailest of his slaves.” Presumably, this compliant or helpless victim of the Turk Humbert’s lasciviousness is almost or actually a child, and the fact that she is the “frailest” of the female slaves in the seraglio betrays his awareness of Lolita’s vulnerability, an aspect of her that may well pique his twisted desire. What I have characterized as the balancing act of Nabokov’s prose in this novel is abundantly evident here.  

    I would like to offer a final example of the odd allure created by Humbert’s writing, a passage in which the sheer literariness of the writing is especially prominent. It is Humbert’s first sighting of Lolita, peering at him over her dark glasses as she sunbathes on the patio. Her appearance will present to Humbert, or so he claims, the very image of Annabel Leigh, his first love met on the Riviera when both were still pre-teens, and then forever lost to him through an early death:

    It was the same child—the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair. A polka-dotted black kerchief tied around her chest hid from my aging ape eyes, but not from the gaze of young memory, the juvenile breasts I had fondled one immortal day. And, as if I were the fairy-tale nurse of some little princess (lost, kidnapped, discovered in gypsy rags through which her nakedness smiled at the king and his hounds), I recognized the tiny dark-brown mole on her side. With awe and delight (the king crying for joy, the trumpets blaring, the nurse drunk) I saw again her lovely indrawn abdomen where my southbound mouth had briefly paused; and those puerile hips on which I had kissed the crenulated imprint left by the hem of her shorts—that last mad immortal day behind the “Roches Roses.” The twenty-five years I had lived since then tapered to a palpitating point, and vanished.

    The idea of a formative experience in early life imprinting itself so indelibly on the psyche that the person becomes its lifelong captive is, as quite a few commentators have noted, Nabokov’s mockery of the Freudian notion of the causation of sexual pathology by childhood trauma, a notion he famously despised. Given that it plays an altogether determinative role in Humbert’s perversion, one must conclude that the “psychology” of the novel, based as it is on a parody of Freud, can scarcely be regarded as realistic. 

    It is, instead, a central instance in which playfulness is paramount in this representation of a sexual deviant, an unanticipated conjunction of manner and subject that may compel us to reconsider how to think about Humbert Humbert. In one respect, he is a powerful fictional representation of a disturbed person that one can readily relate to troubling manifestations of this kind of disturbance in the real world; in another respect, he is a kind of pawn in a wild literary game. One should note that the caged ape in the Jardin des Plantes breaks through the surface here in Humbert’s self-denigrating characterization of his own “aging ape eyes.” He proceeds to embark on the fantasy of the little princess kidnapped by gypsies — the introduction of gypsies ties in with the allusions to Carmen, who is a gypsy — comically casting himself, a male figure to uncomfortable excess, as the nurse of the vanished infant.

    The story of the kidnapped child rediscovered in adulthood through the recognition of a birthmark is very old, originating in the Greek romances of Late Antiquity and continuing to lead a literary life in the Early Modern period and beyond. Fielding, for example, employs it in Joseph Andrews, birthmark and all, with the kidnappers there identified as gypsies, a European fantasy about them in that era. Nabokov, then, is playing not only with Freud but also with the contrivance of an old tale told many times since the Greeks. What may properly be described as the highjinks of Humbert’s consciousness, however tormented he often may be, is on display as he quickly switches roles from nurse to king, clearly the child’s father, crying for joy over her discovery. The fact that the nurse is imagined to be drunk at this moment is a wildly extraneous and incongruous detail, Humbert indulging in a riot of the imagination as he recreates this old story for his self-explanatory purposes.

    In regard to his function as a narrator of the novel, it should be kept in mind that Humbert speaks in two distinct and intertwined modes: his language reflects an obsessive and, indeed, deranged mind, as in the excessive doubled insistence on “immortal” in this passage; and it also deploys the extravagant resources of Nabokov, shrewd and witty observer and master stylist. One might note here the lovely precision of the adjective in “the crenulated imprint” and the wit of “my southbound mouth” to refer to the ultimate sexual destiny toward which the mouth is traveling. The two twelve-year-olds on the Riviera, it seems, were going a step beyond ordinary pre-adolescent fooling around. The wonderful concluding sentence goes on to strike a distinctively Nabokovian note. It is strongly reminiscent of at least a couple of sentences in Speak Memory, a book cast in its initial version not long before the composition of Lolita. The literary and, one could also say, stylistic recapture of the past was an urgent undertaking  for Nabokov, splendidly achieved in Speak Memory, and in Lolita the intellectual joke of a “Freudian” childhood experience becomes also, at least at this moment, an emotionally fraught and joyous realization of the past returned in all its luminous presence.

    This concert of surprising and vividly inventive effects in the passage, and elsewhere in the novel as well, leads me to propose an aspect of the readerly experience that one would certainly not expect in the narrative of a sexual abuser of young girls: for all the moral dubiety of the protagonist’s story, Lolita is a pleasure to read, and anyone who denies this is likely to be suffering from terminal moralism or bad taste. In this import-ant regard, we should consider the essential role of parody in this novel, because parody is also not something generally associated with the fictional portrayal of psychopaths.

    Parody, of course, is pervasive in Nabokov’s novels. What its presence necessarily implies is that we must see the novel not as a direct representation of reality — a word, we should keep in mind, that for Nabokov must always be wrapped in scare quotes — but rather as a response to the world outside literature entirely mediated by literature, which is to say, both the novelist’s own literary contrivances and the variegated background of literary tradition on which he chooses to draw. As critics and scholars through the decades have abundantly shown, Nabokov constantly calls attention to the status of his fiction as literary artifice, executing what the Russian Formalists of the early twentieth century referred to as “laying bare the device.” Yet the double edge of this procedure as he practices it may be a little hard to get a handle on. Invitation to a Beheading and Bend Sinister are ostentatiously self-reflexive novels, but they are also serious engagements with the horrors of totalitarianism, whose potential for the wholesale extirpation of humanity was all too evident during the years when they were composed. Much the same is true of the totalitarian state fantasized by Kinbote in Pale Fire. Nabokov’s early novel The Defense abundantly calls attention to its own artifices, as we would expect, but it is also a wrenching representation of a genius trapped in the world of chess that is the vehicle of his genius. One could extend this Nabokovian catalogue of grave human predicaments, historical or personal, confronted through the medium of self-reflexive fiction.

    In Lolita, then, we get the probing portrait of a sexual deviant who kidnaps a girl-child and inflicts great harm on her that is conveyed through a novel which reminds us of its status as an invented fiction and plays quite exuberantly with literary tradition. Parody, again, is ubiquitous. It begins on the first page of the novel with the quotation from Poe’s “Annabel Lee,” a poem that lends the name Annabel Leigh to Humbert’s first love. Is she, after all, a “real” character in a novel or a kind of personified citation, Humbert living out the role of the male speaker in Poe’s poem? Allusions to Poe’s poem are scattered through the novel. The “winged seraphs” of the poem flit across these pages. Here is one especially telling instance: “I should have known (by the signs made to me by something in Lolita — the real child or some haggard angel behind her back) that nothing but pain and horror would result from the expected rapture. Oh, winged gentlemen of the jury!”

    The parodies and satiric references in the novel include Merimée, A. E. Housman, T.S. Eliot, Arthur Conan Doyle, Pierre de Ronsard, and many other writers. The elaborate development of Clare Quilty as Humbert’s doppelgänger harks back to Dostoevsky’s The Double, the work of a writer whom Nabokov despised, as well as to Poe’s story “William William.” Parody is also deployed generically, as in the old romance story of the kidnapped child discovered through a birthmark, or in the desperate, farcical physical battle between Quilty and Humbert, about which he himself observes, “elderly readers will surely recall at this point the obligatory scene in the Westerns of their childhood.” All these allusions and parodic elements have a paradoxical effect. Humbert is an appallingly twisted figure repeatedly operating in a literary landscape evoked through his own rich background in culture high and low. In the climactic scene with Quilty, we do not cease to see him as a violently jealous lover seething with rage against the man who has stolen his beloved girl from him, but the scene, with its plethora of parodic literary and cinematic references, is also hilarious: fun and horror are interfused and unmediated. The aesthetic does not usurp the ethical, but the ethical is made to co-exist with the aesthetic, and in this way the reader is made to read complexly, and is never let off the hook.

    Nabokov approaches two things with the utmost seriousness: the despicable act of sexually exploiting a child and the instrument of art through which the moral issue is represented. For all of the fun and games of his play with artifice, strong and moving emotions are expressed, as in the great moment near the end, when Humbert discovers the now pregnant Lolita with “her adult, rope-veined narrow hands and her goose-flesh white arms, and her shallow ears, and her unkempt armpits” (which earlier were called “pristine” when he watched her at tennis), and he can assert, “I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else.” 

    The defining dimension of art in Lolita must be kept in mind. Parody and the overlapping practice of allusion are essential to the adventure of the novel at the same time that they point again and again to its status as a work of literature. Allusion itself is intrinsic to the dynamic of most literature: you would scarcely think of writing a story or a novel or a sonnet or an epic if you had no familiarity with other such works, and allusion, through which you insert your own writing in the body of its predecessors, remaking them and often challenging them as you invoke them, is a recurrent method for the creation of new literature. Parody may be thought of as a special category of allusion, usually in a comic and critical vein. These twin processes in Lolita constitute an implicit affirmation of the artfulness of the novel, of the pervasive operation in it of literary art. That art is of course manifested in the spectacular prose that Nabokov creates for his deranged narrator, at times deliberately over the top in keeping with his derangement but very often brilliantly original, witty, finely lyrical, and on occasion quite affecting. Here is a moment when Humbert introduces circus performance as a metaphor for art — the same trope will recur in Ada — that suggests how artistic skill can convey the plight of a pathetic and unseemly character, which is precisely what his author has done for him: “We all admire the spangled acrobat with classic grace meticulously walking his tight rope in the talcum light; but how much rarer art there is in the sagging rope expert wearing scareclothes and impersonating a grotesque drunk!”

    Lolita is the most troubling and touching representation of a morally grotesque figure in the fiction of the last century. At the very end of his painful story, in his prison cell, his death imminent, Humbert affirms that he has used his fleeting time to make Lolita “live in the minds of later generations.” He then goes on to proclaim these grand concluding lines: “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.” The very last word of the novel, as Alfred Appel has observed, is the same as the first, affirming a kind of architectonic unity for the novel as a whole. The reference in “aurochs” to the cave paintings of early man and in “angels, the secret of durable pigments” to Renaissance art set this narrative in the grand tradition of art going all the way back to prehistory, much of it still enduring. There is a certain ambiguity as to who is speaking here at the end. Of course, it has to be Humbert, reflecting on what turns out to be in the end the truly beloved human subject of his story as he senses his own end approaching. Yet his voice merges with Nabokov’s in the proclamation of the perdurable power of art.

    Humbert Humbert is not Vladimir Nabokov: the point is worth emphasizing in our cultural circumstances. And the real identification of the novelist with his protagonist is not in regard to Humbert’s perversion, as some readers of the book have misguidedly imagined, but in the celebration of art as a fixative of beauty and feeling, anguish and love — as a fixative of humanity. It is this, finally, that lifts Lolita above the currents of shifting attitudes toward sexual exploitation or toward sex itself. The novel is obviously not a case study in perversion, as the highly parodic foreword by the fictional psychologist John Ray, Jr. would have it. It is also something more than a riveting fictional portrait of a repellently disturbed person. A murderer may have a fancy prose style, but in this instance the prose style turns out to be both arresting and evocative, at moments sublime, leading us to experience through the moral murk of the narrator a great love story that seeks to join the company of the cave paintings of Lascaux and the sublime angels of Giotto and Raphael, and nothing less.

    The Scandal of Thirteentherism

    Amendment XIII
    Section 1.
    Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have
    been duly convicted, shall exist within the United States,
    or any place subject to their jurisdiction.
    Section 2.
    Congress shall have power to enforce this article by
    appropriate legislation.

    In our age of roiling discontent, liberalism and its historical achievements are under assault from all sides. For the past four years, Donald Trump had little use for truth, science, progress, mutual respect among races and identities — all the liberal ideals embodied in the founding documents and embedded in the history of American politics. Despite overseeing the military that long ago defeated the Confederacy, Trump nonetheless made the Lost Cause his own, becoming the protector of Confederate monuments and place names, and this support has gained him the appreciation of white nationalists and other “good people” like the ones who marched on Charlottesville. Trump had little use for the colorblind state that liberals associate with the Party of Lincoln.

    Even with Trump out of the Oval Office, Trumpism continues to be the perfect ideological provocation for those on the other side now questioning America’s central political tradition. It sets the mood for their revisionism. At war with classical liberalism and “neo-liberalism” alike, the progressives are busy rewriting American history. They want a past that reflects their dim view of the American record and justifies certain policies to address racial grievances. American history, they now instruct, is dominated by topics that liberals allegedly marginalized, including settler colonialism, slavery, white supremacy, whiteness, and peoples of color. The editor of the eminent American Historical Review writes that he aims to “decolonize” American history. Ibrahim X. Kendi’s book Stamped from the Beginning described racism as our very origins. Reducing four hundred years of black history to victimhood, the New York Times’ 1619 Project echoed this sentiment. Racism explains slavery, which in turn explains the American Revolution and much else worth knowing about American history. Internal conflicts among whites — based on religion, ethnicity, or class — hardly explain anything, and there is certainly nothing exceptional about America.

    Rather than claiming their own version of the liberal tradition articulated in the Declaration of Independence, the Reconstruction Amendments, the promise of the New Deal, and the Civil Rights Acts of the 1960s, the progressives play up the failures and the betrayals of previous generations of liberals, even as they are suspicious or grudging about the Biden victory. Unwittingly taking their cue from the Nation of Islam, they view American liberalism itself as a species of white supremacy, national in scope and operation: in their view, white supremacy is not an aberrant tradition rooted in the American South, as most twentieth century liberals saw it. They feel little solidarity with American liberals, except those they have dubbed radical and incorporated into what they call the “black radical tradition,” especially Fredrick Douglass, Ida B. Wells, and Martin Luther King, Jr. Like some of the activists in the street, they would topple Jefferson, Lincoln, and Grant along with the Confederate generals. They see liberalism, past and present, as a huge obstacle to the remaking of America into what amounts to a fully integrated society with a social welfare state for all. 

    One of the pillars of American liberalism under assault is the Thirteenth Amendment. Many Americans now believe that slavery never ended — not despite but because of the amendment that fulfilled the promise of the Emancipation Proclamation. In the words of Bryan Stevenson, the head of the Equal Justice Initiative turned historian, slavery never ceased, it merely “evolved.” In his thinking and that of other Thirteenthers, it was the great amendment of 1865 that led to the re-enslavement of black people and mass incarceration. The key to understanding its “evolution” is the exception clause in the amendment, which ended slavery and involuntary servitude “except as a punishment for crime.” Under cover of those words, the Thirteenthers claim, ownership of slaves shifted from individuals to the state, even as the Thirteenth Amendment gave the American people, especially its newly freed people, the false impression that America had ended slavery once and for all. Some Thirteenthers do not simply believe that the amendment led to mass incarceration; they also hold that the loophole represented a diabolical scheme concocted by whites as a race. What all Thirteenthers share is the belief that the loophole created a seamless history of black slavery from the seventeenth century until today.

    When a person of Stevenson’s commitment and stature gives such a dim appraisal of the efficacy of an amendment signed by Abraham Lincoln, attention must be paid. In his crusade to link mass incarceration to the Thirteenth Amendment, he is not alone. A wide array of historians, cultural studies scholars, activists, and artists have endorsed this view in full or in part, including Henry Louis Gates, Jr., Kimberlé Crenshaw, Khalil Muhammad, Alex Lichtenstein, Kanye West, and Ava DuVernay. Whatever chance this interpretation had for burning out on its own disappeared when DuVernay’s documentary 13th took the nation by storm in 2016. It is now taking root in the nation’s schools: after watching DuVernay’s film, my students believed that the convict lease system (about which more below) re-enslaved most blacks. They were shocked to learn that the percentage was much less than one percent. 

    An idea born in the 1960s has become a popular and pseudo-scholarly belief that many want to use as a basis for making public policy. Not many have gone as far as Kanye West, who— with all the erudition at his disposal — has called for the repeal of the Thirteenth Amendment. Most Thirteenthers aim for an amendment to close the loophole. Their objective is to put an end to mass incarceration, which is a fine objective. But the key to ending it, they suggest, lies in removing its supposed economic justification — black prison slavery. 

    Thirteentherism is best viewed as another episode in a long tradition of using history as a weapon in a political struggle. At times, the distinction between historical truth and propaganda gets lost. Yet in keeping with our era, bad history and worse social science have replaced truth as the intellectual underpinning for a great deal of thinking about social change. Rather than making the incontrovertible case that mass incarceration as an inherent evil, they seek to hitch their cause to the moral opprobrium that already exists against chattel slavery. They have little use for differences and distinctions, and simply wish to call incarceration slavery. Never mind that Americans of African descent have always held historical truth as sacrosanct, believing that the dispelling of falsehoods is the proper foundation for black people’s progress. Thirteentherism breaks with that black historical tradition of truth telling, hoping to end convict slavery and in the process misrepresenting some of the most momentous changes in American history.

    The intellectual origins of Thirteentherism lie in the intellectual ferment of the 1960s. Prisoners commonly described themselves as slaves, whether on the prison plantations in the South or the workshops in other regions, since they all worked for little or nothing. It took an epiphany by Lee Wood, a prisoner in the California system, to link the Thirteenth Amendment to his condition. As part of a radical reading group, Wood read the amendment aloud to his comrades, and the loophole — “except as punishment for crime whereof the party shall have been duly convicted” — suddenly appeared to explain his plight. Few would do more to spread the idea. Once he had served his time, Wood dedicated himself to ending this “slavery,” founding the Coalition Against Prison Slavery (CAPS). He became well known for spreading literature on  the role of the Thirteenth Amendment, and with funding from the Quakers he published, along with his wife, a short volume tracing the history of prisoners as slaves.

    Wood’s idea of removing the loophole from the Thirteenth Amendment gained some traction in prison activist circles by the mid-1970s. He was not so much interested in ending imprisonment as he was against ending the exploitation of prisoner labor. Not only did CAPS receive funding from the Quakers, he also got the American Friends Service Committee to endorse his idea of removing the exception clause from the Constitution. From CAPS, the idea spread. In 1977, the New Afrikan Prisoners Association in Illinois petitioned the United Nations: “We protest the 13th amendment which legalizes slavery…” In 1980, William Coppola, a prisoner in Texas, cited the amendment as proof that slavery was alive and well in America. According to increasing numbers of prisoners, the Thirteenth Amendment had done them dirt. Not only did it not end slavery, it created more of it.

    By the 1990s, the intellectual influence of prisoner advocacy spilled over into academic circles. Before joining the professoriate, Alex Lichtenstein worked on behalf of prisoners, then followed his interest into scholarship. He published a history of convict leasing, called Twice the Work of Free Labor. Notable mostly for its interpretation that the system contributed greatly to the industrialization of the South, the book promoted the Thirteenther view of the amendment to end slavery: “Ironically, this [convict lease] system emerged immediately on the heels of the passage of the Thirteenth Amendment to the Constitution, which intended to abolish bondage but permitted involuntary servitude solely as a punishment for crime.” He named one chapter, “New South Slavery,” and another, “Except as a Punishment for Crime.”

    Thirteentherism gained most of its academic visibility and activist credibility through the writing of Angela Davis, who embodies the continuity between the prison activism of the 1960s and the modern prison abolition movement, which seeks to make prisons obsolete here and abroad. Her academic labors made cultural studies a central venue for the study of “the carceral state.” Reminiscent of W. E. B. Du Bois, who laid the seed for whiteness studies with a passing comment about how whites benefited from black oppression, Davis wrote an essay on Fredrick Douglass’ failure to oppose convict leasing and other forms of labor oppression. Of the amendment’s clause, she wrote: “That exception would render penal servitude constitutional — from 1865 to the present day.” As if this would have been impossible without the clause, she went on to say “That black human beings might continue to be enslaved under the auspices of southern systems of justice (and that this might set a precedent for imprisonment outside of the South) seems not to have occurred to Douglass and other abolitionist leaders.” After her essay, the Thirteenth Amendment’s loophole became intellectually important.

    Wood, Lichtenstein, and Davis see a constitutional power in the Thirteenth Amendment to establish convict or prisoner slavery, yet they know that the various British colonies and American states had exercised legal authority to create systems of convict slavery. They often carry on as if the amendment was meant for blacks only — the original post-Civil War black code, if you will. But before and after the founding of the United States, convicts had been forced to labor against their will without recompense. During the colonial era, more than 50,000 whites convicts were given the most extreme Hobson’s choice: an indenture (contract) to slave for a term of years in British North America or to be put to death for their crime. They were often sold to work for masters at the auction blocks where Africans were sold, and both types of slaves, convict and chattel, were known to run away together.

    The American Revolution ended the importation of white convicts as slave labor, but the new sovereign states all put those deemed criminal, regardless of racial designation, to work without compensation in one form or another. In the new penitentiaries some worked directly under the supervision of the state, others worked at the prisons under the control of leases, and others still off site. By the end of the Civil War, the power of colonies and then states to inflict involuntary servitude or slavery for a term on whites and others as convicts had existed for over two hundred and fifty years — a period longer than the age of chattel slavery. Of those seeing a white conspiracy to re-enslave blacks as convicts, an obvious question needs to be asked: why would Congress need to create a special constitutional amendment for blacks to make convict slaves of them? They had done that very thing to whites for centuries. The exception clause merely recognized the existing police power of the states.

    The history of white convict slavery notwithstanding, Thirteenthers often treat the amendment as a federal black code that applied uniquely to the freed people and blacks in general. Among many others, Lichtenstein and Davis suggest as much when they imply that something special could have been done in the language of the amendment to prevent the criminalization and re-enslavement of the freed people. In their account, the language as it stands empowered the Southern planters, and they point to a Southerner or two who read the amendment as a veritable black code for the treatment of freed people. For an alternative that could have made things different, Thirteenthers point to Senator Charles Sumner’s attempt to offer a different version of the amendment that outlawed slavery and made no mention of crime and punishment. Many believe that his amendment without the exception clause would have changed history. 

    Yet Sumner simply wanted an amendment that clearly embodied the abolitionists’ belief that blacks and whites would be free and equal under the law. Removing the exception clause would have ended chattel slavery, but it would have left convict slavery — for blacks and whites alike — in place. Criminalization and imprisonment go well with Sumner’s desired wording of equality under the law. The difference of racism would have adversely impacted them at the hands of the states as it had plagued antebellum free blacks, North and South. Indeed, something more than an amendment touting equality under the law was needed. 

    The Republican-dominated Congress was interested in ending chattel slavery, nothing more, nothing less. They decided on the language that had been an effective chattel-slavery killer since 1787. The exception clause had become part of American federal law when Congress passed the Northwest Ordinance in 1787. Congress prohibited chattel slavery in the territories ceded to the federal government — except for those slaves found guilty of crimes, who could be subject to “involuntary servitude or slavery.” Thomas Jefferson, who most likely drafted the provision, wanted to end the expansion of chattel slavery. Congress required the exception clause as part of every constitution submitted by territories to enter the union as a free state. Over time, Jefferson’s proviso, as Sumner called it, ended chattel slavery wherever it was enshrined in a state constitution. It also made clear that Congress was not usurping a new state’s police power to punish criminals in a manner consistent with the original thirteen states — some of which, as colonies, included enslavement.

    Apparently few Republicans, including Sumner, understood that the exception clause allowed for a term of slavery for a conviction. The potential difference between Sumner’s equality under the law proposal and the loophole version became clear immediately. In early 1866, the United States Army quashed the enforcement of a black code in Virginia that allowed freed people who did not sign a contract to be sold as a slave for a term. In November 1866, a judge in Anne Arundel County, Maryland, sentenced three black people to be sold for a term of service to local planters. The decision alarmed Sumner and other Republicans. The judge, in effect, was seeking to apply the old free person of color laws. The sentences were never carried out and the judge did not ultimately face prosecution. Yet Maryland was soon forced to remove its discriminatory laws. The loophole  for any form of chattel slavery, even for a crime and even for a term, was closed. The Thirteenth Amendment was emphatically not a black code. 

    Without compromising the principle of equality under the law, the Republican-dominated Congress would have had to pass a version of the Thirteenth Amendment, or an additional one, that explicitly forbade convict slavery, not just chattel slavery. The new fundamental law would have done for whites what Thirteenthers wish it had done for blacks. It would have reduced the states’ police power to decide the appropriate punishment and pushed the costs for prisons entirely on state taxpayers. In her impressive book The Crisis of Imprisonment, Rebecca McLennan laments the failure of the Framers to end prison labor. She points out the ubiquitous tensions within states to, on the one hand, bar unfree, unpaid prisoner labor from competition with free labor, and, on the other, meet the needs of taxpayers to defray the cost of a penal system. 

    A vote to end convict slavery in the Thirteenth Amendment likely would have divided Congress and ultimately the nation. Northern and borders states would probably have been unanimously opposed to an additional section to the Thirteenth Amendment that usurped state power and left them with an expense. Even the version that retained the state’s power to use prisoners as involuntary or slave labor did not have universal support among Northern and border states; Delaware and Kentucky did not ratify until much later as it was. Texas and Mississippi held out. It was impossible to reach the necessary twenty-seven states to ratify the amendment without two of the rebellious states on board. With greater opposition from Northern and border states, a southern state movement to unite against the Thirteenth Amendment might have succeeded — but it was an unimaginable outcome. The political appetite to end convict labor, however it was defined, did not exist. 

    For the conspiracy theorists among the Thirteenthers, this insistence upon the limits of the politically possible will simply be received as further proof of an alliance between Northern and Southern whites. In their thinking the loophole is not happenstance, but a plan that allowed whites to catch and re-enslave black people. As early as 1977, the New Afrikan Prisoners Association in Illinois, in a petition to the United Nations against the Thirteenth Amendment. wrote, “It was never the intention of the rulers of the u.s. to ‘abolish’ slavery.”

    The other elements of the Thirteenthers’ re-enslavement plot are the black codes and the convict lease system. Most professional historians, including Thirteenthers such as Lichten-stein, know two things about the black codes that the amateurs ignore: first, that the aim of the black codes was to push blacks back onto the plantations, not into jails or prisons; and second, that the black codes lived and died before the rise of convict leasing as a system. The Civil Rights Act of 1866, various court decisions, and the Fourteenth Amendment eliminated them. In most states, the convict lease system started years after the black codes had been outlawed. Just as Southerners did not need a loophole to create the convict lease system, they did not need black codes to discriminate against black people and to convict them of crimes. In the Thirteenthers’ narrative, the exception clause and the black codes are best understood as narrative devices to enhance the effect of their propaganda.

    Although historians of convict leasing now argue that it served the industrializing New South, not the cotton, tobacco, or rice planters, Thirteenthers often cannot shake the image of their imaginary black codes being used to send the re-enslaved ex-slaves back to their former masters on the plantation. No less a figure than Henry Louis Gates, Jr. has produced a short video in which he argues that convict leasing and the black codes were part of a “labor system that took shape in the late nineteenth century [and] developed coercive means to ensure that cotton remained king.” The convict lease system is the indispensable element in the Thirteenthers’ narrative, and every effort is made to play up its size, its duration, and its profitability. They use percentages to show that the prison population shifted from white to black in a decade or so after the end of chattel slavery. And they emphasize the growth of the black prison population, how quickly it doubled. 

    In both cases, no effort is made to explain how a system largely closed to blacks in the antebellum years would show dramatic annual increases without much change in the size of the prison population. And little attention is paid to the size of the system throughout its duration. Instead the impression is given that re-enslavement captured a huge percentage of the black population. I repeat: the historical truth is that it captured less than one percent.

    The focus on the late nineteenth century gives a false image of incarceration then and now. In Georgia, where we have the best numbers, about one third of one percent of the black population was imprisoned for most of the convict lease era. In 2017, by contrast, 1.4 percent of the black Georgia population was in state prisons. That is almost five times as many as in the age of mass incarceration. This tracks well with the nation as a whole in the era of mass incarceration, when at its peak, in 2006, 1.5 percent of the black population found itself in the prison system. 

    The small, brutish system of convict lease proved to be shorter in duration than the Thirteenthers suggest. They point out that Alabama’s system existed until 1928, but rarely, if ever, do they note that it was an outlier. In the 1890s, Virginia, Tennessee, South Carolina, North Carolina, and Mississippi ended theirs. By 1913, only Florida and Alabama were engaged in leasing. DuVernay’s film gives the impression that convict leasing and lynching caused the Great Migration out of the South, making blacks “refugees.” Yet before the start of World War I convict leasing was already a moribund institution, barely a shadow of the monster it had been, and lynchings were in decline. Ironically, the white supremacist governments that brought the nation the illiberal institutions of state-mandated segregation and black disenfranchise-ment ended the system most associated with chattel slavery. Moreover, they put out of business the only profitable penal system in American history. 

    While trading on images of the Southern prison structure — convict leasing, the chain gangs, the prison plantations — Thirteenthers ignore the form of convict slavery that engulfed  most prisoners in America from emancipation forward. In the North and the West, the prisons predominated through most of the nineteenth and twentieth centuries, but in the Thirteenther narratives they simply do not appear, because the amendment is treated as a federal black code, enslaving only blacks, regardless of work life. In non-Southern prisons, leasing out prisons and prisoners stopped in the late nineteenth century, and production under prison control for state use became the system. With northern migration, blacks found their way into them. Undoubtedly, racism resulted in harsher treatment, but it did not Southernize the prison regimes as the Thirteenthers suggest. Convict leasing, road chain gangs , and prison plantations did not appear. Racism abounded, but it was hardly new in the West or the North.

    Together the Northern and Western prisons dwarfed the Southern system in size and scale. Before the rise of mass incarceration, roughly a third of all black prisoners were serving time in them. By that time prisons were on the brink of rebellion, but the nature of prison life was different. Despite the inherent repression in all prison life, black convicts in the North and West found time, like their white counterparts, to pursue self-improvement. Malcolm X and many others like him became autodidacts with the assistance of prison libraries. Some received more formal education through vocational programs. If Northern and Western prisons produced white writers, they also produced black ones such as Chester Himes and Eldridge Cleaver. It was in federal prison that Angelo 

    Herndon wrote his autobiography Let Me Live. To maximize the propaganda value of black men in conditions reminiscent of chattel slavery, the Thirteenther narrative ignores the growth of black incarceration outside the South, hinting that Southern ways moved north. Yet the rise of penitentiaries in the South, along with the decline of the road-building chain gangs, suggests that the Southern penal system increasingly became more like the rest of the country. 

    Having used the black codes and convict leasing to create the impression that Thirteenth Amendment had subjected black people to massive, profitable, and brutal re-enslavement, Thirteenthers continue their discussion into the true age of mass incarceration, from the 1960s forward, as if nothing of substance had changed since 1865. Little thought is given to the inclusion of Hispanic bodies among the slaves, and white prisoners remain merely unfortunate by-products caught in the nets of a system that was designed to enslave blacks. The image presented is that of the state raking in profits from selling black labor to Fortune 500 corporations, consuming the fruits of black labor in prison industries and the various and sundry centuries-old plantations in the South. The truth is that most “convict slaves” are actually idle, and that the state and federal governments make revenues but never profits. All this seems wholly lost in the conversation. 

    And as serious scholars know, the origins of the expensive and unprofitable system of mass incarceration are to be located in the changes of the 1960s, not 1860s. Thirteenthers have little use for the works of scholars such as James Forman, Jr. and Elizabeth Hinton, who see mass incarceration arising largely from party politics and political choices made by politicians and communities, including African Americans. They do not take seriously scholars such as Ruthie Gilmore, who argues for examining the political economy — not narrow politics or the pursuit of revenue from prison labor — to explain the rise of mass incarceration. These are traditional scholarly debates, and so they lack a grand narrative of slavery or an explosive Jim Crow metaphor. They are not useful for propagandists.

    Having penetrated the academy, popular culture, social media, and the classrooms, Thirteentherism has also become a basis for social activism and policymaking. Lee Wood’s old CAPS agenda of ending prison slavery by removing the loophole from all American constitutions has been taken up by many. An increasing number of activists believe that by removing the “profit motive” from mass incarceration, locking up millions of people would lose its rationale.

    Nationwide prison strikes have become almost annual occurrences. In 2016, the promotion and release of DuVernay’s film overlapped neatly with a nationwide prison strike to end the abuse of prison labor. Originating in Alabama, the prisoners leading the strike invoked the role of the Thirteenth Amendment in making them slaves and protested against their being forced to work with little or no remuneration. The strike involved more than twenty thousand prisoners in twenty-four prisons. In 2018, coinciding with the fiftieth anniversary of the uprising at Attica, prisoners in seventeen states struck again and made ending prison slavery one of their ten demands. “The Thirteenth Amendment didn’t abolish slavery,” said the strike’s spokeswoman, Amani Sawari. “It wrote slavery into the Constitution. There’s a general knowledge that the Thirteenth Amendment abolished slavery, but if you read it, there’s an exception clause in the abolishing of it. That’s contradictory — that something would be abolished and there would be an exception to that.” 

    Beyond the prison strikes of recent years, there has been ongoing pressure from activists to sever the purported link between constitutions, state and federal, and the use of convict slavery. Most of the calls from prison activists and reformers are for the country to “amend” the federal Constitution to end all forms of slavery. On August 19, 2017, for instance, the Millions for Prisoners March on Washington, DC proclaimed that “We DEMAND the 13th amendment ENSLAVEMENT CLAUSE of the United States Constitution be amended to abolish LEGALIZED slavery in America.”

    The activism on the ground had some impact on presidential politics in the recent election, but not much. Among the major candidates, only Bernie Sanders invoked the amendment. In making a case against the continuation of private prisons, he argued falsely and inexplicably that they had their origins in “chattel slavery.” After the Civil War, he held, “prison privatization expanded rapidly when the 13th Amendment, which outlawed slavery but continued to permit unpaid penal labor, was ratified… Due to an extreme shortage of labor caused by the emancipation of slaves, former Confederate states exploited the legalization of penal labor by incarcerating newly freed black people.” To his credit, Joe Biden, despite an unfavorable record on stoking the growth of mass incarceration while in Congress, did not pander or traffic in this nonsense. As he sought to reverse his record and come out for the reduction of incarceration rates, he did not invoke the Thirteenth Amendment in his policy statements.

    At the state level, however, the situation has been different, and in the long run might bear fruit nationally. Given how deeply rooted the link between the Thirteenth Amendment and convict slavery has become in African American social thought, state-level politicians are responding to activists’ calls to end the loophole. In various states, efforts are being made to remove the language. In Colorado, activists laboring under that assumption pressed for constitutional change and achieved the removal of the exception clause. In 2016, they succeeded in placing on the ballot “Amendment T,” which, they believed, would have prohibited the state from using prisoners as labors without their consent. Despite a lack of opposition, the amendment failed by two percentage points because of its confusing language. Two years later a similar amendment passed, but a strange thing happened along the way — no one, not even its advocates, believed that the new amendment, despite its removal of the exception clause, would prohibit prisoners from being forced to work. By the time the bill was put before the people of Colorado, it became clear, as Vox reported, that the removal of the clause would not end virtually uncompensated labor. This was not a reform, it was a gesture; and too often reformist energy is squandered on gestural politics.

    Even in the wake of Colorado’s cosmetic change to its social contract, the movement to purify all state constitutions has not declined but rather increased. Policymakers and activists from a number of states (Utah, Colorado, Nebraska, South Carolina, New Jersey) have banned together recently to form “a national coalition fighting to abolish constitutional slavery and involuntary servitude in all forms.” During the 2020 election, the red states of Utah and Nebraska revised their constitutions to eliminate the exception clauses with complete bipartisan support. These victories are largely symbolic because they seemed to interpret slavery as chattel slavery or as involuntary labor performed for private enterprises, not the state. Utah’s Department of Correction will continue to require prisoners to perform work within the prison and to volunteer for other prison-labor opportunities, including with private industries. In Nebraska, State Senator Justin Wayne introduced a constitutional amendment to remove the exception clause in the state constitution. He assured voters that prisoners were paid a nominal amount for their labor. For many prison reform advocates, that nominal amount represented nothing less than convict slavery. 

    The only state initiative thus far that has had the potential to end convict slavery or any form of involuntary servitude is the one recommended by policymakers in New Jersey. (This initiative did not get on the ballot in the last election.) As one of the original thirteen colonies, the state’s constitution never carried Jefferson’s proviso that was imposed on territories brought into the union as anti-chattel slavery states. With convict slavery stretching back to its early colonial history, New Jersey would be breaking not with the Thirteenth Amendment but with its most deeply ingrained tradition. 

    Tying the abolition of convict slavery to the Thirteenth Amendment implies that the institution has shallow roots. Moved by the myth of Thirteenthism, however, lawmakers are adding rather than subtracting language to the constitution to uproot an ancient practice: “No person shall be held in slavery or involuntary servitude in this State, including as a penalty or a punishment for a crime.” As the language on the ballot that will be presented to the voters of New Jersey explains, “This amendment would prohibit forcing an inmate to work as a penalty for a crime, even if they are paid. This amendment would not prohibit inmates from working voluntarily.” And as Democrat Ronald Rice, one of the amendment’s sponsors, put it, “We must set right the treatment of prisoners in our prison system and guarantee that no one is unwillingly forced to perform work, whether they are being compensated two dollars or not. Our justice system continues to tarnish our nations [sic] principles but this amendment would set New Jersey on the right path to finally ending indentured servitude in our state once and for all.”

    Only a new amendment to the Constitution of the United States could end convict slavery everywhere, and now, thanks to the bad history of the Thirteenther movement, such a legislative effort exists. With the support of the Congressional Black Caucus, the constitutional amendment introduced by then-Representative Cedrick Richmond (who now works in the Biden White House) reads: “Neither slavery nor involuntary servitude may be imposed as a punishment for a crime.” Here is the language that has been calling out to those opposed to convict slavery from the time of Jefferson’s proviso. If it makes it out of the House, it will certainly die in the Republican Senate, though Senator Jeff Merkley of Oregon has expressed agreement with the Thirteenther argument. More than likely, the Thirteentherist amendment will become a perennial legislative offering, like the late Congressman John Conyers’ reparations bill. 

    Born of the use of the Thirteenth as propaganda, the proposed Twenty-Eighth Amendment will ultimately rise or fall on its proponents’ ability to win on the merits. Rather than trying to persuade Americans that mass incarceration is an inherent and expensive evil, which is an indisputable proposition, Thirteenthers have sought to trade on America’s moral distaste for chattel slavery, pretending that convict slavery was its offspring. When the false association is stripped away, the proposed amendment will call for Congress and then three-fourths of the states to vote for millions of prisoners to shift from being mostly to completely idle with taxpayers footing the cost. It would not have won in 1865 and it is unlikely to do so now.

    And there is a larger issue, a different integrity, at stake here. The Thirteenther use of history as propaganda to achieve a political end marks a break with the tradition of black history. From the antebellum period forward, black historians, professional and amateur, have believed that historical falsehoods justified black oppression and that the truth would therefore be an ally in the movement for racial justice and equality. By distorting the history of the Thirteenth Amendment and by denying one of black people’s greatest triumphs in American history — the destruction of chattel slavery — this generation has sought to emancipate itself by diminishing its ancestors’ prized accomplishment. It has also sought to free itself from culpability for a system that all Americans, including blacks, had a part in making. The legion of black intellectuals who have conflated convict labor and chattel slavery have reached the limits of false persuasion. History as propaganda works better to rationalize the status quo than to usher in change. Rejecting the historical meaning of the Thirteenth Amendment is not an avenue to progress.

    Theseus

    A young king, swashbuckling, expensively schooled
    in rhetoric and swordplay, with your gold-threaded tunic and plumed
    helmet fitted over your patrician nose:
    so you tossed bandits off cliffs and captured a bull—what do you know
    about war? Labor is for peasants, labor pains
    for women. But you waded among the suppurating dead
    on the fields of Thebes and broke the pollution law
    by washing corpses with your own royal hands.
    “Which bodies are mine?” I thought, as Bill
    Arrowsmith paced back and forth holding out his hands—
    “With his own hands!’ he kept saying. “Defiled!”
    With his own hands he offered us glasses of dark red wine.
    We perched along his couch, on his armchairs,
    taking notes. We had not yet touched our dead.
    Our labors were just beginning, mainly
    in library stacks and the pages of dictionaries.
    “Sophrosyne,” Bill barked, “The virtue of moderation,”
    with his round, sun-browned, wrinkled satyr’s face
    and black eyes flashing immoderately
    just a few years before he toppled, alone
    in his kitchen, his heart ceasing its labors and his corpse
    becoming the labor of someone else’s hands.

    The Flood

    —when angels fell out of the bookcase along with old
    newspapers, torn road maps from decades past, and a prize edition
    of the Très Riches Heures du Duc de Berry : suddenly

    the catalogue tumbled. The painting, the show, Peter Blume’s
    Recollection of the Flood, the studio where I slept
    as a child those nights when moonlight fingered

    the looming canvases, the forest of easels, the jug of brushes like a spray
    of pussy willow boughs—all surged. In Peter’s dream
    the restorers stand on scaffolding to paint

    the frescoed shapes between lines the flood has spared:
    and won’t some massive wave of oil
    and shit always storm a city’s heart? Restore, restore—

    there on the ghostly grid the angels dance
    holding hands in a two-dimensional ballet
    of bliss, taking on substance with each cautious dab

    to whirl with wings spread over the very rich hours
    of what we’ve lost. For they are sleeping
    on the bench at the foot of the scaffold, the refugees—

    the exhausted woman clutching her purse, a scrawny girl
    collapsed in her lap, the huddled, bony old man,
    bald head in his hand. And everything they’ve saved

    lies at their feet in a quilt bundle, or stuffed in a box
    tied with twine, or in that suitcase, desperately genteel.
    Only the boy is awake. The artist stands

    apart. Holds in his hands a sketch we cannot see.
    Blonde curls, like Peter’s. Remembering, perhaps,
    Cossacks, the flight from Russia, the ship, the Brooklyn

    tenement where he learned to draw.
    A jug of brushes stands on the windowsill.
    The angels keep twirling. I hear, beyond the door,

    the growl of mountain streams all dragoning down.